Category Archives: Pacific

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Help Needed – We Are Looking for a WWII War Movie With a Pacific Setting

As I wrote before (here and here) I often receive e-mails from people who look for movies. Luckily I find many of them but not all of them. This week I received an e-mail from someone looking for an “obscure WWII Pacific movie”. While I couldn’t find which one it is, I have a feeling, someone else will as for some reason the description sounds familiar and I think it’s a known movie.

Here’s the mail

I haven’t been able to find a movie that sounds like this one on any list of WWII movies.  At the time (admittedly,  I was still pre-teen at the time) it seemed like a very striking movie to me.  I don’t know, perhaps I would think it was terrible now but I’d like to find out.
I saw it, I would say, between 1960-1964, in a movie theater.  I don’t believe I ever heard of it since.  I don’t remember the title.
It’s an American film, in color.  My memory of it is that it was an American destroyer versus a Japanese sub and they’re locked in a struggle to the death.  I think the destroyer gets torpedoed.  Then it rams the sub.  I think that the two vessels are locked together after the ramming and they may even end up beached on some island in the South Pacific.  That’s all I can recall but it seemed very gripping to me at the time.
*****

Does it ring a bell? Any idea? Couldn’t it be a John Wayne movie? It would be great if we would find it.

While hunting for the movie I found this website which looks interesting War of Our Fathers.

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Sisters of War (2010 TV) The True Story of the Australian POW Nurses and Nuns

Sisters of War is an Australian TV movie based on the true story of Lorna Whyte and Berenice Twohill, a nurse and a nun who were held captive for several years by the Japanese during WWII. The film looks a bit “made for TV” but other than that I liked it. There are so many of these forgotten stories and it’s great when a director decides to bring them to our attention.

1942, Vunapope, Papua New Guinea, an Australian hospital camp and mission. Nurses and nuns help the wounded alongside the army doctors. When the troops withdraw, the doctors follow them to help them and, to everyone’s dismay, decide to abandon the nurses, nuns and the wounded. Some of the troops remain hidden in the surrounding forest.

The remaining sisters scan the horizon daily, hoping for the Americans to come to their rescue. When they see boats land they are at first extremely happy until they realize their mistake. The landing troops are Japanese and their mission is soon turned into a prison camp. In this mess and confusion two women, the nurse Lorna whose fiancé is among the troops hidden in the forest and the devoted sister Berenice become close friends and are a moral support for each other.

The months that follow are hard. The American bombard the mission thinking it is Japanese, while the Japanese rule with a fierce hand, punishing everyone who doesn’t comply and torturing and executing all the soldiers they capture. It’s particularly harrowing for Lorna when they capture her fiancé.

The food is scarce and the few buildings they have are constantly bombed. The mission has to be abandoned in the end. Bishop Scharmach decides to send the nurses away. They suspect that they have been sold as “comfort women” to the Japanese. This isn’t true but the plans the Bishop had, to have them exchanged against Japanese prisoners of war, doesn’t work and the nurses are sent to a labour camp in Japan.

I thought the movie was quite well done, not too sentimental and managed to show a forgotten story and is also a testimony to the great strength and courage of those nurses and sisters. As we are told in the closing credits, those nurses, as they were mostly not military nurses, didn’t get any recognition until quite recently.

It’s a nice touch that we see the real Lorna Whyte and Berenice Twohill, now elderly, sit together on a bench and chat at the end of the movie.

I really wonder how this could have happened, that the whole military, especially the doctors, just left those women on their own. They knew so well how the Japanese treated prisoners. At first I thought that the depiction of the Japanese soldiers was overly negative but towards the end, the portrayal is balanced.

The only instances in which you can see that it must have been a low-budget production is the make-up. They all look pretty odd but if you can forgive that, it’s a highly watchable movie, quite tragic but suspenseful and fascinating too.

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They Were Expendable (1945)

I read that John Ford’s They Were Expendable was liked by the critics but not by the public when it was released. The public thought it was too patriotic and since people were tired of the war, they didn’t care for the movie all that much.

While I often share the critics’ view, I must say, not in this case. It isn’t a bad movie, it has quite a few scenes that are good but it didn’t work for me as a whole.

At the center of the story are Commander Lt Brickley (Robert Motgomery) and his friend and second in command Lt Ryan Rusty (John Wayne). Brickley is the squadron leader of a crew of PT Boats who are to defend the Philippines just after the Japanese have attacked Pearl Harbor.

