Bertrand Tavernier’s La vie et rien d’autre aka Life and nothing but (1989) The Aftermath of WWI
This quiet and beautiful movie deals with the aftermath of WWI in France in a way I haven’t seen before.
Life and nothing but aka La vie et rien d’autre is set in France, in 1920. The landscape is destroyed. The villages are in ruins. 350’000 men are missing. Major Dellaplane (Philippe Noiret) is working in some sort of army hospital trying to find the missing soldiers. He analyses features and descriptions, looks at those who are so badly wounded that nobody would recognize them, looks at those who have gone deaf, blind or crazy and also at dead bodies. He has them drawn and measured and puts their portraits in huge albums. So far he has found maybe 50’000 soldiers but there isn’t a lot of hope of finding the remaining ones.
Into this mess comes Irène de Courtil (Sabine Azéma), the wife of a missing officer and member of the French high society, part of those who are responsible for this monstrous war. Irène is looking for her husband. Not so much, it seems, because she wants to see him again but because she wants to move on. Her memory of him is almost faded and they were not married for very long either. Dellaplane treats her very unkindly and tells her that her husband is only one out of 350 000 missing men. In other words, he couldn’t care less about one individual person.
She leaves the hospital and tries other places but much has changed, addresses do no longer exist. She meets Dellaplane again in various other places.
When she hears that there is a site in which they display the belongings of dead soldiers, she travels there to try to find something that belonged to her probably dead husband. Dellaplane is there as well. Every time they speak, they quarrel and shout at each other but they also start to understand each other’s positions. Dellaplane feels pity and promises her to help her husband’s body.
While this is happening, there is a second story line. General Villerieux has to find bodies of anonymous dead French soldiers. One of them should be picked and buried under the Arc de Triomphe in Paris. It proves to be very difficult as there are as many dead German and American soldiers in this region as there are French ones. The earth is saturated with dead bodies. Plus there were the Senegalese troops. Despite their being French, the government doesn’t want to bury an African soldier or one from another colony. As easily as these are ruled out, for obvious reasons, as difficult it is to make a difference between American and French soldiers.
The idea of the tomb for the Unknown Soldier infuriates Dellaplane and he doesn’t help his superior. He thinks it is cynical and belittles the losses. 1’500’000 dead French soldiers shouldn’t be represented by one anonymous figure.
There are other important story lines in the film. One follows a sculptor who is making monuments for the villages. Each and every village wants a monument for their fallen.
La vie et rien d’autre is beautiful but also bleak. It’s raining constantly, there are accidents with mines that go off, the places are swarming with hopeless people looking for their loved ones. Everything is in ruins. Everything seems so senseless. The destruction, the deaths, the suffering.
I liked this movie a great deal. It’s also a touching love story. What I liked best is the fact, that it starts where most other movies end. After we have seen the last dead soldier fall on the battle field, WWI movies usually end.
I recently finished the mini-series ANZACS and watched this right after. I’m glad I did as the contrast is amazing. As much as the Australians, Canadians and Americans sacrificed, they returned to their countries, countries that had not been touched by war. They lost a lot of young men, but they didn’t have to cope with a war-ravaged country and destroyed cities. I think this shouldn’t be forgotten.
Unfortunately there was no English trailer but the French one will also help you decide whether you should track it down or not.
12 French War Movies You Must See Before You Die
France, a country that has endured and fought many wars, was at the center of many a battle and armed conflict, a country famous for its outstanding filmmaking has produced a very modest amount of war movies. You will find numerous WWII movies on the Resistance and a fair amount of rather psychological war-time movies but if you are looking for combat movies, you will not be lucky. I know of no French air combat or submarine movie at all.
There may be many reasons and I can only attempt an interpretation, comparing French cinema in general to the cinema of other countries. What becomes apparent soon is that the French are not keen on producing large-scale, epic or very action driven cinema. French movies are psychological and intimate. They focus on the dynamics between a few people, their interaction, the dialogue. Many of the most famous French movies focus on tiny details, small things. It’s easily understood that this doesn’t fit in with infantry combat movies with their huge casts and more action driven story lines.
In choosing 12 movies I tried to pick the few real combat movies I knew and added the ones that I think excellent or that absoultely need to be watched. I also tried to covera wide range. I left out good ones, I’m sure.
For those who want to further explore French cinema the website French War Movies offers a great overview.
