Waltz with Bashir aka Vals Im Bashir (2008)

The Israeli animated movie Waltz with Bashir aka Vals Im Bashir is this rare thing – a really surprising movie. On top of that it’s well done, original, interesting and has a great score by Max Richter (Shutter Island).

In Waltz with Bashir Ari Folman tells his own story. He was in Lebanon in 1982, fighting with the Israeli army. At the beginning of the movie we see a pack of dogs, running in the night. It’s a very haunting, eerie image and we learn soon that it’s from a nightmare form one of Ari’s friends who was fighting in Lebanon at the same time. Although not capable of shooting people, he had to shoot the dogs who guarded the villages at night. Those dogs have come back, after far more than 20 years and haunt him in his dreams. One evening in a bar he tells Ari about it. They had never spoken about the war before and Ari had never thought of it much. To his great dismay he realizes that he doesn’t even remember anything. It’s as if it had never taken place.

After this conversation with his friend, he dreams of the war for the first time. The pictures seem to be part of a memory that he cannot really place. It looks like he is remembering a massacre in a refugee camp.

The conversation and the subsequent dream are the reason why Ari thinks, he needs to recover his memory, needs to talk to old friends, to comrades and officers. He travels to Holland and many other places, looking for people who were in Lebanon with him. He speaks to psychologists and learns a lot about the way how memory works, about dissociation and how traumatic experiences are suppressed.

It is highly fascinating to watch how he recovers his memory. Fascinating and sad as he finds out so many horrible things. It’s interesting that more than one person recovers their memory or snaps out of a state of dissociation when thinking of dying and killed animals.

What adds further complexity to the story is the fact that Ari Folman’s father was in Auschwitz. It becomes apparent after a while that the horrors his father has described to him are somehow linked to his suppressed meories and  once he recovers the memory of the war he has been in, he remembers everything else as well.

During the last five minutes the movie suddenly turns into a documentary. It is no longer an animated picture but we see original footage of the war in Lebanon.

This is the second animated war movie I have seen (the other one was Grave of the Fireflies) and both were excellent. It’s a medium that works extremely well for this topic. 

Waltz with Bashir is highly recommendable. It contains a moving and profound anti-war statement and a very interesting exploration of memory.

Jakob the Liar (1999)

Movies based on books are often problematic. Even more so when the book is a masterpiece. Jurek Becker’s wonderful novel Jakob der Lügner aka Jakob the Liar is a masterpiece. It’s a touching and very unique account of life in a Polish ghetto. Becker was a German writer of Polish-Jewish origin. He was a survivor of the Lodz ghetto, Ravensbrück and Sachsenhausen. A lot of what he has experienced went into his novel. Despite telling a fictitious story, it’s a realistic account of ghetto life, never corny, free of sentimentality. I had a feeling that adopting a novel like his to the screen would be challenging.

Jakob the Liar starring Robin Williams in the role of Jacob Heym, is the second movie based on Becker’s novel. The first, called Jacob the Liar (with a c) was an Eastern German-Czechoslovakian co-production. I have only seen the American movie.

Choosing Robin Williams as main character does pretty much indicate what type of movie we can expect. Something slightly sentimental. And, yes, Jacob the Liar is quite sentimental but so is Life is beautiful aka La vita è bella. When you try to introduce humour and hope in a movie about life in a Polish ghetto or in a concentration camp, you’re bound to be sentimental as hope and humour were most certainly absent from both places. Compared to La vita è bella, Jacob the Liar is not a bad movie at all. Compared to the novel, it’s not that good but still decent. I’m not going to bore you again with my aversion to fake accents but, yes, it’s another really bad case of fake Jewish accents. Still, as I’m fond of the story of the novel, I managed to enjoy the movie.

Jakob Heym is arrested by the Gestapo on his way home one evening. It looks as if he was out after curfew. They call him into their offices and while they decide what’s going to happen to him, he gets a chance to listen to the radio in which the advance of the Russian troops is mentioned. With some imagination one could interpret this as if the war was going to end soon.

