Dunkirk (1958)
The British movie Dunkirk, starring John Mills, was one of those movies I was really looking forward to. I’m not sure what I expected but certainly nothing as boring as this. Those 135 minutes felt like a mini series. That’s too bad as the story of Dunkirk has a lot of potential or someone like Hugh Sebag-Montefiore wouldn’t have been able to dedicate a 700 pages tome to this story only. As boring as it was at times, it’s not a bad movie but it has the wrong title. It isn’t really about Dunkirk.
Dunkirk tells two parallel story lines and that’s where it fails. One part of the story follows the men around Corporal Tubby Bins (John Mills) who is involuntarily in charge of a group of men cut off from the rest of the army, somewhere behind enemy lines. The other story line focusses on the British civilians who slowly begin to understand that they may no longer be able to stay out of the war and that each and every little contribution is valuable. The stories converge on the beaches of Dunkirk where hundred thousands of British and French soldiers are trapped and waiting to be rescued. This was one of the biggest rescue missions of any war ever. And many of those who courageously helped save others lost their lives.
By dividing the story in two and showing the tragedy of the trapped soldiers only in the last 15 minutes, the movie failed to give an accurate picture. Although Atonement is certainly not a war movie, I thought it captured Dunkirk far better (I attached the scene under the Dunkirk trailer for those who are interested). It’s more sentimental but for my taste Dunkirk was too sober.
Something I liked in the movie Dunkirk was the way they showed how the civilians got dragged into the war. All the scenes on the British home front are far more convincing. I think, if they had called it “Operation Dynamo“, as the rescue mission was called, and if they had considerably cut the John Mills’s scenes, it would have worked better.
It seems that there is a very good TV mini series called Dunkirk as well. I’m going to watch it soon and will let you know if it is any better.
Tigerland (2000)
Tigerland is one of those movies on which people disagree. One can’t really say it is a question of love it or hate it but a question of appreciating or not appreciating it. I liked it far better the first time I watched it. This time around I noticed far more of its flaws but it’s still decent.
It’s 1971 and a group of recruits is sent to Fort Polk, Louisiana, to undergo combat training. The place is called “Tigerland” and is as close to the real Vietnam as can be. One of the recruits is Private Bozz (Colin Farrell). Private Bozz is one of the most insubordinate privates I’ve ever seen in any war movie. He doesn’t only disobey, he makes fun of his superiors and provokes them constantly. He breaks every rule, can’t take anything seriously and is unwilling to participate in anything that will lead him to kill civilians or torture Vietnamese soldiers. The other recruits are torn between hatred and admiration. 1971 is late in the war and nobody, not even some of the superiors, sees any sense in the war anymore. Despite being arrogant and cocky, Bozz has a good heart and helps more than one soldier to be sent back home. He tells his only friend, Private Paxton, that he is going to try to escape to Mexico.
Halfway into the movie his dispute with another Private, Wilson, that started early in the film, escalates and when the training intensifies, he isn’t only hit and abused by one of the aggressive Sargeants but he must fear for his life as Wilson has sworn to kill him in action. The training is as close to war as training can get and an “accident” could happen any time.
The whole beginning of the movie is reminiscent of the Boot Camp part in Full Metal Jacket – including the abusive training instructor – while the second half is rather like a thriller. I thought that this worked well and when I watched it for the first time I found it quite suspenseful. What didn’t work for me is Bozz’s tone and attitude. I can’t help feeling that it’s not appropriate. I found the movie felt too modern, had more of an Iraq movie feel. I’m not sure if anyone else has felt the same but I really found the movie felt too modern for its theme. This is a movie that looks back and not one that tries to convey a feeling for how it was. Maybe I’m wrong but that’s how I felt about it.
Apart from that it illustrates very well how disillusioned the soldiers and recruits were and how pointless the war really was.
I would really like to know what others thought of this. Did you like it? Did it work for you? Isn’t Private Bozz overdrawn?
The African Queen (1951)
The African Queen is one of those classics that many people like. Surprisingly I’ve never even seen it on TV although Hollywood classics are regularly shown on Sunday afternoons. I didn’t expect anything because other than that it’s set in Africa during WWI I knew nothing about it. After having seen it, I know that it is rather a screwball comedy than a war movie as such. Nevertheless I enjoyed watching it. It is entertaining and the actors are excellent. Being a bit of a Humphrey Bogart fan I had to watch it sooner or later.
September 1914, German Eastern Africa. Missionary Reverend Samuel Sayer and his prudish sister Rose (Katharine Hepburn) live on a farm isolated from any other colonists. They are regularly visited by Charlie Allnut who owns a crummy boat, the “African Queen” and travels up and down the river, bringing the mail and other things. He is boorish and has very obviously an alcohol problem.
When the war in Europe breaks out, the colonies are drawn into it as well. German troops burn down the mission and the Reverend dies soon afterwards. Allnut passes by on his boat and helps Rose to bury her brother and takes her with him on the African Queen. They face a very long, difficult and dangerous journey down the river and on top of that Rose is determined to help the war effort. She suggests, Allnut should construct a torpedo and that they should then attempt to sink a German warship, the Luisa.
As is to be expected their trip down the river is more than adventurous. Torrential rains, rapids, mosquitoes and German posts make the journey very daunting. What is worse for Allnut is the fact that Rose supervises him and throws away his brandy. She wants him to behave and at first they bicker and quarrel constantly. After several days on the boat and many dangerous adventures they get closer and end up falling in love.
What an unlikely couple they make. What I liked is the fact that Rose is the inventive and courageous one. Although she doesn’t exactly look like an adventurer, in her long skirts, hat and with her prissy little manners, she is quite gutsy after all. Something else that makes this movie memorable is the fact that it reminds us that the Germans used to have a few colonies as well. One tends to forget that as they lost them all during WWI.
