Do NOT mix this up with the US movie with the same title. They are not exactly in the same league. The US movie is very clearly a B-Movie and has absolutely no war theme in it. Tomorrow We Live aka At Dawn We Die is a British movie on the French Resistance. It is unlike anything I have seen before. Apparently the film makers got the support of General de Gaulle. Be it as it may, this is forties cinema at its best. Atmospheric, black and white, gaslight feeling… It seems as if every scene was shot in the studio (and likely was) which makes it look at times like a theater play. It does look artificial but it also has a very special charm because of this. Many of the scenes reminded me of the feel of an Edith Piaf song.
Jean Baptiste, a member of the French Resistance is a fugitive on his way to England. He lands in a little occupied French town swarming with Nazis. A young woman, the daughter of the mayor, helps him to hide and find a place where he can spend the night. There are quite a few female characters who all have an interest in Jean Baptiste. Some want romance, others see their son in him, and others just want to help him and use him for their plans. The mayor and his daughter are seen by many as collaborators. In fact this is just a cover for them. Unknown to anyone they are the leaders of the town’s resistance and organize many acts of sabotage. Like in any Resistance movie you have some vile and treacherous characters who really collaborate.It’s frankly quite entertaining but what I liked most is that it is so dated. Movies like this are not done anymore. They were probably not even done anymore in the fifties. I would say it has an appeal for any cinephile and not necessarily for someone interested in war movies only. Some of the characters are great, reminiscent of Fellini. Many are funny eccentrics. And we got some mean and ridiculous Germans too. The way they are treated is quite amusing. They are so full of themselves, it’s easy to annoy them; loud yawning and singing during a broadcast of Hitler at the cinema will suffice, to infuriate them.
Tomorrow We Live is special and entertaining, the right thing to watch during the festive season. I can see how this was supported by de Gaulle. It bestowed a little light on those dark and bleak days of the Vichy Regime.
Australia, like so many other countries, has participated in many wars and it is actually amazing that, even though it hasn’t done all that many war movies, has done some that are considered to be the best of their kind. I am talking about the three movies of the Australian New Wave, Gallipoli, Breaker Morant and The Lighthorsemen. They are very different but all three are outstanding. When just starting this blog I watched and reviewed another, much more recent movie, Kokoda. It is flawed but still a very good movie. I started to wonder if there are any other ones and found a few that I haven’t seen. The latest one on the list is from 2010.
Whoever is familiar with my blog knows that I make lists that I often consider to be a work in progress. It is very possible that this list will change over the months and years.
Breaker Morant (1980): Second Boer War. True story. The court-martial of Breaker Morant. Three officers are accused of a war crime. Outstanding legal drama and a truly tragic story (see my post on Breaker Morant).
ANZACS (1985, TV mini-series): Thanks to Soldier’s Mail I can add this one to my list. WWI, ANZACs are followed from Gallipoli to the battlefields of the Somme, Vimy Ridge etc.
Gallipoli (1981): WWI, ANZACs on the Turkish front. Intense infantry combat. Magnificently displays the senselessness of it all.
The Highest Honor (1982): WWII. True story. British and Australian raid on Japanese occupied Singapore harbour.
Kokoda (2006): The war in the Pacific. On the Kokoda trail. Pretty gruesome look at an untrained group of volunteers who meet a fierce enemy in the jungle. Focuses on the story of two brothers. Not bad at all (see my post on Kokoda).
Beneath Hill 60 (2010): WWI, Western front. Australian miners fighting in the tunnel systems.
This is not only the best of the three movies on the theme Christmas in War Movies that I have reviewed but it is one of my Top 10 favourite war movies. And definitely the one, with L’armée du crime aka Army of Crime, that is closest to my heart.
Merry Christmas aka Joyeux Noël is based on a true event, the so-called “Little Peace during the Great War”. It’s a multinational co-prodcution, in three languages, English, French and German, filmed by the French writer and film director Christian Carion. One of the most European movies of all time. It portrays cultural differences of the involved parties in a truly amazing way. It is one of the most outstanding anti-war movies and achieves to make a profound pacifist and humanist statement.
Pretty much like Stalingrad, Joyeux Noël focuses on very few people. At the heart of the movie are the soldiers in the German, French and Scottish trenches. The central figures are the three lieutenants of the respective trenches, and one or two of their soldiers.
