Je veux voir aka I want to see (2008) or Lebanon after the War in 2006

Je veux voir is something in between a documentary and a movie. The idea for the film  came from the helplessness of the filmmakers to see how parts of their country were destroyed in a war that lasted only 1 month. They wanted to have a look at the destruction. They wanted to see for themselves and let others see. To do so, they decided to have the icon of French cinema, Catherine Deneuve, and a famous Lebanese actor, Rabih Mroué,  visit Beirut and the South of Lebanon together.

Seeing those two strangers together in a car is quite awkward at first. He is afraid of what he will see. Rabih spent his childhood in the South where his grandmother lived. Now everything is destroyed but not all the destruction they see is new. A lot is still from the civil war. The Lebanese had never really had the time to fully rebuild their houses.

It is quite surreal at moments to see a woman like Catherine Deneuve in these places. They have odd conversations about putting on a seat belt or not, which is not important to Rabih. Not anymore, as he says. Since the war such details have lost their importance.

During their trip Rabih often repeats things Catherine says or once said in a movie in Arabic.

They have to be careful as there are cluster bombs everywhere and once they stray from the path, everybody is in uproar.

At one moment Israeli jets pass over their heads and Catherine Deneuve nearly freaks out. She thinks they are under attack. But no, as Rabih explains, this is a common procedure. Israeli jets often break the sound barrier to induce fear. But they also take pictures.

Frankly, as short as it is, I found it boring at times and Catherine Deneuve´s lack of comprehension was a bit exasperating.

But the end was good and I was glad I watched it.

We see mountains of rubble. Huge, huge mountains of rubble. All the leftovers of the destroyed buildings have been brought to a place near the sea, where they are further destroyed and the rubble is shoved into the see. What struck me were all this steel bits and wires looking out of those heaps like tentacles. You only see as much steel when concrete buildings have been destroyed. This clearly indicated that those buildings were not very old. And when I saw this I remembered that Beirut was once called the Paris of the Middle East because it was so elegant and stylish…

Those days are long gone.

Still the film ends on a positive note. The two strangers have become friends and the oh so impassive actress smiles one of her rare smiles when she sees Rabih again in the evening at a gala.

A Story of Naval Combat in the Vein of Master & Commander or Why You Should Watch the TV Series Hornblower (1998-2003)

The British TV series Hornblower or Horatio Hornblower is based on the books by C.S. Forester starring Ioan Gruffudd (King Arthur) as Horatio Hornblower.

It is the movie that is closest to the fabulous Master & Commander that I have seen so far. Sure, there are older movies on the Napoleonic Wars and naval combat but this is my favourite.

I think there are a total of 8 installments. They mostly have two titles, a British and an American one.

The Duel

The Fire Ship

The Duchess and the Devil

The Wrong War

Mutiny

Retribution

Loyalty

Duty

Here are 10 reasons why you should give Hornblower at least a try:

1. If you are looking for movies that resemble Master & Commander

2. If you enjoy naval combat and some gripping rapier fights

3. If you care for a likable character who has to overcome obstacles and wins in the end

4. If you are a fascinated by this period in time and interested in the Napoleonic Wars

5. If you enjoy POW stories (one whole episode shows Hornblower as a captive)

6. If you like a gripping story

7. If two-hour movies are too short for you and you like well made mini series

8. If you are a fan of Ioan Gruffud

9. If you don’t care for too much romance but like a bit on the side  to add another dimension

10. If you like a wide range of fascinating characters, some of which are cunning and evil, others kind and heroic

Taking Sides (2001) or The Denazification of a Legend

Istvan Szabo’s Taking Sides tells the story of the so-called Denazification of one of the greatest conductors of the 20th century, Helmut Furtwängler. (As can be read in the Jewish Virtual Library Denazification was the name given to “the efforts made by the Allies to remove active members of the former National Socialist Party from official public office and influential positions in Germany after World War II.”). The events take place in post-war Berlin. Furtwängler was the conductor of the Berlin Philarmonic. Before going to trial he is being questioned by an American investigator, Major Arnold, who shows no mercy and treats him not much different from the way the Gestapo treated people they questioned. Whatever Furtwängler says is taken against him. When he has nothing to say it is taken against him as well. This is a witch-hunt. There is not much action in this movie that’s why the two actors had to be extremely good. And they are. Harvey Keitel as the self-righteous Major who conducts the investigation is excellent. But Stellan Skarsgard starring as Furtwängler is amazing. This is sublime acting. I always liked him but in this movie he proves to be capable of acting far beyond the average.

Furtwängler is accused to have been a member of the Nazi party, to have been friends with Hitler, Himmler and Goebbels. To have known what was going on but to choose to stay anyway. It becomes soon clear that none of this is true and therefore Major Arnold tries to prove him at least morally guilty. Even though he has helped many Jews to escape, Arnold thinks his staying is reproachable. There is a lot of food for thought in this movie. Furtwängler seems to have believed that music and art could better people and that it was his duty to stay. But he was also naïve to an incredible extent. An intellectual living in an ivory tower.

Before starting to question him and during the weeks of the interrogation Arnold watches movies of the concentration camps. The original footage we get to see is one of the most horrible I ever seen. A huge mass of naked emaciated bodies are being shoved away like dirt… This fuels Arnolds’s hatred and lets him lose the right perspective.

One of the best elements of the movie is the clash of these two personalities; the gentle, well-mannered, soft-spoken old-world artist and the aggressive, vulgar and ignorant American major.

The movie does not only take place in the interrogation room. We follow the two young assistants of the major (played by Moritz Bleibtreu and Birgit Minichmayr), both German, one of Jewish origin and just returned from the States, on their outings in the city. This adds a further dimension to the film and we get a feel for post-war Berlin.