It’s an adventure story and a very amusing tale in which two very different people on a shabby little boat, fall in love and successfully fight a whole crew of a warship. It certainly is an early version of adventure romances like Romancing the Stone.
The Killing Fields (1984)
Hard to say why I didn’t like the The Killing Fields despite the fact that War and Journalism is a topic that I find fascinating and that this movie is considered to be one of the best of the genre. One of the problems I had was the length. The other one was the score. That’s such a dated score, it ruined the movie to a large extent.
The Killing Fields is based on a true story and one of the first movies whose topic was the genocide of Cambodian people by Pol Pot. The two journalists Sydney Schanberg and Dith Pran have been covering the war in Cambodia since the early 70s. They are not only dedicated journalists but close friends. Pran serves as interpreter on their missions.
In 1975 when the United States withdraw from the country and the Khmer Rouge, led by Pol Pot, advance on Phnom Penh, Pran, as a US sympathizer is in great danger. There was a moment when he and Syd could have left the country easily but things have developed too fast and now it’s hardly possible for anyone but US and European citizens to leave the country.
Knowing what would happen to Pran if he stayed, Syd and some fellow journalist try to forge a US passport for him. Unfortunately the attempt fails and while his children and his wife have been able to fly out, Pran is left behind when the other journalists leave. Captured by the Khmer Rouge he is brought to a labour camp.
In the second half the movie moves back and forth between a guilt-ridden Syd in the US, and Pran’s ordeal in the Cambodian labour camp. In imaginary letters that he writes to Syd in his head, he tells him what happens, interprets what we see. I’m not sure if this was a problem of my DVD but none of the parts spoken in Khmer have been subtitled.
The parts in the labour camp are very well done. This isn’t only a labour camp. The labourers and especially the children are re-educated and brainwashed. They have to unlearn everything that they knew before. It’s of great danger to have “forbidden” knowledge, like foreign languages or any higher education. The children are easily turned into little fanatics and the grownups who are afraid of being executed try their best to obey.
The Pol Pot regime was a systematic genocide and far over 2 million people were killed. Even though I didn’t particularly like it, I must admit the movie has its merits. And the Cambodian actor, Haing S. Ngor gave a very touching and convincing performance.
Giuseppe Tornatore’s Malèna (2000)
Malèna, set in a little town in Sicily during WWII, combines a coming of age story with a war-time story. The first time I watched it, it stunned me. I still liked it a lot the second time but since the story has a tragic ending, it’s more intense to watch it for the first time.
Malèna (Monica Bellucci) is the most beautiful and seductive woman in the little Sicilian town of Castelcuto. Her husband is somewhere in Africa, fighting for Mussolini, while she is left behind in a very hostile climate in which all the men try to have an affair with her and the women hate her for her looks. All the men see her as an object, with the exception of a young boy who falls in love with her. We see the story through his eyes. He is so besotted with her that he follows her around, sneaks out of his house at night and spies on her.
She is a favourite conversational topic and gossip and rumours follow her wherever she goes. People talk very bad about her behind her back. They call her a whore and say she betrays her husband and has lovers. Only the young Renato knows this isn’t so. But when her husband is reported dead, there isn’t any protection for Malèna anymore. She can’t find a job, she has no money and food is scare and whatever she does, the town, reigned by men, turns on her and finally forces her into prostitution.
When the war is over, the women take revenge on her, not because she sold her body to the Germans but because all their husbands lusted after her.
Tornatore captures the atmosphere and hysteria of an Italian city during WWII very well. How they all cheered Mussolini and pretended to know nothing of it when the Americans arrived. The hypocrisy, the paranoia, the double standards. Malèna has the extreme misfortune of not fitting in. Too stylish, too good-looking, not very sociable nor talkative. This causes the jealousy of the women who have no liberties or power and the hatred of the men who treat women like objects. This society is ruled by fanatic Catholicism and the double standards that go with it.
I don’t want to give away too much but the destiny of Malèna which is extreme is very sad and to a certain extent quite typical for women during that time in Italy. Many women, especially in Italy, were forced into prostitution when their husbands were gone or dead.
Malèna is an extremely esthetic movie, beautiful pictures, matching music, and of course there is Monica Bellucci whose beauty brings Malèna to life. The sexual awakening and infatuation of Renato is touching and extremely funny at the same time. It clashes with his mother’s prudery and his father’s strictness. The end of the story is tragic and infuriating.
The Devil’s Whore aka The Devil’s Mistress (2008)
What troubled times these were. 17th century England. Thomas Rainsborough. Oliver Cromwell. The English Civil War. The Levellers. The execution of Charles I. Put all this together and use as a central figure a beautiful young woman, married three times, said to have seen the devil, accused of being a whore and surviving her execution and you have the ingredients of a very entertaining mini-series.
The Devil’s Whore or (called The Devil’s Mistress in the US) tells the story of the fictitious Angelica Fanshawe. Related to King Charles I we see her married to one of his relatives who ends up being executed. The English Civil War is seen through her eyes and its troubled history told in a very dramatic way. It makes you want to brush up your history immediately. As the addition of this fictitious noble woman tells us, the filmmakers have taken some considerable liberties, still they mange to convey how chaotic these times were. Cromwell was at the head of the Parliament, together with Thomas Rainsborough, the head of the so-called Levellers. These two men occupy two extreme positions. One wants to gain power over the parliament and have the King listen to them, while the other, as the name of the movement says, want’s all men to be the same. No more aristocracy and hierarchy. The land should be divided among everyone. As much as they are friends in the beginning, they clash and when Rainsborough is killed, it seems likely that Cromwell is responsible.
After the beheading of Charles I Cromwell is the most powerful man in England. He sends the army to Ireland and fights on many different fronts. But the war doesn’t bring peace to the country. Cromwell finally realizes that England sn’t ready yet. If he wants to restore peace there must be a new king.