After endless days of shelling, Christmas 1914 arrives. The soldiers in the three enemy trenches are having their Christmas meals. A simple meal, accompanied by a lot of whisky, in the Scottish trench, hundreds of Christmas trees and a frugal meal in the German trench and nicely laid tables, candles, wine and a sophisticated meal in the French trenches. Towards the end of the meal, the Scots start to sing and play the bagpipes. The German’s are startled at first and finally join in. Amongst their ranks is a soldier who was a famous opera singer (Benno Fürmann) in his civilian life. He leaves the German trench with a Christmas tree and walks singing into no man’s land until his angered lieutenant follows him. Meanwhile, the Scottish lieutetnant has also left the trench and approaches them. For the sake of the evening and their men, they discuss a ceasefire. All this time the French look at this with wonder and utter puzzlement, until their lieutenant joins in as well and they all agree on the ceasefire. The evening is spent with a mass (Gary Lewis is fantastic as the priest) and the fiancée (the very beautiful Diane Kruger) of the opera singe,r who has been there for this evening, sings for them. They also share food, drinks and get to know each other.
The next day they have a hard time going back to the normal routine of shooting at each other. They first agree on letting each other bury their dead and then start playing football until the shelling starts again. The Germans start first and so all the soldiers are allowed to seek refuge in the German trench.
The commanders of the three armies hear of this and all the involved parties are severely punished. If they hadn’t been so numerous they would have been shot.
What I liked the most about this movie is how emotional it is. Carion says in an interview that he wanted to remind us of this little miracle and to really experience it. He states that he is a pacifist and a humanist, in the sense of believing in human values. The choice of the three lieutenants was extremely important in conveying this. If I ever do a post on the most likable commanding officers in war movies, those three are all going to be on it. My personal favourite is the French lieutenant Audebert, played by Guillaume Canet. The choice of such a sensitive and fragile actor was a stroke of genius. The German Daniel Brühl is very good too, and so is the Scottish actor Alex Ferns, but they do not have the versatility of Canet. Lieutenant Audebert is a very determined but just and utterly emotional commander. He throws up at the beginning of the battle but still manges to give strength to his people, to guide them. Apart from Platoon’s Sgt Elias, Audebert is the most touching soldier I have ever seen. Brühl as Horstmayer is the most complex of the three, the only one who speaks all three languages and changes considerably during the movie. Ferns as Gordon is the one that men would want as their mate.
An absolutely outstanding aspect of the movie is the way it renders the differences of the trenches that do mirror the differences of the mentalities of the parties involved. This might seem clichéd for an outsider but if you are familiar with the cultures of those countries and know something about the life in the trenches you will notice how highly accurate it is.
The British trenches had the reputation of being very shoddy and muddy, whereas the Germans transformed theirs into real homes. The French on their side had the best food and coffee. The trench system is very complicated and the narrow steep walls didn’t allow outside orientation, that’s why they had a system of signs that showed them where which enemy was. We see the sign “Rosbif land” in the French and “Froggy trench” in the Scottish trench which is very accurate and funny.
It is after all also a humorous movie, especially in the French and the Scottish parts. The Germans are shown as more sober. One of the nicest touches of the movie is the story of the trench cat. Each trench believes the ginger tom is theirs. At the end of the movie the cat is caught with a bit of cardboard around the neck. He has become a messenger between the trenches and is duly arrested for high treason.
If someone wanted to get familiar with war movies or never has seen one, Merry Christmas is the war movie I would recommend he or she should watch. There is everything in it: tears and laughter, despair and hope, misery and joy, combat and trench life, criticism of the high command, class differences and a love story thrown in for good measure. 5/5
I couldn’t find an English trailer and attached a scene instead.
It has been a while since I posted the last Movie Quotes Quiz and as far as I remember I haven’t done a WWII one. I did one on Holocaust movies, but not on combat ones.
I will not post the list of movies that are quoted or it might be too easy.
Off we go…
[the troop stops before a memorial] “Would you look at how fast they put the names of all our guys who got killed? ” “ That’s a World War One memorial.” “But the name’s are the same.”
“They always are.”
[about his wound]”It hurts… Don’t pick me up anymore.”
“Listen Bob, if I leave you, ain’t nobody gonna find you. You’re gonna die out here.”
“Just sit here for a bit.”
[after a pause] “I AM dying.” “[evasively] We can’t sit here.”
[voice over]” We were a family. How’d it break up and come apart, so that now we’re turned against each other? Each standing in the other’s light. How’d we lose that good that was given us? Let it slip away. Scattered it, careless. What’s keepin’ us from reaching out, touching the glory?”
