To call this movie brilliant is an understatement. The German movie NaPola is quite an achievement. It perfectly illustrates the German concept of Schwarze Pädagogik meaning Poisonous or Black Pedagogy. Psychologists believe today that this harmful pedagogy was one of the root causes for the success of Hitler and the wide acceptance of Nazism.
NaPola is the story of two boys, their friendship and “the pity of it all”. Friedrich (Max Riemelt) personifies the Nazi ideal to a high degree. Strong, able, intelligent. A talented young boxer. It doesn´t take long and he is recruited for one of Hitler´s NaPolA´s (National Political Academy) where the elite of German youth is trained, educated and above all fanaticized. NaPolA´s are in part boot camp, in part higher education. Once in school, he meets Albrecht (Tom Schilling), the son of a Gauleiter. Albrecht is the very opposite of Friedrich. He is frail, sensitive and intellectual. His father, a fanatic, obnoxious idiot hates his son´s guts. Albrecht personifies everything he despises. Too small, too weak, too spiritual. Because Albrecht´s father is a Gauleiter, life at the NaPola is not so difficult for him as he is protected. For Friedrich it is not difficult as he is very sporting and strong but many of the others show sings of being traumatized. Discipline, total obedience and endurance are the key words of this education. As unlikely as it seems, the two boys like each other a lot and become very close friends until the tragic end. The story of the two boys is exemplary for many stories of children and young people who were sent to NaPola´s. Towards the end of the war, when it was quite obvious that Germany was going to lose, Hitler sent all the boys from the Napola´s to the front where 50% of them died.
Everybody who knows me or follows this blog knows I am a sucker for great score. None other than Angelo Badalamenti (see all the scores and listen to his work on his fantastic Homepage) who did the scores for two of my top favourite movies Mulholland Drive and Lost Highway (Yes, they are not war movies.) did the score for NaPolA. It´s perfection. Badalamenti is no Hans Zimmer, he is far more subtle.
This is a 5/5 star movie and a must-see for many reasons.
I would like to point out that whoever is interested in some psychological analysis of the Third Reich may find ample material in Erich Fromm´s The Anatomy of Human Destructiveness and Alice Miller´s For Your Own Good: Hidden Cruelty in Child-Rearing and the Roots of Violence.
Further war movies with children or young people can be found on my list Children in War Movies.