Pork Chop Hill (1959) or The Best Korean War B-Movie?

Lewis Milestone’s Pork Chop Hill is based on the eponymous book by military historian S. L. A. Marshall and depicts the fierce Battle of Pork Chop Hill. Towards the end of the Korean War the U.S. Army’s 7th Infantry Division and Chinese and Korean Communist forces fought for this strategically unimportant hill.

The year is 1953, while the Panmunjeom cease-fire negotiations continue, a company of American infantry was to recapture Pork Chop Hill from a larger Communist Chinese army force. Successful but highly decimated, they were ready for the large-scale Chinese counter-attack which they knew would overwhelm and kill them in hand-to-hand fighting.

This movie is bothering me quite a lot for many reasons. I can’t say I did not like watching it as that is not true. (Maybe I am secretly an infantry combat war movie buff. At least no questions about whether this is a war movie or not. That seems settled.)  Unfortunately there are a lot of questionable elements in it. I can still hardly believe that the very same man, Lewis Milestone, who did All Quiet on the Western Front did this thing too.

This was my first US movie on the war in Korea. I read articles and list and it seemed as if there are not so many great ones. Gray Freitas terms Pork Chop Hill the best B-Movie. Aha. Others call this one of the better ones…

I hated the end. This was not the battle that finished the war. I hated that we have no clue what it is all about. And I hated that they had to choose an African-American soldier to play the part of the treacherous coward.

I did appreciate the battle scenes. They way it was shown how battle takes its toll. Those soldiers were so tired… It captured nonsensical high command orders very well. I also like the relationship between Gregory Peck and the Japanese-American officer. And I think Gregory Peck is very good in this movie.

I will post another, more general post on the war movies depicting the Korean war. And I will certainly need to review Tae Gu Ki aka Brotherhood.

I must honestly say, after watching Pork Chop Hill and reading a few things about US movies on this war, I am not extremely keen on watching any other ones. Maybe M.A.S.H.

Feel free to share your opinions and ideas on the topic.

The trailer will tell you that the DVD cover is misleading as Pork Chop Hill is a black-and-white movie.

Antwone Fisher (2002) or How One Man Was Saved by the Navy

Some movies don’t work for some people. This one did not work for me. If I hadn’t been so tired yesterday, I would never have promised a post. Maybe no one cares if I keep my promise. I don’t know, but I care. Just one little thing about the statement on the DVD cover “This is a film that can change people’s lives”. I agree. I slept incredibly well afterwards.

I am a bit sorry for being this sarcastic. Antwone Fisher tackles a topic we need to talk about, namely child abuse. If this movie manages to raise awareness, then I am sorry for my comments, but for me this was done in such an over-sentimental way… Insufferable.

Antwone Fisher is based on a true story. Antwone wrote the script himself.

Antwone (Derek Luke) was born in prison, shortly after his father had been shot dead by one of his girl-friends. The boy was taken away and given in foster care. A hellish place. He was beaten and abused. Sexually and psychologically. At 16 he is sent to a men’s shelter but he does not stay. He flees and joins the Navy. He likes it there a great deal but he has problems fitting in. He has what we term today “an Anger Management problem”. Lucky Antwone has a very kind superior officer and is sent to a Navy psychologist (Denzel Washington) with issues of his own. At first he won’t talk but then he opens up and has a real chance to heal. The psychologist urges him to find his family and in the end he does. During the sessions with the psychologist we hear the truly awful story.

There is also a love story involved. It is ok. I did not mind it as much as all the other corny details.

What is actually more interesting than the movie  – which is frankly a total failure what might explain why I hadn’t heard of it – is the extras on the disc. The real Antwone tells that the Navy was his first real home. It gave him a chance and opportunities to build up self-esteem and confidence. This is a picture of the Navy that we seldom get to see. At least over here in Europe where we are highly suspicious whenever anything to do with the American military is mentioned. It is still widely believed that the military is a place for those who have no other choice and where they might get worse than they already are. The film director is also interviewed and says that all the officers they met on the ships were kind and intelligent people and nothing like the abusive bastards we often get to see in movies.

All in all, thanks to the extras, this soppy movie has broadened my horizon a little bit.

