All About War Movies is One Year Old or A Best of War Movie List

What started as a simple experiment to fight procrastination and get me back into a daily writing routine has become sort of an institution. Another aim of this blog was to explore the topic of war movies systematically. It ended up being less systematic than intended. For the time being that is. I still have a project in the back of my mind and should I find more time I will pursue it. I have lost a few friends and won a few on the way. What does that mean you wonder, well, I had some funny reactions from people I know in real life. Seems as if my interest in war movies didn’t match the picture they had of me… Do I care? A little bit but not too much.

Ok, now, so this little blogging project is one year old. I have written 220 posts, at first three per week and then, during last summer, almost daily. If I wasn’t writing two other blogs, maybe I would have gone on at that pace.

I could tell you a lot of different things looking back on this year, a lot of things about myself but let’s not go there. In lieu of all that let me give you a best of list. A very personal best of list that takes into consideration what I like, nothing else.

Best movie on the Napoleonic wars

Waterloo

Best Civil War Movie

Glory

Best WWI movie

Gallipoli

Best WWII movie

When Trumpets Fade

Best Vietnam

Platoon

Best Vietnam Vet

Jacknife

Best Korea

Gotta pass, haven’t seen enough

Best Gulf War

Three Kings

Best Iraq

Battle for Haditha

Best other American war movies

Black Hawk Down

Best Resistance

L’armée du crime aka The Army of Crime

Best German war movie

Stalingrad

Best Submarine movie

Das Boot

Best Sniper movie

Enemy at the Gates

Best War Romance

Casablanca

Best least known war movie

When Trumpets Fade

Best female actress in a war movie

Madeleine Stowe in Last of the Mohicans

Best war movie score

Black Hawk Down

Most watched war movie

Black Hawk Down

Best Irish Civil War

The Wind that Shakes the Barley

Best Hitler Movie

Der Untergang aka The Downfall

Best Holocaust movie

The Pianist

Best Remake

Are you joking?

Best epic war movie

King Arthur

Most surprising war movie

My Boy Jack

Best Infantry combat

Saving Private Ryan

Best Cavalry Combat

The Lighthorsemen

Best Air Combat

The Dam Busters

Best Naval Combat

Master and Commander

Funniest war movie

The Life and Death of Colonel Blimp

Best Children and War

Voces Inocentes aka Innocent Voices

Best War and Journalism

Welcome to Sarajevo

Best POW

Merry Christmas, Mr Lawrence

Best Legal Drama

Judgement at Nuremberg

Best war movie poster

Platoon

Most dreaded war movie (obviously not watched yet)

Tha Battle of Algiers

Yeah well, I could go on but that’s it and since it’s my blog’s birthday, I’m lazy and will not link the movies. Or just not today…

Quentin Tarantino’s Inglourious Basterds (2009)

Maybe Inglourious Basterds is a good movie. Maybe it is not. In any case I have hardly seen any other movie being misspelled so often. That’s at least one achievement. “And the Oscar for most misspelled movie goes to…. “.

Inglourious Basterds is in many ways a typical Tarantino. If you don’t like Tarantino, you will probably not like this. It has graphic elements and there are a few moments of shooting gone wild like in any Tarantino. The score is also very Tarantino, although toned down.

The main story of Inglourious Basterds is a retelling of the end of WWII. It’s purely fictionalized and far from historically accurate.

We have different story lines that are all interwoven.

The Basterds are a group of American soldiers led by Lt Aldo Raine (Brad Pitt), many of them of Jewish or German origin. They are dropped in Nazi-occupied France to hunt and kill Germans. They either club them to death or take their scalps. Brad Pitt is extremely good in the role of Tennessee-born tough-guy Raine who shows no mercy when it comes to Nazis.

Another story line starts with “the Jew hunter” Col Landa (Christoph Waltz) whom we meet when he is exterminating a family of Jews. One of the daughters, Shosanna (Mélanie Laurent) manages to escape. Landa is maybe one of the most annoying film characters ever.

The different story lines come together when Fredrick Zoller (Daniel Brühl), a German war hero, meets Shosanna aka Emanuelle in Paris where she meanwhile owns a cinema. He plays himself in a movie about his exploits that has been  financed by Goebbels. He tries to convince Shosanna to have the opening in her cinema. It will be an event that the whole of the German high command, including Hitler, will attend.

Many people hear of this event, among them the Basterds. This unique opportunity to have the most important Germans together in one location for an evening gives more than just one group ideas.

