István Szabó’s Sunshine (1999)

I’m in two minds about István Szabó’s epic movie Sunshine. It tells the story of a family of Hungarian Jews, the Sonnenscheins (which means Sunshine in German), from the end of the 19th century until the end of the 20th. While I think it told me a lot about Hungary and the treatment of Jews in Hungary, I was far less thrilled about the length (3hrs) and the choice to have the three main characters, grandfather, father and son played by the very same actor, namely Ralph Fiennes. I would have found this artificial with any actor but given my dislike of Fiennes, it added annoyance. If you do not mind seeing the same actor in three different roles and are fond of Ralph Fiennes, you will probably like this movie a lot. I do not understand why Szabó chose to do it like this, why couldn’t there be three actors? I remember the Archers chose the same approach in The Life and Death of Colonel Blimp in which Deborah Kerr plays three different women but that worked much better.

The Sonnescheins are a modest family but then the patriarch invents a recipe for a tonic which makes them incredibly rich. As a direct result of their social ascendance, the two sons, Gustav and Ignaz, both study and become doctors, of medicine and law respectively. While Ignaz is loyal to the Emperor, Gustav feels more and more alienated by monarchy and becomes a communist. WWI changes not only Hungary but Europe as a whole. The biggest change in the lives of the Sonnenscheins’s however is that they choose to change their name from Sonnenschein to the more Hungarian sounding Sors. Long before WWII breaks out, the Jews are seen as a nuisance and it is very hard for them to integrate.

Ignaz’s and Valerie’s son Adam becomes the Hungarian fencing champion and wins at the Olympics in 1936. After having changed their name, the Sors also change their religion and the family converts to Catholicism. Still, this doesn’t help them, when WWII breaks out, the family first lives in the ghetto, some are killed, some escape and Adam and his son Ivan are sent to a concentration camp where Adam is tortured and killed. His son will never forgive himself that he just stood there and did nothing. After the war he joins the communist party. Anti-Zionist sentiments are spreading. The government changes often and depending on who is in charge, other groups are persecuted but what they all seem to have in common is that anti-Semitism reigns again.

When the end of the communist state has finally come, Ivan realizes that the only way to be really free, is to be true to yourself. He decides to change his name back to Sonnenschein and to be proud of his heritage, no matter what government and changes the future will bring.

While I wasn’t blown away by the movie and would have preferred if the main character had been played by three different actors instead of one, the movie isn’t bad at all. It had a lot of thought-provoking elements. There is the incident in the concentration camp in which three guards control 2000 prisoners. Ivan’s uncle later tells him that it is unforgivable that they didn’t do anything. This is a reproach one hears occasionally. People don’t understand why 2000 wouldn’t fight against 3 or 10 even if those were armed. The movie implies an answer which is interesting. It is obvious that if they had fought back the guards, some of the Jews would have been killed. The majority would have been saved but that would have needed the sacrifice of a few others.

Another interesting element is the fact that Hungarians sent Jews to the camps and not Germans. There were a lot of collaborators among the Hungarians. The movie underlines that the Hungarian society, whether it was during the monarchy or later under communism, was to a large part anti-semitic.

What I really liked is that the movie focusses on one family only and like that manages to give a much better feeling of the incredible changes which took place. To enhance authenticity Szabó included some original footage which in some cases was quite chilling. When Adam takes part in the Olympics of 1936, Szabó included original footage of the opening in which we see Hitler.

Because it’s a very long movie, it’s a very complex movie and I know I didn’t do it justice. There are for example some very troubled love stories which I didn’t mention in my summary but which are quite important. I liked the story between Valerie (Jennifer Ehle) and Ignaz but didn’t care for the love triangle including Adam, Hannah (Molly Parker) and Greta (Rachel Weisz).

I would recommend Sunshine if you like epic films and have an interest in the history of Hungary and the Holocaust from another perspective.

