Is Fury a War Movie?

Fury

Long live macho-martyrdom and let’s kill as many bad, bad Nazi’s while we can. Yikes. Fury is the kind of movie that gives the war movie genre a bad name. Bizarre is the word that came to my mind more than once while watching it. It was clear from the beginning that this isn’t an anti-war movie, but it took me until the end of the film to come to the conclusion that it’s not even a war movie. Just because someone pretends to tell us a WWII story doesn’t mean he really does. In my opinion, Fury is an action movie disguised as a war film.

Plus, it’s full of clichés, not very realistic and the plot is dragging in the middle section.

What’s it all about? I’m going to do something I never do I’ll give you the IMDb blurb here

April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened Army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Outnumbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.

*******SPOILER*******

Did anyone else think of Platoon while watching this? We have a young, inexperienced soldier and an old, larger-than life hero who dies a rather spectacular death in the end.

What’s with the Nazi killing? Maybe the Allies shot a few German prisoners but I doubt they forced their young soldiers to shoot them to harden them.

They fall in love/lust awfully quickly in this film. While we’re not allowed to watch – we get to see a half-naked Brad Pitt aka Wardaddy.

It’s been a long time since I’ve seen a movie in which the Germans were depicted as entirely evil and stupid.

Shortly before the end, the young American soldier is hiding under a tank. A German soldier searches under that tank. He very obviously sees him but doesn’t shoot him. Or does he not see him? Both explanations are highly unrealistic.

*******SPOILER END*******

I’m really allergic to movies that try to glorify war or fetishize warfare. That doesn’t mean you shouldn’t watch Fury. Just keep in mind – it’s not an anti-war, possibly not even a war movie and far from realistic. Those who love tanks and Brad Pitt might enjoy it a lot.

American Sniper (2014)

American-Sniper

Clint Eastwood’s latest movie American Sniper  is based on the true story of Navy SEAL sniper Chris Kyle who was called “the most lethal sniper in the U.S.”.

Every time I watch a movie based on a true story I find it difficult to write about because ultimately I have to write about two things: the movie as such and the story it’s based on. Very often I like the movie a great deal but I’m highly critical of the story. Like in this case. I admire Eastwood for the way he tells Chris Kyle’s story but I’m not sure I can admire someone who killed so many people, although I admire his skills.

The movie starts in Iraq. We get to witness two of Kyle’s most problematic kills. A boy and a woman. There is never a doubt— they are not collateral damage. Kyle takes them out on purpose. With good reason as they were about to blow up a tank. Nonetheless these two kills are problematic for him as we can easily deduce.

After these initial scenes, the movie switches back and we see a few scenes from Kyle’s childhood. How he was a great shot as a small boy already, taking out a deer. This seems to be a typical sniper movie feature. I can’t remember one in which we don’t see a small boy killing an animal, which already shows he’ll be a gifted sniper.

Kyle first works as a cowboy but it doesn’t work out for him and, being a patriot, he finally joins the Navy SEALs and becomes a sniper. One evening he meets his future wife Taya; shortly after their marriage, right after 9/11, he’s sent on his first tour to Iraq.

The movie then tells us chronologically all the important things that happened during the tours and the growing unease when he’s back home. Kyle is quickly turning into a legend. The most deadly sniper the US ever had and he’s also a wanted man. The Iraqis will pay a great deal of money to the person who can kill him.

Back home, Kyle tries to “return” but he fails. He never seems to leave the war zone. He keeps on hearing gunfire; he almost kills his own dog, thinking he’s attacking his kid; he’s withdrawn and distracted. His wife suffers but stands by him. In the movie we’re led to belive she has no idea her husband has taken so many lives. There’s even a scene in which she asks him if he’s ever killed someone.

