It’s been a while since the last We Are Looking For a Movie post. I had some requests via e-mail and was lucky to be able to say which movie it was but in this case I draw a blank.
Can anyone help?
Years ago I watched a movie about a young Jewish boy whose mother (who had married a Jew against her father’s will) brought him to live with his grandfather to save him. She did not stay, herself. The grandfather was either Italian or French. I think it was a foreign film with subtitles.
The emerging relationship was so touching. One significant scene I hope will help in identifying the movie is when the grandfather admonished the boy never to let anyone see him naked because of his circumcision.
I would love to view this movie again, but I don’t know the title. It has to be fairly old. Can anyone there help me to identify this movie?
The picture above is taken from Au revoir les enfants. While that is an excellent film, it is not the film we are looking for.
When Klemperer was first aired on German TV, I watched the first episodes but because I was moving I had to stop after the fourth. I always meant to re-watch the beginning and finally finish the whole series which consists of 12 episodes.
I had really liked the beginning at the time and now that I have finally re-watched those first four episodes I’m glad I still like it, maybe even more and I’m keen on watching the rest. However it’s very depressing. I didn’t remember it to be this upsetting but maybe it’s just me and I’m in a funny mood.
The series is based on Viktor Klemperer’s war diaries, 8 volumes of several thousand pages (here in English Viktor Klemperer’s diaries and in German here). The diaries are a fascinating document. I’ve read the first and it’s breathtaking. Klemperer was a professor of French literature, highly intelligent and with an amazing knowledge which all goes into the diary. He was also Jewish. The amazing thing in the series and the diary is the fact that it shows a man who is incapable of seeing what is going on and that we witness an amazingly intelligent person’s blindness. I find it must have taken a lot of guts to publish this diary because while it is very human it is still such an incredible flaw to be this blind.
To watch the series is eerie. It starts in 1933, just after Hitler was elected. At first there are just a few warning signals. Klemperer isn’t allowed to test non-Jewish students anymore, later he will not be able to publish anymore, they will remove him from certain classes and finally he will be fired. While many of his friends leave Germany very early, he doesn’t want to leave, he always thinks that maybe he will be exempt from the next measures only to find out that he wasn’t. His wife is not Jewish and since he himself isn’t religious, he always thinks they will make an exception for him. They even start to build a house.
Klemperer’s wife is an amazing character as well as she is so flawed and naive. She still moans about not being able to go on holidays when he has already been fired because he is Jewish.
As I already mentioned, the series is quite long. There are 12 parts of 45 minutes each, which means they have taken a lot of time to show the whole story and include a lot of details. I already know that the Klemperers will end up being sent to a camp but survive. Because it spans such a long time, 1933 – 1945, it really feels at times like having been there, having experienced some of it. It is one of the best TV series I’ve ever seen. It has been very carefully executed and with Matthias Habich and Dagmar Wenzel, they have chosen two of the best German actors. Habich is one of my favourites, and one of the rare I like almost as much as Bruno Ganz.
A far as I know, there is no version with English subtitles available which is a pity. At least the diary is available in English too.
I’m in two minds about István Szabó’s epic movie Sunshine. It tells the story of a family of Hungarian Jews, the Sonnenscheins (which means Sunshine in German), from the end of the 19th century until the end of the 20th. While I think it told me a lot about Hungary and the treatment of Jews in Hungary, I was far less thrilled about the length (3hrs) and the choice to have the three main characters, grandfather, father and son played by the very same actor, namely Ralph Fiennes. I would have found this artificial with any actor but given my dislike of Fiennes, it added annoyance. If you do not mind seeing the same actor in three different roles and are fond of Ralph Fiennes, you will probably like this movie a lot. I do not understand why Szabó chose to do it like this, why couldn’t there be three actors? I remember the Archers chose the same approach in The Life and Death of Colonel Blimp in which Deborah Kerr plays three different women but that worked much better.
