Hitler – The Rise of Evil (2003) Hitler´s Childhood, Youth and Early Years

The only thing necessary

for evil to flourish

is for good men

to do nothing.  (Edmund Burke)

Hitler – The Rise of Evil follows Hitler´s early years. First his childhood with an abusive father, then the pursuit of his dream to become a great artist which lack of talent prevented. His participation in WWI,  his rise through the ranks of the German Worker´s Party, his imprisonment that gave him time to write Mein Kampf. Even though this movie ends around the year 1934 with Hitler becoming Reich´s President, I think it is fair to include it on a war movie blog as it permits to see what happened prior to WWII and how the Jews were persecuted long before the war

The Scottish actor Robert Carlyle gives a stunning performance starring as Hitler. The madness of Hitler is creepy and palpable. However exactly this has been criticized. When you watch this movie you can´t help thinking all the time: how did he get away with it? He was so obviously deranged, mad and psychologically disturbed that no one should have been tempted to follow him. I think that in showing Hitler exactly like this, this movie contributes to shed another light on him. Sure, we know he was sick but still we tend to see him as a deranged dictator. I would say it is high time to look at him as some sort of head of a sect. He should be paralleled with people like Charles Manson and Jim Jones. The same psychological dynamics that are at work in people who follow cult leaders were also present in many Germans at the time.

The movie also manages to show how many people just didn´t react or looked the other way. There is only one journalist (played by Matthew Modine) who points out how dangerous Hitler is. The Rise of Evil has a close look at Hitler´s relationship with women (his niece and Eva Braun) where his full-blown madness is maybe as evident as in his hatred of the Jews. A great part of the movie focuses on the American/German couple Hanfstaengel. Their importance seems not historically accurate and it might very well be that their role had been extended for the sake of US viewers. I thought it interesting to see how Helene Hanfstaengel (Julianna Margulies) who was against Hitler at the beginning, all of a sudden changed her mind and became one of his most fervent supporters. Many women fell for him, as odd as this may seem. The role played by Ernst Röhm (Peter Stormare) is also explored with great detail as is the person of Hindenburg (Peter O’ Toole)

Nobody should compare this film to Der Untergang aka The Downfall as hardly any movie is as good as that but it is thought-provoking, interesting and, as already said, Carlyle is amazingly good.

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NaPolA Elite für den Führer aka Before the Fall (2004) Looking into the Mechanics of Black Pedagogy

To call this movie brilliant is an understatement. The German movie NaPola is quite an achievement. It perfectly illustrates the German concept of Schwarze Pädagogik meaning Poisonous or Black Pedagogy. Psychologists believe today that this harmful pedagogy was one of the root causes for the success of Hitler and the wide acceptance of Nazism.

NaPola is the story of two boys,  their friendship and “the pity of it all”. Friedrich (Max Riemelt) personifies the Nazi ideal to a high degree. Strong, able, intelligent. A talented young boxer. It doesn´t take long and he is recruited for one of Hitler´s NaPolA´s (National Political Academy) where the elite of German youth is trained, educated and above all fanaticized. NaPolA´s are in part boot camp, in part higher education. Once in school, he meets Albrecht (Tom Schilling), the son of a Gauleiter. Albrecht is the very opposite of Friedrich. He is  frail, sensitive and intellectual. His father, a fanatic,  obnoxious idiot hates his son´s guts. Albrecht personifies everything  he despises. Too small, too weak, too spiritual. Because Albrecht´s father is a Gauleiter, life at the NaPola is not so difficult for him  as he is protected. For Friedrich it is not difficult as he is very sporting and strong but many of the others show sings of being traumatized. Discipline, total obedience and endurance are the key words of this education. As unlikely as it seems, the two boys like each other a lot and become very close friends until the tragic end. The story of the two boys is exemplary for many stories of children and young people who were sent to NaPola´s. Towards the end of the war, when it was quite obvious that Germany was going to lose, Hitler sent all the boys from the Napola´s to the front where 50% of them died.

Everybody who knows me or follows this blog knows I am a sucker for great score. None other than Angelo Badalamenti (see all the scores and listen to his work on his fantastic Homepage) who did the scores for two of my top favourite movies Mulholland Drive and Lost Highway (Yes, they are not war movies.) did the score for NaPolA. It´s perfection. Badalamenti is no Hans Zimmer, he is far more subtle.

This is a 5/5 star movie and  a must-see for many reasons.

I would like to point out that whoever is interested in some psychological analysis of the Third Reich may find ample material in Erich Fromm´s The Anatomy of Human Destructiveness and Alice Miller´s For Your Own Good: Hidden Cruelty in Child-Rearing and the Roots of Violence.

Further war movies with children or young people can be found on my list Children in War Movies.