Filmgenres Kriegsfilm (2006) A Very Good German Book on War Movies

I know this is not of great importance to the majority of my readers who might not read German, still I feel it is important for those few who do to inform them about this book that is one of the best books on war movies that I have.

Each chapter is written by another author and most of them are very good. The authors  review and analyse in chronological order some 65 war movies.  As just said, the book does not only contain reviews like you find them in many other books but an in-depth analysis of every movie is provided as well.

What I appreciate most is that it includes movies from many different countries.

The choice is very convincing as well. Sure, there are some movies missing that I would have liked to see included but that is always the case. Be it books or lists.

A further asset is the introduction in which the editors (Klein, Stiglegger, Traber) try to define the genre and name topics and themes.

Highly recommended reading.

Filmgenres Kriegsfilm bei amazon.de

Pork Chop Hill (1959) or The Best Korean War B-Movie?

Lewis Milestone’s Pork Chop Hill is based on the eponymous book by military historian S. L. A. Marshall and depicts the fierce Battle of Pork Chop Hill. Towards the end of the Korean War the U.S. Army’s 7th Infantry Division and Chinese and Korean Communist forces fought for this strategically unimportant hill.

The year is 1953, while the Panmunjeom cease-fire negotiations continue, a company of American infantry was to recapture Pork Chop Hill from a larger Communist Chinese army force. Successful but highly decimated, they were ready for the large-scale Chinese counter-attack which they knew would overwhelm and kill them in hand-to-hand fighting.

This movie is bothering me quite a lot for many reasons. I can’t say I did not like watching it as that is not true. (Maybe I am secretly an infantry combat war movie buff. At least no questions about whether this is a war movie or not. That seems settled.)  Unfortunately there are a lot of questionable elements in it. I can still hardly believe that the very same man, Lewis Milestone, who did All Quiet on the Western Front did this thing too.

This was my first US movie on the war in Korea. I read articles and list and it seemed as if there are not so many great ones. Gray Freitas terms Pork Chop Hill the best B-Movie. Aha. Others call this one of the better ones…

I hated the end. This was not the battle that finished the war. I hated that we have no clue what it is all about. And I hated that they had to choose an African-American soldier to play the part of the treacherous coward.

I did appreciate the battle scenes. They way it was shown how battle takes its toll. Those soldiers were so tired… It captured nonsensical high command orders very well. I also like the relationship between Gregory Peck and the Japanese-American officer. And I think Gregory Peck is very good in this movie.

I will post another, more general post on the war movies depicting the Korean war. And I will certainly need to review Tae Gu Ki aka Brotherhood.

I must honestly say, after watching Pork Chop Hill and reading a few things about US movies on this war, I am not extremely keen on watching any other ones. Maybe M.A.S.H.

Feel free to share your opinions and ideas on the topic.

The trailer will tell you that the DVD cover is misleading as Pork Chop Hill is a black-and-white movie.

Antwone Fisher (2002) or How One Man Was Saved by the Navy

Some movies don’t work for some people. This one did not work for me. If I hadn’t been so tired yesterday, I would never have promised a post. Maybe no one cares if I keep my promise. I don’t know, but I care. Just one little thing about the statement on the DVD cover “This is a film that can change people’s lives”. I agree. I slept incredibly well afterwards.

I am a bit sorry for being this sarcastic. Antwone Fisher tackles a topic we need to talk about, namely child abuse. If this movie manages to raise awareness, then I am sorry for my comments, but for me this was done in such an over-sentimental way… Insufferable.

Antwone Fisher is based on a true story. Antwone wrote the script himself.