Taking Sides has also one of the most beautiful moments I have ever seen in a war movie. In an eerily beautiful scene we see an orchestra play in a ruin in the pouring rain.

As stated before, apart from being interesting, fascinating and underlined by beautiful classical recordings (Beethoven, Bruckner) this movie lives from the actors. The leading actors are outstanding but the supporting actors are very good too.

At times Taking Sides reminded me of Judgement at Nuremberg.

This is a movie for people interested in the post-war era, Denazification, classical music, Furtwängler and moral questions tied to WWII Germany. Is it understandable that Furtwängler stayed? Would it have been worse if all the good people had left? Are we allowed to think of self-preservation when faced with the mass destruction of others?

Instead of a trailer I decided to include a scene from the movie.

Overlord: An Overlooked War Movie Masterpiece

The British war movie  Overlord is one of the most original and best war movies I have ever seen.  Since its coming out in 1975 it has mostly been forgotten although it was highly accalimed at the time.  That it is  widely unknown today  is really a pity. It is quite a simple movie, very short as well, only some 70 minutes, but it touches you like not many other. Overlord tells in a very personal way the story of a young man, Tom Beddows, who is going to war. He goes to boot camp, meets a young girl and knows he will be part of a big offensive that will send him to France. He will be part of Operation Overlord which  was the codename of  the invasion of Normandy by the Allied forces in WWII on June 6 1944 ( better known as D-Day). Tom doesn´t really want to be where he is but eventually gets accustomed to his new environment and the idea of going into battle. All through the movie he has dreams where he sees himself dying and he is quite convinced he wont return. Finally we see him being shipped out together with his comrades who are all  afraid of what awaits them.

As such this may not seem very special but the way this is done is just great. The movie was filmed in black and white and the story of  Tom Beddows is interwoven with original footage of bombed cities, planes, bombed trains, the landing itself and many other elements. This is done so well that the alternating parts blend into each other as if they were one movie.

Since it focuses so closely on one person (with just a few exceptions) it is very intimate. You get the feeling that this is not just anyone going to war but a young guy you might know and like since Tom is  gentle and  endearing.

All the original footage, that is very well-chosen, is by far more convincing than many CGI or reenactment parts of other movies.

It’s a perfect little movie that would probably even be appreciated by people who would normally never watch a war movie. Should you ever want to convince someone that the genre deserves its appreciation Overlord could be your choice to prove it.

It might also be great as a way to teach WWII in schools as there is no gratuitous violence.

The Wind that Shakes the Barley (2006) or Two Brothers Torn Apart by the Irish Civil War

The Wind that Shakes the Barley opens on a group of young men joyfully playing a game of hurling. After the game has ended we watch them return home to their modest houses. Some are still standing  together smoking and  talking, when all of a sudden a group of British soldiers approaches out of nowhere confronting them with the fact that they did break the law.  Meetings are strictly forbidden and even a game of hurling is considered to be an assemly and thus a possible act of rebellion. The scene heats up immediately when the young men answer in Gaelic upon being asked their names. The episode ends in a blood bath, one of the young men being beaten to a pulp and dead.

This is shocking. One can hardly believe one’s eyes since this is no invention. The British subjugated the Irish fiercely and anything resembling rebellion from their side ended in severe punishment.

Ken Loach´s movie The Wind that Skakes the Barley (the title is taken from an Irish Ballad)  embraces both moments in Irish history, first The Irish War of Independence and then The Irish Civil War. At the core of the story that is set in county Cork are the two O´Donovan  brothers, Damien (Cillian Murphy) and Teddy (Pádraic Delaney). At the onset of the war Damien is about to leave his native Ireland for  London where a position as a doctor at a hospital is waiting for him. Seeing the brutality and the cruelty his people face and knowing that his brother will be leading a guerilla party, he stays to join them. At that time the British government sent the  so-called “Black and Tans” to brutally reinforce their power. The old IRA started to strike back.

After long months of heavy fighting they were asked to sign a treaty which would guarantee the Irish their own government and established the Irish Free State. However six Northern counties would stay within the United Kingdom as Northern Ireland.  This is the moment when the Civil War erupts and Pro Free State (headed by Michael Collins) troops fought the Anti-treaty forces. In the movie the tragedy unfolds as the brothers go different ways. Teddy accepts and supports the Free State  while Damien wants to fight until all of Ireland is  free. He believes that they have fought in vain if they give up now. It is unbelievable but the Civil War cost finally more lives than the War of Independence.

The Wind that Shakes the Barley was as  hard to watch and as depressing as L´armée des ombres. The methods applied resemble those applied by the French Resistance. They wouldn’t even shy away from killing their own in the event of betrayal. We also see people being shot and people being tortured.

This movie is also hard to watch since it reveals a really ugly aspect of the British Empire. If you are British this will be hard to accept, if you like the British it will be equally hard and if you are Irish this will truly infuriate you. One can simply not understand why the Empire had to make  the already impoverished, famished and sick Irish suffer so much. I read that this part of their history  is not really taught in English schools. I think many English people would be shocked and astonished when they see this and might understand a lot better what was ultimately behind the Troubles.

The Wind that Shakes the Barley is very intense. The pictures of the beautiful, lush green countryside contrast starkly with the brutalities depicted. The story of the two brothers who end up torn apart by their conflicting ideals is very tragic. and both actors do a great job

There is no doubt that this movie deserved the Palme d´ Or it won in 2006. Even though I am sure the movie could not cover all the aspects and the whole complexity of the Wars, it raises the awareness. It´s simply stated a brilliant movie. But it is not entertaining for one second. Harsh but recommended viewing really.