by

I Once Saw a Movie…

My mother had a favourite war romance, a movie she liked more than any other. When I was a kid it was on TV once and we watched it together. I wasn’t as taken with the film as she was but thinking of her, I often thought of that movie as well. Since she passed away, I couldn’t ask her the name of the movie. All I remembered was that two people met during an air raid and that the woman was forced into prostitution later. And something about a bridge. I asked many people whether they knew the film. Nobody did. I couldn’t remember the title, nor the actors, nor the end. However I was 100% sure it was a WWII movie and pretty sure it was British.

Well, as the picture above may indicate, I’ve found it meanwhile. It was the US black and white WWI and WWII set movie Waterloo Bridge.  The prostitution element is quite important and it stayed with me. However with that alone I wouldn’t have found the movie. I did a laborious search including movies – war – bridges. Since “bridge” was part of the title, it was more or less easy to find it. Unfortunately that’s not always how it goes.

More than one movie someone is looking for will never be found. There are many reasons. The most important being that memory plays tricks. We think we saw a German movie but it was American with a German point of view. Or Russian. Very often we only remember one little scene. The scene is what stayed with us, it impressed us and has an importance in our memory that it may not even have had in the movie.

Why am I writing all this?

I get a lot of e-mails. E-mails by people who are looking for a movie. A movie they have seen. A movie someone else has seen. A movie they have heard of. They hope that I will be able to either find it or help them find it. I have to admit that I often fail. Because I like to help, it frustrates me when I’m not able to find a movie and I know that people are extremely disappointed.

On the other hand it’s so great when I manage to find a movie. Funny enough, it’s hardly ever after the initial e-mail but only after I wrote back and ask a few specific questions that we are successful. Sometimes my questions even help people find the movie on their own.

And here is what is really important: You may think you have forgotten most of the movie but you haven’t. You remember far more but you don’t think it’s important. For you it’s important that someone sang a song in a sequence, while this isn’t even a side story but just a brief moment. But trust me, you do remember a lot more.

If you are looking for a movie try to think about the below questions first and include the answers in your mail.

Which war?

What language?

Was it a subtitled or a dubbed movie?

What country of origin?

Black and white?

Any idea how old?

Who was the main character?

Famous actors or not so famous actors?

Where was it set? Countryside or town?

What season and weather conditions?

Was it a “real” war movie or rather a war themed movie?

It is very rare that people look for combat movies and that makes it even more difficult because there are so many war themed movies out there. To get the (sub) genre right, can be crucial.

If you really don’t remember a lot, don’t hesitate to write anyway. It may still work.  Not long ago someone only remembered that there was a sequence in a movie in which a pair of boots was changing their owner. The very same scene had impressed me as well and the movie – All Quiet on the Western Front (the 30s original, the scene is not in the remake) – was found.

I still haven’t re-watched Waterloo Bridge but I would like to. I’m pretty sure I would enjoy it much more now than when I was a child.

Are there any movies you have been desperately looking for?

by

Lions for Lambs (2007)

I watched a lot of war movies before I started this blog. Unfortunately I cannot review them anymore after a while that’s why I have to re-watch a lot of them, also some that I didn’t really like the first time. Lions for Lambs is one of them. I can’t really say I didn’t like it. I watched it and forgot it the moment I turned off the TV.

I’m reading an interesting book at the moment. It hasn’t been translated but I add the full title for my German readers. The book is called “Antikriegsfilm – Zur Ästhetik, Geschichte und Theorie einer filmhistorischen Praxis” and it’s as dry as the title makes it sound. It’s an academic analysis of anti-war movies and I will write more about it soon. In any case, Lions for Lambs is mentioned as one of the typical modern – meaning post 9/11 – anti-war movies. The movie isn’t analysed as the book focusses on combat movies but it’s mentioned and since I had the DVD I watched it again.

I found it more interesting this time but still consider it to be a failed movie. It has an idea but no real story and in order to cover that up, Redford (he is the director as well) chose to tell three parallel stories. Obviously none of them on its own would have made a whole movie and together it’s a patchwork circling around the same theme: Is it justified to go to war in order to maintain peace?