I discovered one huge problem for the non-native speaker when I watched La Grande Illusion recently as I bought a movie with English subtitles. Almost 2/3 of the dialogue was missing. I noticed the same when I watched and reviewed the Italian Rome, Open City (here is my review). Since French and Italian movies are dialogue driven, it’s very hard for a non-native speaker to fully appreciate them. I’m sure this is done better in more recent movies, still it is a problem.
With all this said, let’s open the curtain for twelve stunning movies:
La Grande Illusion aka Grand Illusion (1937): WWI. Jean Renoir’s movie is one of the great classics of European cinema starring the late great Jean Gabin. A POW movie that offers a lot. Interesting German characters included. (Here is the review)
Nuit et brouillard aka Night and Fog (1955): WWII. Alain Resnais’ Holocaust classic. Death Camps. Final Solution. Documentary/original footage about the horrors of the concentration camps. Gut-wrenching. Impressive. A must-see. (Here is the review)
Hiroshima Mon Amour (1959): WWII. Another movie by Alain Resnais. A love story between a French woman and a Japanese man from Hiroshima. Interspersed with original footage of Hiroshima. Very special and poetic based on the scenario by Marguerite Duras. A must see for French cinema aficionados. (review upcoming)
L’armée des ombres aka The Army of Shadows (1969): WWII. Jean-Pierre Melville’s Resistance masterpiece. Another classic. Claustrophobic, impressive, sparse. Excellent actors. One of the most depressing movies I’ve ever seen. (Here is my review)
L’honneur d’un capitaine aka A Captain’s Honor (1982): Post war. Algeria. A captain who died on the battle field in Algeria is accused of having been a torturer and a murdered. His widow tries to prove that he wasn’t guilty. (review upcoming)
Dien Bien Phu (1992) : Indochina. Infantry Combat. Schoendoerffer’s movie shows the final defeat of the French in Indochina. Not nice to watch at all. (review upcoming)
Le pianiste aka The Pianist (2002): WWII. Holocaust. Tells the story of a Jewish pianist in the Warsaw ghetto. Harrowing and beautiful. My favourite Holocaust movie. Very moving. (review upcoming)
La chambre des officiers aka The Officer’s Ward (2001): WWI. Everything you never wanted to know about the horrible facial wounds that were so frequent during WWI. Made me quite sick. Painfully well-done (Here is the review)
Un long dimanche de fiançailles aka A Very Long Engagement (2004): WWI. Based on Sébastien Japrisot’s eponymous novel it tells the harrowing story of young Mathilde who travels to the no man’s land of WWI in search of her lost fiancé. This is one of the darling movies of international film critics. I did like it but wasn’t awed. Starring the much-loved Audrey Tautou. (review upcoming)
Joyeux Noël aka Merry Christmas (2005): WWI. The story of the little peace during the Great War. During the first Christmas in WWI, German, French and British/Scottish troops cease fire and play football together. Wonderful movie with great actors. One of my Top 10 all-time favourites and one of the bestanti-war movies that exist. (Here is the review)
L’ennemi intime aka Intimate Enemies (2007): Algeria. One of the very few French Infantry Combat movies. Very good and very critical. About the ugly side of an ugly war that was officially no war. If you want to find out why I found this hard to watch, you’ll have to read the About page. (Here is the review)
L’armée du crime aka The Army of Crime (2009): WWII. French Resistance. Based on the true story of a group of young people and immigrants who fought a desperate fight against the Nazis. They were led by the poet Manouchian. This is an absolutely stunning and very tragic movie. One to watch and re-watch. It went directly on my Top 10. (Here is the review)
ANZACS Part III Ypres and Passchendaele (1985)
It is debatable when watching a series whether you should review each installment individually. I haven’t done it for The Pacific, nor for Hornblower or Sharpe, so why now do it for ANZACS? Because it is so good? Yes, it really is but so are the others. That’s not the reason then, the reason is that I’m in the mood to do it. Not everything needs to make perfect sense in life, occasionally we can do something just because we enjoy it and I enjoy reviewing ANZACS. There are not all that many good movies and series on WWI, it seems justified to re-emphasize that this one exists.
Part three is a s good as the first two parts and leads us even deeper into some of the catastrophic and notorious battles of WWI. Who hasn’t heard of Ypres or Passchendaele, who hasn’t heard how many soldiers died in these two offensives alone?