I love this mini-series and have already watched it twice. Admittedly I didn’t only like it for the historical and political background but because I enjoyed Angelica Fanshawe’s story that is interwoven with the facts. In the beginning of the movie, when she is only a little girl, she sees the devil in a tree. He seems to mock her. But at the same time he transforms her into a woman, far more gutsy than women were at this time. She chooses her husbands, she speaks freely, she disguises as a man when needed and fights like a man as well.
The Devil’s Whore is an entertaining tale and a guilty pleasure set during the English Civil War, starring actors that have become famous with other movies and series. Dominic West (The Wire) plays Oliver Cromwell and Michael Fassbender (300, Inglourious Basterds, Shame, Fish Tank) is Thomas Rainsborough, John Simm (Life on Mars) is Edward Sexby and Angelica Fansahwe is played by Andrea Riseborough.
The only English trailer I found has Portuguese subtitles but that shouldn’t matter too much.
Birdsong (2012) BBC Adaptation of Sebastian Faulk’s Masterful WWI Novel
Finally the long-awaited BBC TV adaptation of Sebastian Faulk’s WWI novel Birdsong is shown on British TV. It’s a two-part adaptation that got a lot of rave preview reviews.
I’m sure all those who loved the novel, would want to watch this and all those who are interested in WWI as well.
I missed part I but they will air it again shortly. As soon as I’ve seen part I and II will post my review.
Alejandro Amenábar’s Agora (2009)
I find it surprising that this movie, although not a “real war movie”, didn’t even get the tag “war” despite the fact that civil war is a major topic. I had meant to watch Agora a long time ago although I read many mixed reviews. Now that I have finally seen it I can see why. It is a flawed movie, it is the victim of silly marketing as well as the victim of what I think is a bad and misleading title. All this said I still think it is excellent and how many times do I have nightmares after having watched a movie? And, yes, Agora, woke me, it woke me because the story it tells – and which is a true story – is deeply upsetting for many reasons.
391 A.D. Alexandria. The Roman Empire is in decline. The philosopher, astronomer and mathematician Hypatia is an influential figure in the city. She teaches and does research. One of her main topics is the movement of the planets. She wonders whether the sun is really moving around the earth. Her lectures are lively and interactive. She doesn’t mind being contradicted but she wants to hear reasons, well formulated thoughts. It seems she was an attractive woman and some of her pupils are in love with her. She doesn’t want to get married, her life is dedicated to philosophy and research.
The city of Alexandria is composed of different people, Jews and Christians and of course, the so-called heathens, like Hypatia herself. The Christian movement which is not more than a sect is becoming more and more influential and finally a civil war breaks out during which the famous library of Alexandria is burned down and the Christians, led by their bishops, take over the city.
Hypatia is tolerated but not allowed to teach anymore. The longer the Christians are in charge and when they finally also start to persecute the Jews, she is in danger as well. It isn’t liked that she insists upon the fact that the earth circles around the sun and not the other way around. And worse than that, it’s not tolerated anymore that a woman occupies an influential position. Her end is famous and extremely gruesome. The trailer and some of the movie posters make us believe that we will watch a romance. While there are men in love with Hypatia we do not see any love stories but in order to make her ending more acceptable for sensitive movie goers this aspect plays into it.
Before she is killed, Hypatia is accused of witchcraft and the bishops insist that women are to be subjugated by men. All the reasons for this are taken from the bible and the fact that Jesus had 12 male apostles but no woman serves as another proof.
After having watched this and done a bit of research on Hypatia I must say that she was a truly amazing woman. She had found out with very primitive methods (nicely shown in the movie), that the earth isn’t the center of the universe. We know how long it took until this was rediscovered and how long the Catholic Church fought this discovery.
I think it would have been justified to call this movie Hypatia and not Agora. Yes, it’s about the end of an era but more than that it is about a woman and the war against women that still rages in many countries.
Religious fanaticism, no matter the origin, is something that upsets me and one group of people oppressing another group does upset me as well. The combination of topics in this movie make it topical and many elements are as explosive today as they were then.
I’m not much of a Rachel Weisz fan but she is convincing in this role. I have only seen one other of Amenabár’s movies The Others which I liked but I haven’t seen his highly acclaimed Mar adentro – The Sea Inside. After having watched Agora, I’m keen on watching other movies by him.
I am fascinated by this story and would love to read a book about this period and Hypatia. Does anyone have a suggestion?
War Horse (2011)
I find it much harder to watch anything depicting cruelty to animals than to humans. I can’t help it. And despite the fact that Steven Spielberg’s War Horse is decidedly tacky at times, it really upset me. Not so much the movie – things are toned down to make it suitable for all ages, I guess, – as to think about what those horses went through in WWI.
Based on Michael Morpurgo’s eponymous novel, War Horse tells of the friendship of a farm boy with a horse. It’s very Black Beauty in the beginning. Out of sheer folly Albert’s father buys an expensive race horse that he can neither afford nor use. Albert manages to save his father’s farm and the horse and trains the animal until it is able to perform the duties of a workhorse. He also teaches him to come when he whistles and many other tricks.
When the war breaks out, Albert’s father sells Joey to a British officer who takes the horse to France. This almost breaks Albert’s heart but the officer, a kind man, promises to take care of Joey. Sadly he is killed in a reckless cavalry attack that goes very wrong. The horse, one of the rare that survives, can escape but is captured by the Germans. After this an odessey begins in which Joey changes hands more than once and more than once faces death.
Albert who has sworn to find his horse wherever it is (a bit of a Last of the Mohicans moment), has heard of the death of the officer and signed up. Soon he finds himself in the trenches in France.
The movie isn’t too graphic, we don’t see wounds and atrocities that you would normally see in a war movie, still it manages to convey the horror. It just does it by focussing on other elements. We see how many horses died in cavalry attacks and how thousands were overworked until they died from exhaustion.