One last element I would like to mention before finishing this post. Antwone is an African-American kid. His foster family is African-American and so is the psychologist. What the psychologist actually tells Antwone in the beginning is that the abusive behavior (the beating, not the sex) is an inheritance from the slavery days. It is passed on from one generation to the next. Rightly Antwone protests, saying that this sounded like an easy excuse. I believe, this is giving the wrong message. Child abuse is universal. Sadly it is extremely common everywhere.

I am glad for Antwone that he survived his childhood and became a very gentle and creative person. He writes poems, draws and, as already said, wrote the script himself.

Antwone Fisher

Costa-Gavras’ Music Box (1989) A Court Room Drama About War Criminals

Music Box is not a war movie in the strict sense of the term, especially not since it takes place some 40 years after the war. But it is about what happened to war criminals after the war. The one or the other is still caught today. Many tried to hide in distant countries. Some live in South America but there are certainly also a lot in the US. Since I want to watch Der Stellvertreter aka Amen by Costa-Gavras, I thought it might be interesting to re-watch this one before. I remembered that it moved me quite a bit when I saw it for the first time. I found it totally gripping. As much of the suspense comes from the question whether or not the accused committed the crimes I could concentrate on other elements this time.

Just imagine for one second, someone told you, your mother, or your father was a war criminal. He is said to have left the country shortly after the war and gone to the US where he led an exemplary life as a devoted father, able worker and much liked colleague. Imagine the two of you had a very close relationship. You love the stories your father tells you about his childhood and his youth, the horrors of the war and how he managed to flee to a more welcoming country. Your son adores him, your in-laws respect him. But then, one day, the US government accuses him of being a monster and wants to extradite him to Hungary where he would be judged. That is the story of Music Box. Ann Talbot’s (Jessica Lange) father, Viktor Laszlo, a Hungarian immigrant is accused of having committed war crimes. Ann is a successful lawyer and decides, after some initial reluctance, to defend her father. She doesn’t doubt for one second that he is innocent and soon she is able to prove that there have been wrong accusations before, that the Communist countries often try to get at those who fled from them. She is outraged by the injustice that is done to her father and equally shocked by the crimes, the man who is called Mischka, has committed. Torture, executions and rape. But what is the worst he is accused of is the fact that he showed no mercy, compassion or any other signs of empathy. Mischka enjoyed what he did. Much of it took place on the banks of the Danube in Budapest, near the famous Chain Bridge. One of the last parts of this gripping court-room drama takes place in Budapest. A nice addition to the movie. Budapest is a town I am particularly fond of but when I had seen the movie for the first time, I hadn’t been there yet. I didn’t even remember that part of it was filmed there.

Jessica Lange, Armin Mueller-Stahl and Frederic Forrest, the main actors are fantastic. Armin Mueller-Stahl is one of the very great German actors. I have often problems when actors fake an accent but he does it well.

For one reason or the other, I always compare Music Box to Sophie’s Choice. I find them both equally convincing from a psychlogical point of view. Both have outstanding female actresses in main roles. And they both have this typical 80ies feel.

I was wondering how I would rate this movie. It is interesting and gripping, psychlogically accurate but doesn’t deserve 5/5. It is somewhere between 4 and 4.5 because it is a tad too sentimental.

The Bridge on the River Kwai (1957) Almost Everybody´s War Movie Darling

Yes, I know, it’s hard to believe but until a few days ago I had never watched The Bridge on the River Kwai. I couldn’t give you any specific reason. Just never happened. I have never been to New York either. Just because something is great, famous or whatever not doesn’t mean everybody has experienced it. While I can go on blogging about war movies without having visited New York, it wasn’t any longer acceptable that I had not watched one of the all-time favourite war movies of so many. One of the six that made it on the list about which I wrote the other day.

So I did it. I watched it and… As odd as this is, it wasn’t what I had expected. I am not talking about the story. I was quite familiar with it as is almost everybody. No, it was the cinematography that stunned me. This is a lush and astonishingly beautiful movie with intense and memorable pictures. As I read after having watched it, this striving for esthetics has been criticized (especially the cute girls and half-naked men in shallow pools… William Holden had to shave his chest hair off and we can see him in every single of his half-naked scenes with glistening torso. Can’t say that impressed me much but it is an interesting detail).

