Birdsong (2012) Part II of the WWI Drama
This is just a very quick post, an update really. I watched Part II of Birdsong, the BBC One TV drama based on Sebastian Faulk’s novel, on the weekend.
Here is what I wrote at the end of post I.
I didn’t mind watching it, I even liked it, but it isn’t great, it’s just very watchable. I’ll tell you my final impressions once I have watched part II.
Well, here are my final impressions. While part one was heavy on the romance element of the story, part two is much more about the war. The story is still told alternating flashbacks and episodes in 1919. Stephen has been at war for the whole duration of the war. Part II managed to change my view of the whole series completely and I have to say, I liked it a lot. I even thought that Eddie Redmayne was after all the perfect choice for this role of a heartbroken man trying to survive the horrors of the trenches.
Don’t miss it if you get the chance to watch it.
The Dam Busters (1955)
The British classic The Dam Busters is and will always be one of my very favourite movies. It shows eloquently that the best stories are often those which are true. It’s the story of two men and a mission which was as ingenious as it was heroic. One of these men was inventor Barnes Wallis (Michael Redgrave), the other one Wing Commander Guy Gibson (Richard Todd). The movie is based on two books, Paul Brickhill’s The Dam Busters and Wing Commander Guy Gibson’s Enemy Coast Ahead.
The movie has a two-part structure. In the first we see how Willis invents the revolutionary bouncing bomb. The idea was to use the bombs and blow up the Ruhr dams in Germany. The destruction of the dams would not only flood a huge area but disrupt the German wartime industrial production as two big hydroelectric plants would go off-line. In order to blow up a dam the bomb had to land exactly on target which was only possible with extreme precision. The planes had to fly very low and used a cunning device to make sure they were at the right altitude and distance when dropping the bombs.
While Wing Commander Gibson was training the 617 Squadron – a special squadron of Lancaster planes – to fly at night at extremely low altitude, Willis was still conducting one trial after the other until he got the right bomb. Once he had the bomb and the date had arrived, it was in the hands of the pilots to make it work. This second part is extremely suspenseful. Of the 19 planes who flew on this mission only 11 returned. After the mission was accomplished, Willis said to Gibson that if he had known the cost, he wouldn’t have devised the bomb but Gibson assured him that each and every one of the dead pilots would have flown anyway.
The story of The Dam Busters is so amazing because there was such a lot of adversity. If it hadn’t been for Willis believing until the last moment that it would work and for Gibson and his men who thought the unthinkable was feasible, it wouldn’t have happened. It’s really amazing watching them, each on their side, adjusting, inventing and probing until they got it right.
Most of you may know that the remake of The Dam Busters should soon be out. This is one of the remakes I find almost sacrilegious. The movie has no great special effects but it tells a great story and the two main actors are very good. Eric Coates music is very famous and still considered to be one of the best war movie scores.
I’m sure the special effects of the remake will be better but I’m afraid it will be a very slick movie, lacking the warmth and enthusiasm that came across in the first. We will see.
Laurel & Hardy at War – Pack Up Your Troubles (1932)
Pack up your Troubles is only one of many Laurel & Hardy movies showing them at war. There are better examples but it still has a few iconic and quite hilarious scenes. I grew up with Laurel & Hardy, during my childhood they were always on Sunday TV and so, no matter how silly, I’m fond of them.
The US are entering WWI. In his typical boasting way Hardy pretends he would join up if only he was given a chance. The chance is given soon enough in form of a conscription officer but the moment Hardy sees him, he tries to escape and weasel out. To no avail. They are drafted and end up in the trenches of France where they go about their own business pretty oblivious of the mess around them. Food, warmth and a few other things are more important for them. While this was certainly essential for all the soldiers, in Laurel and Hardy’s case it’s center stage. They behave in the trench like an old couple at home. The shelling and bombing is perceived as a major nuisance but not as the real danger it is. Sent to make a few prisoners, they turn a dangerous mission into a hilarious adventure that ends with a surprising success.
Edie Smith, a fellow soldier, tells them about his little daughter. He had to leave her behind with a couple of really abusive folk. When he goes missing, our two heroes decide that after the war they will bring the girl to her rightful grandparents.