Antwone (Derek Luke) was born in prison, shortly after his father had been shot dead by one of his girl-friends. The boy was taken away and given in foster care. A hellish place. He was beaten and abused. Sexually and psychologically. At 16 he is sent to a men’s shelter but he does not stay. He flees and joins the Navy. He likes it there a great deal but he has problems fitting in. He has what we term today “an Anger Management problem”. Lucky Antwone has a very kind superior officer and is sent to a Navy psychologist (Denzel Washington) with issues of his own. At first he won’t talk but then he opens up and has a real chance to heal. The psychologist urges him to find his family and in the end he does. During the sessions with the psychologist we hear the truly awful story.

There is also a love story involved. It is ok. I did not mind it as much as all the other corny details.

What is actually more interesting than the movie  – which is frankly a total failure what might explain why I hadn’t heard of it – is the extras on the disc. The real Antwone tells that the Navy was his first real home. It gave him a chance and opportunities to build up self-esteem and confidence. This is a picture of the Navy that we seldom get to see. At least over here in Europe where we are highly suspicious whenever anything to do with the American military is mentioned. It is still widely believed that the military is a place for those who have no other choice and where they might get worse than they already are. The film director is also interviewed and says that all the officers they met on the ships were kind and intelligent people and nothing like the abusive bastards we often get to see in movies.

All in all, thanks to the extras, this soppy movie has broadened my horizon a little bit.

One last element I would like to mention before finishing this post. Antwone is an African-American kid. His foster family is African-American and so is the psychologist. What the psychologist actually tells Antwone in the beginning is that the abusive behavior (the beating, not the sex) is an inheritance from the slavery days. It is passed on from one generation to the next. Rightly Antwone protests, saying that this sounded like an easy excuse. I believe, this is giving the wrong message. Child abuse is universal. Sadly it is extremely common everywhere.

I am glad for Antwone that he survived his childhood and became a very gentle and creative person. He writes poems, draws and, as already said, wrote the script himself.

Antwone Fisher

Friday Night Watching: Antwone Fisher (2002)

Until last week I had never heard of this movie before.

In order to be a 100% sure if Antwone Fisher is good or not I will have to watch it. And that is what I am going to do tonight. And hopefully I will post a review tomorrow.

The Messenger (2009) or Fighting, Dying, Notifying

Some people say that The Messenger should have won the Academy Award instead of  The Hurt Locker. It is very possible that they are right.

As long as there are wars there will be fighting. As long as there is fighting there will be dying. And as long as people die in combat someone will have to notify the families. This difficult duty is the job of the Casualty Notification Officer. The Messenger explores this difficult task. To notify people is difficult for many reasons. Some are devastated and the their grief is unbearably raw. Others can´t even accept it. Some turn against the messenger, some are openly aggressive. Some are kind and caring.

Staff Sergeant Will Montgomery (Ben Foster) comes back from a tour in Iraq badly injured. He is said to be a hero even though he can’t accept this. He gets appointed to assist Captain Tony Stone (Woody Harrelson) who has done the job as Casualty Notification Officer for a very long time. He tells Will to strictly follow procedures. Don´t touch the relatives. Inform them directly. Be clear and precise and leave again.

The first job they get is already a harrowing one and Will realises that it might be even more difficult than he thought it would be. After their job is done, they go for a drink. Tony is a AA, so all he drinks is hot water with lemon. He asks Will very direct questions about everything. At first Will is reluctant to answer but he has no choice.

One day the two have to inform a young woman of the death of her husband. Will is very touched by her and her reaction and contacts her again later and they start to form a bond.

There are many different stories and storylines that are interwoven which is the strength of this movie. In it´s essence I would say, yes, this is a movie about war, but it is even more a movie about relationships. Deep relationships. Each and every single person in this movie carries a deep wound, either physical or psychological. Injuries, heartbreak, loss, betrayal. They have endured a lot and try to cope and heal by opening up to each other.

Ben Foster and Woody Harrelson are remarkable. Remarkable is actually and understatement.

I think The Messenger achieves a very rare thing. It gives us real people. Courageous and open people. And it says a lot of profound things about war and its consequences. Ultimately when there is a war, there will be death and dying. No one should forget this.