Spike Lee’s Miracle at St.Anna (2008) The Story of the Buffalo Soldiers and the Massacre at St. Anna

I would say that Miracle at St.Anna is one of the best American war movies and the best American WWII movie of the last ten years. I was surprised to see how good it is, as critics and public have been equally harsh. I assume they are biased because of its director. The end is corny but overall it is absolutely excellent and tells a lesser known story in a very engaging way.

The movie starts somewhat surprisingly in 1982 New York. A modest post-office worker kills a man who buys stamps from him. He shoots him with a German Luger. The incident attracts a lot of attention, even more so when they discover the head of an Italian Renaissance statue in his apartment.

Next we are in Italy, in 1944. The 92nd company, the so-called Buffalo soldiers, a company consisting almost only of African-American soldiers gets under heavy German fire. A small group is separated from the rest and makes their way to a little mountain village that is surrounded by Germans.

One of the soldiers, a huge man, saves a little boy who seems to be ill and slightly crazy. He takes the disturbed little kid with him, all together they find refuge in the house of some Italians, one of them a Fascist. The Germans aren’t really looking for the Buffalo soldiers, they are hunting Italian partisans. And the partisans are hunting them. The Italians know, and so it seems does the little boy, that there is a traitor among them.

While they stay at the village, some of the soldiers realize that the Italians treat them much better than the white people back home. And they also treat them better than some of the white American civilians living in Italy. There is a particularly infuriating scene with an American bar owner who doesn’t want to serve black people. They fight for their country but their country doesn’t appreciate them.

The core scene of the movie is the massacre at St. Anna, a true story, in which hundreds of Italian civilians got killed by the Nazis because the Partisans have killed some of the Germans. The Germans have been told by their command that they have to shoot 10 Italians for one dead German.

Miracle at St. Anna is very rich. It combines a multitude of elements and many stories that circle around different relationships but still feels like a whole. It’s sad, it’s moving and it is very suspenseful as it also works like a thriller. We really want to know why the guy killed the other one. There aren’t many good WWII movies showing the African-American participation and there aren’t many good ones on Italy during WWII. This covers both. And there is also some fighting, for those who want this from their war movies.

Miracle at St. Anna is also part of the Children in War Movies List and African-American Soldiers in war movies.

For those of you who like to watch TV series, the actor who played Shane in The Shield and the guy called “Omar” in The Wire are in this movie.

This is a highly watchable and very original movie that can be named together with other great WWII movies like Saving Private Ryan or The Thin Red Line. 5/5

Saints and Soldiers (2003) War Movie With A Religious Theme

Saints and Soldiers is loosely based on a true story, the Malmedy massacre. During The Battle of the Bulge, in 1944, a group of American soldiers got captured and subsequently massacred by Germans near Malmédy. The movie starts with the massacre and follows four of the men who manage to escape and are now deep behind enemy lines.

It’s a group of four very different men, one of them very religious. On their way back to their lines they save a British pilot who says that he has important information for the high command.

It is the middle of winter, the snow is high, the forest swarming with German troops and they are constantly in great danger. One of them, Deacon, the religious one, cannot sleep anymore. He has accidentally killed civilians, women and children and cannot forgive himself. He will have plenty of possibilities to atone, don’t worry, or the movie wouldn’t be called Saints and Soldiers.

Now if there is one thing that needs to be handled with care it is the blending of war and religion or let’s say war and Christian faith. There are religious or rather very spiritual undertones in The Thin Red Line but they are not Christian. Platoon got away with it but let’s face it, Platoon is one of a kind. A Midnight Clear, that is very similar to Saints and Soldiers, overdid it and this movie overdid it too.

Something I found insufferable was the pseudo-Brit. They really couldn’t find a British actor for that role? They had to take an American one who is supposedly good at accents? Well, he is not, he sucks.