The second part of the movie takes place after the Armistice and shows their adventures with the little girl and all their troubles and mishaps until they finally find the grand parents.
Pack Up Your Troubles is one hour long. It’s amusing, not one of my favourites, but still entertaining. They pack all the elements of WWI movies into a film – the trenches, the barbed wire, the mud, the bombings – and add a humorous twist. Laurel & Hardy’s humour is slapstick, it’s not satirical, nor very profound. If you like it, you will enjoy this as well.
Do you have a favourite Laurel & Hardy at war? Or another favourite Laurel & Hardy?
Birdsong (2012) Part I of the WWI Love and War Drama
I finally managed to watch Part I of Birdsong, the BBC One TV drama based on Sebastian Faulk’s excellent eponymous novel. They chose to tell the story moving back and forth between 1910 and 1916.
Stephen is fighting in the trenches and thinking back on how he meet Isabelle, in France, in 1910. He stayed at her house and helped her husband, a factory owner, develop new machines. Those machines were going to make a lot of the workers lose their jobs. The marriage is an odd one. The children are from a former wife, Isabelle and her husband have no children together. At night Stephen hears her cry, during the day he watches her sneak around. She tells him later that she brings bread to the worker’s families.
Isabelle is clearly what the French call a “mal-mariée” – a woman unhappy in her marriage. Stephen is much younger than her husband. He is kind, caring and very attentive. We can’t blame her for falling in love.
All this is shown in flashbacks while Stephen is fighting in the trenches. He is a Lieutenant and has the reputation of being very quiet and superstitious. He seems to have no family, friends or a sweetheart. The trench they are in is above a tunnel system dug out to lead under the German trenches where they could be blown up. The diggers hear that the Germans are digging on the other side as well and are quickly approaching. Usually miners were sent down, not infantry men, but the commanding officer decides that Stephen and his men have to go down as well. Stephen had a problem with one of the miners before and now he is sent down with him.
I’m looking forward to part II as I have forgotten the rest of the story. Or at least the rest of the love story. When I read the book I was much more impressed with the parts on WWI. Although the movie starts in the trenches, it still is much more of a love than a war movie and can’t even be called a war romance as I would only call a movie “war romance” when the romance is set during the war.
I didn’t mind watching it, I even liked it, but it isn’t great, it’s just very watchable. I’ll tell you my final impressions once I have watched part II.
The Round Up – La Rafle (2010) – Operation Spring Breeze or The Round Up of Vel d’Hiv
The French/German/Hungarian co-production, The Round Up – La Rafle, is a powerful and intense movie based on true facts. In the nights of July 16 and 17 13000 Parisian Jews were arrested in a raid in Paris and confined in the Vel d’Hiv (Winter Velodrome) or Drancy internment camp and from there to the extermination camps in Poland. Of the 13000 arrested Jews only 25 survived. Many among them, at least 4000, were children. Not one of them survived. The aim was to round-up 25000 Jews but 10000 escaped and were hidden by the people of Paris. The most shameful part was played by the police who actively contributed to make this happen. French President Jacques Chirac apologized in 1995 for the complicit role that French policemen and civil servants served in the raid.
The movie begins with original black and white footage. We hear Edith Piaf sing “Paris” while we follow Hitler on his tour through the city. That sent shivers down my spine. To think that if the Germans had won the war, Hitler would have made Paris his capital. In the pictures he looked like a guy inspecting real estate, deciding on what walls to knock down, what to keep. Horrifying. Here is an account of Hitler’s tour, written by his pet architect Speer.
After the opening we see people in a Parisian street located in Montmartre. The street scenes show that French and foreign Jews amicably lived together with non-Jewish Parisians. Many French people are friendly towards the Jewish population, but others are openly hostile and hate them. The movie focusses at first on a few Jewish families. It shows how secure they felt. They didn’t think the French government would ever give in. But it did. In exchange for privileges it promised to round-up the Jews and deport them eventually.