The Battle of Algiers – La battaglia di Algeri (1966)

People often think that Gillo Pontecorvo’s movie The Battle of Algiers or La battaglia di Algeri is a French movie but the movie is Italian/Algerian, spoken in French and Arabic. It has been commissioned by the Algerian government. The topic – the war in Algeria – is still controversial in France. While it is meanwhile called “a war” and not only a “pacification intervention” – or whatever euphemism was chosen at the time – many of the aspects of the war are still not spoken about openly. One of them being the “interrogation techniques”. Another euphemism. I suppose this was one of the reasons why Pontecorvo’s movie has not been shown in France until recently. Another one may be that it pretends to be very impartial and realistic  and has also said to be exactly that while I feel it is entirely anti-French and one of the most tendentious movies I’ve ever seen. I think it is important to say the truth but it’s equally important to capture complexities.

Many critics think Battle of Algiers is one of the best war movies ever made. It received many prizes and is almost always mentioned on lists. I agree with some of this but I still think it’s a highly problematic and polemic movie.

The movie starts in 1957 with the end of a torture scene. A man has given away information and is now taken along to the hideout of four members of the FLN. From there the movie goes back to 1954 and we see how a young Algerian man Ali La Pointe is arrested. France has been occupying Algeria for far over hundred years now and oppressed the population. Algiers is a divided city with two parts. The Casbah, narrow labyrinthine streets in which the Muslim population lives, and the rest of city in which the French live. Racism and social injustice are habitual.

When Ali gets out of prison he joins the FLN (Front de Libération Nationale) – The National Liberation Front. They are organised in small groups whose identity is unknown to the members. There are only two or three people who know each other.

They start their uprising or revolution with small terrorist acts, shooting individual police men. When the French police start to close off the Casbah with barbed wire and search all the people who enter or exit the perimeter, the tensions rise and new tactics and recruiting methods have to be found. Civilian places like cafés, bars and restaurants are bombed. That’s the time when even women and children join the FLN and plant bombs.

Clearly the police do not have the power to fight the terrorists and that’s when the French Army sends a special unit of paratroopers led by Colonel Mathieu, fresh from Indochina. Mathieu knows that he has to cut off the head of the organisation but since there are only a very few people who know very few others it’s not an easy undertaking. A special “interrogation method” has to be applied. This method consists in torturing systematically every member of the FLN who has been arrested. And probably many others.

At the end of the first wave of uprising, the order is restored but unrest will break out again a few years later until Algeria will be granted independence in 1962.

The movie shows this in gritty black and white pictures which make it look like a documentary. There is no likable character in this whole movie, there is no side that isn’t shown in all of its determined ugliness. Still I found it tendentious because it leaves out that there were a lot of pro-French Algerians in the country, al lot of Algerians in the French army and a lot of pro-Algerian French as well. The so-called pieds noirs, French people, like the writer Camus, born in Algeria, loved their country and were about to lose it. Furthermore by depicting the battle in Algiers only, the film makers avoided to show what was happening in the mountains where all the French soldiers captured by Algerians were tortured and mutilated, Christian nuns were found nailed to crosses and other atrocities were committed.

Now why is this movie considered to be so great? I would say there are two reasons. I was reminded of Rome, Open City when I watched it as it is very close to Italian neo-realism. The way it is filmed is outstanding, We really think we see a documentary and original footage. The faces of the actors are expressive, the torture scenes are very powerful, notably when we see the faces of the men after they have been tortured and see the mixed emotions and shame. The opening scene illustrates this eloquently. What also contributes to the realism is the use of music and sound. Music is used sparingly, we hear drums and ululating sounds made by women which convey a sense of authenticity.

Another reason why I think this movie is so highly rated, especially by US critics, is the topic. I don’t think all that many non-French people are familiar with the war in Algeria. The fact that we see something in this movie with which the US has been confronted on a regular basis since 9/11 may have contributed to the movies’ appreciation. How uncanny to see a movie made in 1966 showing war taking place inside of houses and narrow city streets. An enemy who is hidden among the normal people who uses the attire of religious women, hides guns and bombs under veils. An enemy who recruits even young children and indoctrinates them from an early age on. That’s why the movie has been shown regularly by the Pentagon to officers and experts of the war against terrorism since 2003.