In this part we see that the British Prime Minister, Lloyd George and General Haig are really not on the same page. Haig is gung-ho, his strategy seems to demand too many losses and Lloyd George doesn’t think it’s justified at all.
Once more we also see how the British and the Australian culture clash when it comes to subordination. Another aspect that is covered in this part is the role of the respective churches. While the Church of England was fully supportive of the war, there were some voices in Australia saying that it might be high time to underline that Australia was independent by now and that the Australian church should adopt another attitude towards the war.
The man on the photo, Jon Blake is one of the main actors in ANZACS. He was also in in The Lighthorsemen. While finishing The Lighthorsemen he had a car accident and sustained severe brain injuries that left him in a near vegetative state. He died on May 29 2011. It’s a very sad story. He was a very promising young actor and many say he would have gone far. We will never know.
Here are the reviews of Part I Gallipoli and Part II The Somme and a List of Australian War Movies.
ANZACS Part II The Somme (1985)
ANZACS part two takes us to the battle fields in France where the lads we met in the first part will take part in the battle of the Somme. Before they start to fight in the trenches they undergo a bit of training and are also shown the way the Germans fight.
There are still humourous episodes when old-world hierarchy meets with Australian insubordination but this clash of attitudes is also very unfortunate. General Haig, as this episode shows, was less than thrilled by the Australian’s lack of obedience and thought it best to send them off to one of the bloodiest battle fields. Surprisingly they are doing very well. Where most other companies achieve nothing they manage to capture some terrain and there are also more and more losses among the Germans. The British high command is surprised by this can-do attitude and the ability to fight demoralization however they still refuse to recognize their valor.
At the end of the episode the heavy fighting has taken its toll anyway. The men return extremely weary and it’s hard to imagine that the ordeal only just begun.
In episode I an Australian journalist had an important role in covering up the senselessness of the battle at Gallipoli. We see the same journalist once more. He is the Australian prime-ministers’ spokesman and has to find out whether the Australians are not just sacrificed. He points out that they haven’t really won a lot of terrain so far. He is informed that it isn’t only about winning terrain but about wearing out the Germans.
The trench scenes are very convincing. These are trenches that crumble, they have been under such heavy fire all the time, that they are merely shallow dug outs. Usually the trenches we see in WWI movies are very high. The fact that they had to be reconstructed constantly and did at times hardly give any shelter isn’t shown very often.
Like in part two, the story moves between the battlefields and the home front which adds to the authenticity.
I enjoyed part II even more than part I (see review here).
I attached chapter two from Episode 2 (2/10)
ANZACS Part I Gallipoli (1985)
I need to thank Soldier’s Mail who left a comment on my post Australian War Movies: A List mentioning ANZACS. This is really, really worth watching.
ANZACS has five episodes in total and I have just watched the first one that could be called “Gallipoli”. I would say it is easily as good – if in parts not even better – as Peter Weir’s movie Gallipoli (one of my top 10!).
The series starts in Australia where the young guys, full of enthusiasm and inspired by a sense of adventure, enlist. While some of their parents think it is their duty towards their motherland (some can still not fully grasp the idea of being independent by now), the young men see the war as a means to travel and see the world. A bit of fighting will be great as well. Why not bash some Germans? Sounds sporting, right?
They are a composite little group heading off to Europe (as they think). Some are farmers, some are sports heroes, others are students.
When they finally arrive in Gallipoli, they are told that they will fight the Germans by entering the back door. Once they have overrun the Turks there will be no stopping them and victory will be certain.
Gallipoli is one of those names that stands for an unsuccessful campaign and battles in which losses were extremely high. The young lads are mown down by Turkish guns like weeds and the sporting spirit dies as soon as they have lost the first among their ranks. I couldn’t help wondering whether the British sent the Australians on purpose on this futile mission but considering that they lost as many and more of their own in France and Belgium, it seems more likely that high command had simply no clue what they were doing. Anyone reading this who is better informed is welcome to explain/contradict.
I liked the way this first part was told. It seems very accurate, very realistic, not overly emotional. There is a couple of brothers and friends who are devastated by the loss of their siblings and friends but this isn’t overly exploited.
I’m extremely curious to see how this will develop and whether the next episodes will be equally good or even better. At the end of episode one they were ready to move on to France.