The parts related to the war were, in my opinion, well done. Without being too graphic they illustrated a lot that was typical for WWI like the trenches, the mud, the gas. What was tacky was how the story was told at times and the end which didn’t seem very realistic. On the other hand the scene of Joey who runs down No Man’s Land and gets caught in barbed wire, manages to convey a better anti-war statement than many other movies.
The acting is quite good and in the case of Benedict Cumberbatch, in a very short but effective role as British Major, and Emily Watson, as the mother of Albert, even excellent.
Apart from showing the harrowing destinies of horses in WWI the movie captures the beauty of the bond that can exist between a human being and an animal.
They Were Expendable (1945)
I read that John Ford’s They Were Expendable was liked by the critics but not by the public when it was released. The public thought it was too patriotic and since people were tired of the war, they didn’t care for the movie all that much.
While I often share the critics’ view, I must say, not in this case. It isn’t a bad movie, it has quite a few scenes that are good but it didn’t work for me as a whole.
At the center of the story are Commander Lt Brickley (Robert Motgomery) and his friend and second in command Lt Ryan Rusty (John Wayne). Brickley is the squadron leader of a crew of PT Boats who are to defend the Philippines just after the Japanese have attacked Pearl Harbor.
Although Brickley is the commanding officer, Rusty is still the main character, he is also the one with a love interest (Donna Reed). For once I didn’t mind John Wayne, I would even say this is one of his better movies. Maybe because he isn’t the commanding officer.
There is a lot of emphasis on duty and honor and “getting the job done” no matter whether you will come back or not. All that is rather on the annoying side of things but what I truly liked is the battle with the speed boats. These are such neat little boats. Although it is said by an Admiral at the beginning of the movie that these boats were not likely to achieve much, their speed and agility makes them a dangerous opponent for the Japanese fleet and they manage to sink a few very big boats. Their losses are high anyway as they are not only attacked by the Japanese boats but by their planes as well.
They Were Expendable was very important for John Ford who was one of those directors (like Capra, Huston and Wyler) who had served during WWII where he also filmed the documentary on the Battle of Midway (1942). He was chief of the Field Photographic Branch of the US Navy and also present during the Normandy invasion in 44 where he met the man who served as model for Lt. Brickley.
Funny enough what works best in this movie, apart from the speed boats, is the love story as it underlines how much the people fighting in the Pacific are in danger. The scenes with Donna Reed are quite languorous, I particularly liked the many shots with light falling through blinds. That always creates a nice atmosphere.
Something else that I appreciated is the fact that the Japanese are not demonized. They are only present through their planes and boats, we don’t see them.
While this is certainly not one of my favourites, I think it is worth watching for those who are interested in the development of the war movie genre. Despite its flaws, John Ford manages to tell the story in a very unique way with a lot of emphasis on all the individual people involved. Last but not least, I think it is a must-see for John Wayne fans as he is more interesting when he gets to play second in command.
Uprising (2001) TV Movie on the Rebellion in the Warsaw Ghetto in 1943
Uprising is a made for TV movie based on the true account of the rebellion in the Warsaw Ghetto in 1943. A group of young and very determined Jewish people managed to do what some of the biggest armies weren’t capable of doing, namely fighting back the Nazi’s for a few weeks. It’s not a flawless production, some of the dialogue is a bit “What-the-Heck”, including the fact that all the actors talk with a heavy accent, but apart from that I found it very interesting. The actors are mostly good and it focuses on a few historical facts I hadn’t known too much about and that I found very interesting. I can only hope it’s accurate. At least it felt so.
The movie begins with the Germans entering Poland and Warsaw and forcing all the Jews to live in the ghetto. They endure famine, illness, daily abuse. The conditions in the ghetto are harrowing. The most controversial role is played by Donald Sutherland as Adam Czerniakow, head of the Jewish council. He thought that by collaborating with the Germans he could save the Jews from being deported. When he realized his error and the daily transports to Treblinka started, he committed suicide.
The rebellion is led by Mordeachai Anielewicz (Hank Azaria), Yitzhak Zuckerman (David Schwimmer), Kazik Rotem (Stephen Moyer) Tosia Altman (Leelee Sobieski) and Mira Fruchner (Radha Mitchell). The danger to smuggle out information from the ghetto to the Polish side and weapons back in, is shown in great detail. Those people were incredibly courageous. Still they had to fight at lot of internal opposition. The Jewish Council didn’t want to support them as nobody wanted to believe that the camps were extermination camps. When they finally coudln’t doubt this anymore and Czerniakow had committed suicide, more and more people joined them. At first they planned little terror attacks until the Nazi’s seent tanks to erase them. The Nazi leader Stroop is played by Jon Voight, accompanied by filmmaker Dr.Hippler (Cary Elwes), who was responsible for propaganda. In Goebbel’s name he films The Eternal Jew – Der Ewige Jude, a horrible piece of shit that should help make Germans hate the Jews, as – according to Goebbels - they were not sufficiently anti-Semitic.
The movie can’t be compared to The Pianist, that’s for sure, but it’s well worth watching and quite informative too. David Schwimmer is surprisingly good in this and so are most of the other actors. Many, I’m sure, will be delighted to see Stephen Moyer in his pre True Blood days.
It’s often been said that it was hard to understand that the Jews didn’t fight back. This movie shows why they didn’t or couldn’t and what happened when they did and how incredibly difficult it was to organize a rebellion. Most of these young people didn’t make it but some did. Their story is a testimony of how courageous people can be.
Since You Went Away (1944) A Tale of the American Homefront
This is a story of the Unconquerable Fortress: the American Home…1943
I started watching this movie a few months ago but the very patriotic tone put me off. That’s why it is all the more surprising that now, that I have watched all of it, I really enjoyed it. It is patriotic, it is very religious but still, I found Since You Went Away very watchable. It’s an ideal family and Christmas movie. Some sad things happen but they are not shown, just spoken about which makes it safe to watch it even with smaller children. By the way, the movie poster is misleading. This is a black and white movie.
