Category Archives: Reviews

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633 Squadron (1964) British Air Combat Movie that Would Make a Great Remake

The British movie 633 Squadron is an entertaining air combat movie. It has a little bit of everything in it. It is part adventure story, war movie , suicide mission and romance. Although it is not great it has a lot of potential and would be a great choice for a remake. None of the actors is remarkable, exchanging them wouldn’t do any harm and the special effects could do with some revamping as well. Still if you have a special interest in aircraft you might want to watch it as it gives you the possibility of seeing a real Mosquito (as far as I know only one is the real thing, the others were remade). The Mosquito was a funny, enduring little plane and is one of the rare made of wood. When it entered production in was one of the fastest operating aircraft.

“In 1940 I could at least fly as far as Glasgow in most of my aircraft, but not now! It makes me furious when I see the Mosquito. I turn green and yellow with envy. The British, who can afford aluminium better than we can, knock together a beautiful wooden aircraft that every piano factory over there is building, and they give it a speed which they have now increased yet again…” (Hermann Göring)

File:Mosquito 600pix.jpg

The story of 633 Squadron resembles the story of the much better movie The Dam Busters. A group of pilots has to go on a secret mission and drop bombs on a German rocket fuel factory that is based in Norway. The Norwegian resistance does also play a part in it and the squadron leader falls in love with the sister of one of their members. The squadron is a typical war movie squadron that pushes diversity to the limits. We see British, Irish, Scottish, Australian and Indian members. The accents are quite enjoyable if you go for that kind of detail. The mission itself is quite gripping and suspenseful. The losses were, as could be expected, extremely high.

633 Squadron is loosely based on a true story which makes it interesting to watch, still I would say if you want to see two really great British WWII air combat movies, go for The Battle of Britain or the aforementioned The Dam Busters.

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Les femmes de l’ombre aka Female Agents (2008) Women in the Resistance

Not every slick-looking movie with good-looking actresses on the French Resistance is a good movie. Unfortunately not or Les femmes de l’ombre would have been great. Don’t get me wrong, it isn’t bad it’s just not great. If you want an entertaining period drama, this is your movie (ok, there are a some torture scenes that dampen the experience a bit but nice clothes and make-up make up for it). It’s a little bit like Black Book aka Zwartboek but less convincing. The theme would have been interesting and worth dedicating a movie to.

Based on true events, it follows the story of Louise Desfontaine (Sophie Marceau), a sniper with the French Resistance. When things heat up in France she leaves for England and joins the SOE. One day she is contacted by an agent who happens to be her brother Pierre (Julien Boisselier) whom she suspected of being a collaborator. He hires her and four other women to rescue a British spy who has been captured in France by the Germans. The Germans aren’t aware of his identity and think he is German. The women will have to team up, two disguised as nurses, two as exotic dancers (yes, you will see them topless, it’s a French movie) and the fifth will place bombs under German cars.

The five women are a composite group, one is an ex-prostitute (Julie Depardieu), one the ex-girlfriend (Marie Gillain) of the Nazi officer (Moritz Bleibtreu) who tries to hunt them down.

What at first looks like a success soon goes awry. Louise’s brother get’s caught and we all know what that means.

The women go back to Paris on another mission and here things goe definitely very wrong as one gets captured and immediately crumbles under torture (one finger nail off and she spits it all out).

I can really not say why exactly I wasn’t too convinced. Because I have seen the brilliant L’armée du crime aka The Army of Crime before? Or some of the movies on Nordic Resistance that are truly good? I think it is in part due to a slightly off-key cast. Every woman wears heavy make-up which is nice, only Sophie Marceau has to look somewhat stony faced and unattractive (she isn’t successful, she’s too beautiful to look unattractive). I think the producers and directors were aware they would be criticized for their choice of too pretty women and tried to balance this out by not showing a heavily made up Sophie Marceau. She is the sniper after all… Why, if they didn’t want her to look her very best, did they not cast another actress? Because she is a great actress? I always suspected her to be far from accomplished, and she really isn’t too good. I would have preferred her to look as beautiful as she can and not try so hard to look efficient. (I’m thinking of Demi Moore as G.I. Jane who was much more convincing.) I think you can actually be cold-blooded without looking it. And I am not a big fan of Moritz Bleibtreu either. At least not in supposedly serious roles (I have seen him in German movies in which I found him very good). Julien Boisselier and the other four actresses are very good, especially Julie Depardieu and Marie Gillain.

Les femmes de l’ombre aka Female Agents is entertaining, just don’t expect to much of it. If you want the real deal, watch L’armée du crime.

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All Quiet on the Western Front 1979 TV Version

I am not immediately against a movie just because it is a remake. I think that in some cases, even when it isn’t necessarily better or as good as the original, it can add something. It is interesting to see how someone else interprets scenes, how they are altered or accentuated. All this is just to tell you that I wasn’t biased when I watch the TV version of All Quiet on the Western Front. After having watched it, I am not even disappointed as I didn’t expect anything. No, I’m not disappointed, I’m horrified. This is a shockingly bad movie that manages to take the depth out of all the profound scenes that you can see in the original. The filming is oddly tacky and the acting is so bad that I was wondering if the actual aim wasn’t a parody. I have hardly ever seen so many people die in such a melodramatic way outside of an opera stage. I was surprised the actors weren’t holding banners stating “I’m dead”  at the end of each scene. How ostentatious should you be? Unless you want to make your public feel like total idiots subtlety would be what you should strive for. This message seems to have been lost on the director. What I can really not forgive is how a scene like that fabulous “boots scene” was altered to total insignificance.