Here is part one of episode I
The Blue Max (1966) Is it the Best WWI Air Combat Movie?
Some people argue that The Blue Max is the best WWI air combat movie there is. What is certainly interesting is that we see a movie from a German point of view. What is also quite obvious is the fact that it is better than The Flyboys. But does this really make it the best WWI air combat movie?
The Blue Max is an interesting movie because it is more than just an air combat movie. It provides a fascinating character study and shows us what can become of a talented but overambitious person like the main character Bruno Stachel (George Peppard).
At the beginning of the movie Stachel is an infantry man but he gets promoted and becomes a pilot. This is actually an interesting bit and I was wondering how often this really happened in reality. Usually the fighter pilots were hardly aware of what was going on in the trenches. Their idea of war was very often equal to an elegant if deadly pastime. Not unlike hunting only including the two sides of being the hunter and the hunted at the same time.
Pilots during WWI were mostly aristocrats like the famous Baron von Richthofen aka The Red Baron (who can also be seen in a short sequence). From day one the other pilots let Stachel feel that he isn’t one of them. What he doesn’t have in social status he tries to make up for in ambition. It is his one and only goal to earn the medal called the Blue Max that is awarded only after 20 kills. He believes this will earn him the respect of the other pilots.
Stachel is absolutely not a nice guy. He is as unlikable as can be but still there is a certain tragedy in his fate as he unfortunately falls in love with the wrong woman (Ursula Andress), yes, the first Bond Girl).
The way he tries to achieve his goal, The Blue Max, is totally reckless and more than once he endangers himself and his comrades alike.
The movie got a lot of praise for the story which is quite interesting however, I think, it would have benefitted if it hadn’t been that long. Some shortening would have been really good.
What the movie is truly famous for, and for good reasons, is the aviation part. The air combat scenes are very well filmed. Without CGI they achieved to show quite something.
I was not totally convinced by George Peppard. I think the movie would have been better with another lead. On the other hand I thought that Ursula Andress wasn’t all that bad and James Mason was decidedly very good.
I have no idea how I would rate this but I guess 4/5 should do it justice. For the aviation and air combat parts it would deserve 5 points, for the length and the main actor only 3.5.
Even though The Battle of Britain is not a WWI movie, it is the movie The Blue Max has been compared to most often. Look at it any which way you want and you will have to admit that The Battle of Britain is the better movie.
Still it is one of the best WWI air combat movies.
Should you be interested here’s my Favourite Air Combat Movies List.
All Quiet on the Western Front 1979 TV Version
I am not immediately against a movie just because it is a remake. I think that in some cases, even when it isn’t necessarily better or as good as the original, it can add something. It is interesting to see how someone else interprets scenes, how they are altered or accentuated. All this is just to tell you that I wasn’t biased when I watch the TV version of All Quiet on the Western Front. After having watched it, I am not even disappointed as I didn’t expect anything. No, I’m not disappointed, I’m horrified. This is a shockingly bad movie that manages to take the depth out of all the profound scenes that you can see in the original. The filming is oddly tacky and the acting is so bad that I was wondering if the actual aim wasn’t a parody. I have hardly ever seen so many people die in such a melodramatic way outside of an opera stage. I was surprised the actors weren’t holding banners stating “I’m dead” at the end of each scene. How ostentatious should you be? Unless you want to make your public feel like total idiots subtlety would be what you should strive for. This message seems to have been lost on the director. What I can really not forgive is how a scene like that fabulous “boots scene” was altered to total insignificance.
I must at least say one good thing, Ernest Borgnine as Kat and Ian Holm as Himmelstoss were convincing. And all the others? It was quite daring to cast Richard Thomas as Paul Bäumer but to have him do so many voice overs reminiscent of his time as John-Boy…Bah.
If you care to see a movie of All Quiet on the Western Front stick with Lewis Milestone’s 1930 original. It truly is a masterpiece. If you are not into silent movie feel or very old movies you will have to wait for the next remake which is due in 2012 starring Daniel Radcliffe (no, it isn’t a convincing choice). Hopefully it will be much better than what I had to endure last night.
For those of you who still want to know what it is all about here’s a very brief summary:
Based on Erich Maria Remarque’s outstanding eponymous novel, All Quiet on the Western Front shows how an enthusiastic young German school boy volunteers to participate in WWI. Once he ‘s in the trenches and experiences the horror of trench warfare and sees his friends die all around him, he soon faces utter disillusionment.