This is too bad because from a purely cinematographic point of view this movie is beautiful. There are a few haunting images of the snow-covered forest and the story had, despite many clichés (a beautiful and helpful French woman, a German who is good although they are all monsters, some Germans that are monsters, many more Germans who are monsters) a lot of potential. I have a special interest in the Battle of the Bulge and the Battle of Bastogne (brilliantly shown in Band of Brothers) but we don’t see much of this. This is really only the adventurous story of a few men who had to cross enemy territory and find back to their line.

Despite all this I think it does deserve 3/5.

71-Into the Fire aka Pohwasogeuro (2010) DVD Giveaway

Following yesterday’s announcement this is the official giveaway for the South Korean movie 71-Into the Fire. Here’s what it’s all about.

On August 11th, 1950, 71 boy soldiers of the South Korean army singlehandedly held back the elite North Korean 766 Commando Brigade for a full 11 hours. Most were still in their school uniforms and had only fired a single bullet in training!

Their astonishing bravery under fire enabled allied forces to hold a strategic bridgehead at the Nakdong River and gain a tactical advantage that would help turn the tide of the entire war. Nothing less than the freedom of their nation was at stake. Their ingenuity, tenacity and brotherhood helped them to achieve the impossible.

This is their remarkable true story…

As I said yesterday this giveaway is courtesy of the distributor cine-asia. I’m giving away 2 DVD’s (region 2) of the movie 71-Into the fire.  To enter, simply leave a comment with your e-mail address and let me know why you would like to have this DVD.  Should there be a lot of interested people the first one to leave a comment will get one, the second will be drawn from the remaining names. The giveaway finishes Thursday 31 March. The winners will be announced on April 1st.

THE DVD IS REGION 2 CODED

Paths of Glory (1957) Kubrick’s WWI Anti-War Masterpiece

Paths of Glory was forbidden in the UK and in Switzerland until the 70s. French troops disturbed the opening in West Berlin. The movie was forbidden in American cinemas for soldiers. It was forbidden in France during the war in Algeria. It was shown in Paris for the first time in 1975. What’s that telling us? That this is a radical anti-war statement that openly criticizes high command. It is powerful and thought-provoking and absolutely unambiguous as to its goal. I felt a bit uneasy that Kubrick chose to criticize French command. Didn’t he have plenty of opportunities to criticize American command? Be it as it may, Paths of Glory, which is based on a true account, is a great achievement.

The movie opens  with the Marseillaise and a voice telling the horrors of  WWI, the numbers of soldiers that get killed daily to no avail. The incident on which the movie centers took place in 1916 in France. The movie moves back and forth between the trenches and the high command residing in an elegant Château.

An ambitious general asks of the equally ambitious general Mireau to take a hill, held by German troops, the so-called “Ant Hill”. A highly symbolical name if there ever was one as people are treated no better than ants and wiped out with one simple gesture. When general Mireau informs colonel Dax (Kirk Douglas) of the order to attack the ant-hill, he is met with incredulity. Dax tells him that it is impossible and will cost an incredible amount of lives. The answer is a sarcastic calculation. 65% of the men will not survive and the outcome is not even sure. Dax wants to refuse the order but is threatened to be replaced.

The futility of the attack becomes obvious right away. Dax fights in the front line with his men who die one after the other. He and many others retreat after seeing that they can’t make it. Many stayed in the trenches, knowing damn well they would be killed and nothing could be won. Seeing the men’s reluctance to run into certain death, general Mireau orders to open fire on them but the officer who receives the order refuses.

The frustrated general then orders a court-martial. Three men are chosen in lieu of all the others and accused of cowardice. Colonel Dax, a lawyer in civilian life, takes up their defence. Like the court-martial in Breaker Morant, this is a pure sham.

Kubrick’s movie has a lot of interesting elements. Colonel Dax is one of the great war movie characters. A officer of high moral standards, free of carrerism and ambition, a just and human being. Kirk Douglas was very well-chosen for this role. He is very believable and gives a great performance.