The Sonnescheins are a modest family but then the patriarch invents a recipe for a tonic which makes them incredibly rich. As a direct result of their social ascendance, the two sons, Gustav and Ignaz, both study and become doctors, of medicine and law respectively. While Ignaz is loyal to the Emperor, Gustav feels more and more alienated by monarchy and becomes a communist. WWI changes not only Hungary but Europe as a whole. The biggest change in the lives of the Sonnenscheins’s however is that they choose to change their name from Sonnenschein to the more Hungarian sounding Sors. Long before WWII breaks out, the Jews are seen as a nuisance and it is very hard for them to integrate.
Ignaz’s and Valerie’s son Adam becomes the Hungarian fencing champion and wins at the Olympics in 1936. After having changed their name, the Sors also change their religion and the family converts to Catholicism. Still, this doesn’t help them, when WWII breaks out, the family first lives in the ghetto, some are killed, some escape and Adam and his son Ivan are sent to a concentration camp where Adam is tortured and killed. His son will never forgive himself that he just stood there and did nothing. After the war he joins the communist party. Anti-Zionist sentiments are spreading. The government changes often and depending on who is in charge, other groups are persecuted but what they all seem to have in common is that anti-Semitism reigns again.
When the end of the communist state has finally come, Ivan realizes that the only way to be really free, is to be true to yourself. He decides to change his name back to Sonnenschein and to be proud of his heritage, no matter what government and changes the future will bring.
While I wasn’t blown away by the movie and would have preferred if the main character had been played by three different actors instead of one, the movie isn’t bad at all. It had a lot of thought-provoking elements. There is the incident in the concentration camp in which three guards control 2000 prisoners. Ivan’s uncle later tells him that it is unforgivable that they didn’t do anything. This is a reproach one hears occasionally. People don’t understand why 2000 wouldn’t fight against 3 or 10 even if those were armed. The movie implies an answer which is interesting. It is obvious that if they had fought back the guards, some of the Jews would have been killed. The majority would have been saved but that would have needed the sacrifice of a few others.
Another interesting element is the fact that Hungarians sent Jews to the camps and not Germans. There were a lot of collaborators among the Hungarians. The movie underlines that the Hungarian society, whether it was during the monarchy or later under communism, was to a large part anti-semitic.
What I really liked is that the movie focusses on one family only and like that manages to give a much better feeling of the incredible changes which took place. To enhance authenticity Szabó included some original footage which in some cases was quite chilling. When Adam takes part in the Olympics of 1936, Szabó included original footage of the opening in which we see Hitler.
Because it’s a very long movie, it’s a very complex movie and I know I didn’t do it justice. There are for example some very troubled love stories which I didn’t mention in my summary but which are quite important. I liked the story between Valerie (Jennifer Ehle) and Ignaz but didn’t care for the love triangle including Adam, Hannah (Molly Parker) and Greta (Rachel Weisz).
I would recommend Sunshine if you like epic films and have an interest in the history of Hungary and the Holocaust from another perspective.
I was looking forward to watch the British Hungarian co-production Eichmann starring one of my favourite German actors Thomas Kretschmann. If I tell you it was entertaining this should ring a bell right away. A movie based on Adolf Eichmann’s interrogation should not be entertaining. No, it really shouldn’t. If it is, something went wrong. And that’s what happened. I should have known this wouldn’t be a good movie because most reviews are far from appreciative but I was curious and wanted to find out for myself.
The core question, which isn’t really explored as well as I would have wished, is whether someone who follows an order and gives orders, like Eichmann did, is as guilty as those who executed the orders or those who decided they should be given. It’s the same question that lies at the heart of plays like Macbeth. Lady Macbeth tells Macbeth to kill, does that make her less guilty than her husband who did the killing?
Eichmann was one of the highest Nazi functionaries. He had the position of Transportation Administrator of the so-called Final Solution. In this function he was in charge of all the trains that brought Jews to the death camps in occupied Poland. It is said that he is responsible for the execution of 6.000.000 people. After the war he could escape to Argentina. He was one of a few Nazi criminals not to be sentenced at the Nuremberg Trials because he was in hiding. The State of Israel was established in 1948. Its official intelligence agency, Mossad, was formed one year later. One of Mossad’s principal assigned tasks was to hunt down accused Nazi war criminals. Eichmann was captured in Argentina in 1960 and brought to trial in Jerusalem in 1961. He was executed in 1962.
