The British movie 633 Squadron is an entertaining air combat movie. It has a little bit of everything in it. It is part adventure story, war movie , suicide mission and romance. Although it is not great it has a lot of potential and would be a great choice for a remake. None of the actors is remarkable, exchanging them wouldn’t do any harm and the special effects could do with some revamping as well. Still if you have a special interest in aircraft you might want to watch it as it gives you the possibility of seeing a real Mosquito (as far as I know only one is the real thing, the others were remade). The Mosquito was a funny, enduring little plane and is one of the rare made of wood. When it entered production in was one of the fastest operating aircraft.
“In 1940 I could at least fly as far as Glasgow in most of my aircraft, but not now! It makes me furious when I see the Mosquito. I turn green and yellow with envy. The British, who can afford aluminium better than we can, knock together a beautiful wooden aircraft that every piano factory over there is building, and they give it a speed which they have now increased yet again…” (Hermann Göring)
The story of 633 Squadron resembles the story of the much better movie The Dam Busters. A group of pilots has to go on a secret mission and drop bombs on a German rocket fuel factory that is based in Norway. The Norwegian resistance does also play a part in it and the squadron leader falls in love with the sister of one of their members. The squadron is a typical war movie squadron that pushes diversity to the limits. We see British, Irish, Scottish, Australian and Indian members. The accents are quite enjoyable if you go for that kind of detail. The mission itself is quite gripping and suspenseful. The losses were, as could be expected, extremely high.
633 Squadron is loosely based on a true story which makes it interesting to watch, still I would say if you want to see two really great British WWII air combat movies, go for The Battle of Britain or the aforementioned The Dam Busters.
Not every slick-looking movie with good-looking actresses on the French Resistance is a good movie. Unfortunately not or Les femmes de l’ombre would have been great. Don’t get me wrong, it isn’t bad it’s just not great. If you want an entertaining period drama, this is your movie (ok, there are a some torture scenes that dampen the experience a bit but nice clothes and make-up make up for it). It’s a little bit like Black Book aka Zwartboek but less convincing. The theme would have been interesting and worth dedicating a movie to.
Based on true events, it follows the story of Louise Desfontaine (Sophie Marceau), a sniper with the French Resistance. When things heat up in France she leaves for England and joins the SOE. One day she is contacted by an agent who happens to be her brother Pierre (Julien Boisselier) whom she suspected of being a collaborator. He hires her and four other women to rescue a British spy who has been captured in France by the Germans. The Germans aren’t aware of his identity and think he is German. The women will have to team up, two disguised as nurses, two as exotic dancers (yes, you will see them topless, it’s a French movie) and the fifth will place bombs under German cars.
The five women are a composite group, one is an ex-prostitute (Julie Depardieu), one the ex-girlfriend (Marie Gillain) of the Nazi officer (Moritz Bleibtreu) who tries to hunt them down.
What at first looks like a success soon goes awry. Louise’s brother get’s caught and we all know what that means.
The women go back to Paris on another mission and here things goe definitely very wrong as one gets captured and immediately crumbles under torture (one finger nail off and she spits it all out).
I can really not say why exactly I wasn’t too convinced. Because I have seen the brilliant L’armée du crime aka The Army of Crime before? Or some of the movies on Nordic Resistance that are truly good? I think it is in part due to a slightly off-key cast. Every woman wears heavy make-up which is nice, only Sophie Marceau has to look somewhat stony faced and unattractive (she isn’t successful, she’s too beautiful to look unattractive). I think the producers and directors were aware they would be criticized for their choice of too pretty women and tried to balance this out by not showing a heavily made up Sophie Marceau. She is the sniper after all… Why, if they didn’t want her to look her very best, did they not cast another actress? Because she is a great actress? I always suspected her to be far from accomplished, and she really isn’t too good. I would have preferred her to look as beautiful as she can and not try so hard to look efficient. (I’m thinking of Demi Moore as G.I. Jane who was much more convincing.) I think you can actually be cold-blooded without looking it. And I am not a big fan of Moritz Bleibtreu either. At least not in supposedly serious roles (I have seen him in German movies in which I found him very good). Julien Boisselier and the other four actresses are very good, especially Julie Depardieu and Marie Gillain.