The parts in Iraq are gripping. Especially since we have a “Enemy at the Gates”-situation. There’s an Iraqi sniper who is almost as good as Chris Kyle and the two try to take each other out. I’m not sure whether it’s based on a true story as well or whether this was added/embellished for dramatic purposes. In any case, it works because it gives the movie a plotline that is suspenseful.

As I said, I admire Eastwood for the way he told this story because it never felt manipulative. I didn’t think he was glorifying Chris Kyle or condemning him and whoever watches this will be able to make up his/her own mind.

Since I’m not American I wasn’t all that familiar with his story. I knew the name and that he wrote an autobiography called “American Sniper”. While watching the movie I had no idea how it would end, that’s why I’m not mentioning it here. If you don’t know yet, let me just tell you that it’s a pretty ironic and surprising ending.

One aspect that I found extremely interesting is what the film says about killing. Or rather – how we get to experience different ways of killing. If you shoot randomly in a battle and kill people, it’s clearly not the same as when you aim carefully and see them fall. A sniper’s kills are much more personal. I could image they weigh more heavily on the conscience than when you’re not exactly sure whether or not you killed someone. In a war like the war in Iraq there’s also the huge problem of civilians taking part. No matter how hardened a sniper is, it will be difficult for him to shoot a kid.

While I find that Chris Kyle is a highly problematic figure – his patriotism is more than a little annoying – and I really can’t glorify or applaud someone who shot so many people (160 confirmed kills, 250 probable kills) – I thought this was a terrific movie. Well done, thought-provoking and the acting is surprisingly good. I’m not exactly a Bradley Cooper fan so I was wondering whether he was a good choice, but I have to admit, he did a great job. And Sienna Miller works extremely well as his wife. I highly recommend the movie. 4.5/5

 

The Bridge – Die Brücke (1959) A German WWII Classic

Screen Shot 2015-01-04 at 17.04.27

I finally got a chance to watch Bernhard Wicki’s famous anti-war movie The Bridge – Die Brücke, in which a group of sixteen-year-old high school students fights to keep a bridge. Fighting for – or destroying – bridges is one of the great war movie tropes. Unsurprisingly so, because, like hills, they are strategic points of highest importance. There’s quite a large number of movies showing battles for hills or bridges, none of these however show such a futile attempt as the one depicted in The Bridge.

It’s the end of the war and the Americans are approaching from all sides. Germany, in a final, desperate attempt to win the war, is drafting even young boys. While many of the grown-ups do not believe in winning the war anymore, a group of high school students still hopes to get a chance to fight for their country. Many years of indoctrination have left their mark. They don’t listen to any of the grown-ups who want to talk them out of it.

The movie takes a long time, far over an hour, to introduce us to the characters. There’s the boy whose father, a major, died in battle and who is living alone with his mother on a huge estate. There’s the boy whose father is a Nazi and who flees when he feels the end of the war is approaching, which fills his son with shame, determining him to join up. Then there’s the boy who is in love with a girl but seeing all his friends join, he cannot stay behind. There are more characters but unfortunately – and this is the movie’s biggest weakness – they are not very distinct and even look so similar that even at the end I had no idea who was who.

The last half hour of the movie is the best part and quite powerful. Basically we see a series of mishaps and misunderstanding which lead to a great tragedy. Very often the defense of a hill or a bridge is the last straw and commanding officers order it in many a movie because they have no clue what else there’s left to be done. Not so here. The bridge is meant to be destroyed and the boys are only sent there to wait because nobody really knows what else to do with them. Filled with a feeling of importance and left alone by their superior officer, they think they have to fight to the last when the Americans turn up. This senseless battle costs the lives of many of the boys, of civilians, and American troops alike.

Admittedly my expectations were very high, so it’s maybe not surprising they were not met. The biggest problem, as I said before, was that I couldn’t really tell the boys apart and felt they remained clichéd and flat. When a movie takes more than an hour to introduce and characterize the protagonists that’s a major flaw. The last part was powerful but the acting was over the top, so that I found it not as tragic as it should have been. It seems that this story is based on a true story and as such I think it’s a story that was worth telling, only not this way.