After the round-up we see the scenes in the Vel d’Hiv and the point of view changes. A young French nurse, Annette Monnod (Mélanie Laurent), has been sent to help alongside a Jewish doctor (Jean Reno). The doctor and a handful of French nurses are the only health care professionals for 13000 people. There is almost no food, no water, no toilets and the hygiene is abominable. Many of the children are ill. There are doctors willing to come and help but they are not let in. Operation Spring Breeze, as this round-up is called, should be kept a secret. While there are many collaborators among the French, there are many more who are hostile towards the Nazis and willing to risk their lives to save Jews.
Annette becomes very attached to the children and does everything to help them survive. She follows them to camp Beaune where they stay until they are finally deported to Auschwitz. Until the last day many think, they are sent to Poland to work. Rumours that those camps are extermination camps are only spreading very slowly.
I really loved this movie. It moved me, I found it very touching and emotional. I would say that of all the Holocaust movies I’ve seen, this is my favourite. I liked that it focussed on a few Jewish families with different backgrounds. Some rich French Jews, others immigrants and people who fled from other countries. Those individual stories are more interesting and touching than the story of a mass of deported people. In chosing Annette, a French nurse, we see how far the “good” Parisian people went, risking life and health for others. It’s such a shameful chapter in the history of France, its important to remember that there were courageous people as well.
The only thing I didn’t like so much was the end. It should have been different but I cannot tell you why or I would spoil the movie. Considering how excellent the rest is, this is a minor fault. I added The Round-Up to my Children in War Movies List. It’s an excellent example. Other Holocaust movies can be found here: 13 Holocaust Movies You Should See.
Special Forces aka Forces Spéciales (2011) French Special Forces on a Rescue Mission in Afghanistan
Forces Spéciales aka Special Forces is an exciting although controversial new French movie with an exciting cast. Apart from the lovely Diane Kruger (Joyeux Noël, Troy) there are Djimon Hounsou (Gladiator), Benoît Magimel (Intimate Enemies), Denis Ménochet (Inglourious Basterds, Robin Hood), Raphaël Personnaz (The Princess of Montpensier), Alain Figlarz (Bourne Identity, 36), Mehdi Nebbou (Body of Lies) and Tchéky Karyo (Bad Boys, The Patriot). I am excited because I didn’t expect an action movie like this to come from France and on this type of topic. There have been a few recent French movies which were outstanding but they focused on WWI, WWII or Algeria, hardly ever are they dedicated to modern-warfare and the special forces.
This is contemporary, fast-paced, action-driven, kick-ass and very authentic. Think The Hurt Locker meets Bravo Two Zero and you get Forces Spéciales. The movie is dedicated to soldiers fallen in Afghanistan and to the journalists who risk their lives in war zones. The support from the French military is obvious, the gear that is displayed is amazing. Due to this the movie is extremely authentic. I’m not into weapons but I like authenticity and this is as authentic as it can get regarding the equipment.
The story is pretty simple. The French war reporter Elsa Casanova (Diane Kruger) gets caught by the Taliban leader Ahmed Zaief in Afghanistan. She has been conducting interviews with women and called the leader “the butcher of Kabul” in her articles. The last of the women she tries to interview warns her. They are both in great danger. Too late. Zaief captures her informant first and then lures Elsa into an ambush. He threatens to kill her and films the execution of one of her assistants and sends it to France. The French president and his advisors are informed of her captivity and decide to send Special Forces to save her.
The group of men manage to free her but when they arrive at the pick up place, the helicopter doesn’t arrive. Similar like in Bravo Two Zero, they cannot get in contact with anyone as their radio equipment has been destroyed. Time was a crucial factor in the escape and now that the helicopter won’t come, the Taliban leader and his men close in on them. They have no other choice and try to escape over the mountains. This is a catastrophe. Not only are they not equipped for high altitudes and snow but they are hunted by a large group of men.
They have to stop and fight more than once. They also need to decide at some point whether to defend villagers who have helped them against the Taliban or try to save themselves first. Each of the men is trained in another specialty. The scenes in which the sniper is center stage are, as is usual, the most exciting ones.
The group is very likable and because these are men who have undergone an amazing training, there is a bit of superhero flavour. And they have managed to squeeze in a love story.
The strength of this movie, apart from the suspense, action and the amazing gear that is displayed, is the cast. This is one of the most appealing casts I have seen in a long time.