Rating? Do I have to? 2/5 But only because I am kind.
Here are my thoughts on To Remake or not to Remake
Here is a short scene. It is rather one of the better ones.
Aces High (1976) British WWI Air Combat Movie
I was curious to watch Aces High as it is one of the few WWI air combat movies we have. I did remember vaguely that some critics didn’t like it at all and wanted to find out for myself. I had the feeling it might not be as good as Der rote Baron aka The Red Baron although that is decidedly more of a guilty pleasure than a movie providing historical accuracy. I was right. Aces High isn’t even remotely as good as Der rote Baron and certainly not on the same level as The Blue Max which depicts a fascinating if revolting character. Unfortunately, it could have been good. It’s a narrow miss. What is particularly annoying is the fact that the flight scenes and the contrast of the combat on the ground and in the air is shown very well. It also shows once more the complacency and inadequacies of the high command. While their pilots are shot down one by one, they sit together, eating, laughing, drinking and gossiping and even deny them parachutes because that would make them week in battle. The movie doesn’t spare us and shows one particularly chilling episode in which we see a pilot falling to a certain death that might have been prevented if he had been given a parachute.
The story is told in a few sentences. Young Lt Croft (Peter Firth) arrives in France after barely 14 hours of flying practice. The CO of the base he has been assigned to is his brother-in-law, Major Gresham (Malcolm McDowell), a man he admires incredibly. He finds Gresham extremely changed. Disillusioned, hardened, distant and a full-blown alcoholic. The rest of the lot is not much better; either they drink or they are shell-shocked. The only nice and cool-headed one seems to be an older officer, Capt. “Uncle” Sinclair (Christopher Plummer).
Gresham cannot spare young Croft and has to take him on dangerous missions right away. The young man enjoys every minute of it. He is naive and enthusiastic.
You will probably think that this doesn’t sound too bad, I agree, it doesn’t but it still isn’t a good movie. Aces High has a big problem with its characters. Apart from Christopher Plummer’s character, they are uninteresting, flat and two-dimensional cardboard figures. This is disappointing because, as said, the air combat scenes are decent, the planes are decent and there is one incidence in which they make a trip to the front line and see a group of blinded soldiers that is quite harrowing. I’m afraid, I can’t rate this any higher than 3/5.
Paths of Glory (1957) Kubrick’s WWI Anti-War Masterpiece
Paths of Glory was forbidden in the UK and in Switzerland until the 70s. French troops disturbed the opening in West Berlin. The movie was forbidden in American cinemas for soldiers. It was forbidden in France during the war in Algeria. It was shown in Paris for the first time in 1975. What’s that telling us? That this is a radical anti-war statement that openly criticizes high command. It is powerful and thought-provoking and absolutely unambiguous as to its goal. I felt a bit uneasy that Kubrick chose to criticize French command. Didn’t he have plenty of opportunities to criticize American command? Be it as it may, Paths of Glory, which is based on a true account, is a great achievement.
The movie opens with the Marseillaise and a voice telling the horrors of WWI, the numbers of soldiers that get killed daily to no avail. The incident on which the movie centers took place in 1916 in France. The movie moves back and forth between the trenches and the high command residing in an elegant Château.
An ambitious general asks of the equally ambitious general Mireau to take a hill, held by German troops, the so-called “Ant Hill”. A highly symbolical name if there ever was one as people are treated no better than ants and wiped out with one simple gesture. When general Mireau informs colonel Dax (Kirk Douglas) of the order to attack the ant-hill, he is met with incredulity. Dax tells him that it is impossible and will cost an incredible amount of lives. The answer is a sarcastic calculation. 65% of the men will not survive and the outcome is not even sure. Dax wants to refuse the order but is threatened to be replaced.
The futility of the attack becomes obvious right away. Dax fights in the front line with his men who die one after the other. He and many others retreat after seeing that they can’t make it. Many stayed in the trenches, knowing damn well they would be killed and nothing could be won. Seeing the men’s reluctance to run into certain death, general Mireau orders to open fire on them but the officer who receives the order refuses.
The frustrated general then orders a court-martial. Three men are chosen in lieu of all the others and accused of cowardice. Colonel Dax, a lawyer in civilian life, takes up their defence. Like the court-martial in Breaker Morant, this is a pure sham.