The movie however isn’t very explicit on all of this but focusses purely on the interrogation. Avner Less, a young Israeli police officer whose father had been on one of the trains sent to Auschwitz by Adolf Eichmann, was the one who interrogated Eichmann. The movie is told from Avner’s point of view. It shows the problems this interrogation brings to his family and to himself, the reaction of the public, how the media hunt him.
The interrogation as such had the aim to make Eichmann confess. Most of the interrogation we see consists of Avner asking and Eichmann denying. Whenever Eichmann lies, the movie shows what really happened in a flashback and that’s where the movie gets entertaining but absurd as we see Eichmann depicted like a gigolo with various lovers. Really weird.
On the other hand, while showing a shallow and silly Eichmann in the flashbacks, the way the people in Israel talk about him in the movie makes it sound as if they thought he was the sole responsible for the murders of so many people. Both are gross exaggerations and make this a really dubious movie.
I don’t understand why this incredible story could not have been done any better. It certainly would have deserved to be told well.
One word about the actor. Many reviewers criticized Kretschmann for his wooden acting. I saw documentaries of the trial and think the man Eichmann was very wooden. In any case, it’s not the actor’s fault this isn’t a good movie. I’d say he was actually quite good.
Still, a movie like Eichmann has some value as it may generate an interest in people to find out more about this sinister character and it may trigger conversations about guilt and responsibility. But it’s not a good movie.
The French/German/Hungarian co-production, The Round Up – La Rafle, is a powerful and intense movie based on true facts. In the nights of July 16 and 17 13000 Parisian Jews were arrested in a raid in Paris and confined in the Vel d’Hiv (Winter Velodrome) or Drancy internment camp and from there to the extermination camps in Poland. Of the 13000 arrested Jews only 25 survived. Many among them, at least 4000, were children. Not one of them survived. The aim was to round-up 25000 Jews but 10000 escaped and were hidden by the people of Paris. The most shameful part was played by the police who actively contributed to make this happen. French President Jacques Chirac apologized in 1995 for the complicit role that French policemen and civil servants served in the raid.
The movie begins with original black and white footage. We hear Edith Piaf sing “Paris” while we follow Hitler on his tour through the city. That sent shivers down my spine. To think that if the Germans had won the war, Hitler would have made Paris his capital. In the pictures he looked like a guy inspecting real estate, deciding on what walls to knock down, what to keep. Horrifying. Here is an account of Hitler’s tour, written by his pet architect Speer.
After the opening we see people in a Parisian street located in Montmartre. The street scenes show that French and foreign Jews amicably lived together with non-Jewish Parisians. Many French people are friendly towards the Jewish population, but others are openly hostile and hate them. The movie focusses at first on a few Jewish families. It shows how secure they felt. They didn’t think the French government would ever give in. But it did. In exchange for privileges it promised to round-up the Jews and deport them eventually.
After the round-up we see the scenes in the Vel d’Hiv and the point of view changes. A young French nurse, Annette Monnod (Mélanie Laurent), has been sent to help alongside a Jewish doctor (Jean Reno). The doctor and a handful of French nurses are the only health care professionals for 13000 people. There is almost no food, no water, no toilets and the hygiene is abominable. Many of the children are ill. There are doctors willing to come and help but they are not let in. Operation Spring Breeze, as this round-up is called, should be kept a secret. While there are many collaborators among the French, there are many more who are hostile towards the Nazis and willing to risk their lives to save Jews.
Annette becomes very attached to the children and does everything to help them survive. She follows them to camp Beaune where they stay until they are finally deported to Auschwitz. Until the last day many think, they are sent to Poland to work. Rumours that those camps are extermination camps are only spreading very slowly.
I really loved this movie. It moved me, I found it very touching and emotional. I would say that of all the Holocaust movies I’ve seen, this is my favourite. I liked that it focussed on a few Jewish families with different backgrounds. Some rich French Jews, others immigrants and people who fled from other countries. Those individual stories are more interesting and touching than the story of a mass of deported people. In chosing Annette, a French nurse, we see how far the “good” Parisian people went, risking life and health for others. It’s such a shameful chapter in the history of France, its important to remember that there were courageous people as well.
