Bravo Two Zero (1999) British SAS Patrol Behind Enemy Lines

Bravo Two Zero based on Andy McNab’s true account tells the story of a SAS mission that goes awfully wrong. The mission took place during the first Gulf war. McNab is the leader of a small special unit, mainly British and Australian SAS. They are dropped behind enemy lines where they should cut communication lines and take out scud missiles. In the event of their capture they should pretend to be part of a rescue team.

The mission goes wrong from the start as they are spotted by shepherds and their transmission system (their code word  is Bravo Two Zero) doesn’t work. The only thing they can do is try to get to the Syrian border. The way leads them through enemy territory swarming with tanks and trucks, night temperatures dropping below zero and blizzard-like weather during the day. It seems impossibly hard to achieve. The small group has to face many combat situations where they are outnumbered but being far better trained and with better equipment they are not overpowered.

They advance slowly fighting not only enemies but hypothermia and end up separated. They are captured one by one. McNab thinks at first he is the only who has been captured but two of the others are held captive in the same place, one of them is his best friend. The Iraqis think that they are Israelis and torture and beat them up to get a confession. One would presume this would subside once it is apparent that they are British but the cruelties are intensified. The three men are in extremely bad shape, loosing their teeth, bruised and batered but they survive and ultimately get to tell the tale.

The end is somewhat questionable. We hear McNab’s voice in the off making fun of those who suffer from post-traumatic stress. He states that he is a soldier and he likes to be a soldier. What happened was part of the job. There is no place for post-traumatic stress. There is nothing he wouldn’t do again and he thinks that the enemies only did their job as well, they only seemed to have liked it a bit too much.

This is a fast-paced, action-packed movie. Gripping and I think very accurate and honest. How often do we see missions that go completely wrong? But it is certainly not an anti-war statement. On the very contrary.  Sean Bean is very good in this. Some roles are just perfect for him, and this is one of them. I liked the beginning, when it is shown how they come together in England, getting ready for their tour. The music, the humour. There are also very funny scenes during the movie.

All in all, even though I have a nagging little voice in my head telling me it is not OK, I enjoyed this a great deal.

Here is the trailer from yesterday’s post.

The Army of Crime aka L’Armée du Crime (2009) The Latest Addition to my Top 10 War Movies or A Gut-wrenching Movie on the French Resistance

Robert Guédiguian‘s movie L’armée du Crime or The Army of Crime is one of the best war movies I have ever seen. I already said that it entered my Top 10 immediately. The question that remains: which one I am going to kick out? I’ll have to think about this later. For now let me tell you why I think The Army of Crime is such a brilliant piece of filmmaking. Apart from being based on actual events and being historically very accurate it is beautifully filmed. The actors are outstanding. The protagonists are heroical like not many but at the same time the movie doesn’t shy away to point its fingers not only at the Germans but also at the extremely shameful role the French government played during WWII. We had the heroism of the Resistance and Partisan groups on one side and the cowardly collaborators in the government, the police and among normal people on the other side. Shame on all of them. The movie shows all these aspects, nothing is hidden.  This is the third French movie I have seen in a short period, L’armée des ombres aka The Army of Shadows being the first, The Officers’ Ward aka La chambre des officiers the second.  I must say these movies manage something that not many others achieve. They get under your skin. You don’t only watch these movies, you live them. They don’t let you indifferent. Especially not this one.

1943, Paris, the Armenian poet Missak Manouchian (Simon Abkarian) becomes the leader of a special unit of the French Resistance. His people, men and women, are all very young immigrants. They are Hungarian, Polish and Romanian Jews and Spanish, Italian and Armenian Communists. They decide to form a group and fight for France, the country of the Human Rights, to free and to defend her. They are determined and well-organized and soon will be declared enemies number one. The German occupiers and the French police strike back savagely. They hunt them and use every possible way to capture and destroy them, be it bribery, torture or coercion. In the end they are betrayed and all of them are shot.

The movie tells not only the story of the group and their actions as a whole but shows many intimate portraits of all the individual members. I have hardly ever seen a movie displaying so much diversity. This is underlined by a brilliant score with influences of the music of all the different countries that came together in this fight.