The contrasts between the high command who is far from the action and thinks they can mock simple soldiers who are afraid, slap those who show signs of shell-shock and judge others that refuse to run into certain death, is fantastic. Paths of Glory is one of those movies that has scenes that will stay with you forever because they are emotionally true and powerful. The utter cynicism of the high command, the way they calculate losses without giving further thought to the fact that each number equals a human being, will make you cringe.

It is a movie that belongs to two sub-categories. The court-martial movies like Breaker Morant and the “Taking a hill movies” like Hamburger Hill, Pork Chop Hill, Gallipoli and The Thin Red Line.

Apparently there is a more recent French TV film Le Pantalon (1996) that quotes Paths of Glory in its major parts.

As much good as I may have said, I had my reservations. I did not understand the use of black and white. The movie doesn’t work so well from a cinematographic point of view. There are not so many contrasts and shadows as there normally are in black and white movies. Even Pork Chop Hill (far less good as a whole) looks much better. Kubrick is famous for the use of colours in his movies… I don’t see it as entirely logical that he didn’t shoot this in color. But that is the only flaw I could find. It still deserves a solid 4.5/5.

Full Metal Jacket (1987) One of the Most Important But Ambiguous Vietnam Movies

In the hand of another filmmaker than Stanley Kubrick this wouldn’t have become the breathtakingly awesome movie this is. Full Metal Jacket is a visceral experience if there ever was one, a movie whose images will burn themselves into your memory forever. Not an unworthy beginning to a new year of blogging. But also a very controversial one.

As probably most of you know, Full Metal Jacket is like two movies in one. The first part, is the boot camp part, the second the combat part.

During the boot camp part the new recruits are transformed into killers, men who belong to a brotherhood. The drill instructor Gunnery Sgt Hartmann (R. Lee Ermey) is by far one of the most obnoxious war movie characters. But what a performance. Try saying one of the numerous bits he utters without stammering. This part also introduces us to Private Joker (Matthew Modine), an aspiring, cynical journalist. Private Joker symbolizes the controversies around this war. We will see him later, in combat, wearing a peace button and simultaneously a “Born to Kill” slogan on his helmet. Another of this movies memorable characters has his major part in this sequence, Gomer Pyle (Vincent d’Onofrio), a fat and clumsy recruit who winds everybody up because they are punished for his failures that are endless. His final scenes bear all the traces of other Kubrick movies like A Clockwork Orange and The Shining.

Once in the combat zone in Vietnam, we meet other colorful characters, one of them Animal Mother (Adam Baldwin), a pure killing machine. At the beginning of his stay Joker is bored like hell. He is a journalist with Stars and Stripes. The guys basically hang around and wait for something to happen and instructions on what they have to report. The Vietnamese they see are either hookers or Vietcong. Any others don’t seem to pass their radar.

The last part is an intense combat part in the cit of Hue. They come under fire and some of them are killed by a sniper hiding in one of the bombed out buildings. As there may still be many people who have never seen Full Metal Jacket I will stop here. It should suffice to say that the last part is intense and not easy to watch.

What struck me most in this movie are the pictures and the colours. Smoke and fire, burning red heaven, bombed out buildings  and palm trees. Apparently the parts in the buildings were filmed in the docklands of London. I don’t know about the rest of the movie. The music is interesting as well. There is a mix between songs of the era and original score that would do any horror movie justice.

I have left out many important, visually powerful and interesting moments. I just wanted to give a short introduction to one of the most extreme and most important war movies that has ever been made. If you haven’t seen it yet, you should watch it.

Full Metal Jacket is also one of those movies that is focussing on the themes War and Journalism and Women in War Movies. Believe me, if you haven’t seen it, we got some interesting elements on both in this movie. If you have seen it, you know what I mean.

I don’t think it is the best Vietnam movie. At least not for me. Of the combat Vietnam movies I consider Platoon, Hamburger Hill, and maybe even We Were Soldiers to be superior. Why? I think, it is fantastic from a cinematographic point of view, but as an anti-war statement I always found it a tad ambiguous. Pretty much like Apocalypse Now.

What do you think?