The only thing I didn’t like so much was the end. It should have been different but I cannot tell you why or I would spoil the movie. Considering how excellent the rest is, this is a minor fault. I added The Round-Up to my Children in War Movies List. It’s an excellent example. Other Holocaust movies can be found here: 13 Holocaust Movies You Should See.
The central theme of the Austrian movie My Best Enemy – Mein bester Feind is art robbery and expropriation of Jews during WWII. It starts in 1943 with a plane crash. Two SS officers and a Jew are on board of that plane. They must be found. Especially the Jew. We don’t know why but the movie rewinds to the year 1938 and the back story will be told.
Vienna, 1938. The rich Jewish gallery owner Jakob Kaufmann just recently arrived with his family in Vienna. They have left Germany, fearing Hitler’s rise may bring difficulties. The Kaufmann’s have only one child, Victor (Moritz Bleibtreu), who grew up together with Rudi (Georg Friedrich), the son of their housekeeper. For the Kaufmann’s Rudi is like a son and the two young men are close friends. At least that’s how Victor sees it. Rudi’s point of view is slightly different. He is bitter and jealous and resents all the good things the Kaufmann’s did for him. Fact is, they are rich and he is poor. Victor will be a rich heir, while he will have to work hard. On top of that Lena, the girl Rudi fancies, is in love with Victor.
When the SS give him the opportunity to lead a better life, he takes it and joins them. He doesn’t even care that the price is high. He will have to spy on his former friends and benefactors and find out where one of Michelangelo’s original drawings is hidden. The drawing which has been stolen centuries ago from the Pope, is meant for the Führer Adolf Hitler who wants to offer it to his ally Mussolini.
It is easy for Rudi to find out where the painting is as Victor trusts his friend. Not long after he showed him where it is hidden, the villa is stormed, the drawing confiscated and the Kaufmann’s sent to labour camps.
If the drawing they have confiscated had been the original, the movie would have ended here but as it is a fake, this is just the beginning. Rudi is threatened and has to try to find the original at any cost. He goes and fetches Victor in the labour camp and together they fly to Berlin. On their way their plane crashes.
What follows is more humorous than dramatic and the roles of the parties involved are reversed more than once. Hunter becomes hunted and vice versa. Every time when we think: that’s it, this is the end, something happens and the hunt and qui pro quo starts again.
I didn’t know anything about this movie but I like Moritz Bleibtreu and Marthe Keller (she plays Victor’s mother) and I knew the producers of The Counterfeiters have produced this movie too. I expected something more tragic so was slightly puzzled at first. This isn’t a drama, it’s much more a comedy. While it isn’t hilarious, it is amusing and I enjoyed watching it, especially the end. This is surprising as from a purely psychological point of view it isn’t very believable. Rudi’s change from friend to foe is more than abrupt. And as much as I like Bleibtreu, he is rather on the chubby side and most certainly doesn’t look like someone who spent years in a labour camp.
I’m not sure how Jewish people feel about a movie like this. Is it OK for them to see their trials and tribulations – in this case expropriation and art robbery by the Nazis – told in form of a comedy? I cannot answer this question. There were a few moments at the beginning of the movie when I felt uneasy but on the other hand, using this lighthearted tone, the movie gets our full attention and it is still explicit about the horrible things that happened.
I have a hard time to put into words why I liked My Best Enemy but I really did. It’s well done, glossy, entertaining, with a nice pace and a really appealing energy. If they had told this story like all the other similar movies it would have been just one more Holocaust movie. Like this it’s a movie that will stay in your mind.
Movies based on books are often problematic. Even more so when the book is a masterpiece. Jurek Becker’s wonderful novel Jakob der Lügner aka Jakob the Liar is a masterpiece. It’s a touching and very unique account of life in a Polish ghetto. Becker was a German writer of Polish-Jewish origin. He was a survivor of the Lodz ghetto, Ravensbrück and Sachsenhausen. A lot of what he has experienced went into his novel. Despite telling a fictitious story, it’s a realistic account of ghetto life, never corny, free of sentimentality. I had a feeling that adopting a novel like his to the screen would be challenging.