Although Brickley is the commanding officer, Rusty is still the main character, he is also the one with a love interest (Donna Reed). For once I didn’t mind John Wayne, I would even say this is one of his better movies. Maybe because he isn’t the commanding officer.

There is a lot of emphasis on duty and honor and “getting the job done” no matter whether you will come back or not. All that is rather on the annoying side of things but what I truly liked is the battle with the speed boats. These are such neat little boats. Although it is said by an Admiral at the beginning of the movie that these boats were not likely to achieve much, their speed and agility makes them a dangerous opponent for the Japanese fleet and they manage to sink a few very big boats.  Their losses are high anyway as they are not only attacked by the Japanese boats but by their planes as well.

They Were Expendable was very important for John Ford who was one of those directors (like Capra, Huston and Wyler) who had served during WWII where he also filmed the documentary on the Battle of Midway (1942). He was chief of the Field Photographic Branch of the US Navy and also present during the Normandy invasion in 44 where he met the man who served as model for Lt. Brickley.

Funny enough what works best in this movie, apart from the speed boats, is the love story as it underlines how much the people fighting in the Pacific are in danger. The scenes with Donna Reed are quite languorous, I particularly liked the many shots with light falling through blinds. That always creates a nice atmosphere.

Something else that I appreciated is the fact that the Japanese are not demonized. They are only present through their planes and boats, we don’t see them.

While this is certainly not one of my favourites, I think it is worth watching for those who are interested in the development of the war movie genre. Despite its flaws, John Ford manages to tell the story in a very unique way with a lot of emphasis on all the individual people involved. Last but not least, I think it is a must-see for John Wayne fans as he is more interesting when he gets to play second in command.

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10 War Mini-Series You Must See

When I wrote my post on ANZACS the other day I realized that there are quite a few great war mini-series out there. There are certainly more than 10 but out of all those I’ve seen or heard of, I would say, the 10 that I mention below are the ten you should really not miss. They all cover different wars or different aspects of the same wars. Many of them are better than most movies. My favourites are Band of Brothers, Hornblower, Sharpe and Generation Kill.

Wings (1976) WWI Air Combat. I must admit, I haven’t seen this yet but it has a great reputation among air combat fans and should be a nice companion to the WWII based series Piece of Cake.

Danger UXB (1979) WWII – Bomb disposal unit. I liked this series when I watched it quite a bit. It gives you a good feel for what a bomb disposal unit had to go through during the Blitz. All the different types of bombs. The characters are appealing and we get a good impression of civilian life during the Blitz as well. Here is my review.

Das Boot 1985 – WWII submarine. Das Boot exists in two versions. One is the cinema the other the TV version which was twice as long. I have seen the cinema version which is one of the best war movies there is. Some people prefer the longer TV version. It’s worth checking out.

ANZACS (1985) WWI. Infantry combat. I just reviewed the final episodes of this excellent mini-series that follows the ANZACS from Australia to Gallipoli and from there to the Somme and back home again. Great combat scenes and a nice “band of brothers” feel. It also contrasts British command and Australian insubordination in a funny way. Here is my review.

Piece of Cake (1988) WWII Air Combat. The series follows the men of the Hornet Squadron during the early weeks of WWII. It shows how inexperienced boys become excellent fighter pilots.

Sharpe (1993 – 2008) – Napoleonic wars. Infantry and cavalry. Based on the novels by Bernard Cornwell this is a very elaborate and suspenseful series. In its center is the character Sharpe an enlisted man who is such an excellent soldier that he is soon raised to the rank of officer. This is problematic as he isn’t an aristocrat. He faces injustice and adversity. Sean Bean stars as Sharpe. It’s one of the best roles of his career. Here is my post.

Hornblower (1998 -2003) – Napoleonic wars. Naval combat. This is another extraordinary tale of one man’s ascent. Ioan Gruffud stars as Horatio Hornblower which might explain why I hear this series mentioned quite often by women.  If you like Master & Commander, you will love this. It’s like a very long version with an appealing central character. It is based on the books by C.S. Forester. Here is my post.

Band of Brothers (2001) WWII. Infantry combat. This is one of the most amazing series. Based on the book Band of Brothers it follows the paratroopers of Easy Company from 1941 – 1945, starting in the US until the freeing of the KZ’s. The characters of this tight-knit company are very well depicted and you really care for all of them. Seeing them die or get wounded is harrowing. Some of the episodes, like the one called Bastonge, are so intense, they still overshadow most other WWWII infantry combat scenes I’ve seen before or after.

