I actually had a discussion yesterday about this topic. Which is the most memorable Vietnam vet in any movie? De Niro in Taxi Driver? Ron Kovic in Born on the 4th of July? Or even Rambo? The one I prefer is Jacknife. He is the most touching and likable. But I think not necessarily the most memorable. The most memorable for me is de Niro in Taxi Driver. Anyway, I want to hear what you think, which is the most memorable and which one did you like the most?
Here are a few to refresh your memory (and yes, indeed, Robert de Niro is certainly THE Vietnam vet actor)
In the hand of another filmmaker than Stanley Kubrick this wouldn’t have become the breathtakingly awesome movie this is. Full Metal Jacket is a visceral experience if there ever was one, a movie whose images will burn themselves into your memory forever. Not an unworthy beginning to a new year of blogging. But also a very controversial one.
As probably most of you know, Full Metal Jacket is like two movies in one. The first part, is the boot camp part, the second the combat part.
During the boot camp part the new recruits are transformed into killers, men who belong to a brotherhood. The drill instructor Gunnery Sgt Hartmann (R. Lee Ermey) is by far one of the most obnoxious war movie characters. But what a performance. Try saying one of the numerous bits he utters without stammering. This part also introduces us to Private Joker (Matthew Modine), an aspiring, cynical journalist. Private Joker symbolizes the controversies around this war. We will see him later, in combat, wearing a peace button and simultaneously a “Born to Kill” slogan on his helmet. Another of this movies memorable characters has his major part in this sequence, Gomer Pyle (Vincent d’Onofrio), a fat and clumsy recruit who winds everybody up because they are punished for his failures that are endless. His final scenes bear all the traces of other Kubrick movies like A Clockwork Orange and The Shining.
Once in the combat zone in Vietnam, we meet other colorful characters, one of them Animal Mother (Adam Baldwin), a pure killing machine. At the beginning of his stay Joker is bored like hell. He is a journalist with Stars and Stripes. The guys basically hang around and wait for something to happen and instructions on what they have to report. The Vietnamese they see are either hookers or Vietcong. Any others don’t seem to pass their radar.
The last part is an intense combat part in the cit of Hue. They come under fire and some of them are killed by a sniper hiding in one of the bombed out buildings. As there may still be many people who have never seen Full Metal Jacket I will stop here. It should suffice to say that the last part is intense and not easy to watch.
What struck me most in this movie are the pictures and the colours. Smoke and fire, burning red heaven, bombed out buildings and palm trees. Apparently the parts in the buildings were filmed in the docklands of London. I don’t know about the rest of the movie. The music is interesting as well. There is a mix between songs of the era and original score that would do any horror movie justice.
I have left out many important, visually powerful and interesting moments. I just wanted to give a short introduction to one of the most extreme and most important war movies that has ever been made. If you haven’t seen it yet, you should watch it.
Full Metal Jacket is also one of those movies that is focussing on the themes War and Journalism and Women in War Movies. Believe me, if you haven’t seen it, we got some interesting elements on both in this movie. If you have seen it, you know what I mean.
I don’t think it is the best Vietnam movie. At least not for me. Of the combat Vietnam movies I consider Platoon, Hamburger Hill, and maybe even We Were Soldiers to be superior. Why? I think, it is fantastic from a cinematographic point of view, but as an anti-war statement I always found it a tad ambiguous. Pretty much like Apocalypse Now.
What took me so long to watch this astonishing movie? For odd reasons it is hardly on any war movie list, not even in Russell’s book on Vietnam movies although he included Forrest Gump. Maybe because Birdy is so much more than just a Vietnam vet movie? I don’t know. I urge anyone who likes movies that are not ordinary to watch Birdy. Birdy has a lot to offer. A beautiful story, a powerful anti-war statement, a tale on friendship, an exploration of madness, a character sturdy of a non-conformist and two famous actors, Nicolas Cage and Matthew Modine at their very best. I truly liked every minute of it.
Birdy is based on the novel by William Wharton. It tells the story of two friends Al and Birdy who meet each other when they are still children. In flashbacks we see their teenage years in Philly and how, despite being total opposites, they become best friends. Birdy is an outsider. He hardly talks to anyone but he opens up to Al. Birdy is more interested in birds and flying than in other things, unlike Al who wants to meet girls and have fun.
They have all sorts of adventures together, from raising carrier pigeons to rescuing stray dogs and some aborted attempts at flying.
But this is the past. The present is quite a different one. Both young men did enlist when the war started. While Al comes back injured and scarred for life, Birdy is said to have gone missing for a month. When they find him he is catatonic. He is brought to a mental asylum where he mostly sits on the floor in bird-like positions. He has to be fed and hardly moves.
The psychiatrist sends for Al hoping he will get through to his friend and they will be able to heal together. Even though his scars seems to be more on the outside, it is obvious, Al is not less psychologically wounded.
The story is told in flashbacks. Step by step Al struggles to reach Birdy. He fights for his friend, their friendship and his own survival.
Of course we wonder during the movie if Birdy became that way because he was already a bit crazy to start with but Al, a seemingly healthy young man, does also come back “crazy” and we soon realize this label is by far too narrow.
Birdy reminded me a bit of Big Fish. This gentle tale of two wounded soldiers would appeal to many people who never watch war movies as well as to those who do. The score has been written by Peter Gabriel which was one of the reasons the movie was quite successful when it came out. 5/5
Hitler – The Rise of Evil follows Hitler´s early years. First his childhood with an abusive father, then the pursuit of his dream to become a great artist which lack of talent prevented. His participation in WWI, his rise through the ranks of the German Worker´s Party, his imprisonment that gave him time to write Mein Kampf. Even though this movie ends around the year 1934 with Hitler becoming Reich´s President, I think it is fair to include it on a war movie blog as it permits to see what happened prior to WWII and how the Jews were persecuted long before the war
The Scottish actor Robert Carlyle gives a stunning performance starring as Hitler. The madness of Hitler is creepy and palpable. However exactly this has been criticized. When you watch this movie you can´t help thinking all the time: how did he get away with it? He was so obviously deranged, mad and psychologically disturbed that no one should have been tempted to follow him. I think that in showing Hitler exactly like this, this movie contributes to shed another light on him. Sure, we know he was sick but still we tend to see him as a deranged dictator. I would say it is high time to look at him as some sort of head of a sect. He should be paralleled with people like Charles Manson and Jim Jones. The same psychological dynamics that are at work in people who follow cult leaders were also present in many Germans at the time.
The movie also manages to show how many people just didn´t react or looked the other way. There is only one journalist (played by Matthew Modine) who points out how dangerous Hitler is. The Rise of Evil has a close look at Hitler´s relationship with women (his niece and Eva Braun) where his full-blown madness is maybe as evident as in his hatred of the Jews. A great part of the movie focuses on the American/German couple Hanfstaengel. Their importance seems not historically accurate and it might very well be that their role had been extended for the sake of US viewers. I thought it interesting to see how Helene Hanfstaengel (Julianna Margulies) who was against Hitler at the beginning, all of a sudden changed her mind and became one of his most fervent supporters. Many women fell for him, as odd as this may seem. The role played by Ernst Röhm (Peter Stormare) is also explored with great detail as is the person of Hindenburg (Peter O’ Toole)
Nobody should compare this film to Der Untergang aka The Downfall as hardly any movie is as good as that but it is thought-provoking, interesting and, as already said, Carlyle is amazingly good.