Tag Archives: War Movie

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Glory (1989) A Tale of the American Civil War

When I first watched Glory it made my Top 10. Many movies later and after having seen it for the second time, it doesn’t make the Top 10 anymore but it is still one of the very best war movies ever. I would even argue it’s flawless. The acting is superior, cinematography is beautiful, score is great, themes are interesting. I suppose it’s accurate as well. It’s a 5/5 movie but… for me to really like or rather love a movie it needs to have something more than perfection, something like complexity. I decidedly have no problem with Matthew Broderick but I’m not very familiar with him. Some people criticized this choice because they saw him in other movies and thought he was too young at the time.

The movie tells the story of the 54th all black Union regiment led by Col Robert Gould Shaw (Matthew Broderick). This is the first all black regiment ever. The whole regiment is composed of volunteers who are eager to join, train and eventually fight. It’s not easy to train these men, many of them are former slaves, runaways, analphabets and all in all an unwieldy bunch. Especially Private Trip (Denzel Washington) isn’t one who easily takes no for an answer. If Shaw wasn’t such a truly humane, kind and just leader and if he hadn’t the support of his friend Major Forbes and the ever so wise older soldier Rawlins (Morgan Freeman) maybe the whole enterprise would have been a failure. Luckily it isn’t or we wouldn’t have this highly watchable movie in which people can be seen how they overcome the worst adversity.

Shaw has to fight hard to earn recognition and justice for his men. They are lacking everything, shoes, uniforms, weapons and when finally they get their equipment and have undergone a successful training they lack the opportunity to show that they are worthy soldiers.

There are a lot of infuriating scenes in this movie, after all it deals with racism. Racism has many faces but at the end of the day, whatever face it has, it’s an ugly one.

It’s uplifting to see the suppressed overcome obstacles and all the more because it’s a true story. Glory is based on the letters of Colonel Robert Gould Shaw (you can find them here Blue-Eyed Child of Fortune: The Civil War Letters of Colonel Robert Gould Shaw)

I haven’t seen many Civil War movies, I think only three so far. While I had a hard time to follow Gettysburg, I thoroughly enjoyed this one but the one I prefer is Ride with the Devil.

How about you? Any preferences?

http://www.youtube.com/watch?v=9r72aGkShD4&feature=related

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Peter Weir’s The Way Back (2010)

I wasn’t aware of this movie despite the fact that Peter Weir is one of my favourite film directors. I’m glad that The War Movie Buff told me about it.

Even though I like some of Weir’s older movies and also Master & Commander a lot, I didn’t expect anything before watching The Way Back. I’m glad I didn’t, I think I would have been very disappointed if I had.  I’m afraid it is Peter Weir’s weakest film ever. The story, based on true events, had a lot of potential, the actors were mostly well-chosen, the cinematography is stunning, the score is convincing and still…. There is something missing. I couldn’t help comparing it to another POW movie, also starring Colin Farrell, namely Hart’s War. While Hart’s War focuses on how the prisoners escape from the camp, The Way Back shows their long journey from the Siberian gulag to India.

The movie starts in Poland in 1941. Janusz has been captured. His wife denounced him under torture. He is a spy and sentenced to spend the next 20 years in a Siberian gulag. He’s a strong young man, optimistic, kind and resourceful. He makes friends in the camp, some tell him that it is possible to escape. He chooses a few who will follow him, they prepare their escape and one night they do it.

It’s a small group of seven people, headed by the spirited Janusz (Jim Sturgess). An American (Ed Harris), a Russian criminal (Colin Farrell), a Polish priest and others. One dies in the early days. The hardships of their journey are unimaginable. First they walk for weeks from the camp to Lake Baikal, then to Mongolia, the Chinese wall, across Tibet and into India. They cross the mountains and deserts, almost die from cold, hunger and thirst. After a few weeks, they are followed by a young girl who finally joins them. Some make it, some don’t.

On their way, each time they cross the border of a country, they see how far Communism has advanced. Since they escaped a gulag, they have to get to a country that is free of communism. The moment they enter Mongolia and then China, they know, they have to make it to India.

I’ve seen my share of POW movies. The Way Back is one of the weakest, it’s more a survival story that is told in a boring way. The fact that Colin Farrell was in Hart’s War (which I think was a bad movie here is my review) and in this one, made matters worse. One cannot help comparing those two movies and also see parallels between the choice of Ed Harris in this one and Bruce Willis in the other.

I guess you gathered that this movie left me pretty unfazed. It’s not bad it’s just lacking something.