After being released Jakob tentatively tells the one or the other person what he has heard. Soon there is a rumor in the ghetto. They say that Jakob Heym managed to hide a radio and has heard that the Russians are on their way.

Radios are forbidden in the ghetto. To have one and be caught with it would mean certain death. Jakob realizes that his lie is extremely dangerous and since he is at the same time hiding an orphaned girl, he is worried and wants the others to believe that he doesn’t have a radio after all. Unfortunately nobody wants to hear the truth. The people need to believe this lie, they need to be updated with fake news. It’s the only way to prevent that more and more people commit suicide, to help them to keep going, to keep their hope alive.

I liked this story ever since I’ve read the book. It’s touching and profound and manages to say a lot about truth and hope and the power of storytelling. The movie may not be a masterpiece but it’s very watchable.  Jacob the Liar is one of those movies that is ideal if you want to introduce children to the Holocaust. Even though it shows the horror of life in the ghetto, it’s not too gruesome and the humorous parts and the ending carry a message of hope.

Sisters of War (2010 TV) The True Story of the Australian POW Nurses and Nuns

Sisters of War is an Australian TV movie based on the true story of Lorna Whyte and Berenice Twohill, a nurse and a nun who were held captive for several years by the Japanese during WWII. The film looks a bit “made for TV” but other than that I liked it. There are so many of these forgotten stories and it’s great when a director decides to bring them to our attention.

1942, Vunapope, Papua New Guinea, an Australian hospital camp and mission. Nurses and nuns help the wounded alongside the army doctors. When the troops withdraw, the doctors follow them to help them and, to everyone’s dismay, decide to abandon the nurses, nuns and the wounded. Some of the troops remain hidden in the surrounding forest.

The remaining sisters scan the horizon daily, hoping for the Americans to come to their rescue. When they see boats land they are at first extremely happy until they realize their mistake. The landing troops are Japanese and their mission is soon turned into a prison camp. In this mess and confusion two women, the nurse Lorna whose fiancé is among the troops hidden in the forest and the devoted sister Berenice become close friends and are a moral support for each other.

The months that follow are hard. The American bombard the mission thinking it is Japanese, while the Japanese rule with a fierce hand, punishing everyone who doesn’t comply and torturing and executing all the soldiers they capture. It’s particularly harrowing for Lorna when they capture her fiancé.

The food is scarce and the few buildings they have are constantly bombed. The mission has to be abandoned in the end. Bishop Scharmach decides to send the nurses away. They suspect that they have been sold as “comfort women” to the Japanese. This isn’t true but the plans the Bishop had, to have them exchanged against Japanese prisoners of war, doesn’t work and the nurses are sent to a labour camp in Japan.

I thought the movie was quite well done, not too sentimental and managed to show a forgotten story and is also a testimony to the great strength and courage of those nurses and sisters. As we are told in the closing credits, those nurses, as they were mostly not military nurses, didn’t get any recognition until quite recently.

It’s a nice touch that we see the real Lorna Whyte and Berenice Twohill, now elderly, sit together on a bench and chat at the end of the movie.

I really wonder how this could have happened, that the whole military, especially the doctors, just left those women on their own. They knew so well how the Japanese treated prisoners. At first I thought that the depiction of the Japanese soldiers was overly negative but towards the end, the portrayal is balanced.

The only instances in which you can see that it must have been a low-budget production is the make-up. They all look pretty odd but if you can forgive that, it’s a highly watchable movie, quite tragic but suspenseful and fascinating too.

The Killing Fields (1984)

Hard to say why I didn’t like the The Killing Fields despite the fact that War and Journalism is a topic that I find fascinating and that this movie is considered to be one of the best of the genre. One of the problems I had was the length. The other one was the score. That’s such a dated score, it ruined the movie to a large extent.