Usually I’m not for remakes but in this case, I think it would be worth to do a remake. The story is tragic and symbolic. Better acting and better defined characters would have made this great. And color would certainly improve it. I like black and white but it must be treated differently. The images don’t have a lot of definition and depth, which may be another reasons why I couldn’t tell the guys apart.

 

 

The Great Raid (2005)

The Great Raid

The Great Raid, starring James Franco, Benjamin Bratt, Joseph Fiennes and Connie Nielsen, tells the story of the raid at Cabanatuan, on the island of Luzon, Philippines, in January 1945. The story is based on a true story.

The movie begins with original footage and a voice telling us what had happened before. In 1944 when the US closed in on Japanese-occupied Philippines, there were 500 prisoners of war held at a POW camp at Cabanatuan. They were some of the survivors of the notorious Bataan Death March, in 1942. The Japanese made 80,000 American and Filipino prisoners of war after the Battle of Bataan. Forcing them to move, caused the death of over 10,000 people. The men died of abuse or because they were shot when they tried to escape.

Since the Japanese had the order to fight to the last and not leave any POWs behind, they killed many before the arrival of the US in 1944.

The movie follows three different plot lines. One line focusses on the men of the 6th Rangers Battalion, assisted by Filipino guerilla, who were assigned to free the soldiers held captive at Cabanatuan, the second line tells the story of the prisoners around major Briggs, and the third follows the Filipino resistance headed by nurse Margaret Utinsky.

The Filipino resistance’s main concern was to smuggle medicine to the men in the camp. Most of them had malaria or suffered from various injuries because they were beaten and tortured.

I wasn’t familiar with the story and I think it was well worth telling. It was the biggest US rescue mission ever and took great courage and careful planning, both of which are illustrated in the movie.

The camp scenes were not very original. They had a small-scale Bridge of the River Kwai feel but were, of course, not as good. I didn’t think Joseph Fiennes was the best choice for the major but that’s because I have a bit of a personal aversion. I find the way he plays often melodramatic. It certainly was in this movie.

The resistance scenes were quite typical as well. What made the movie worthwhile in spite of a lack of originality were the actors who played the soldiers of the 6th Rangers and the combination of the three plot lines.

There’s a love story between Margaret and Major Briggs but it’s not corny. It adds another dimension and since it’s supposedly a true story it’s rather tragic.

I wasn’t too keen on the music. It sounded very 40s and was used like in the 40s, meaning—never ending background music. At first I thought the movie was a remake, but I don’t think it was.

It’s a watchable movie but it’s not great. If it had been cut and condensed it would have been better. Nonetheless, thanks to the long intro and because it’s a true story, I found it interesting. I’m surprised that as many as 500 survived the three years of captivity under these conditions.

One last word: if you’re looking for a movie that paints a positive or balanced picture of the Japanese, this isn’t one of them. All the Japanese we see in this movie are cruel and violent.

 

The Bletchley Circle (2012- 2014) British TV Series

Bletchley Circle

This post is meant to make you aware that while British TV Series The Bletchley Circle is well wort watching for its wonderful post WWII period feel, it’s not a war movie, nor has it anything to do with Bletchley Park per se. If you’re interested in a movie on the code breakers at Bletcheley, then you’d have to watch Enigma.

Still, there’s a link. The women in the series worked as code breakers during the war. In the series however they put their knowledge to a very different use and catch a serial killer.

I liked watching this because of the period feel. The crime story is OK, not that gripping in my opinion, but entertaining. The idea that you could break a serial killer’s crimes in applying the laws you used to break a code is quite fascinating though. What I didn’t know is that those who worked at Bletchley were not allowed to talk about it not even after the war.

It’s a very watchable series, just not set during WWII but many years later.

