Arn: Knight Templar aka Arn: Tempelriddaren (2007) or A Fantastic Movie about the Crusades

What a fantastic movie. A lavish historical epic with likable characters and a great story. So much better than Kingdom of Heaven although that is not a bad movie at all. Only, I did not care much about the characters and the story. Big difference here. Arn: Knight Templar makes you care. You want to know what happens, you feel outrage when the main characters suffer wrong and you admire them and enjoy watching them.

Based on the novels by Jan Guillou this multinational co-production (we hear at least 5 different languages: Swedish, English, French, Arabic and Latin) centers on Arn, the son of a Swedish noble man. He falls in love with Cecilia, who is promised to another man. When their love is found out they are sentenced. Cecilia is to spend her days in a convent, Arn must join the Knight Templars and travel to the Holy Land. He will experience the brutality of the Crusades but still remain true to himself and stay just, courageous and open-minded. Cecilia on her side endures many hardships. The worst is certainly that they take away her newborn son, as he has been conceived in sin.

We see many a battle scene, breathtaking landscapes (the movie was filmed in Sweden, Scotland and Morocco) and we wonder once more how people can fight bloody battles in the name of religion.

Even though a major part of it,  the battles, the fights and the beauty of the scenery are not the the only good aspects of the movie. The depiction of the Middle Ages, centering on a bloodthirsty Catholicism,  is what makes this movie memorable. How horrible the Catholicism of those times has been, with its belief in sin and eternal damnation, its attempt to spread the faith all over this world, and even in bringing warfare to every corner of the earth. And the way they treated women and people of other faiths… Abominable.

Last but not least this is also a beautiful love story.

The cast is quite interesting. We see, once more, Stellan Skarsgard, but also Vincent Perez, Milind Soman, Bibi Andersson (she gives a chilling performance as a frankly sadistic nun), Sofia Helin and, starring as Arn, Joakim Nätterqvist.

I have a seen the shorter version. There are apparently two. I believe the longer one is better. A word of caution: there is some weird jumping in the time going on. This needs some getting used to. Maybe it is due to the cuts.

Be it as it may, watch it as soon as you can. You won´t regret it.

Je veux voir aka I want to see (2008) or Lebanon after the War in 2006

Je veux voir is something in between a documentary and a movie. The idea for the film  came from the helplessness of the filmmakers to see how parts of their country were destroyed in a war that lasted only 1 month. They wanted to have a look at the destruction. They wanted to see for themselves and let others see. To do so, they decided to have the icon of French cinema, Catherine Deneuve, and a famous Lebanese actor, Rabih Mroué,  visit Beirut and the South of Lebanon together.

Seeing those two strangers together in a car is quite awkward at first. He is afraid of what he will see. Rabih spent his childhood in the South where his grandmother lived. Now everything is destroyed but not all the destruction they see is new. A lot is still from the civil war. The Lebanese had never really had the time to fully rebuild their houses.

It is quite surreal at moments to see a woman like Catherine Deneuve in these places. They have odd conversations about putting on a seat belt or not, which is not important to Rabih. Not anymore, as he says. Since the war such details have lost their importance.

During their trip Rabih often repeats things Catherine says or once said in a movie in Arabic.

They have to be careful as there are cluster bombs everywhere and once they stray from the path, everybody is in uproar.

At one moment Israeli jets pass over their heads and Catherine Deneuve nearly freaks out. She thinks they are under attack. But no, as Rabih explains, this is a common procedure. Israeli jets often break the sound barrier to induce fear. But they also take pictures.

Frankly, as short as it is, I found it boring at times and Catherine Deneuve´s lack of comprehension was a bit exasperating.

But the end was good and I was glad I watched it.

We see mountains of rubble. Huge, huge mountains of rubble. All the leftovers of the destroyed buildings have been brought to a place near the sea, where they are further destroyed and the rubble is shoved into the see. What struck me were all this steel bits and wires looking out of those heaps like tentacles. You only see as much steel when concrete buildings have been destroyed. This clearly indicated that those buildings were not very old. And when I saw this I remembered that Beirut was once called the Paris of the Middle East because it was so elegant and stylish…

Those days are long gone.

Still the film ends on a positive note. The two strangers have become friends and the oh so impassive actress smiles one of her rare smiles when she sees Rabih again in the evening at a gala.

A Story of Naval Combat in the Vein of Master & Commander or Why You Should Watch the TV Series Hornblower (1998-2003)

The British TV series Hornblower or Horatio Hornblower is based on the books by C.S. Forester starring Ioan Gruffudd (King Arthur) as Horatio Hornblower.

It is the movie that is closest to the fabulous Master & Commander that I have seen so far. Sure, there are older movies on the Napoleonic Wars and naval combat but this is my favourite.

I think there are a total of 8 installments. They mostly have two titles, a British and an American one.