The Killing Fields is based on a true story and one of the first movies whose topic was the genocide of Cambodian people by Pol Pot. The two journalists Sydney Schanberg and Dith Pran have been covering the war in Cambodia since the early 70s. They are not only dedicated journalists but close friends. Pran serves as interpreter on their missions.

In 1975 when the United States withdraw from the country and the Khmer Rouge, led by Pol Pot, advance on Phnom Penh, Pran, as a US sympathizer is in great danger. There was a moment when he and Syd could have left the country easily but things have developed too fast and now it’s hardly possible for anyone but US and European citizens to leave the country.

Knowing what would happen to Pran if he stayed, Syd and some fellow journalist try to forge a US passport for him. Unfortunately the attempt fails and while his children and his wife have been able to fly out, Pran is left behind when the other journalists leave. Captured by the Khmer Rouge he is brought to a labour camp.

In the second half the movie moves back and forth between a guilt-ridden Syd in the US, and Pran’s ordeal in the Cambodian labour camp. In imaginary letters that he writes to Syd in his head, he tells him what happens, interprets what we see. I’m not sure if this was a problem of my DVD but none of the parts spoken in Khmer have been subtitled.

The parts in the labour camp are very well done. This isn’t only a labour camp. The labourers and especially the children are re-educated and brainwashed. They have to unlearn everything that they knew before. It’s of great danger to have “forbidden” knowledge, like foreign languages or any higher education. The children are easily turned into little fanatics and the grownups who are afraid of being executed try their best to obey.

The Pol Pot regime was a systematic genocide and far over 2 million people were killed. Even though I didn’t particularly like it, I must admit the movie has its merits. And the Cambodian actor, Haing S. Ngor gave a very touching and convincing performance.

Defiance (2008) The Bielski Partisans

After having moaned about the accent situation in Defiance (which you can read here) it’s now time to get to the review and I must say, all in all, I didn’t think the movie was all that bad. And we have to bear in mind that it’s based on a true story, the story of the Bielski partisans or Bielski brothers.

After having found that their parents had been killed by the Nazi’s who systematically exterminated Polish Jews, the four Bieski brothers flee to Belorussia and hide in the woods. The two older brothers Tuvia (Daniel Craig) and Zus (Liev Schreiber) have both lost their wives and children as well. While hiding in the forest they are joined by a group of Jews and decide to stay together and try to survive in the forest. After a while, more people seek refuge in the woods and the Bielkis take them up. Tuvia in particular brings back people from every food searching expedition which creates huge tensions between the brothers. It is clear that Tuvia is the leader and this is another source of tension as their leading style is different.

After a few weeks or months the camp in the forest is almost a little village, there are now hundreds of people who need to be fed, who need shelter and protection as the Germans swarm these woods. On the other hand there is strength in the number as they have people with all sorts of professions among them. Nurses, carpenters, teachers. After a few more months the tension between the brothers escalates and Zus leaves the group and joins Russian partisans. This is initially ideal for the group as this means additional and armed protection.

The movie shows how they struggle. The winter is particularly hard for them, many fall ill. It’s incredibly difficult to find food for so many people and they are surrounded by enemies. They have to fight quite often and there are combat situations as well. There are also a few love stories that will lead to relationships that last a life time. We also see them execute different missions, like saving people from the ghetto before they are sent to the camps.

I found the movie interesting and fascinating because it is a true story. In the end the Bielski brothers saved at least 1500 people. That’s quite amazing. I’m quite fond of Daniel Craig and thought he was a good choice for Tuvia.

While I wouldn’t say this is a must-see movie, it’s not bad at all and when you are not familiar with the story, it’s quite interesting. In any case what these brothers achieved is amazing.

Here is a photo of the real partisans

If you want to read about them here are a few articles The Bielski Partisans and Tuvia Bielski and a wikipedia article Bielski partisans.