If you want to watch a truly good newer POW movie watch Werner Herzog’s Rescue Dawn (here is my review). Of the older ones I like The Colditz Story best.

http://www.youtube.com/watch?v=87kezJTpyMI

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Max Schmeling – Fist of the Reich aka Max Schmeling – Eine deutsche Legende (2010) Biopic of the German Heavy Weight Legend

Yes, I did it, I watched a Uwe Boll movie. I have never watched any of his other movies before, it seems they are a bit on the trashy side and I’m not tempted to watch the controversial sounding Auschwitz. Now that this has been clarified, I will concentrate solely on Max Schmeling – Fist of the Reich aka Max Schmeling – Eine deutsche Legende. The reception of this movie is a bit surprising. It got 4.1 on IMDB, the only person who reviewed it gave it 3/10. The reviewer is German. On amazon.de the reviews are mostly 1/5 and 2/5 stars. When you hop over to amazon.co.uk you are in for a surprise. The reviewers rate it  mostly 5/5. I’m pretty sure, I can tell you why this is the case. (Personally I would rate it 3/5 or 6/10).

The way the story is told is somewhat plump. It’s linear storytelling apart from the very first moment where we see Max Schmeling in uniform traipsing around Corfu. These are painful moments for German-speaking people as we hear the “actor” Henry Maske talk. Imagine Schwarzenegger talking through a half-swallowed potato… You can hardly understand what the guy is saying, it’s obvious he is no actor. Every time he opens his mouth during the movie, native German speakers will either laugh or cringe. I’m quite sure this (plus Boll’s reputation) were the main reasons why it got such bad German ratings.

Once you have passed this initial bad scene you will start to understand that Henry Maske was a perfect choice. Even Schmeling himself was wishing for Maske to play the role one day.

Schmeling was a gutsy boxer, one with courage, who loved to prove himself. At the same time he was very fair with his opponents. When the Nazi’s started to rise he was on the rise as well. They liked to win over athletes as they corresponded to the Nazi ideal of strength, health and invincibility. Schmeling who held the heavy-weight champion title for quite a while was especially liked by Hitler. But when Schmeling announced that he, his trainer (Heino Ferch who is excellent as always) and his Jewish agent were flying over to New York to fight against Joe Lewis, the Nazi leaders were strictly opposed. Joe Lewis had the reputation of being invincible. He knocked out all of his opponents in a few minutes. And he was African-American which seemed hardly the right choice for someone belonging to the master race, as the Nazis called themselves. It took guts to disregard the orders and fly to New York anyway.

What happened in New York is boxing history. Max Schmeling knocked out Joe Louis and after this he was definitely  the Nazis’ favourite pet athlete. Still, when he announced he would go back to New York and face Joe Luis again, they didn’t approve. They were right this time.

He returned beaten and was sent off to war immediately. No other athlete had to go to war, but someone who lost against an African-American and ridiculed the master race had to be punished.

All these are things, I didn’t know. I didn’t know either that Schmeling and his wife were one of the most famous couples in German history. She was an actress and they got married before he flew to New York for the first time. They stayed happy together until her death in the 80s. Schmeling lived until 2005. After the war he had a hard time making a living and wasn’t denazified at first.

For all those who moan about Henry Maske’s acting I’d like to say, that it is not fair. This is a boxing film. 60% of the movie centers on the fights, training and boxing. If you like boxing, you will like this movie as Maske is an excellent boxer. He was the world title holder for many years – not in heavyweight but in light heavyweight – and used to be one of the best-liked German sports people. He is originally from the former German Democratic Republic which explains the mumbling to a certain extent as their accent is a bit on the rough side.

I’m fond of Maske, he is a likable person, I also like boxing and found the fights gripping. Certainly not a great film but entertaining and interesting.

I only found a German trailer but the movie has been subtitled.

http://www.youtube.com/watch?v=tGv1X2JewBU

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Bertrand Tavernier’s La vie et rien d’autre aka Life and nothing but (1989) The Aftermath of WWI

This quiet and beautiful movie deals with the aftermath of WWI in France in a way I haven’t seen before.

Life and nothing but aka La vie et rien d’autre is set in France, in 1920. The landscape is destroyed. The villages are in ruins. 350’000 men are missing. Major Dellaplane (Philippe Noiret) is working in some sort of army hospital trying to find the missing soldiers. He analyses features and descriptions, looks at those who are so badly wounded that nobody would recognize them, looks at those who have gone deaf, blind or crazy and also at dead bodies. He has them drawn and measured and puts their portraits in huge albums. So far he has found maybe 50’000 soldiers but there isn’t a lot of hope of finding the remaining ones.

Into this mess comes Irène de Courtil (Sabine Azéma), the wife of a missing officer and member of the French high society, part of those who are responsible for this monstrous war. Irène is looking for her husband. Not so much, it seems, because she wants to see him again but because she wants to move on. Her memory of him is almost faded and they were not married for very long either. Dellaplane treats her very unkindly and tells her that her husband is only one out of 350 000 missing men. In other words, he couldn’t care less about one individual person.