Kubrick’s movie has a lot of interesting elements. Colonel Dax is one of the great war movie characters. A officer of high moral standards, free of carrerism and ambition, a just and human being. Kirk Douglas was very well-chosen for this role. He is very believable and gives a great performance.
The contrasts between the high command who is far from the action and thinks they can mock simple soldiers who are afraid, slap those who show signs of shell-shock and judge others that refuse to run into certain death, is fantastic. Paths of Glory is one of those movies that has scenes that will stay with you forever because they are emotionally true and powerful. The utter cynicism of the high command, the way they calculate losses without giving further thought to the fact that each number equals a human being, will make you cringe.
It is a movie that belongs to two sub-categories. The court-martial movies like Breaker Morant and the “Taking a hill movies” like Hamburger Hill, Pork Chop Hill, Gallipoli and The Thin Red Line.
Apparently there is a more recent French TV film Le Pantalon (1996) that quotes Paths of Glory in its major parts.
As much good as I may have said, I had my reservations. I did not understand the use of black and white. The movie doesn’t work so well from a cinematographic point of view. There are not so many contrasts and shadows as there normally are in black and white movies. Even Pork Chop Hill (far less good as a whole) looks much better. Kubrick is famous for the use of colours in his movies… I don’t see it as entirely logical that he didn’t shoot this in color. But that is the only flaw I could find. It still deserves a solid 4.5/5.
Beneath Hill 60 (2010) Australian Miners Fighting in The Tunnels of WWI
I am really glad to be able to dedicate this year’s last review to a movie that came out in 2010. I am also glad that the Australian movie Beneath Hill 60 was one of the biggest surprises of this year. After having watched a few more recent war movies like Everyman’s War and Passchendaele my hopes were not too high. I was wrong. This is a thoroughly good movie in which everything is right. The main story, the accuracy, the flashbacks, the actors, the score, the pictures, all together make a great combination. Last but not least the movie is based on a true story that is maybe not universally known but truly amazing. In 1916 Australian miners were digging tunnels beneath the trenches. The worst of those tunnel systems was located beneath Hill 60, in Belgium. The aim was to blow up the whole hill and the trenches around it. The outcome was the biggest explosion ever. It could be heard as far as London and Dublin.
At the beginning of the movie the men around Captain Oliver Woodward are digging in the tunnels beneath the trenches in France. Woodward is a newbie and as such has to prove himself first. Unfortunately he makes a mistake when he doesn’t realize that the sound one of the miners hears isn’t his own heart but digging sounds of the Germans. The movie is full of suspenseful moments when the digging miners have to stop and listen, if there are Germans close by. Whoever gets a chance will blow up parts of the tunnel system and the fight will rage underground. As claustrophobic as it is inside of the earth, it is still more secure than above. Every time the men get out of the tunnels, they see the madness of the war in the trenches, the constant shelling, the mud, the never-ending rain. The young miners can hardly handle to be outside; they are scared to death.
After his initial misjudgment Woodward soon proves to be more than worthy and he and his team achieve one difficult mission after the other, below and above ground. The story in the tunnels is interspersed with flashbacks. We see Woodward in Australia. He is an engineer with a mining company, freshly returned from Papua New Guinea. There is of course a love story but it is far from schmaltzy and just emphasizes Woodward’s character. He is gentle, intelligent, very able and has a great sense of humour. Newer war movies often operate with such flashbacks and mostly they are not successful. The flashbacks disrupt the movie and add a sugar-coating that is hard to swallow. This is not the case here. It’s a great diversion from the rest of the movie that shows mostly very dark scenes in the tunnels. Some of the tunnels are constantly under the threat to be flooded and water is dripping endlessly. A good sound system does come in handy. The sound effects are absolutely brilliant. Honestly, you will check your cupboards, to make sure, they didn’t start leaking.
The camaraderie between these fine men is depicted in a nice way, and every loss is felt by the spectator as well.
As far as setting goes, this is one of the most extreme. The men are in these tunnel systems almost day and night. Anything more claustrophobic is hard to imagine.
I would really urge you to watch this film. It is certainly the best that came out this year, and maybe one of the best of the decade. Australian filmmaking proves once more what it is capable of. The film director knew how to combine a well-told true story with the right amount of emotion. I couldn’t find the tiniest flaw.
I already attached the trailer in my List on Australian War Movies but decided to attach it again.