In 2004 a restored version of the movie was shown in US cinema’s and met with a new success. It’s only after this screening that it was also finally shown in France where it was now equally successful. It seems it was never officially forbidden in France but didn’t receive an authorisation to be shown until 1970 and then, through acts of intimidation, cinema owners were kept from showing it.

While the filming reminded me of Rome, Open City, I had to compare it to two much later movies as well. One being Black Hawk Down, the other one Battle for Haditha. I’m sure I will write more about this movie in the future, looking at parallels to other movies and influences.

I think Battle of Algiers is an explosive, topical and very important movie. It’s a must see for people interested in war movies and cinema history. It clearly shows the ugly face of colonialism; the French interrogation techniques which were a breach of Human Rights, as well as the acts of terrorism of the FLN against innocent civilians. Still, I find it’s a biased movie. It had to be, I suppose.

While considered by many to be great, others think that nowadays it’s thought to be great because it can be instrumentalized and used by both parties, terrorists and the army alike.

Just a final word on my ambivalent feelings towards this movie. I am not saying that I think the presence of France in Algeria was justified. I think that colonialism is a plague, an atrocity for which we still pay and will keep on paying. But I think that once a country has been present in another country for many generations it’s not as simple as good versus bad anymore. It’s much more complex than that and those of colonialist origin born in those countries will suffer too, not only the indigenous people. I think this side of the human drama has been left out as well as the human drama of the drafted French soldiers who had to fight in Algeria. Colonel Mathieu who is based on a real life officer, General Jacques Massu was one side of the medal, a right-wing General whose only aim was to keep French territory at any cost. There were many others dragged into this conflict against their will.

For these reason I still think when it comes to the war in Algeria L’ennemi intime aka Intimate enemies is by far more balanced. If you are going to watch it, pair it with Days of Glory – Indigènes, they go together very well.

For those interested here are a few names of Pieds-Noirs celebrities.

Albert Camus, Claudia Cardinale, Daniel Auteuil, Yves St.Laurent, Jacques Derrida and many more.

If you understand French, here’s an interesting mini-documentary on the history of The Battle of Algiers.

Paul Verhoeven’s Soldier of Orange – Soldaat van Oranje (1977) Dutch Resistance

I think it was obooki who first suggested I watch Paul Verhoeven’s Soldier of Orange – Soldaat van Oranje in a comment on my Starship Troopers post. I’m certainly glad he did. It’s like a companion movie to one of Verhoeven’s latest movie Black Boek – Black Book. While I thought Black Book was quite good – although not as good as many other resistance movies – I’d say Soldier of Orange is far superior and deserves to be named among the best.

I have a predilection for the WWII sub genre of resistance movies and I’m aiming at watching them all sooner or later. Most of the really good movies I’ve seen were either French or Nordic in the broadest sense (including Germany and the Netherlands).

Soldier of Orange is based on the autobiographical novel of the Dutch resistance leader Erik Hazelhoff Roezelma. It tells the story of six upper-class university students whose lives are profoundly changed by WWII. While one of them becomes a member of the German-Dutch SS, the others are soon joining the resistance.

The two best friends Erik Lanshof (Rutger Hauer) and Guus Lejeune (Jeroen Krabbé) are the two main characters. While Guus is a resistance leader, Erik is at first reluctant to even join but the longer the Nazi occupation lasts, the more he feels the urge to do his bit.

With the help of their friend Robby and his radio they get into contact with the resistance in England. The first mission they organize goes very wrong. One of their friends is captured, tortured and executed. Erik and Guus manage to escape but from now on they must be extra careful. Erik soon notices that he is followed. It’s obvious that someone has betrayed them and they are quite certain to know who it is. It must be one of their British contacts.

The first part of the movie is set in the Netherlands. It shows how Erik changes. While at first this is only an adventure for him which he doesn’t take too seriously, when he discovers he’s followed, he know he has to make a decision. Although his love interest, Robby’s Jewish fiancée, is in the Netherlands, he decides to escape to Britain and operate from there.