Jakob the Liar starring Robin Williams in the role of Jacob Heym, is the second movie based on Becker’s novel. The first, called Jacob the Liar (with a c) was an Eastern German-Czechoslovakian co-production. I have only seen the American movie.
Choosing Robin Williams as main character does pretty much indicate what type of movie we can expect. Something slightly sentimental. And, yes, Jacob the Liar is quite sentimental but so is Life is beautiful aka La vita è bella. When you try to introduce humour and hope in a movie about life in a Polish ghetto or in a concentration camp, you’re bound to be sentimental as hope and humour were most certainly absent from both places. Compared to La vita è bella, Jacob the Liar is not a bad movie at all. Compared to the novel, it’s not that good but still decent. I’m not going to bore you again with my aversion to fake accents but, yes, it’s another really bad case of fake Jewish accents. Still, as I’m fond of the story of the novel, I managed to enjoy the movie.
Jakob Heym is arrested by the Gestapo on his way home one evening. It looks as if he was out after curfew. They call him into their offices and while they decide what’s going to happen to him, he gets a chance to listen to the radio in which the advance of the Russian troops is mentioned. With some imagination one could interpret this as if the war was going to end soon.
After being released Jakob tentatively tells the one or the other person what he has heard. Soon there is a rumor in the ghetto. They say that Jakob Heym managed to hide a radio and has heard that the Russians are on their way.
Radios are forbidden in the ghetto. To have one and be caught with it would mean certain death. Jakob realizes that his lie is extremely dangerous and since he is at the same time hiding an orphaned girl, he is worried and wants the others to believe that he doesn’t have a radio after all. Unfortunately nobody wants to hear the truth. The people need to believe this lie, they need to be updated with fake news. It’s the only way to prevent that more and more people commit suicide, to help them to keep going, to keep their hope alive.
I liked this story ever since I’ve read the book. It’s touching and profound and manages to say a lot about truth and hope and the power of storytelling. The movie may not be a masterpiece but it’s very watchable. Jacob the Liar is one of those movies that is ideal if you want to introduce children to the Holocaust. Even though it shows the horror of life in the ghetto, it’s not too gruesome and the humorous parts and the ending carry a message of hope.
I recently saw a list on which there were 100 Holocaust movies you need to watch. The number seemed slightly excessive. Maybe they counted each and every WWII movie in which there were Jewish people. No idea. I wouldn’t call a movie a Holocaust movie unless it focusses on Jewish life during WWII, either in ghettos, concentration camps or, like in Defiance as a Resistance group or on the run. Everything else is just a WWII movie. I just watched Jakob the Liar which I will review soon and that gave me the idea to make a list of the 13 Holocaust movies I consider to be the best. My favourite of the movies below is The Round Up – La Rafle. If you think I missed one that is extremely good and should be added, let me know.
Holocaust (1978, TV mini-series US) The story of a Jewish family and their struggle to survive in Nazi Germany.
Sophie’s Choice (1982, UK/US) The horrible story of a Polish mother who has to make a terrible choice that will scar her for life.
Jakob the Liar (1999, US) Jakob Heym pretends to have a radio in the ghetto and makes up stories about the war going to end very soon. See my review
Anne Frank – The Whole Story (2001, TV mini-series US/ Czech Republic) The whole story of Anne Frank including her stay at the concentration camp.
The Grey Zone (2001, US) Story of Jews who work in the crematoria of Auschwitz.
The Pianist (2002, FR/PL/GE/UK) The true story of a Polish pianist who hid in the Warsaw ghetto. See my review
Ghetto (2006, Germany/Lithuania) A sadistic Nazi commander rules over a ghetto in Lithuania.