The movie moves back and forth between three different stories. One focusses on cocky senator Jasper Irving (Tom Cruise) who wants to convince journalist Janine Roth (Meryl Streep) that it makes sense to send troops to Afghanistan and that this time they will win the war. He says that he has certain information that there is an entry route from Iraq, crossing Iran, into Afghanistan. Roth is a very clever journalist and has soon found out that what he wants her to write is pure propaganda. She thinks she should write an entirely different piece instead.

While these two are discussing, a Harvard professor of political science (Robert Redford) tries to motivate his most promising student. He tells him about two other students he had, two people from underprivileged families, who finally signed up to assure their university fees will get paid. Lack of money and misguided idealism made them take a hasty decision.

While they all discuss, the two former students have just been shot down over Afghanistan. They were part of the troops sent by senator Irving. They hit the ground alive but are soon surrounded by enemy troops and spend the rest of the movie not making a difference but fighting for their lives.

All the people in the three stories are trying to make up their minds about extremely important questions and decisions. The story that worked best for me and which I really enjoyed is the one between Tom Cruise’s and Meryl Streep’s character. They are such excellent actors, it’s a joy to watch them.

The biggest problem of Lions for Lambs is that its intentions are far better than its execution. Still, if you want to see a movie that shows the different arguments, pro and contra military intervention, and if you don’t mind that it is very wordy, you might like it.

by

Kingdom of Heaven (2005)

This is the second time I have watched Kingdom of Heaven. The first time I watched it on a tiny TV and thought that may have been the reason why it didn’t work for me. A few years later and with a big screen and a good sound system it still didn’t work. And this despite the fact that it is a Ridley Scott movie, the cinematography is stunning, the music – Hans Zimmer  Harry Gregson-Williams – is good and…. That’s it. … There is nothing else I can add to the plus side. OK, maybe the battle scene towards the end which seems to be one of the Top 10 battle scenes of all time. It’s good, yes, but after 2 straight hours of utter boredom, it’s hard to redevelop some sort of enthusiasm.

Balian (Orlando Bloom), a blacksmith, travels to Jerusalem with his father, Godfrey de Ibelin (Liam Neeson). Ibelin dies on the way but Balian travels on. The movie is set during the reign of Baldwin IV, the so-called leper king (Edward Norton behind a mask). During his reign, Jerusalem is a Kingdom of Heaven in which Christians and Muslims live together in peace. After Baldwin’s death,  the husband of Baldwin’s sister becomes king. He wants Jerusalem to be Christian. He attacks Saladin’s army but loses the battle and Saladin marches towards Jerusalem where Balian heads the army that stayed behind. After the final epic battle is lost, Balian leads the people out of the city while Saladin and his people take over.  This is more or less the core of the story.

It’s ironic really as it is precisely this boring movie, or rather what it stands for, which was the source of the only really controversial and heated discussion on this blog. A while ago I wrote a post on Movies on the Crusades: A List. It is the only post on which people still comment frequently, calling each other names and being extremely emotional. I know I could close the comments section but I don’t want to do that. I’m not a fan of censorship. I usually reply to every comment but I do not do it on that post anymore as the discussion is turning in circles and answering seems pointless. What fuelled the anger is one person’s comment that Kingdom of Heaven wasn’t historically accurate. Whatever. None of this will make me change my mind – I don’t like the Kingdom of Heaven. Here are some reasons why:

  • The story. Why do we need the side story of someone going back to get his illegitimate son and fight along with him? This story part adds at least half an hour to a movie that would have needed some serious cutting plus a main character who totally lacks charisma.
  • The length. It is way too long. I was bored after the first 25 minutes, yet had to suffer through another 2hrs.
  • The actors. Orlando Bloom is not a good actor. No amount of make-up will ever make him one. Eva Green is one of those actresses you see and forget the moment the camera isn’t on her anymore. Not exactly a fascinating couple. While some of the other actors are very good, their combinations makes the choices look very random.
  • The cinematography. It’s stunning, as I said in the beginning, but if that’s the only thing a movie has to offer it becomes annoying. “One more bluish picture and I scream”, was what I was thinking.
  •  The characters. Even if the main character had been played by someone else, it would still have been a very boring character. In his only strong moment, when he frees the slaves and decides to defend the city against all odds, he sounds like a parakeet and mimics his late father. As Orlando Bloom is a bad actor, it sounds as if he was reciting a badly learned text.
  • The history. It isn’t accurate or rather it seems a hodgepodge of historical elements.