The torture scenes are very graphic. We are not spared anything. The most incredible is that with the exception of one person none betrayed the others. Not even under the worst of torture I have ever herad of. While they were operating in the underground most of their families were being deported to camps. Manouchian is an exemplary man. A larger than life character. He does not use arms lightly unlike some of the other reckless young people. He is a poet, an orphan, a gentle man, married to a beautiful French wife, Melinée (Virginie Ledoyen), whom he loves dearly.

I would like to urge each and every reader to watch this movie as my words will never really manage to convey its utter beauty. It is also worth mentioning that we see a lot of Paris.  The Army of Crime is one of those very rare movies that are, simply put, masterpieces in which every element is perfect.

The following people died for France: (AR = found on the Red Poster or Affiche Rouge):
Celestino Alfonso (AR), Spanish, 27
Olga Bancic, Romanian, 31
Joseph Boczov [József Boczor; Wolff Ferenc] (AR), Hungarian, 38
Georges Cloarec, French, 20
Rino Della Negra, Italian, 19
Thomas Elek [Elek Tamás] (AR), Hungarian, 18
Maurice Fingercwajg (AR), Polish, 19
Spartaco Fontano (AR), Italian, 22
Jonas Geduldig, Polish, 26
Emeric Glasz [Békés (Glass) Imre], Hungarian, 42
Léon Goldberg, Polish, 19
Szlama Grzywacz (AR), Polish, 34
Stanislas Kubacki, Polish, 36
Césare Luccarini, Italian, 22
Missak Manouchian (AR), Armenian, 37
Armenak Arpen Manoukian, Armenian, 44
Marcel Rayman (AR), Polish, 21
Roger Rouxel, French, 18
Antoine Salvadori, Italian, 43
Willy Szapiro, Polish, 29
Amédéo Usséglio, Italian, 32
Wolf Wajsbrot (AR), Polish, 18
Robert Witchitz (AR), French, 19

The Red Baron aka Der rote Baron (2008) The Guilty Pleasure of an Enjoyable Air Combat Movie

The Red Baron a German/UK production with an international cast (two famous German actors, Matthias Schweighöfer (Schiller, Valkyrie) and Til Schweiger (King Arthur), and two British ones Lena Headey (300) and Joseph Fiennes (Shakespeare in Love, Enemy at the Gates) is a real guilty pleasure. I am aware that it took a lot of liberties with the historical facts. Especially in Germany it was highly criticized for being too glorifying. The Red Baron exists in two versions, an English and a German one, that are quite different. In the English version this sporting hunter mentality of the Baron is much more accentuated while it is toned done in the German version. This might explain why the reception in the UK was far better. This and the German´s obsession with historical accuracy when it comes to their own history. And, last but not least, it is more appealing to hear the German actors speak English than German. It takes the edge out of their voices.

I am neither British nor German and just enjoyed this movie a great deal. A lot of gripping air combat scenes, an appealing cast, stunning cinematography and a great story.

The movie depicts Baron von Richthofen as a tragic hero. And a very noble man. Maybe that is not what he was… I don’t know. He was certainly not as good-looking as the actor Matthias Schweighöfer.

We see Baron von Richhofen´s early fascination with planes and flying. He is a rich aristocrat and once war breaks out it is only natural he should join the German airforce. To him the war is at first only a game, a sport. May the better one win. He is also capable of admiring others´, even British pilots´, exploits.

It is only after quite a long time, and through the beautiful nurse Käte (Lena Headey), he falls in love with, that he realises that the war in the air and the war in the trenches fought by the common man are two completely different things.

He also  realises that he is mainly used for propaganda purposes. He is the most succesful German fighter pilot and a national hero. Germany facing defeat needs someone like him to look up to. His superiors want him for propaganda only; he should not fly anymore as this is much too dangerous.

But The Red Baron loves nothing more than flying. And he does not want to be used.

Defying everything he flys again…

If your historical conscience will allow it, this movie is just something to enjoy. I truly like it and watched it more than once. We dont have many good air combat movies and even less that depict WWI.

Friday Night Watching: Antwone Fisher (2002)

Until last week I had never heard of this movie before.

In order to be a 100% sure if Antwone Fisher is good or not I will have to watch it. And that is what I am going to do tonight. And hopefully I will post a review tomorrow.