I was familiar with UK and French movies about the home front during WWII but can’t remember any US films. This was made during the war which, for me at least, justifies the patriotic tone.
Claudette Colbert plays the pampered housewife Mrs Hilton whose husband decides to join the war and leaves her and their daughters (Jennifer Jones and Shirley Temple) on their own. It seems that this doesn’t only put them under an emotional strain but that their financial situation is very precarious too. The salary of an officer doesn’t cover all the expenses and Mrs Hilton doesn’t know how to make ends meet. The first thing she has to do and which breaks her heart is letting her maid, Fidelia, go. Fidelia has been part of the family and the children are very attached to her. After one of her children mentions that it would be patriotic to have an officer as lodger, they advertise and finally rent the master bedroom to an old retired grumpy Colonel.
It’s clear that this is a family in which all the members are very attached to each other. Even the family bulldog is part of it. But also, Tony (Joseph Cotten), a friend of Mr Hilton, is accepted like he was a family member and comes to stay with them before he will see action in Italy. The two girls are typical teenagers. The older one is in love with Tony. He is flattered by the young girls infatuation and at the same time he declares his eternal love to the mother. But all this is done in a nice way. It’s obvious they will not have an affair.
After Tony has left, Jane, the older daughter meets the grandson of Colonel Smollet and falls in love with him. They even think of getting married but he also leaves for Italy.
The very contrast of the decent and efficient Mrs Hilton is the somewhat loose Emily Hawkins who knows how to exploit the war effort by running a cabaret.
Despite all the lovey dovey moments some bad things happen in this movie and it gets really dramatic when they are informed that Mr Hilton is missing in action.
I think that one of the aims of the movie was to show people how to grieve and keep up the morale at the same time. It was obvious that it was very likely to lose loved ones or that they would return badly injured or as invalids. Post-traumatic stress is as much a theme as how to deal with losing a husband on the battle field.
I thought this gives an excellent idea of how hard life on the home front was and that many a housewife had to toughen up considerably to make it through those difficult times. Emotionally and economically as well. It also shows the various opportunities the women had. Becoming nurses, collecting stuff for the soldiers or even training as welders.
I found it interesting and moving at the same time and, as I said already, it would make an excellent Christmas movie choice not unlike It’s a Wonderful Life. There are a lot of cozy fireplace scenes, snow and Christmas parties.
I couldn’t find a trailer but the opening scenes introduce the score and the filming very well. A lot of the emotions and themes are shown through images of objects and photos. That’s quite a subtle way to include the past and the history of the family without relying on flashbacks.
I included the movie on my Children in War Movies List after Crooked Mick pointed out that it belonged there.
Ridley Scott’s Gladiator (2000)
On the weekend I finally watched Gladiator again and on BluRay. I’m still sometimes reluctant to buy BluRays but in this case it was really worth it. It was almost another movie. The sound was great, the colors intense. Quite amazing.
Is Gladiator a war movie? I don’t think so, I don’t think King Arthur or Last of the Mohicans are war movies, but they are certainly war themed. If I did consider them to be real war movies… My Top 10 would look slightly different. Although I don’t like Gladiator as much as King Arthur, I still like it a lot.
I have a feeling however that this is a movie that is so widely known that reviewing it in detail makes no sense.
Just let me tell you that it starts with an intense battle in Germania. The Roman Empire is hungry for land and advancing greedily and brutally. After the battle is won the old emperor has a heart to heart with his General Maximus (Russell Crowe). He doesn’t want his own son Commodus (Joaquin Phoenix) to become emperor after his death, he wants to re-establish the Senate, give Rome back to the people. If Maximus was in charge it could be done.
Things don’t quite turn out that way. Commodus speeds up his father’s passing and wants Maximus killed. Maximus wouldn’t be the hero he already is, if he couldn’t overcome the men in charge of killing him. He escapes and returns to Italy to find his family slaughtered. Badly wounded he faints, is picked up by a slave merchant and sold to become a gladiator.
That’s the beginning. Fight upon fight follows, until the gladiators finally arrive at the place of their destination, the Colosseum in Rome. The new motto of the new emperorCommodus is “Bread and Games” and the best of the best of the Gladiators have to fight in the huge arena.
What happens when Commodus finds out Maximus isn’t dead… is for you to find out. If you haven’t done so already, watch it.
Gladiator is the tale of a hero, a man larger-than life. It’s beautifully filmed with a stunning score by Lisa Gerrard and Hans Zimmer.
It’s also a tale of friendship, greed, ambition, loyalty and courage. I’m not sure if this movie would be so great without Russell Crowe but I know that he was one hell of a great choice. And so are the other actors, among them Joaquin Phoenix, Connie Nielsen, Oliver Reed and Djimon Hounsu. The same that can be said about the actors can be said about the score. Not one of those large scale Hollywood prodcutions would work as well as they do without the music.
In terms of emotions and entertainment, this is one of the most perfect movies for me.
Glory (1989) A Tale of the American Civil War
When I first watched Glory it made my Top 10. Many movies later and after having seen it for the second time, it doesn’t make the Top 10 anymore but it is still one of the very best war movies ever. I would even argue it’s flawless. The acting is superior, cinematography is beautiful, score is great, themes are interesting. I suppose it’s accurate as well. It’s a 5/5 movie but… for me to really like or rather love a movie it needs to have something more than perfection, something like complexity. I decidedly have no problem with Matthew Broderick but I’m not very familiar with him. Some people criticized this choice because they saw him in other movies and thought he was too young at the time.