Les femmes de l’ombre aka Female Agents is entertaining, just don’t expect to much of it. If you want the real deal, watch L’armée du crime.
Based on a true story, Luis Mandoki’s Voces Inocentes aka Innocent Voices is going directly on my list of all time favourites, regardless of the genre. This Mexico/US/Puerto Rico co-production is an astonishingly beautiful movie despite the atrocities it depicts. It is simply awesome and as good as Army of Crime about which I raved last year. It is one of the movies on my Children in War Movies List and a s such worth watching in any case.
What makes this movie so incredible is the fact that it works on many levels. It is as much the story of a childhood and a little boy, as an in-depth look at a way of life we are less than familiar with and a civil war we have almost forgotten about. Last but not least it shows the portrait of a mother (Leonor Varela) whose spirited fight and love for her children makes her one of the most memorable and dignified characters I have seen in any movie.
The war, that started in 1980 and lasted 12 years, was initially a conflict between the army and the campesinos, the land owners, over land rights. When they didn’t come to an arrangement the campesinos formed a guerilla, the FMLN, to defend their rights. The war escalated into a bloody civil war. On top of that the US felt the urge to provide the Army with weapons and heir assisstance, fearing that the guerrilleros would be supported by the USSR. The war cost 75’000 lives and over 1 Mio people fled the country. Lacking men, the Army recruited young boys who were barely 12 years old. Oscar Torres, who wrote the script, is the model for Chava, the little boy, whose story we see.
The movie starts with soldiers escorting little boys holding their hands over their heads, to an execution place. They walk in the pouring rain and we hear Chava’s voice in the off. It’s a beautifully filmed scene that immediately sets the tone for the whole movie. We will see many scenes that take place in the pouring rain and are of great beauty despite the fact that they show horrors.
Chava (Carlos Padilla) lives alone with his mother and his little brother and sister. The father has fled the country and gone to the US. Chava’s young and beautiful mother, Kella, is truly a memorable character. Tender and fierce at the same time, she defends her children and fights for their survival. These are the poorest of the poor, their houses are only shacks with cardboard roofs. Kella tries to make a living as a seamstress. Imagine living in a shack when at night there is fighting in the roads. Bullets easily enter the walls of the houses and come flying past your head, there is hardly any cover apart from mattresses that are build up against those thinnest of walls. It is hard to imagine that people not only lived in such poverty but had to endure a war like this that threatened their lives on a daily basis. Many got killed like this, in their own house.
Young Chava is a cheerful and funny little boy. Despite the war, he plays with his friends, falls in love with a little girl, fights with his mother, finds a means to earn money. Even though they have nothing, live precariously, his childhood seems almost enchanted. The tiniest things amuse him, he lives with great intensity, knows no boredom.
The main theme of the movie is the threat that the soldiers will come and get Chava and his friends. We see many scenes in which little boys are recruited by force. The procedures are quite upsetting. Some of the boys around Chava finally decide to join the guerilla in order to avoid the military. And that is what little Chava does in the end as well. The final scene of the movie brings us back to the beginning. Chava and his friends have joined the guerilla and were caught by the Army. Unless they get help, they will most probably be executed.
The actors are amazing, especially the children. They are really awesome. The movie is full of beautiful scenes that allow us to have a look at these precarious lives in poverty. They convey a melancholic beauty that is quite special. There are a few songs that are important in the movie. They had been forbidden by the army but were listened to anyway.
The movie manages to mix a lot of different tones. At times it is sad and melancholic, at times it is thoughtful almost meditative, then again it’s funny or just downright tragic. Innocent voices is a gem, a must-see.
