Phantom (2013) Sub Movie with a Russian Point of View

Phantom

I discovered Phantom thanks to a comment on my post on U571 . Since it’s a new movie and it has been quite a while since I last saw a submarine movie and because I’m very fond of Ed Harris, I thought I’d give it a shot. While it’s maybe not among the top of the range, it was decent and had an unusual angle. This is a Cold War movie told entirely from a Russian perspective. It took some getting used to in the beginning that Ed Harris, David Duchovny and William Fichtner all played Russians, but once I realized there wouldn’t be any American counterparts in this film, it was easier to accept. And I was very thankful that for once there were no fake Russian accents to endure.

The movie is set in 1968. The aging Captain of a submarine, Demi (Ed Harris), is assigned a final mission on an old submarine on which he served decades ago. Why he is assigned and what the mission is, isn’t said. He’s surprised to find out that two people he’s not familiar with will come aboard as well, not telling him why they join the mission.

Once on board strange things happen. A dog which isn’t there attacks the Captain, he sees people who die in a fire. We soon get to know that these are hallucinations and that the Captain suffers from epilepsy due to a head trauma. The backstory will be revealed later on.

Because he has an epileptic fit, things escalate quickly and loyalties are tested. Shortly after that the two strangers show their real faces and the movie turns into a thriller.

I can’t say too much or the movie would be spoilt. It’s based on a true event, the disappearance of a submarine in 1968, but that’s as historical as it gets. Nobody has ever found out what happened to said submarine. This movie just tries to imagine one possibility and the diea is quite chilling.

Phantom is a rather slow movie that takes a lot of time to show interior shots, which capture very well how narrow and claustrophobic it is in a submarine. There are hardly any outside shots as the bulk of the action takes place inside. The enemies, so to speak, are among the crew members, and finding out who is on which side is an important element.

Phantom doesn’t make my top submarine movie list, but it’s watchable, especially when you like Harris and Duchovny.

Movies on the Spanish Civil War: A List

Spirit of the Beehive

When I think of movies on the Spanish Civil War, Land and Freedom comes to mind. And Pan’s Labyrinth. And the abominable There Be Dragons. I was surprised to see that there are quite a lot and some of them seem to be well-worth watching. 

Do you have a favourite?

I might be watching one of these soon

http://www.youtube.com/watch?v=90o1YhN0vHY

http://www.youtube.com/watch?v=bXCKxveLLAs

Ballad of a Soldier – Ballada o soldate (1959)

Ballad of a Soldier

Grigory Chukhray‘s movie Ballad of a Soldier  aka Ballada o Soldate is an iconic Russian war movie, which is often mentioned together with another famous Russian movie of the same time, The Cranes are Flying aka Letyat zhuravli. Both films are excellent and combine heartfelt stories with luminous black and white cinematography.

Ballad of a Soldier begins with a scene showing a woman looking into the distance. The road we see is the only one leading to and from the village in which the woman lives. She doesn’t expect anyone to come. Her son has died during the war and nobody will ever know what would have become of him. The movie then rewinds to a famous scene on the Russian frontline and we see her son, nineteen year-old Alyosha, a young signalman, blowing up two German tanks on his own. This heroic act would bring him a  medal but he’d rather be granted a leave to visit his widowed mother and fix her roof. The general in charge, one of a few kind officers, allows him to take a five-day leave.

Russia is a huge country and travelling by train would always take a long time, but during a war it’s almost impossible. Alyosha’s trip quickly turns into an Odyssey. Because he’s kind and helpful, he misses his train more than once. At first he helps a soldier who has lost his leg, then he assists a young girl and the two young people fall in love. Later he helps people after the train is hit by a bomb. When he finally arrives at home, he has only time to hug his mother, exchange a few words and has to leave again immediately. Since we know that he will die during the war, this scene is all the more poignant.

The movie shows how everyone is affected by war, even those who don’t fight. In focussing on someone as kind as Alyosha, someone who genuinely cares for other people the movie makes a powerful anti-war statement. Much more than his heroic act of the beginning, his humanity and kindness make us sad and we deplore that he will never return to his mother, nor get a chance to find the girl he fell in love with.

Something that struck me was that all of the Russian officers, and most of the soldiers in this movie are depicted in a positive way.

Like in The Cranes Are Flying, many shots focus on the faces of the actors who are very expressive. While the first film sticks more to the point of view of a woman, this is told mostly from the point of view of a young man, which makes them great companion pieces. The scenes between mother and son are short but still I’d say it’s one of the most touching portraits of a mother/son relationship. After all, it’s his love for his mother, that makes Alyosha persevere on his journey.

I’d like to recommend this movie. It stands out and makes a powerful statement.

If you’d like to watch other Russia war movies – here is a list: 12 Russian war movies you must see

Empire of the Sun (1987)

Empire of the Sun

I’ve read J.G. Ballard’s The Drowned World and in his afterword he mentions his childhood in China, which reminded me that I still hadn’t watched Empire of the Sun, which is based on his childhood experiences.