Die Fälscher – The Counterfeiters (2007, AU/GE) True story of a famous Jewish counterfeiter who gets caught by the Nazis and sent to a concentration camp where he should help forge foreign currency. See my review
The Boy in the Striped Pyjamas (2008, UK/US) Uncanny story of a boy who befriends a Jewish boy in a concentration camp not knowing that his father is in charge of that camp or what the camp is. See my review
The Round Up – La Rafle (2010, FR/GE/HU) In the night of July 16 1942, 13000 Parisian Jewsare arrested and confined in the Vel d’Hiv before being sent to Drancy and later exterminated in Auschwitz. True story. See my review
After having moaned about the accent situation in Defiance (which you can read here) it’s now time to get to the review and I must say, all in all, I didn’t think the movie was all that bad. And we have to bear in mind that it’s based on a true story, the story of the Bielski partisans or Bielski brothers.
After having found that their parents had been killed by the Nazi’s who systematically exterminated Polish Jews, the four Bieski brothers flee to Belorussia and hide in the woods. The two older brothers Tuvia (Daniel Craig) and Zus (Liev Schreiber) have both lost their wives and children as well. While hiding in the forest they are joined by a group of Jews and decide to stay together and try to survive in the forest. After a while, more people seek refuge in the woods and the Bielkis take them up. Tuvia in particular brings back people from every food searching expedition which creates huge tensions between the brothers. It is clear that Tuvia is the leader and this is another source of tension as their leading style is different.
After a few weeks or months the camp in the forest is almost a little village, there are now hundreds of people who need to be fed, who need shelter and protection as the Germans swarm these woods. On the other hand there is strength in the number as they have people with all sorts of professions among them. Nurses, carpenters, teachers. After a few more months the tension between the brothers escalates and Zus leaves the group and joins Russian partisans. This is initially ideal for the group as this means additional and armed protection.
The movie shows how they struggle. The winter is particularly hard for them, many fall ill. It’s incredibly difficult to find food for so many people and they are surrounded by enemies. They have to fight quite often and there are combat situations as well. There are also a few love stories that will lead to relationships that last a life time. We also see them execute different missions, like saving people from the ghetto before they are sent to the camps.
I found the movie interesting and fascinating because it is a true story. In the end the Bielski brothers saved at least 1500 people. That’s quite amazing. I’m quite fond of Daniel Craig and thought he was a good choice for Tuvia.
While I wouldn’t say this is a must-see movie, it’s not bad at all and when you are not familiar with the story, it’s quite interesting. In any case what these brothers achieved is amazing.
Of all the Holocaust movies I have seen so far The Pianist is my favourite. It doesn’t concentrate on life in the camps but, based on a true account, it depicts the survival story of a famous Polish Jewish pianist and focuses on life in the Warsaw ghetto.
The movie begins before the Jews of Warsaw are sent to the ghetto. The situation for them gets worse daily. They are forbidden to enter certain restaurants, to sit on park benches, to keep their money or their shops. They receive far less food than the other Poles. They already struggle hard before they are all compressed into a confined area in the Warsaw ghetto. Wladyslaw Szpilman (Adrien Brody) who was a successful musician before the war, sees himself degraded, like so many others. Together with his parents, his brother and sisters they move from their nice roomy apartment into an old shabby one-bedroom place in the ghetto. To make a living they sell their books or smuggle stuff. They refuse to join the Polish police even though one of their friends has joined them and would help them to be accepted as well. Both brothers are of high moral integrity and nothing would make them betray their convictions.
When the day arrives and the people of the ghetto are sent to Treblinka, Wladyslaw escapes and remains on his own in the empty ghetto. If it wasn’t for the help of some courageous Poles he would be dead within a week or two. Either because they would have caught him or because he would have starved.
What follows until the end of the war is an unspeakable ordeal. He has to change his hiding place often, he watches the uprising from a window on the German side and when Warsaw is finally bombed he goes on living in the ruins until the day he is found by a German officer. This part is the best in the movie. It balances the image of the evil German. The officer Wladyslaw meets (played by Thomas Kretschmann) is not only fond of music but war-weary to the extreme. He clearly fought for a cause he didn’t believe in.
Another tragic element in this movie is how hope is crushed. When the Allies declare war on Germany, the Poles and Polish Jews are happy and think that the worst is over when in fact the worst was still to come.
I couldn’t think of a better choice for the pianist than Adrien Brody. He is excellent in this movie. If you haven’t seen The Pianist, I’d say it is high time.