At the end all the different storylines come together for an ultimate typically Tarantino finale.

As far as war movies go, this was quite entertaining but not exactly my thing. As far as Tarantino movies go, it could be one of his best. I did like a few elements but was surprised that there are so many scenes that come across like theater scenes and found them actually very boring. Despite the boring elements, it offers strong pictures, some really good ideas and the genre blend is interesting. It is not a movie I liked but I would highly recommend it as it is an original addition to the genre. Tarantino fans will watch it anyway, I guess. There is one thing I really enjoyed and that is how accents were handled. One of the rare movies in which this was handled with perfection. Most of the German actors (they are all internationally acclaimed), are either bilingual or very strong in English which was an asset.

U-571 (2000) US Sub on a Secret Mission

If you are a fan of the war movie  sub-genre U-Boot and submarine movies then you might consider watching U-571. It’s not great, it’s not innovative, it’s corny at times but it’s decent and gripping enough – despite an anti-climax towards the end – and offers two hours of entertainment. The cast is well-chosen (Bill Paxton, Matthew McConaughey, Harvey Keitel, Thomas Kretschmann, Jon Bon Jovi), the story is somewhat stretched in its plausibility but not totally far-fetched either.

The American submarine U-571 is sent on a secret mission to capture the Enigma machine on a German submarine. They will achieve this by diguising the boat and the crew as German.

While the initial part of the mission works out – they get on the boat – , they are not able to return to their own sub and have to stay on the German boat that has been damaged badly before. There are not many survivors of the German crew apart from the character played by Thomas Kretschmann. Kretschmann is one of those actors who will always be casted in a newer war movie in which there is need for a cool-looking, blond German. He is the prototypical Aryan-looking German soldier, so to speak. I’m generally very fond of him but this isn’t his best role.

Of course all kinds of other submarines will start to chase the U-571 while the boat gets more and more damaged. All the cliché elements of the subgenre are present, waiting for being hit, diving too deep, water leaking in.

Now the truth is that there were far more British missions of this kind during WWII than American ones and the episode shown in the movie is purely fictional. Fact is that Germany sunk far over 1000 Allied ships in 1941 and almost achieved a total blockade of Great Britain. The same year a British crew managed to board a German U-Boot and captured the so-called Enigma machine. The Enigma machine (more of it can be seen in the movie Enigma) was a machine that encrypted messages between the German U-Boots and their high command. Capturing the machine led to a significant breakthrough in decoding messages. But all this is history and little of it can be seen in this movie.

All in all this is a movie for fans of the subgenre and of some of the actors and is decidely more of an action than a war movie.

Saints and Soldiers (2003) War Movie With A Religious Theme

Saints and Soldiers is loosely based on a true story, the Malmedy massacre. During The Battle of the Bulge, in 1944, a group of American soldiers got captured and subsequently massacred by Germans near Malmédy. The movie starts with the massacre and follows four of the men who manage to escape and are now deep behind enemy lines.

It’s a group of four very different men, one of them very religious. On their way back to their lines they save a British pilot who says that he has important information for the high command.

It is the middle of winter, the snow is high, the forest swarming with German troops and they are constantly in great danger. One of them, Deacon, the religious one, cannot sleep anymore. He has accidentally killed civilians, women and children and cannot forgive himself. He will have plenty of possibilities to atone, don’t worry, or the movie wouldn’t be called Saints and Soldiers.

Now if there is one thing that needs to be handled with care it is the blending of war and religion or let’s say war and Christian faith. There are religious or rather very spiritual undertones in The Thin Red Line but they are not Christian. Platoon got away with it but let’s face it, Platoon is one of a kind. A Midnight Clear, that is very similar to Saints and Soldiers, overdid it and this movie overdid it too.

Something I found insufferable was the pseudo-Brit. They really couldn’t find a British actor for that role? They had to take an American one who is supposedly good at accents? Well, he is not, he sucks.

This is too bad because from a purely cinematographic point of view this movie is beautiful. There are a few haunting images of the snow-covered forest and the story had, despite many clichés (a beautiful and helpful French woman, a German who is good although they are all monsters, some Germans that are monsters, many more Germans who are monsters) a lot of potential. I have a special interest in the Battle of the Bulge and the Battle of Bastogne (brilliantly shown in Band of Brothers) but we don’t see much of this. This is really only the adventurous story of a few men who had to cross enemy territory and find back to their line.

Despite all this I think it does deserve 3/5.