I also liked the score a lot but it’s not original. It’s heavily influenced by other movies. Gladiator among others.
All in all, this is a highly watchable, action-packed movie with a solid story and great actors and certainly a movie fans of The Hurt Locker and Bravo Two Zero should not miss.
I mentioned initially that this is a controversial movie but didn’t say why. As authentic as the gear and the initial scenes look, there are a few instances which are not logical later on. Agreed. The movie hasn’t received a lot of positive reviews by the French press because it was felt to be too propagandist. I’m not sure if any movie that displays army equipment and is supported by the military has to be called propagandist. Maybe it is because more than an anti-war message it carries an anti-Taliban message? In any case, it’s more of an action than a war movie, this should have become obvious by now. I suggest you watch it and let me know how you feel.
Here are two very different trailers which will give you a good idea.
The Front Line aka Go-ji-jeon (2011) A Stunning Korean Movie
The Front Line aka Go-ji-jeon is a stunning movie. I wasn’t all that lucky with Korean war movies before. Something was always off. Either the acting was over dramatic or they were too intense, or lacking a story and appealing characters. But this movie get’s everything right.
The story about the final battle of the Korean war is heartbreaking. One of those utterly pointless we-fight-to-the-last-man battles which didn’t serve anyone. What is more harrowing here even than in other instances is the fact, that the battle took place after the armistice had been signed. For absurd reasons the cease-fire was only to be implemented 12 hours after the signature.
But I’m starting with the end. The final battle takes up less than half an hour. Until we get there the movie has plenty of time to tell back story, side stories and to develop many arresting characters. Some will die, some make it but it’s painful every time, one of them is killed.
In 1953, just before the end of the war, Lt Kang Eun-Pyo (Ha-kyun Shin) is ordered to the Eastern front line to investigate the murder of an officer who has been shot by someone of his own company. The front line lies in the Aerok Hills. The border between the enemies is constantly changing. Some days the border lies more to the north, some days it’s more to the south. Some of the trenches and dugouts are changing occupants every other day. The fighting is intense, the morale is low.
When Kang Eun-Pyo arrives he is surprised and happy to find his old friend Kim Soo-Hyeok (Soo Go). He thought his friend had been killed a long time ago but it seems he isn’t only alive but in charge of things. The commanding officer is a very young guy showing signs of severe trauma and a serious morphine addiction. It’s obvious the heavy fighting has taken its toll. The men have had enough. They don’t even know what they are fighting for anymore. They show signs of insubordination and there are even rumours of contact between the enemy parties.
“Two Seconds”, as they call an enemy sniper, is giving them a particularly hard time. They stand no chance against this incredible and cunning shot. Every time they are on patrol or attacking, “Two Seconds” gets some of them.
The group Kang Eun-Pyo has joined is very composite. There are young recruits who have never fought and battle-hardened older men who already saw combat in WWII. This is quite traditional for war movies but the characters are likable and well-developed.
There is conflict due to the fact that the men are so battle weary and a crime has been committed which needs to be solved. Kang Eun-Pyo is very strict in the beginning, he wants to find the culprit but after a few days and some heavy combat he has to understand that the officer may have been shot as a result of bad leadership. The situation in these hills is so precarious any wrong decision is fatal. On top of that, everybody knows the war is about to end and the men do not understand why they are sacrificed for nothing.
There is another secret to uncover which has nothing to do with the murdered officer. The company which is called “Alligator company”, because they are so great at surviving, has gone through something very horrible in the past. More than one man shows sign of PTSD but nobody tells Kang Eun-Pyo what has happened. He will find out eventually but only after a long time.
The movie combines a great story line with a succession of amazing and surprising scenes. Some of the scenes are quite drastic, there is even one reminiscent of the Omaha Beach landing in Saving Private Ryan. Still, the movie manages to do without the usual Korean gore. It only gets gruesome at the very end.
What I really liked is the fact that this is an intense combat movie that combines action, suspense and emotion, something that you don’t find all that often. The actors are very good, the music is well-chosen and the cinematography is great.