Beautiful pictures, together with great acting, a gripping story, an anti-war statement, the juxtaposition of  British and American characters and an astonishing ending make a great combination. There is something for everybody in it, I guess. No wonder it got 7 Academy Awards including best picture, best director, best actor (Alec Guinness), best writing, best music, best film editing, best cinematography.

The story can be told in a few sentences. A Japanese prison camp somewhere between Rangoon and Bangkok. Colonel Saito, one of those sadistic officer types, forces the prisoners, including their officers to help building a bridge over the River Kwai. Col. Nicholson, the highest ranking British officer in the camp, opposes and offends him. As a consequence he is sent to a very harsh solitary confinement. He is in a certain way as stubborn and fanatic as Saito himself and won’t give in. Somehow though they realise that they need each other and come to an agreement. Nicholson will supervise the construction of the bridge that will be built by British prisoners only. The bridge is meant to bear testimony for future generations to the endurance and skills of British soldiers.

The American Shears (William Holden) is also in this camp. He can’t understand any of this. For him it is important to survive. Honor and courage are secondary. The only thing he wants is to escape. One night he manages it finally and makes it back to high command. There he is told that he will have to go back, accompanying a little troop, as he knows the terrain. It has been decided that the bridge will be blown up. From this moment on two stories run in parallel. The one in the camp and the other one following the little troop through the jungle (the movie has actually been filmed in Sri Lanka, should anyone wonder).

I won’t spoil the ending for those who haven’t seen it. Let me just say it is not a happy one.

I think one of the most important elements in this movie is certainly the juxtaposition of the two extremes as they are personified by the British officer Nicholson and the American Shears. Nicholson’s way is slightly outdated and not very life-affirming. Alec Guinness is memorable in this role. Apparently he turned it down at first because he thought it was too anti-British (I can’t blame him).

The Bridge on the River Kwai is based on the novel by Pierre Bulle. The ending is different from the one in the book though. Both are based on true events. The Japanese had indeed British prisoners build a railway line from Rangoon to Bangkok. Countless people died. Many years after the war the Japanese government apologized for these events.

Robin Hood (2010) or This is the Robin Hood we were waiting for

I don’t care if Robin Hood is really a war movie. There is a lot of warfare and talk of war but the purists would probably deny it the access to the war movie realm. I can’t. I am biased. I am partial to Russell Crowe – my favourite actor – I am partial to Ridley Scott – watch all of his movies, they are worth it – I am partial to Cate Blanchett – one of my favourite actresses. In short Robin Hood  is well done, has a great cast and is very entertaining. It doesn’t make the world a better place or will revolutionize cinema history but  it is well woth watching.

I waited for this to come out on BluRay before I watched it and was looking forward to it like a child (Is it available yet? Is it available yet?). I was not disappointed. I truly enjoyed every minute of it.

What we get to see is the pre-history of Robin Hood, the years before he becomes an outcast (will there be a sequel?). At the beginning he is in the middle of a big battle in which  King Lionheart is  fighting against the French. Robin Longstride  is not a noble man and since he is too outspoken he endangers himself and those who follow him. He is sentenced and if King Richard hadn´t died, he would have been bad off. But Richard Lionheart is killed and Robin takes advantage of the chaos that follows the king’s death and escapes with his buddies to the sea.

Sir Robert Loxley who is to bring the crown back to England and hand it over to the new king is murdered on his way home. At that very moment Robin and his men come along and the dying man asks him to return his sword to his father Sir Walter Loxley (Max von Sydow). Robin decides to pretend to be Sir Robert Loxley and first brings the crown to the new king and then travels on to the estate of the Loxley´s where he meets Marion, Roberts widow. Of course there is a love story but it is not corny. The country is in bad shape. People suffer. They are famished and impoverished and exploited by their king. The noblemen from the North want to overthrow the new king but there is a threat coming from the South. One of the king´s people is a traitor and conspires with France. It will take combined efforts to save Britain from invasion.

I won’t tell you if this is achieved and how Robin Hood got his name, nor will I tell you why he became an outcast. You got to find out for yourself.

Some historical facts about Robin Hood can be found on the  BBC British history page.