 

Das Boot (1985) TV Version

Das Boot

I love this movie. I can’t believe I didn’t rewatch it earlier. When I started this blog I wrote a Top 10 favourite war movies list and Wolfgang Petersen’s Das Boot was one of them. I’m glad to say that after rewatching it, it’s still among my Top 10, even among my Top 3. I don’t think war movies get any better than this. Or, I’d even say, movies don’t get any better than this. I’ve watched the longer TV version. I’ve not seen the Director’s Cut, so it’s hard to compare but I really love the slow build-up of this version.

Das Boot starts in 1941, in La Rochelle. We see a U-Boot crew leave the harbour. They are cheering, singing and looking forward to their mission. The crew members are mostly young, in their late teens and early twenties, only their captain is thirty years old. This time, they have a war correspondent on board, Lt Werner (played by German singer/songwriter Herbert Grönemeyer). He’s a lieutenant but inexperienced in combat, as it seems, and has never been on a U-Boot. We see a lot of the story through his eyes, and, as usual, when we have a young journalist/writer character like this among the crew, the movie is to some extent about the loss of innocence, the futility of war etc. But that’s the topic of many war movies, what makes Das Boot so outstanding is how carefully it’s been filmed, how accurate it is. After watching this, without ever having been on a U-Boot, you’ll have a good idea of how claustrophobic this must have been and of  how helpless the crew must have felt at times.

The first half of the TV series doesn’t do much more than introduce the characters and the daily activities on a U-Boot. Most of the characters are complex and likable and not exactly Nazis. The U-Boot gets in the line of fire of a destroyer but other than that it’s relatively quiet. The worst thing that happens is a three-week storm. And that is awful. Most of the time the U-Boot doesn’t dive and in a storm it’s even shaken more badly than many other ships. The captain lets them dive occasionally for an hour or two, just to give the men some rest.

The second part of the series, is much more action packed. They encounter destroyers and are shot at by planes. When they think they can finally return to La Rochelle after a few months, they are sent to Vigo in Spain, to resupply, and from there to Italy. The most exciting part is when they have to pass the straits of Gibraltar, get hit and sink rapidly. The fight for the boat and, ultimately, for their lives, is one of the most gripping scenes in war movie history. But as suspenseful as this is, there’s another scene I like even better. It takes place just before they leave Vigo. The captain and his officers are invited to dine with the officers stationed in Vigo. Spain is neutral territory and those stationed there have probably not seen any combat. They are well-groomed, well-fed and beyond clueless when it comes to the battle in the Atlantic or what the crew has gone through. Without ever being openly aggressive or rebellious, the crew sabotages the nice little dinner event by just being themselves— gruff looking, outspoken and past niceties. I loved how this showed the hypocrisy of those officers who were true to the regime but not willing to actually fight for their country.

Most of the action takes place inside but we occasionally see the U-Boot from outside, see how it silently glides through the waters, like a predator. Those shots are dark grey, almost like black and white shots, and I couldn’t help thinking of a wolf, before I remembered that the U-Boots were called grey wolves. Showing this like that is such a minimalistic approach but it works well. Even if you don’t know, your subconscious is going to register it. The music underlines the different elements and changes accordingly.

Sadistic officers abound in many war movies, luckily Das Boot is an exception. The movie gives us one of the strongest positive commanders I’ve ever seen in a war movie. I couldn’t think of a better actor than Jürgen Prochnow for this role.

According to a text following the opening credits, only 1 out of 4 U-Boot crew members survived, which means over 30,000 died. That’s a huge loss of lives. But not only are they in constant danger but they also have to put up with a lot of other dificult things: confinement, lack of space, air and fresh food. No wonder the men look far less cheerful and aged when they finally return to La Rochelle.

If you haven’t watched Das Boot yet, you should do so as soon as possible. It’s one of the very best (war) movies ever made.

For those interested: I’ve attached a music videos of Herbert Grönemeyer under the trailer. He happens to be one of my favourite German singers. His lyrics are simply brilliant.