The second part is set almost entirely in the UK. Erik and Guus meet the Dutch Queen Wilhelmina, who is in exile in the UK. She wants to get in contact with the Dutch resistance and establish a connection between the resistance in England and those at home.

Shortly after their arrival in the UK, the two men are sent back again to fetch some of the Dutch resistance leaders.

The movie contains all the typical elements one would expect in any resistance movie; adventure, danger, missions, betrayal inside the own ranks, torture, executions. What makes Soldier of Orange especially good is that it rings so true. The characters are quite complex and so is the Dutch society which is depicted. The movie doesn’t idealize anything, it shows how many traitors and collaborators there were among the Dutch. It is one of the Queen’s biggest concern what she will do with those after the war.

The picture was remarkably fresh and from that perspective the movie could be very recent. The colors are intense and crisp, it’s really enjoyable to watch. The music however is dated. I’d say it’s a typical 70s war movie score.

What surprised me was how cheerful and uplifting the tone was. Most resistance movies are slightly depressing. This one is not. Erik and Guus are both rascals, they enjoy women and adventures and while they would be glad if the war was over, the idea to cheat on the Germans amuses them so much that almost feel it’s all worth it. Their cheerfulness is quite infectious.

All this together would have made me like the movie but what makes me love it is Rutger Hauer. Ever since I watched Blade Runner for the first time some years ago, I thought he was an extraordinary and very charismatic actor.

From the point of view of the tone, I’d say Soldier of Orange is at the opposite end of  The Army of Shadows – L’armée des ombres and Flame & Citron (Flammen and Citronen) which are both depressing and full of angst. The Army of Crime and Max Manus occupy the middle ground.

Here are the resistance movies I’ve reviewed so far:

Lucie Aubrac – French

Rome, Open City – Roma, città aperta – Italian

Female Agents- les femmes de l’ombre – French

Tomorrow We Live – British

The Army of Crime – L’armée du crime – French

Winter in Wartime –  Oorlogswinter – Dutch

The Army of Shadows – L’armée du crime – French

Max Manus – Frihedskæmperen Max Manus – co-production Norway/Denmark

Flame & Citron – Flammen and Citronen – co-production Norway/Denmark/Sweden…

I have seen many more pre-blogging and will need to rewatch some of those. Do you have any favourites?

Nordwand – North Face (2008)

Maybe the German/Austrian/Swiss co-production Nordwand – North Face isn’t strictly speaking a war movie but it contains one of my favourite subjects, Nazi ideology and propaganda and therefore still qualifies. Plus it’s a stunning movie which had me glued to the screen until the end.

Before I start the summary, let me share a little anecdote. I remember when I was a kid we stayed at the holiday house of my parent’s friends in the Alps. The house was facing the Eiger. I was just 8 years old and scared. I found the mountain to look as if it was looming. I had the feeling it was moving towards me and just about to swallow me. I had no idea at the time that Eiger means ogre. Funny enough, my father, a typical big city person, had a similar reaction. He wasn’t scared but admitted to feeling uncomfortable. My mother who had been living in Switzerland much longer, didn’t mind that much but she didn’t enjoy it either.

When I saw North Face I was catapulted back to this holiday. I’ve hardly ever seen a movie capture how scary those mountains are. The Eiger’s North Face (Nordwand) was called “Mordwand” (murder wall) for a reason.

The movie is set in 1936. Until then nobody had managed to climb the north face of the Swiss massif the Eiger. Athletism was an important pillar of Nazi ideology and propaganda. Athletes incorporated the Nazi ideal to perfection so naturally there was a lot of interest in Germans being the first to manage what nobody else had managed before. At the same time as Germany was about to annex Austria and the Olympics were imminent, a win on the Eiger would be good for the reputation of the Nazis.