I’m really happy that Show Box Media offered me a review copy of this movie. The Front Line is an exceptionally good movie. A real must-see.
Kingdom of Heaven (2005)
This is the second time I have watched Kingdom of Heaven. The first time I watched it on a tiny TV and thought that may have been the reason why it didn’t work for me. A few years later and with a big screen and a good sound system it still didn’t work. And this despite the fact that it is a Ridley Scott movie, the cinematography is stunning, the music – Hans Zimmer – is good and…. That’s it. … There is nothing else I can add to the plus side. OK, maybe the battle scene towards the end which seems to be one of the Top 10 battle scenes of all time. It’s good, yes, but after 2 straight hours of utter boredom, it’s hard to redevelop some sort of enthusiasm.
Balian (Orlando Bloom), a blacksmith, travels to Jerusalem with his father, Godfrey de Ibelin (Liam Neeson). Ibelin dies on the way but Balian travels on. The movie is set during the reign of Baldwin IV, the so-called leper king (Edward Norton behind a mask). During his reign, Jerusalem is a Kingdom of Heaven in which Christians and Muslims live together in peace. After Baldwin’s death, the husband of Baldwin’s sister becomes king. He wants Jerusalem to be Christian. He attacks Saladin’s army but loses the battle and Saladin marches towards Jerusalem where Balian heads the army that stayed behind. After the final epic battle is lost, Balian leads the people out of the city while Saladin and his people take over. This is more or less the core of the story.
It’s ironic really as it is precisely this boring movie, or rather what it stands for, which was the source of the only really controversial and heated discussion on this blog. A while ago I wrote a post on Movies on the Crusades: A List. It is the only post on which people still comment frequently, calling each other names and being extremely emotional. I know I could close the comments section but I don’t want to do that. I’m not a fan of censorship. I usually reply to every comment but I do not do it on that post anymore as the discussion is turning in circles and answering seems pointless. What fuelled the anger is one person’s comment that Kingdom of Heaven wasn’t historically accurate. Whatever. None of this will make me change my mind – I don’t like the Kingdom of Heaven. Here are some reasons why:
- The story. Why do we need the side story of someone going back to get his illegitimate son and fight along with him? This story part adds at least half an hour to a movie that would have needed some serious cutting plus a main character who totally lacks charisma.
- The length. It is way too long. I was bored after the first 25 minutes, yet had to suffer through another 2hrs.
- The actors. Orlando Bloom is not a good actor. No amount of make-up will ever make him one. Eva Green is one of those actresses you see and forget the moment the camera isn’t on her anymore. Not exactly a fascinating couple. While some of the other actors are very good, their combinations makes the choices look very random.
- The cinematography. It’s stunning, as I said in the beginning, but if that’s the only thing a movie has to offer it becomes annoying. “One more bluish picture and I scream”, was what I was thinking.
- The characters. Even if the main character had been played by someone else, it would still have been a very boring character. In his only strong moment, when he frees the slaves and decides to defend the city against all odds, he sounds like a parakeet and mimics his late father. As Orlando Bloom is a bad actor, it sounds as if he was reciting a badly learned text.
- The history. It isn’t accurate or rather it seems a hodgepodge of historical elements.
All in all it is too bad as the movie had potential. If you would like to see a really great movie on the Crusades, watch Arn - The Knight Templar instead.
Waltz with Bashir aka Vals Im Bashir (2008)
The Israeli animated movie Waltz with Bashir aka Vals Im Bashir is this rare thing – a really surprising movie. On top of that it’s well done, original, interesting and has a great score by Max Richter (Shutter Island).
In Waltz with Bashir Ari Folman tells his own story. He was in Lebanon in 1982, fighting with the Israeli army. At the beginning of the movie we see a pack of dogs, running in the night. It’s a very haunting, eerie image and we learn soon that it’s from a nightmare form one of Ari’s friends who was fighting in Lebanon at the same time. Although not capable of shooting people, he had to shoot the dogs who guarded the villages at night. Those dogs have come back, after far more than 20 years and haunt him in his dreams. One evening in a bar he tells Ari about it. They had never spoken about the war before and Ari had never thought of it much. To his great dismay he realizes that he doesn’t even remember anything. It’s as if it had never taken place.