Empire of the Sun is set in Shaghai, in 1941 and tells the story of a young boy. Jim’s (Christian Bale) parents, like so many other of the rich Brits living in Shanghai, didn’t react in time to the aggressions of the Japanese. Many thought that they wouldn’t risk anything as they were not Chinese; they believed they were protected by their status as foreigners and their money. But they were wrong. When the Japanese troops finally invade, it’s too late. Most of them try to flee, leaving behind their houses and all of their possessions.  In the general chaos, Jim loses his parents and has to fend for himself. At first he returns to their beautiful mansion, but the food is soon gone and he starts roaming the streets until he meets Basie (John Malkovitch). Basie is an expat just like Jim’s parents were but he’s a very different kind. A hustler, a thief, someone who lives from hand to mouth. He sees that Jim is from a rich background and decides to look after him. Whether there is some genuine kindness or pure calculation isn’t so clear at first. What is clear is that they get along like a house on fire. Jim is a precocious, extremely intelligent and crafty kid – also terribly annoying – and they complement each other perfectly.

When they are finally arrested by the Japanese and brought to a POW camp, they survive doing what they know best, dealing and stealing, and making money out of everything. The time at the POW camp is one of great liberty for Jim. He’s soon known by everyone and while he’s an obnoxious kid, they also like him and find him very useful.

Despite of the danger and captivity Basie and Jim are doing great for themselves, help each other out, or rather profit from each other. Still, the war leaves traces and when they can finally leave the camp, they are both altered.

I loved the beginning of this film, the cinematography is amazing and the story is fascinating. Basie and Jim are larger-than-life characters, the kind you admire and despise at the same time. At least I did. Christian Bale did an amazing job at portraying Jim. What an annoying kid that was. He talks and talks endlessly and while he’s crafty, he never knows when to stop or give it a rest. Basie is ingenious and maybe, he means well at times, but mostly he’s the type of character who will always be able to make money, preferably even through selling out others and profiting from their misery.

There are a few tense moments, but overall we often get a feeling that this is less a POW camp than a summer camp. I was wondering if that was because Spielberg tried to stay true to the boy’s point of view or whether these camps for civilians were not that bad.

It’s a highly watchable movie and one I will certainly watch again, but unfortunately, the film has a lot of typically cheesy Spielberg moments, which annoyed me. I still think it’s a beautifully filmed movie and a great story. I liked it, but  didn’t love it because I hate it when director’s manipulate us. Spielberg always does that, that’s why I don’t really like Schindler’s List and even think Saving Private Ryan could have been much better than it is.

Black Book – Zwartboek (2006) Dutch Resistance

Black Book

I watched Paul Verhoeven’s Black Book aka Zwartboek when it came out in 2006 and absolutely loved it. That was four years before I started this blog. If I wanted to review it, I had to rewatch it. It does happen that a movie we liked a lot doesn’t hold up as well when we watch it again. Unfortunately this was the case here. It’s not a bad movie, it’s very entertaining, but I think a resistance movie must be a bit gritty. Black Book most certainly isn’t gritty, it’s so flashy and glossy, it could be an US production. Sure, you’re going to argue, that it’s logical, after all Verhoeven’s not only the director of Soldier of Orange but also of Starship Troopers and Total Recall. Although his first European movie in 20 years, Black Book has written “Hollywood” all over it (apart from the nudity, that wouldn’t go down so well in a US production).

The movie starts in Israel in 1956 and then rewinds to 1944. The main story is set in the Netherlands. The young Jewish woman Rachel Stein (Carice van Houten) is in hiding when a bomb falls on the house of the people who hide her. A policeman who works for the Dutch resistance helps her, her family and a lot of other Jews to escape. The boat on which they should be brought to Belgium is attacked by Nazis, and everyone, except Rachel who manages to escape, is killed and all the money and jewellery is stolen. Rachel watches all this and sees the men responsible for this attack from her hideout.

There isn’t much she can do and so she eventually joins the resistance. During one of her missions she meets Nazi officer Muntze (Sebastian Koch). Under the false identity of Ellis de Vries, she seduces him, becomes his mistress and starts to work at the Nazi headquarters. It’s easy for her to seduce Muntze because she is very pretty and used to be a well-known singer, but that doesn’t mean he’s foolish enough not to see through her disguise.

Unfortunately her disguise is also discovered by others and she’s lured into a trap and henceforth suspected by the Resistance to be a double-agent. Things get even more dramatic when Muntze is arrested as she has developed feelings for him. When the Netherlands are finally liberated, Ellis/Rachel gets a chance to uncover who betrayed her.

Black Book is visually appealing, it’s well structured and well-paced and a really entertaining watch, but overall I didn’t find the anti-war message all that pertinent. It seems Verhoeven wanted to show that there were good and bad people on both sides and that the Dutch, like many other European people had ambiguous feelings.

Black Book is entertaining and worth watching but I think Soldier of Orange is far better and when it comes to other Resistance movies I can think of many better ones. These are just a few, which I have all reviewed here as well:

Army of Shadows,

Roma, Città Aperta-Rome Open City,

The Army of Crime,

Flame and Citron,

Max Manus,

Lucy Aubrac

I’m particularly fond of resistance movies, so if anyone has suggestions, I’d be very glad.