All in all it is too bad as the movie had potential. If you would like to see a really great movie on the Crusades, watch Arn – The Knight Templar instead.

by

Poll Results – Is Black Hawk Down Too Combat Intense?

More than a year ago I asked the question on this blog whether  Black Hawk Down was too combat intense. Someone had made this comment and I was astonished because I thought the intensity of the combat in Black Hawk Down was one of the reasons why it was such an extremely powerful movie. I checked the poll a few times in the beginning and the forgot about it. The other day I had a look and the result is interesting.

26 people have answered the question. 50% think that it isn’t too combat intense, 13% however thought, that yes, indeed it was too intense. Another 20% thought that it should be even more intense and the remaining people didn’t care.

I’m still surprised anyone would think it is too combat intense but maybe we would have to know what they mean. Black Hawk Down depicts the Battle of Mogadishu, an army operation that went seriously wrong. The result of the operation shook everyone who knew about it or who was involved. The special units deployed got under heavy fire and faced an incredible aggression. They weren’t only fighting other soldiers but a huge, armed mob. Depicting something like this as realistically as possible requires intensity.

I would say, that from the point of view of  a soldier who was under heavy fire, I guess, it’s not intense as nothing can equal the real thing. But maybe for someone purely watching it, it could be too intense, meaning, “too intense to watch”.

In any case, I will check back on the poll from time to time and keep you posted.

A little question for you. Do you think there is any other war movie which depicts such intense combat scenes? I think some of the more recent South Korean war movies I watched do but can’t think of an older one as intense as this.

You can find the original post with the poll here. Please vote, if you haven’t done so already.

by

Waltz with Bashir aka Vals Im Bashir (2008)

The Israeli animated movie Waltz with Bashir aka Vals Im Bashir is this rare thing – a really surprising movie. On top of that it’s well done, original, interesting and has a great score by Max Richter (Shutter Island).

In Waltz with Bashir Ari Folman tells his own story. He was in Lebanon in 1982, fighting with the Israeli army. At the beginning of the movie we see a pack of dogs, running in the night. It’s a very haunting, eerie image and we learn soon that it’s from a nightmare form one of Ari’s friends who was fighting in Lebanon at the same time. Although not capable of shooting people, he had to shoot the dogs who guarded the villages at night. Those dogs have come back, after far more than 20 years and haunt him in his dreams. One evening in a bar he tells Ari about it. They had never spoken about the war before and Ari had never thought of it much. To his great dismay he realizes that he doesn’t even remember anything. It’s as if it had never taken place.

After this conversation with his friend, he dreams of the war for the first time. The pictures seem to be part of a memory that he cannot really place. It looks like he is remembering a massacre in a refugee camp.

The conversation and the subsequent dream are the reason why Ari thinks, he needs to recover his memory, needs to talk to old friends, to comrades and officers. He travels to Holland and many other places, looking for people who were in Lebanon with him. He speaks to psychologists and learns a lot about the way how memory works, about dissociation and how traumatic experiences are suppressed.

It is highly fascinating to watch how he recovers his memory. Fascinating and sad as he finds out so many horrible things. It’s interesting that more than one person recovers their memory or snaps out of a state of dissociation when thinking of dying and killed animals.

What adds further complexity to the story is the fact that Ari Folman’s father was in Auschwitz. It becomes apparent after a while that the horrors his father has described to him are somehow linked to his suppressed meories and  once he recovers the memory of the war he has been in, he remembers everything else as well.

During the last five minutes the movie suddenly turns into a documentary. It is no longer an animated picture but we see original footage of the war in Lebanon.

This is the second animated war movie I have seen (the other one was Grave of the Fireflies) and both were excellent. It’s a medium that works extremely well for this topic. 

Waltz with Bashir is highly recommendable. It contains a moving and profound anti-war statement and a very interesting exploration of memory.