Tomorrow We Live (1943) British Black and White Movie on French Resistance

Do NOT mix this up with the US movie with the same title. They are not exactly in the same league. The US movie is very clearly a B-Movie and has absolutely no war theme in it. Tomorrow We Live aka At Dawn We Die is a British movie on the French Resistance. It is unlike anything I have seen before. Apparently the film makers got the support of General de Gaulle. Be it as it may, this is forties cinema at its best. Atmospheric, black and white, gaslight feeling… It seems as if every scene was shot in the studio (and likely was) which makes it look at times like a theater play. It does look artificial but it also has a very special charm because of this. Many of the scenes reminded me of the feel of an Edith Piaf song.

Jean Baptiste, a member of the French Resistance is a fugitive on his way to England. He lands in a little occupied French town swarming with Nazis. A young woman, the daughter of the mayor,  helps him to hide and find a place where he can spend the night. There are quite a few female characters who all have an interest in Jean Baptiste. Some want romance, others see their son in him, and others just want to help him and use him for their plans. The mayor and his daughter are seen by many as collaborators. In fact this is just a cover for them. Unknown to anyone they are the leaders of the town’s resistance and organize many acts of sabotage. Like in any Resistance movie you have some vile and treacherous characters who really collaborate.It’s frankly quite entertaining but what I liked most is that it is so dated. Movies like this are not done anymore. They were probably not even done anymore in the fifties. I would say it has an appeal  for any cinephile and not necessarily for someone interested in war movies only. Some of the characters are great, reminiscent of Fellini. Many are funny eccentrics. And we got some mean and ridiculous Germans too. The way they are treated is quite amusing. They are so full of themselves, it’s easy to annoy them; loud yawning and singing during a broadcast of Hitler at the cinema will suffice, to infuriate them.

Tomorrow We Live is special and entertaining, the right thing to watch during the festive season. I can see how this was supported by de Gaulle. It bestowed a little light on those dark and bleak days of the Vichy Regime.

La chambre des officiers aka The Officers’ Ward (2001) France, WWI and the Nightmare of Facial Mutilation

La chambre des officiers

The French movie La chambre des officiers aka The Officers’ Ward may very well be one of the most moving and shocking war movies I have ever seen. I felt sick twice, I cringed endlessly and it made me really sad. It is  a masterpiece. An absolutely brilliant anti-war movie. If you thought Born on the 4th of July was horrible then you haven’t seen this one.

The movie is based on Marc Dugain’s novel La chambre des officiers aka The officers’ ward and tells the story of the young lieutenant Adrien. At the beginning of WWI Adrien is a very handsome young officer. A piece of shrapnel rips half his jaw off. He will spend the rest of the war, a full five years, at the Val-de-Grâce Hospital in Paris. At this hospital they only cure men with facial wounds, burns etc. It is like a freak show only these are human beings.

During the beginning of the movie we never see Adrien. We only see the reaction of those around him. The doctors’, nurses’ and patients’. The profound pity in these faces says more than actually seeing him. Since he cannot talk anymore, we hear his thoughts. The moment when he realises that his face is a gaping hole is so awful…

During the five years at the hospital he fights great pain, despair, horror, suicidal thoughts. Together with the other mutilated officers they try to stay alive and become human beings again.

The music is very intense (Arvo Pärt and Wagner, admittedly the second is a bit strange) and underlines the atmosphere of this saddest of war movies. Funny enough there is also beauty. The beauty in the relationships between the wounded. And the beauty between Adrien and a very gentle and loving nurse. There is also a brothel scene towards the end that is not only lighter in tone but even in a melancholic way funny.

This is a very thought-provoking, must-see, 5/5 star movie.

I only found the French trailer, I’m sorry.