The movie tells the story of the 54th all black Union regiment led by Col Robert Gould Shaw (Matthew Broderick). This is the first all black regiment ever. The whole regiment is composed of volunteers who are eager to join, train and eventually fight. It’s not easy to train these men, many of them are former slaves, runaways, analphabets and all in all an unwieldy bunch. Especially Private Trip (Denzel Washington) isn’t one who easily takes no for an answer. If Shaw wasn’t such a truly humane, kind and just leader and if he hadn’t the support of his friend Major Forbes and the ever so wise older soldier Rawlins (Morgan Freeman) maybe the whole enterprise would have been a failure. Luckily it isn’t or we wouldn’t have this highly watchable movie in which people can be seen how they overcome the worst adversity.
Shaw has to fight hard to earn recognition and justice for his men. They are lacking everything, shoes, uniforms, weapons and when finally they get their equipment and have undergone a successful training they lack the opportunity to show that they are worthy soldiers.
There are a lot of infuriating scenes in this movie, after all it deals with racism. Racism has many faces but at the end of the day, whatever face it has, it’s an ugly one.
It’s uplifting to see the suppressed overcome obstacles and all the more because it’s a true story. Glory is based on the letters of Colonel Robert Gould Shaw (you can find them here Blue-Eyed Child of Fortune: The Civil War Letters of Colonel Robert Gould Shaw)
I haven’t seen many Civil War movies, I think only three so far. While I had a hard time to follow Gettysburg, I thoroughly enjoyed this one but the one I prefer is Ride with the Devil.
How about you? Any preferences?
R-Point aka Ghost Soldiers (2004) A Korean Ghost War Movie
Now that was different. Feeling in a Halloweenish kind of mood I was hunting for a movie that would go well with the occasion and I must say R-Point aka Ghost Soldiers was an excellent choice. And a very unusual genre blend at that. I don’t think that there are a lot of horror/ghost war movies out there or Vietnam ghost war movies to be more precise. Korean filmmaking is famous for its horror movies and that’s why I think this movie will appeal to war movie fans and aficionados of Korean cinema alike.
Vietnam 1972. R-Point is a strategic area some 100km outside of Saigon. It’s not a combat zone but Korean, US and French troops stayed there for various amounts of time. The Vietcong are present as well but there is no talk of real fighting. Despite that fact, a whole platoon of Korean soldiers has never returned from their mission. Nobody gives this too much thought until high command receives radio transmissions from that platoon six month after their disappearance and decides to have someone investigate what happened to them. Have they been killed or are they still alive? Lieutenant Choi is designated to lead a squad of eight officers and to rescue the missing soldiers.
The moment they arrive at R-Point they get under heavy fire. It’s an intense moment and it takes a while until someone takes the shooter down. What follows is reminiscent of the end of Full Metal Jacket only here the men let the shooter die on her own. They enter farther into the area until they find a tombstone indicating that Chinese killed Vietnamese and dropped them in a lake. The men find this quite spooky and heavy fog and drizzle makes it even worse.
I don’t want to spoil the movie and will only mention that Choi’s squad finds an old mansion that seems to have grown out of the fog and takes quarters in it. From that moment on weird things start to happen. They don’t seem to be alone. American soldiers come to the mansion in the evening, French soldiers transmit messages on the radio, a woman in a long white nightgown appears at night, people get lost, someone from the missing platoon follows them. The tensions between the soldiers are high and when the first one of them turns up dead, they get really scared.
I’m glad I watched this, it is very interesting and I could say a lot about it but it’s not possible without spoiling it. It’s unusual and well worth watching and says a lot about the wars in Vietnam. There are better Korean movies out there but I couldn’t think of another ghost war movie.
10 War Mini-Series You Must See
When I wrote my post on ANZACS the other day I realized that there are quite a few great war mini-series out there. There are certainly more than 10 but out of all those I’ve seen or heard of, I would say, the 10 that I mention below are the ten you should really not miss. They all cover different wars or different aspects of the same wars. Many of them are better than most movies. My favourites are Band of Brothers, Hornblower, Sharpe and Generation Kill.
Wings (1976) WWI Air Combat. I must admit, I haven’t seen this yet but it has a great reputation among air combat fans and should be a nice companion to the WWII based series Piece of Cake.
Danger UXB (1979) WWII – Bomb disposal unit. I liked this series when I watched it quite a bit. It gives you a good feel for what a bomb disposal unit had to go through during the Blitz. All the different types of bombs. The characters are appealing and we get a good impression of civilian life during the Blitz as well. Here is my review.
Das Boot 1985 – WWII submarine. Das Boot exists in two versions. One is the cinema the other the TV version which was twice as long. I have seen the cinema version which is one of the best war movies there is. Some people prefer the longer TV version. It’s worth checking out.
ANZACS (1985) WWI. Infantry combat. I just reviewed the final episodes of this excellent mini-series that follows the ANZACS from Australia to Gallipoli and from there to the Somme and back home again. Great combat scenes and a nice “band of brothers” feel. It also contrasts British command and Australian insubordination in a funny way. Here is my review.
Piece of Cake (1988) WWII Air Combat. The series follows the men of the Hornet Squadron during the early weeks of WWII. It shows how inexperienced boys become excellent fighter pilots.
Sharpe (1993 – 2008) – Napoleonic wars. Infantry and cavalry. Based on the novels by Bernard Cornwell this is a very elaborate and suspenseful series. In its center is the character Sharpe an enlisted man who is such an excellent soldier that he is soon raised to the rank of officer. This is problematic as he isn’t an aristocrat. He faces injustice and adversity. Sean Bean stars as Sharpe. It’s one of the best roles of his career. Here is my post.
Hornblower (1998 -2003) – Napoleonic wars. Naval combat. This is another extraordinary tale of one man’s ascent. Ioan Gruffud stars as Horatio Hornblower which might explain why I hear this series mentioned quite often by women. If you like Master & Commander, you will love this. It’s like a very long version with an appealing central character. It is based on the books by C.S. Forester. Here is my post.