I must at least say one good thing, Ernest Borgnine as Kat and Ian Holm as  Himmelstoss were convincing. And all the others? It was quite daring to cast Richard Thomas as Paul Bäumer but to have him do so many voice overs reminiscent of his time as John-Boy…Bah.

If you care to see a movie of All Quiet on the Western Front stick with Lewis Milestone’s 1930 original. It truly is a masterpiece. If you are not into silent movie feel or very old movies you will have to wait for the next remake which is due in 2012 starring Daniel Radcliffe (no, it isn’t a convincing choice). Hopefully it will be much better than what I had to endure last night.

For those of you who still want to know what it is all about here’s a very brief summary:

Based on Erich Maria Remarque’s outstanding eponymous novel, All Quiet on the Western Front shows how an enthusiastic young German school boy volunteers to participate in WWI. Once he ‘s in the trenches and experiences the horror of trench warfare and sees his friends die all around him, he soon faces utter disillusionment.

Rating? Do I have to? 2/5 But only because I am kind.

Here are my thoughts on To Remake or not to Remake

Here is a short scene. It is rather one of the better ones.

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Anthony Minghella’s The English Patient (1996)

Rarely did a movie deserve the Academy Awards as much as The English Patient. It is one of the most beautiful war romances that I have ever seen. Or, to be accurate, two of the most beautiful romances as the movie tells two parallel stories. Based on Michael Ondaatje’s wonderful eponymous novel, The English Patient combines everything that an accomplished movie needs. Beautiful pictures, a touching story, an intriguing plotline, wonderful music, great characters  and outstanding actors. This is one of the movies that I have watched at least three times and every time I discovered another layer. It is surprisingly rich and, I would argue, flawless.

They call him “The English Patient” (Ralph Fiennes), the mysterious man, they rescued from a shot down airplane in the desert during WWII. He is heavily burned, will probably not survive. They bring him to Italy and a young nurse, Hana (Juliette Binoche), volunteers to stay back and take care of him. She moves with him into an abandoned villa. He doesn’t know his identity but Hana finds a notebook and with its help the memory returns slowly and the story unfolds in flashbacks.

They are not alone for long, Kip (Naveen Andrews), a young Sikh and the thief David Caravaggio (Willem Dafoe) join her. Kip is part of a bomb disposal unit and the growing love between Hana and him is the second love story in this movie. It is beautiful but by far less tragic than that between the English patient and his lover. Caravaggio adds even another story line to the already rich plot. He is someone who thinks he knows who the badly burned man is. In fact he is sure that the patient is someone who wronged him once.

The flashbacks show us the mysterious patient, the Hungarian Count Almásy, 1930 in the Sahara desert. He is a mapmaker of the Royal Geographical Society. At the beginning of WWII he is still in the Sahara where he meets the British agent Geoffrey Clifton (Colin Firth) and his beautiful wife Catherine  (Kristin Scott Thomas). Despite their fighting the attraction, they fall in love. They have an affair that ends abruptly when Catherine breaks it off. They meet again later and the following events make this probably one of the most tragic movie romances of all time.

The figure of Count Almásy is actually based on a real person, only his story was a different one.

The nurse Hana is certainly one of the most appealing nurses in any war movie. The gentleness and devotion with which she takes care of the dying man is touching. I am sure that there were many nurses like her in different wars and they deserve an homage.  I have a great deal of admiration for these courageous, disinterested women.

The intensity of the interwoven stories, the mysteries, the wonderful settings (the desert, Italy during the war, the Italian villa), the gripping part of the bomb defusing, all this together make this an absolute must-see.  Last but not least I’d like to mention the beautiful score by Gabriel Yared (you can listen to it here).

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Aces High (1976) British WWI Air Combat Movie

I was curious to watch Aces High as it is one of the few WWI air combat movies we have. I did remember vaguely that some critics didn’t like it at all and wanted to find out for myself. I had the feeling it might not be as good as Der rote Baron aka The Red Baron although that is decidedly more of a guilty pleasure than a movie providing historical accuracy. I was right. Aces High isn’t even remotely as good as Der rote Baron and certainly not on the same level as The Blue Max which depicts a fascinating if revolting character. Unfortunately, it could have been good. It’s a narrow miss. What is particularly annoying is the fact that the flight scenes and the contrast of the combat on the ground and in the air is shown very well. It also shows once more the complacency and inadequacies of the high command. While their pilots are shot down one by one, they sit together, eating, laughing, drinking and gossiping and even deny them parachutes because that would make them week in battle. The movie doesn’t spare us and shows one particularly chilling episode in which we see a pilot falling to a certain death that might have been prevented if he had been given a parachute.

The story is told in a few sentences. Young Lt Croft (Peter Firth) arrives in France after barely 14 hours of flying practice. The CO of the base he has been assigned to is his brother-in-law, Major Gresham (Malcolm McDowell), a man he admires incredibly. He finds Gresham extremely changed. Disillusioned, hardened, distant and a full-blown alcoholic. The rest of the lot is not much better; either they drink or they are shell-shocked. The only nice and cool-headed one seems to be an older officer, Capt. “Uncle” Sinclair (Christopher Plummer).

Gresham cannot spare young Croft and has to take him on dangerous missions right away. The young man enjoys every minute of it. He is naive and enthusiastic.

You will probably think that this doesn’t sound too bad, I agree, it doesn’t but it still isn’t a good movie. Aces High has a big problem with its characters. Apart from Christopher Plummer’s character, they are uninteresting, flat and two-dimensional cardboard figures. This is disappointing because, as said, the air combat scenes are decent, the planes are decent and there is one incidence in which they make a trip to the front line and see a group of blinded soldiers that is quite harrowing. I’m afraid, I can’t rate this any higher than 3/5.