Generation Kill (2008) Iraq. Special unit. This is a series that is hard to get into, especially when you are used to others. It has a very slow build-up but after two episodes I really appreciated it. It achieves a very authentic depiction of modern warfare and shows how problematic it is to send a generation used to war games into combat. It shows how much is absolutely boring, just standing around and waiting. At the center of the unit is the “Iceman” Sgt Brad Colbert played by Alexander Skrasgard. The Iceman is an amazing character and even more so because he is based on a real person. This guy really always keeps his cool. The series is based on the account of an embedded journalist. Here’s the link to the book. And here is my post on The Iceman.

The Pacific (2010) – WWII. Infantry combat. If you do not compare this series to Band of Brothers, you will like it. It’s less the story a group of people than individual stories. The soldiers are also shown during their leaves and some love stories are incorporated. However the combat scenes are even grittier that those in Band of Brothers. Not pretty at all. My favourite episode is Rain on Cape Gloucester. Here is my Pacific short review.

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The Thin Red Line (1998) Part I The Review

Sometimes we watch a movie and love it. A few years later we watch it again and have no clue why we ever liked it. This happened to me a few times, fortunately it isn’t all that often.

I have seen the The Thin Red Line three times by now, the first time I liked it so much that it actually triggered my interest in war movies.

The second time, shortly after the first, I still liked it a lot. But that was 7 years ago and since then I have seen numerous other movies, excellent ones, good ones and abominable ones as well.

Watching it for a third time made me somewhat wary. What if…?

I shouldn’t have worried. After watching it for the third time I think it is the most radical, most thoughtful, most provocative and most difficult anti-war movie that has ever been made.

The Thin Red Line is truly a lyrical and poetical meditation on death and dying. It’s far more than just a war movie. It is transcending the genre.

I decided to dedicate more than one post to this stunning movie, exploring different aspects (something I would like to do for other movies as well in the future).

I will cover the following topics.

Part I. Review

Part II. On Death and Dying

Part III. Nature and Evil

Part IV. The Actors and the Characters

Part V. Saving Private Ryan versus The Thin Red Line

Part I The Review

In many war movies there is a bridge to defend, an outpost to be kept or a hill to be taken. Terrence Malick’s The Thin Red Line, based on James Jones’ eponymous novel, tells the story of the taking of a hill. It’s 1942, on the island of Guadalcanal, which is part of the Solomon Islands, in the Pacific.

The movie opens on an idyllic scene. Two soldiers, one of them Private Witt (James Caviezel) have gone AWOL. They live among the natives in a paradise-like place. They swim and play with the kids, surrounded by the beauty of tropical nature. This will not last. A patrol boat will come and get them and together with the other soldiers from C-Company they are sent on a mission to take a hill on top of which is a Japanese bunker.

This is one of those typical suicidal missions. Driven by a mad Colonel (Nick Nolte) who cares about nothing but his own glory the men are led by the gentle and courageous Cpt Staros. Staros cares for his men, unlike Colonel Tall and even risks being court-martialled for disobedience in order to save his men from certain death. Tall wants them to attack frontally despite the fact that the Japanese have all the advantages. They are well dug in, sheltered by their bunker, looking down on those crawling men. Staros wants to bypass the hill. A far better and careful decision that was made after seeing how the situation really was, while Tall decided from afar, having no clue how the situation looked closeup.

The scenes that follow the beginning are alternating between intense infantry combat, scenes of dying and death, nature shots, interior monologue in voice-over and also flashbacks of the soldiers lives before the war. Witt thinks of his childhood and the peaceful idyll in the tropical paradise, Staros is very religious and Private Bell imagines his wife and their love for each other.

The losses are high, the death scenes harrowing and gruesome. Thanks to Staros’ disobedience the attack doesn’t lead to total disaster and the men are victorious in the end. However he has to pay a prize, he will be sent away under the false pretense of suffering from malaria. No matter how many soldiers’ lives he saved, he will never ever be in command again.

The Thin Red Line draws a few interesting character portraits to which I will come in Part IV of this series.

The score of the movie has been written by Hans Zimmer and underlines the poetical versus brutal aspects of the movie.

If you already want to know more about the cast here is an earlier post: My Favourite War Movie All-star Cast