Band of Brothers (2001) WWII. Infantry combat. This is one of the most amazing series. Based on the book Band of Brothers it follows the paratroopers of Easy Company from 1941 – 1945, starting in the US until the freeing of the KZ’s. The characters of this tight-knit company are very well depicted and you really care for all of them. Seeing them die or get wounded is harrowing. Some of the episodes, like the one called Bastonge, are so intense, they still overshadow most other WWWII infantry combat scenes I’ve seen before or after.
Generation Kill (2008) Iraq. Special unit. This is a series that is hard to get into, especially when you are used to others. It has a very slow build-up but after two episodes I really appreciated it. It achieves a very authentic depiction of modern warfare and shows how problematic it is to send a generation used to war games into combat. It shows how much is absolutely boring, just standing around and waiting. At the center of the unit is the “Iceman” Sgt Brad Colbert played by Alexander Skrasgard. The Iceman is an amazing character and even more so because he is based on a real person. This guy really always keeps his cool. The series is based on the account of an embedded journalist. Here’s the link to the book. And here is my post on The Iceman.
The Pacific (2010) – WWII. Infantry combat. If you do not compare this series to Band of Brothers, you will like it. It’s less the story a group of people than individual stories. The soldiers are also shown during their leaves and some love stories are incorporated. However the combat scenes are even grittier that those in Band of Brothers. Not pretty at all. My favourite episode is Rain on Cape Gloucester. Here is my Pacific short review.
Peter Weir’s The Way Back (2010)
I wasn’t aware of this movie despite the fact that Peter Weir is one of my favourite film directors. I’m glad that The War Movie Buff told me about it.
Even though I like some of Weir’s older movies and also Master & Commander a lot, I didn’t expect anything before watching The Way Back. I’m glad I didn’t, I think I would have been very disappointed if I had. I’m afraid it is Peter Weir’s weakest film ever. The story, based on true events, had a lot of potential, the actors were mostly well-chosen, the cinematography is stunning, the score is convincing and still…. There is something missing. I couldn’t help comparing it to another POW movie, also starring Colin Farrell, namely Hart’s War. While Hart’s War focuses on how the prisoners escape from the camp, The Way Back shows their long journey from the Siberian gulag to India.
The movie starts in Poland in 1941. Janusz has been captured. His wife denounced him under torture. He is a spy and sentenced to spend the next 20 years in a Siberian gulag. He’s a strong young man, optimistic, kind and resourceful. He makes friends in the camp, some tell him that it is possible to escape. He chooses a few who will follow him, they prepare their escape and one night they do it.
It’s a small group of seven people, headed by the spirited Janusz (Jim Sturgess). An American (Ed Harris), a Russian criminal (Colin Farrell), a Polish priest and others. One dies in the early days. The hardships of their journey are unimaginable. First they walk for weeks from the camp to Lake Baikal, then to Mongolia, the Chinese wall, across Tibet and into India. They cross the mountains and deserts, almost die from cold, hunger and thirst. After a few weeks, they are followed by a young girl who finally joins them. Some make it, some don’t.
On their way, each time they cross the border of a country, they see how far Communism has advanced. Since they escaped a gulag, they have to get to a country that is free of communism. The moment they enter Mongolia and then China, they know, they have to make it to India.
I’ve seen my share of POW movies. The Way Back is one of the weakest, it’s more a survival story that is told in a boring way. The fact that Colin Farrell was in Hart’s War (which I think was a bad movie here is my review) and in this one, made matters worse. One cannot help comparing those two movies and also see parallels between the choice of Ed Harris in this one and Bruce Willis in the other.
I guess you gathered that this movie left me pretty unfazed. It’s not bad it’s just lacking something.
If you want to watch a truly good newer POW movie watch Werner Herzog’s Rescue Dawn (here is my review). Of the older ones I like The Colditz Story best.
Max Schmeling – Fist of the Reich aka Max Schmeling – Eine deutsche Legende (2010) Biopic of the German Heavy Weight Legend
Yes, I did it, I watched a Uwe Boll movie. I have never watched any of his other movies before, it seems they are a bit on the trashy side and I’m not tempted to watch the controversial sounding Auschwitz. Now that this has been clarified, I will concentrate solely on Max Schmeling – Fist of the Reich aka Max Schmeling – Eine deutsche Legende. The reception of this movie is a bit surprising. It got 4.1 on IMDB, the only person who reviewed it gave it 3/10. The reviewer is German. On amazon.de the reviews are mostly 1/5 and 2/5 stars. When you hop over to amazon.co.uk you are in for a surprise. The reviewers rate it mostly 5/5. I’m pretty sure, I can tell you why this is the case. (Personally I would rate it 3/5 or 6/10).
The way the story is told is somewhat plump. It’s linear storytelling apart from the very first moment where we see Max Schmeling in uniform traipsing around Corfu. These are painful moments for German-speaking people as we hear the “actor” Henry Maske talk. Imagine Schwarzenegger talking through a half-swallowed potato… You can hardly understand what the guy is saying, it’s obvious he is no actor. Every time he opens his mouth during the movie, native German speakers will either laugh or cringe. I’m quite sure this (plus Boll’s reputation) were the main reasons why it got such bad German ratings.
Once you have passed this initial bad scene you will start to understand that Henry Maske was a perfect choice. Even Schmeling himself was wishing for Maske to play the role one day.
Schmeling was a gutsy boxer, one with courage, who loved to prove himself. At the same time he was very fair with his opponents. When the Nazi’s started to rise he was on the rise as well. They liked to win over athletes as they corresponded to the Nazi ideal of strength, health and invincibility. Schmeling who held the heavy-weight champion title for quite a while was especially liked by Hitler. But when Schmeling announced that he, his trainer (Heino Ferch who is excellent as always) and his Jewish agent were flying over to New York to fight against Joe Lewis, the Nazi leaders were strictly opposed. Joe Lewis had the reputation of being invincible. He knocked out all of his opponents in a few minutes. And he was African-American which seemed hardly the right choice for someone belonging to the master race, as the Nazis called themselves. It took guts to disregard the orders and fly to New York anyway.