“Did you hear what Tom did this morning?” “No.” “He went to see old Nickelby, and asked him if they gave out compassionate leave if there’s been a death in the family. So Nickelby said, “Oh, yeah, yeah, depending on the circumstances.” And Tom said, “Well, there hasn’t been a death in my family yet, but there’s going to be one very soon, and I request leave to go home and console my parents.””
“You were an accountant in Montreal?” “Yes, sir. Uh, not really an accountant, sir. That is, I didn’t have my charter.” “Exactly what did you do?” “Well, sir, I just checked columns and columns of figures which three or four people had checked before me, and then there were other people who checked them after I had checked them.” “Sounds a frightful bore.” “ Sir, it was a frightful bore.”
“How many hours in Spits?” “Ten and a half, sir.” “ Let’s make it *eleven*, before *Jerry* has you for *breakfast!*” “Spring chicken to shitehawk in one easy lesson.”
[at low volume, almost whispering, after xxx and xxx leave the building for their aircraft] “daka!-daka!-daka!-daka!-daka!-daka!-daka!-daka!”
“How the hell do they expect us to keep schedule on a road like this?” “ You don’t know the worst. This bit we’re on now?” “Yes?” “It’s the wide part.”
Joseph Vilsmaier’s Stalingrad is one of the most powerful war movies I have ever seen. It bears testimony to Germany’s outstanding filmmaking capacities. It is also one of the rare that I have watched at least three times and every time I discovered something new. That’s why it is difficult to write a decent review and not one that is so long that you jump to the next post without even finishing the introduction.
Stalingrad focuses closely on five characters, four of which have been together since they fought at El Alamein. We first see them on leave in Italy from where they board a train to the Eastern Front. They don’t really have a clue where they are going or what for. They know the Führer says it is crucial and they have to trust him on that but first voices can be heard that doubt the decision-making of their command. During their train trip they meet their new Lieutenant, Witzlan (Thomas Kretschmann), for the first time. He isn’t battle hardened like the others are, in fact he has never fought at all and there is immediately a lot of friction.
When they get off the train in Stalingrad they face total chaos. There are heavily wounded soldiers everywhere, fighting is extremely heavy and they are in the midst of it all right away. The German officers in Stalingrad are mostly cruel Nazis, the treatment of Russian prisoners is harrowing. Witzlan is, as the privates discover now, a very humane person. He will not tolerate abuse and cruelty and comes into conflict with superiors on that subject. He may be inexperienced but he has a great character and his decision making isn’t all that bad, as we soon see. As a matter of fact his subordinates learn to respect him a lot. One of the majors however is one of the most obnoxious characters of war movie history, a real jerk.
Stalingrad consists more or less of seven very distinct parts, the first one is the leave in Italy, followed by a heavy infantry combat one, then a sequence in which they are doing forced labour, next is the so-called “tank episode”, then they escape, meet again later with a part of their original group and finally try again to escape, out of Russia and back to Germany.
Because Stalingrad focuses practically only on five people it is a very intimate and emotional movie You have the feeling to know these people, you care for them, they are really humans with all their strengths and flaws. They are no heroes, they are normal people caught in what was one of the biggest tragedies of WWII, one of the battles that cost the most lives.
And there is the setting and seasonal implications. Russia in winter is one of the coldest places on earth. This really is a winter movie. Snow, ice, freezing and the total hopelessness of the people involved makes it unforgettable. Most of those who survived the battles froze to death later.
I have often wondered, if I had to choose, which climate I would choose. Fighting in the desert, in the jungle or in the icy cold planes of Russia? All three settings bear their own horrors as did the war soaked trenches of France and Belgium. My father fought in the desert, where you fight exhaustion, thirst, Fata Morgana and hallucinations from the heat and have to endure long walks through arid barren country where you can’t hide and are an easy target.
From my own personal point of view, I tink that icy Russia would be the worst. Stalingrad is for me the worst battle that ever took place. The battle and its aftermath are horrible.
I haven’t seen the Finnish movie Talvisota aka The Winter War yet, this might be similar, also a winter movie, but apart from that I think the extreme that is depicted in Stalingrad is unique. No other war movie achieves to convey such a powerful anti-war statement.
It think it safe to say that it is not only one of my Top 10 but it is also generally acknowledged as one of the best ever. It manages to combine very intimate portraits of five soldiers, intense infantry combat, the depiction of a grueling climate and one of the biggest miscalculations of Hitler. 5/5 is an absolute understatement.
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