She leaves the hospital and tries other places but much has changed, addresses do no longer exist. She meets Dellaplane again in various other places.

When she hears that there is a site in which they display the belongings of dead soldiers, she travels there to try to find something that belonged to her probably dead husband. Dellaplane is there as well. Every time they speak, they quarrel and shout at each other but they also start to understand each other’s positions. Dellaplane feels pity and promises her to help her husband’s body.

While this is happening, there is a second story line. General Villerieux has to find bodies of anonymous dead French soldiers. One of them should be picked and buried under the Arc de Triomphe in Paris. It proves to be very difficult as there are as many dead German and American soldiers in this region as there are French ones. The earth is saturated with dead bodies. Plus there were the Senegalese troops. Despite their being French, the government doesn’t want to bury an African soldier or one from another colony. As easily as these are ruled out, for obvious reasons, as difficult it is to make a difference between American and French soldiers.

Unknownsoldier paris.jpg

The idea of the tomb for the Unknown Soldier infuriates Dellaplane and he doesn’t help his superior. He thinks it is cynical and belittles the losses. 1’500’000 dead French soldiers shouldn’t be represented by one anonymous figure.

There are other important story lines in the film. One follows a sculptor who is making monuments for the villages. Each and every village wants a monument for their fallen.

La vie et rien d’autre is beautiful but also bleak. It’s raining constantly, there are accidents with mines that go off, the places are swarming with hopeless people looking for their loved ones. Everything is in ruins. Everything seems so senseless. The destruction, the deaths, the suffering.

I liked this movie a great deal. It’s also a touching love story. What I liked best is the fact, that it starts where most other movies end. After we have seen the last dead soldier fall on the battle field, WWI movies usually end.

I recently finished the mini-series ANZACS and watched this right after. I’m glad I did as the contrast is amazing. As much as the Australians, Canadians and Americans sacrificed, they returned to their countries, countries that had not been touched by war. They lost a lot of young men, but they didn’t have to cope with a war-ravaged country and destroyed cities. I think this shouldn’t be forgotten.

Unfortunately there was no English trailer but the French one will also help you decide whether you should track it down or not.

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Omagh (2004) Irish TV Movie on the Omagh Bomb

I have seen a few movies on the Troubles. Some were good, a few were outstanding. Omagh, I’m afraid, isn’t one of them. I’m not saying it isn’t sort of interesting as it explores, more than anything else, the reactions of the people affected by the “Omagh bomb”, namely the families of the victims, the support groups, the police and the politicians. But interesting doesn’t necessarily equal well done. I don’t mind TV productions but I’m not keen on shaky handheld camera, weirdly cut images and pseudo-documentary style. Blood Sunday (here is my review) has a very similar approach but was much better, I thought. Still, I didn’t mind watching it as I have always been interested in Irish history.

Omagh is a little town in Northern Ireland. On Saturday  15 August 1998, a car bomb went off in the town center, killing 29 people and injuring another 220. The beginning of the movie, focusing on one young man, Aiden Gallagher, and his family is very powerful. We know what is going to happen and to see them before the tragedy and knowing one of them is doomed, is quite uncanny. Also the anxious moments after the family hears that there was a bomb and their son and bother doesn’t return are very well done.

The responsible people for the Omagh bomb were the so-called Real IRA, a splinter group of the Provisional IRA whose members were opposed to the peace treaty. The Troubles are such a complicated chapter in Irish history and as much as the movie tries to capture this, for the outsider it stays quite confusing.

That the British Prime Minister Tony Blair and the Sinn Féin leaders condemned the attack didn’t help the families much. What follows Aiden’s burial, is a close examination of the aftermath of the bombing. Aiden’s father tries to get the help from anyone he can. Politicians and police alike. He joins a support group and together with their members they try to find out who is responsible for the bombing. They look for the individual names. After a while Michael is contacted by a man who was an informant and spying on the Real IRA. He provides him with a list of names. He pretends having given information on the bombing to an intelligence service way before it happened.

Michael tries to pursue this and investigates on his own, confronting the police but to no avail. After a few months he is so down that he has to let go and try to overcome the grief for his son.

Some months later the support group is summoned by the police. An ombudsman tells them that not only did they find proof that the informant told the people in charge about the bomb threat but that the intelligence service had also tried to cover it up. In doing so, evidence that could have led to arrests was lost.

“Bad management and lack of judgment of a senior intelligence officer” was the final verdict of the ombudsman. Sadly there were no consequences.

It makes me feel a bit bad to say that I didn’t like this film. It seems as if I was saying the incident wasn’t horrible. I’d like to emphasize, that this isn’t the case at all. What happened in Omagh is horrible but the way it has been filmed was just not convincing.