Luise Fellner is a young woman trying to become a journalist. She grew up with Toni Kurz and Andi Hinterstoisser who are some of the best climbers at the time. When her boss, an eager journalist, finds out about the connection he sends her to her home village to try to persuade them to climb the North Face and give her the chance to prove herself as a photojournalist. Despite Andi’s efforts to convince his friend, Toni, the more thoughtful of the two, is reluctant. He thinks climbing the Eiger is by far too dangerous. Only when Andi finally decides to do it on his own, he follows him.

Luise and her boss travel to Switzerland and stay at the hotel in front of the Eiger. Meanwhile it has become a real competition. There are climbing teams from Italy, France and Austria. In the end only two teams, the German and the Austrian team, will start the climb.

Nordwand is an amazing movie. The cinematography is stunning. This is as close to climbing as you can get without actually doing it. It’s also a love story and the story of an emancipation as Luise faces a lot of prejudice and sexism in her profession. Furthermore it is a story of a unique friendship and one of the most tragic true stories I’ve ever seen.

The movie also shows nicely how the media contributed to the success of nazism, how people already then were keen on sensationalism, how they were hungry for drama and tragedy without thinking of the human pain and loss this meant. There are some interesting secondary characters who illustrate this well.

Another aspect which certainly contributes to the movie’s success are the actors. They  are outstanding, Ulrich Tukur plays the overeager older journalist, Johanna Wolkalek stars as the young photojournalist and the two mountaineers are played by Benno Fürmann as Toni Kurz and as Florian Lukas as Andi Hinterstoisser.

North Face is one of the best mountaineering movies, certainly a great war themed movie but most of all an incredible and really tragic true story.

Valkyrie (2008) Operation Valkyrie or The Last Attempt to Assassinate Hitler

I suppose it wasn’t in Eichmann‘s favour that I re-watched Valkyrie just before I saw Eichmann. I would say I liked Valkyrie even better the second time. I’m sure it is a movie which aims at entertaining and plays on emotions but at least that is very well done and Tom Cruise is outstanding in this movie. I do have huge problems with the man Tom Cruise but I can’t help admiring the actor.

The movie opens in North Africa in 1942. Colonel Claus von Stauffenberg (Tom Cruise) is far from content with the regime and openly utters his criticism. Before retreating with his troops he gets under attack and loses his right hand, an eye and two fingers on the left hand.

Some time later, back in Berlin, after a painful recovery, he is recruited by a group of high German officers and politicians who want to overthrow the regime. They think it is of the highest importance to do something in order to let the world see that there were not only Nazis in Germany.  The way to go according to these men is to assassinate Hitler. Preferably together with Himmler. After several failed attempts they recruit von Stauffenberg. He seems to be the only one to be able to come up with a plan and to see it through.

Assassinating Hitler isn’t enough. At the same time the group needs to assure that the Army is on their side. The idea von Stauffeberg comes up with is ingenious and based on adapting “Operation Valkyrie” to their own needs.  The amended Operation Valkyrie would enable them to seize control of Berlin after the assassination of the Führer.

As this movie is based on historical facts, I don’t suppose it is a spoiler to say that they failed. The plan was cunning, the execution well done but bad luck and bad timing prevented a success. All the men participating in the coup were executed.  This is one of those movies during which we hope against all hope and constantly wonder why it didn’t work.

Just like Sophie Scholl, Valkyrie manages to show what courageous and unselfish people are capable of doing.

The movie Eichmann illustrates very well that a fascinating topic doesn’t guarantee a good movie. Even though Valkyrie is a US-German co-production it’s pure Hollywood but it’s very well acted and gripping despite the fact that we know the outcome.

The way the story is told and the cast makes this such a good movie. Apart from Tom Cruise, the actors worth mentioning are Kenneth Branagh as Major-General Henning von Tresckow, Bill Nighy as General Freidrich Olbricht, Thomas Kretschmann as Major Otto Ernst Remer and Carice van Houten as Nina von Stauffenberg. The only bad choice was David Bamber as Hitler. I think he’s the worst Hitler I’ve ever seen.

Valkyrie is based on a great story and very well told. While it’s not flawless, it’s still a must-see.