One final word: the people from El Salvador were apparently not entirely happy about this movie because none of the actors is from El Salvador and it has been filmed in Mexico.
Rarely did a movie deserve the Academy Awards as much as The English Patient. It is one of the most beautiful war romances that I have ever seen. Or, to be accurate, two of the most beautiful romances as the movie tells two parallel stories. Based on Michael Ondaatje’s wonderful eponymous novel, The English Patient combines everything that an accomplished movie needs. Beautiful pictures, a touching story, an intriguing plotline, wonderful music, great characters and outstanding actors. This is one of the movies that I have watched at least three times and every time I discovered another layer. It is surprisingly rich and, I would argue, flawless.
They call him “The English Patient” (Ralph Fiennes), the mysterious man, they rescued from a shot down airplane in the desert during WWII. He is heavily burned, will probably not survive. They bring him to Italy and a young nurse, Hana (Juliette Binoche), volunteers to stay back and take care of him. She moves with him into an abandoned villa. He doesn’t know his identity but Hana finds a notebook and with its help the memory returns slowly and the story unfolds in flashbacks.
They are not alone for long, Kip (Naveen Andrews), a young Sikh and the thief David Caravaggio (Willem Dafoe) join her. Kip is part of a bomb disposal unit and the growing love between Hana and him is the second love story in this movie. It is beautiful but by far less tragic than that between the English patient and his lover. Caravaggio adds even another story line to the already rich plot. He is someone who thinks he knows who the badly burned man is. In fact he is sure that the patient is someone who wronged him once.
The flashbacks show us the mysterious patient, the Hungarian Count Almásy, 1930 in the Sahara desert. He is a mapmaker of the Royal Geographical Society. At the beginning of WWII he is still in the Sahara where he meets the British agent Geoffrey Clifton (Colin Firth) and his beautiful wife Catherine (Kristin Scott Thomas). Despite their fighting the attraction, they fall in love. They have an affair that ends abruptly when Catherine breaks it off. They meet again later and the following events make this probably one of the most tragic movie romances of all time.
The figure of Count Almásy is actually based on a real person, only his story was a different one.
The nurse Hana is certainly one of the most appealing nurses in any war movie. The gentleness and devotion with which she takes care of the dying man is touching. I am sure that there were many nurses like her in different wars and they deserve an homage. I have a great deal of admiration for these courageous, disinterested women.
The intensity of the interwoven stories, the mysteries, the wonderful settings (the desert, Italy during the war, the Italian villa), the gripping part of the bomb defusing, all this together make this an absolute must-see. Last but not least I’d like to mention the beautiful score by Gabriel Yared (you can listen to it here).
To be honest, I am ashamed to have to admit that I know hardly anything about the Falklands War. Lucky I know where it is located but that is about it. No idea why it happened or what was going on. I remember the name of Margaret Thatcher somehow tied to it. That’s it. I wasn’t any less surprised that there had been a few movies on the war in the Falklands and I have made the resolution that I will at least try to watch one of those that I have collected for my list. If anyone knows the one or the other, let me know and advise, which one I have to watch. Without knowing any better, I think I would go for either Resurrected or This is England. The latter seems to be more about the fallout of the war than the war itself.
Los Chicos De La Guerra, directed by Bebe Kamin, (ARG 1984) mit Carlos Abbate, Luis Agustoni
An Ungentlemanly Act, directed by Stuart Urban, (GB 199, TV) starring Ian Richardson, Rosemary Leach
Tumbledown, directed by Richard Eyre (GB 1988, TV) starring Colin Firth, Paul Rhys, David Calder
Resurrected, directed by Paul Greengrass (GB 1989) starring Tom Bell, Rita Tushingham, David Thewlis, Rudi Davies
The Falklands Play, directed by Michael Samuels, (GB 2002) mit Patricia Hodge, James Fox, Michael Cochrane
All About War Movies 