After this conversation with his friend, he dreams of the war for the first time. The pictures seem to be part of a memory that he cannot really place. It looks like he is remembering a massacre in a refugee camp.
The conversation and the subsequent dream are the reason why Ari thinks, he needs to recover his memory, needs to talk to old friends, to comrades and officers. He travels to Holland and many other places, looking for people who were in Lebanon with him. He speaks to psychologists and learns a lot about the way how memory works, about dissociation and how traumatic experiences are suppressed.
It is highly fascinating to watch how he recovers his memory. Fascinating and sad as he finds out so many horrible things. It’s interesting that more than one person recovers their memory or snaps out of a state of dissociation when thinking of dying and killed animals.
What adds further complexity to the story is the fact that Ari Folman’s father was in Auschwitz. It becomes apparent after a while that the horrors his father has described to him are somehow linked to his suppressed meories and once he recovers the memory of the war he has been in, he remembers everything else as well.
During the last five minutes the movie suddenly turns into a documentary. It is no longer an animated picture but we see original footage of the war in Lebanon.
This is the second animated war movie I have seen (the other one was Grave of the Fireflies) and both were excellent. It’s a medium that works extremely well for this topic.
Waltz with Bashir is highly recommendable. It contains a moving and profound anti-war statement and a very interesting exploration of memory.
Jakob the Liar (1999)
Movies based on books are often problematic. Even more so when the book is a masterpiece. Jurek Becker’s wonderful novel Jakob der Lügner aka Jakob the Liar is a masterpiece. It’s a touching and very unique account of life in a Polish ghetto. Becker was a German writer of Polish-Jewish origin. He was a survivor of the Lodz ghetto, Ravensbrück and Sachsenhausen. A lot of what he has experienced went into his novel. Despite telling a fictitious story, it’s a realistic account of ghetto life, never corny, free of sentimentality. I had a feeling that adopting a novel like his to the screen would be challenging.
Jakob the Liar starring Robin Williams in the role of Jacob Heym, is the second movie based on Becker’s novel. The first, called Jacob the Liar (with a c) was an Eastern German-Czechoslovakian co-production. I have only seen the American movie.
Choosing Robin Williams as main character does pretty much indicate what type of movie we can expect. Something slightly sentimental. And, yes, Jacob the Liar is quite sentimental but so is Life is beautiful aka La vita è bella. When you try to introduce humour and hope in a movie about life in a Polish ghetto or in a concentration camp, you’re bound to be sentimental as hope and humour were most certainly absent from both places. Compared to La vita è bella, Jacob the Liar is not a bad movie at all. Compared to the novel, it’s not that good but still decent. I’m not going to bore you again with my aversion to fake accents but, yes, it’s another really bad case of fake Jewish accents. Still, as I’m fond of the story of the novel, I managed to enjoy the movie.
Jakob Heym is arrested by the Gestapo on his way home one evening. It looks as if he was out after curfew. They call him into their offices and while they decide what’s going to happen to him, he gets a chance to listen to the radio in which the advance of the Russian troops is mentioned. With some imagination one could interpret this as if the war was going to end soon.
After being released Jakob tentatively tells the one or the other person what he has heard. Soon there is a rumor in the ghetto. They say that Jakob Heym managed to hide a radio and has heard that the Russians are on their way.
Radios are forbidden in the ghetto. To have one and be caught with it would mean certain death. Jakob realizes that his lie is extremely dangerous and since he is at the same time hiding an orphaned girl, he is worried and wants the others to believe that he doesn’t have a radio after all. Unfortunately nobody wants to hear the truth. The people need to believe this lie, they need to be updated with fake news. It’s the only way to prevent that more and more people commit suicide, to help them to keep going, to keep their hope alive.
I liked this story ever since I’ve read the book. It’s touching and profound and manages to say a lot about truth and hope and the power of storytelling. The movie may not be a masterpiece but it’s very watchable. Jacob the Liar is one of those movies that is ideal if you want to introduce children to the Holocaust. Even though it shows the horror of life in the ghetto, it’s not too gruesome and the humorous parts and the ending carry a message of hope.