The Duel

The Fire Ship

The Duchess and the Devil

The Wrong War

Mutiny

Retribution

Loyalty

Duty

Here are 10 reasons why you should give Hornblower at least a try:

1. If you are looking for movies that resemble Master & Commander

2. If you enjoy naval combat and some gripping rapier fights

3. If you care for a likable character who has to overcome obstacles and wins in the end

4. If you are a fascinated by this period in time and interested in the Napoleonic Wars

5. If you enjoy POW stories (one whole episode shows Hornblower as a captive)

6. If you like a gripping story

7. If two-hour movies are too short for you and you like well made mini series

8. If you are a fan of Ioan Gruffud

9. If you don’t care for too much romance but like a bit on the side  to add another dimension

10. If you like a wide range of fascinating characters, some of which are cunning and evil, others kind and heroic

Taking Sides (2001) or The Denazification of a Legend

Istvan Szabo’s Taking Sides tells the story of the so-called Denazification of one of the greatest conductors of the 20th century, Helmut Furtwängler. (As can be read in the Jewish Virtual Library Denazification was the name given to “the efforts made by the Allies to remove active members of the former National Socialist Party from official public office and influential positions in Germany after World War II.”). The events take place in post-war Berlin. Furtwängler was the conductor of the Berlin Philarmonic. Before going to trial he is being questioned by an American investigator, Major Arnold, who shows no mercy and treats him not much different from the way the Gestapo treated people they questioned. Whatever Furtwängler says is taken against him. When he has nothing to say it is taken against him as well. This is a witch-hunt. There is not much action in this movie that’s why the two actors had to be extremely good. And they are. Harvey Keitel as the self-righteous Major who conducts the investigation is excellent. But Stellan Skarsgard starring as Furtwängler is amazing. This is sublime acting. I always liked him but in this movie he proves to be capable of acting far beyond the average.

Furtwängler is accused to have been a member of the Nazi party, to have been friends with Hitler, Himmler and Goebbels. To have known what was going on but to choose to stay anyway. It becomes soon clear that none of this is true and therefore Major Arnold tries to prove him at least morally guilty. Even though he has helped many Jews to escape, Arnold thinks his staying is reproachable. There is a lot of food for thought in this movie. Furtwängler seems to have believed that music and art could better people and that it was his duty to stay. But he was also naïve to an incredible extent. An intellectual living in an ivory tower.

Before starting to question him and during the weeks of the interrogation Arnold watches movies of the concentration camps. The original footage we get to see is one of the most horrible I ever seen. A huge mass of naked emaciated bodies are being shoved away like dirt… This fuels Arnolds’s hatred and lets him lose the right perspective.

One of the best elements of the movie is the clash of these two personalities; the gentle, well-mannered, soft-spoken old-world artist and the aggressive, vulgar and ignorant American major.

The movie does not only take place in the interrogation room. We follow the two young assistants of the major (played by Moritz Bleibtreu and Birgit Minichmayr), both German, one of Jewish origin and just returned from the States, on their outings in the city. This adds a further dimension to the film and we get a feel for post-war Berlin.

Taking Sides has also one of the most beautiful moments I have ever seen in a war movie. In an eerily beautiful scene we see an orchestra play in a ruin in the pouring rain.

As stated before, apart from being interesting, fascinating and underlined by beautiful classical recordings (Beethoven, Bruckner) this movie lives from the actors. The leading actors are outstanding but the supporting actors are very good too.

At times Taking Sides reminded me of Judgement at Nuremberg.

This is a movie for people interested in the post-war era, Denazification, classical music, Furtwängler and moral questions tied to WWII Germany. Is it understandable that Furtwängler stayed? Would it have been worse if all the good people had left? Are we allowed to think of self-preservation when faced with the mass destruction of others?

Instead of a trailer I decided to include a scene from the movie.

The Tuskegee Airmen (1995) or The True Story of the 332nd all Black Fighter Squadron

The Tuskegee Airmen is one of those brilliant HBO TV movies that is far too less known. How often do you watch a war movie that leaves you cheerful at its end? Well that´s what will happen should you watch The Tuskegee Airmen. It is fun. It is uplifting. It is a tale of heroism, determination, skill and overcoming the biggest obstacles that you can possible face: ridicule, racism, discrimination. Watching this movie is also infuriating like any story belittling others for their race, color, gender, social background etc. The Tuskegee Airmen is a true story that has almost a fairytale ending. I am not saying it doesn’t have its very sad moments, no true war story goes without them, but all through the movie we admire the spirit of those who do not give up, no matter how intense the adversity.  They are winners in the end.

At the beginning of the movie a group of young black Americans is boarding a train to Tuskegee, the base where future fighter pilots are trained. Some of them are already experienced pilots, others are aspiring pilots. They join because they share a passion for aircraft but also because they want to serve their country. But the moment they arrive in Tuskegee they face racial discrimination of the worst kind. They have to take the tests they already took  again because the result were too good. And when they prove that they know more than other pilots they are still not taken seriously and told that they don’t have a country, that they are not welcome. After several months of training and outstanding results they are not allowed to go overseas as there are still so many people, including politicians, who think it is unacceptable a black person should fly a highly sophisticated aircraft. Only after Mrs. Roosevelt flies with one of them, are they finally sent off to Africa. In Africa the same story repeats itself all over again. White pilots are sent on missions, while the Tuskegee Airmen  are being held back and ridiculed. Finally they are given a chance and  are told to escort a bomber squadron. They do this so well that the white bomber pilots do not believe that black pilots flew the planes. In the end the bomber squadron has to accept that the finest American pilots are black pilots and ask especially for them to escort them when they fly an attack on Berlin. It is said that in none of their missions did they lose one single bomber. An outstanding result.

I read that this movie and the story behind it filled many an African-American viewer with pride. I can sure understand this. There are so many glorious moments in this film and it really cheers you up when those brilliant pilots are finally acknowledged and rewarded with medals.

The cast was well chosen. Laurence Fishburn stars in one of his more likable roles. Cuba Gooding Jr. is in it, as well as Allan Payne, Malcolm-Jamal Warner, Courtney B. Vance and Mekhi Phifer.

I think, you can easily tell, how much I enjoyed this movie.

Should you be interested in the topic of African-American Soldiers in War Movies, please read my post.