What happened in New York is boxing history. Max Schmeling knocked out Joe Louis and after this he was definitely the Nazis’ favourite pet athlete. Still, when he announced he would go back to New York and face Joe Luis again, they didn’t approve. They were right this time.
He returned beaten and was sent off to war immediately. No other athlete had to go to war, but someone who lost against an African-American and ridiculed the master race had to be punished.
All these are things, I didn’t know. I didn’t know either that Schmeling and his wife were one of the most famous couples in German history. She was an actress and they got married before he flew to New York for the first time. They stayed happy together until her death in the 80s. Schmeling lived until 2005. After the war he had a hard time making a living and wasn’t denazified at first.
For all those who moan about Henry Maske’s acting I’d like to say, that it is not fair. This is a boxing film. 60% of the movie centers on the fights, training and boxing. If you like boxing, you will like this movie as Maske is an excellent boxer. He was the world title holder for many years – not in heavyweight but in light heavyweight – and used to be one of the best-liked German sports people. He is originally from the former German Democratic Republic which explains the mumbling to a certain extent as their accent is a bit on the rough side.
I’m fond of Maske, he is a likable person, I also like boxing and found the fights gripping. Certainly not a great film but entertaining and interesting.
I only found a German trailer but the movie has been subtitled.
Ken Loach’s Route Irish (2010)
I’ve read a few reviews of Route Irish and while I agree this may not be Ken Loach‘s best movie, I thought it was far better than I expected. There are a few awkward moments but overall it’s well done, well acted, interesting and suspenseful.
Fergus and Frankie are best friends since childhood days. They are inseparable. They join the army together and leave it together. While Fergus starts working as a contractor for Tyree (an organisation like Blackwater), Frankie does the odd job in their hometown Liverpool. The problem is that odd jobs don’t bring money and he is not with Fergus. That’s why he joins up with Tyree as well and they go to different “hot places” together. 10000 £ per month seem enough money to justify what they are doing and to accept the risks they are taking.
Organisations like Blackwater are the face of modern warfare. Although the men are called “security personnel” by their employers, what they really are is mercenaries. Iraq is a particularly ugly place to be. It’s messy and chaotic. They are constantly shot at and shoot back.
While Fergus is in Liverpool, Frankie is on his last mission, escorting a reporter. He is killed on Route Irish, the most dangerous street in the world, the road that leads from Baghdad to the Green Zone.
Fergus is guilt ridden because he wasn’t there for his friend. Just before his death, Frankie tried to call Fergus several times as clearly something was wrong in Baghdad. A mobile phone that Frankie has sent to Fergus shows that he was involved in the shooting of civilians and that one of the other mercenaries wanted to cover this up. Fergus is convinced that Frankie wasn’t just in the wrong place at the wrong time but that he was murdered. He swears to track down the killers and take revenge.
Ken Loach could have chosen different ways of showing us the corruption and lawlessness of modern-day warfare and organisations like Blackwater but I thought a thriller wasn’t a bad choice. I liked Route Irish and think it is worth seeing. Not only for fans of Ken Loach.
Omagh (2004) Irish TV Movie on the Omagh Bomb
I have seen a few movies on the Troubles. Some were good, a few were outstanding. Omagh, I’m afraid, isn’t one of them. I’m not saying it isn’t sort of interesting as it explores, more than anything else, the reactions of the people affected by the “Omagh bomb”, namely the families of the victims, the support groups, the police and the politicians. But interesting doesn’t necessarily equal well done. I don’t mind TV productions but I’m not keen on shaky handheld camera, weirdly cut images and pseudo-documentary style. Blood Sunday (here is my review) has a very similar approach but was much better, I thought. Still, I didn’t mind watching it as I have always been interested in Irish history.
Omagh is a little town in Northern Ireland. On Saturday 15 August 1998, a car bomb went off in the town center, killing 29 people and injuring another 220. The beginning of the movie, focusing on one young man, Aiden Gallagher, and his family is very powerful. We know what is going to happen and to see them before the tragedy and knowing one of them is doomed, is quite uncanny. Also the anxious moments after the family hears that there was a bomb and their son and bother doesn’t return are very well done.
The responsible people for the Omagh bomb were the so-called Real IRA, a splinter group of the Provisional IRA whose members were opposed to the peace treaty. The Troubles are such a complicated chapter in Irish history and as much as the movie tries to capture this, for the outsider it stays quite confusing.
That the British Prime Minister Tony Blair and the Sinn Féin leaders condemned the attack didn’t help the families much. What follows Aiden’s burial, is a close examination of the aftermath of the bombing. Aiden’s father tries to get the help from anyone he can. Politicians and police alike. He joins a support group and together with their members they try to find out who is responsible for the bombing. They look for the individual names. After a while Michael is contacted by a man who was an informant and spying on the Real IRA. He provides him with a list of names. He pretends having given information on the bombing to an intelligence service way before it happened.
Michael tries to pursue this and investigates on his own, confronting the police but to no avail. After a few months he is so down that he has to let go and try to overcome the grief for his son.
Some months later the support group is summoned by the police. An ombudsman tells them that not only did they find proof that the informant told the people in charge about the bomb threat but that the intelligence service had also tried to cover it up. In doing so, evidence that could have led to arrests was lost.
“Bad management and lack of judgment of a senior intelligence officer” was the final verdict of the ombudsman. Sadly there were no consequences.
It makes me feel a bit bad to say that I didn’t like this film. It seems as if I was saying the incident wasn’t horrible. I’d like to emphasize, that this isn’t the case at all. What happened in Omagh is horrible but the way it has been filmed was just not convincing.
