Stalingrad or Dogs Do Yo Want To Live Forever? – Hunde wollt ihr ewig leben (1958) The first Stalingrad

Dogs Do You Want to Live Forever? – Hunde wollt ihr ewig leben? is a German black and white movie from the 50s. Although the newer movie Stalingrad is generally seen as a remake I cannot agree with this view. Both movies focus on Stalingrad but the way they are told, the point of view is very different. While a modern movie will often appeal more to us because it’s not black and white, we know the actors and the special effects are normally superior, this first Stalingrad is an excellent movie and I would say as good as the one from 1993, if not in parts better.

The movie opens with Hitler watching a German army parade. A voice in the off which we will hear all through the movie, criticizing the decisions of Hitler and the high command, tells us that these marching soldiers will soon be dying in the Russian snow. After a while we leave the parading soldiers and the camera shows men dying in the snow. After that the story as such begins.

The movie tells of the encirclement of the 6th Army in Stalingrad from the point of view of a young, idealistic and likable first lieutenant. In 1942, just before the Russian offensive which will encircle the 6th Army, Wisse has been commandeered to an outpost, not far from Stalingrad where he is liaising with a Rumanian corps which fights along with the Germans.

When it is clear that the Russians have started the offensive, Wisse is posted in Stalingrad. The town is half-destroyed, the German soldiers are freezing as they are not equipped for the Russian winter and there is hardly any food left. In the end high command gives the order to stop feeding the wounded.

It is obvious from the beginning of the movie that Hitler miscalculated the whole campaign and that the only way the 6th Army could have been saved would have been to break out of the circle and retreat as fast as possible. The Russian army entrapped a Germany army which was lacking winter gear, ammunition and was almost starving. The generals and commanding officers pleaded with the Führer but he was adamant. Still, the German command refused to break rank and disobey Hitler to save the army.  By the time General Paulus decided to surrender, 60’000 soldiers were dead. 110’000 were left, of which only 6’000 would return to Germany after the war.

What is particularly harrowing in this dark chapter is the fact that Stalingrad had no strategic importance whatsoever. It was a purely political decision and for the same reasons Stalin decided to hold the city. What followed was probably the most infamous battle of WWII.

There are many reasons which make Dogs Do You Want to Live Forever? a great movie. In focussing on one man, first lieutenant Wisse, it exemplifies the disintegration of the whole army and illustrates the disillusionment and the realization of Hitler’s misguided megalomania. While Wisse is true to the party in the beginning, he, like all the other soldiers based in Stalingrad, becomes aware that Hitler doesn’t care what happens to them. He breaks his promises and as soon as he realizes the fight might be lost, he abandons them completely.

Wisse isn’t the only interesting character, there is the cowardly  commanding officer Linkman, the priest who speaks up and fight for justice and some secondary characters which are all well-rounded too.

While Stalingrad (1993) is a great movie, this one feels even more authentic because a lot of what we see is original footage and it’s blended in so well that we often only realize that we are back to the movie when we can make out one of the actors. I have rarely seen this type of blending done so seamlessly and well. The effect is not only realistic but chilling.

What was better in this one than in the new movie was the way the street fighting and the combat in the city was shown. That must have been so chaotic and both sides were battle weary and would have liked to stop fighting.

Stalingrad – Dogs Do You Want to Live Forever? is one of the top war movies, one nobody should miss. It’s well worth pairing the viewing with the 1993 version as they complement each other.

While finishing this post I discovered that there will be a new, Russian Stalingrad which should be released in 2013. Directed by Fedor Bondarchuk, starring August Diehl. I’m really looking forward to that.

Act of Valor (2012) US Special Forces Against Terrorists

Not long ago I reviewed the French movie Forces Spéciales – Special Forces (here) and so it was only natural I would also watch Act of Valor sooner or later, especially since The War Movie Buff pointed out that they sounded similar. I find it particularly interesting now that I have seen them both, to compare them and that’s why I will post a comparison in a day or two.

Act of Valor tells the story of a group of Navy Seals (played by real Navy Seals) sent to rescue a CIA agent who has been abducted. She was investigating the connection between two men, a drug dealer and a known terrorist.

Contrary to what was expected at the beginning, the mission isn’t over after the agent has been freed. They realize that what is behind her abduction is far bigger than what was initially seen. As a matter of fact, a group of suicidal bombers, wearing explosives which cannot be detected by any metal detector are about to enter the US. They will be posted in every major city. The damage they will cause, will be far worse than 9/11.

At this point in time, the team splits and we follow first those who try to capture the drug-dealer and then the others trying to capture the terrorist who tries to enter the US via Mexico and the help of the drug cartel.

Maybe this sounds confusing but the story lines are told in a seamless way. The action sequences are astonishingly well done. We really get a feel for the incredible gear, techniques and tactics. More than once I was thinking “Who would want to mess with men like this?”. Not only do they have the best equipment, they are also trained for every eventuality and react amazingly quickly.

It is very important to re-emphasize the fact that the men are played by real Navy Seals. This is a great plus in the action sequences. Those men know what they are doing and it feels very realistic and is fascinating. But there are dialogue scenes as well and unfortunately they drag the movie down. They are too bad. Every time two of the main characters have one of their buddy talks it’s painful to watch. They are wooden and the way they speak sounds learned by heart and unnatural.

Despite some of the reservations mentioned before, Act of Valor is a highly watchable movie. We don’t get to see such exciting missions with so much realistic detail, different weapons and tactics very often. And it’s a valuable and interesting movie as well. It’s interesting because it shows that nowadays war doesn’t mean that one army will fight against another army, but that it is far more frequent that smaller groups of men will fight against other groups of men. A lot of the fighting takes places indoors or in smaller villages.

I can see thow many people will have a problem with a movie like this, saying it is glorifying, patriotic etc…. Maybe all of this isn’t wrong. I still think it’s not only an entertaining movie but an important movie because it offers a great basis for discussions and offers the layman a look into the job of a Navy Seal.

It seems that the individual missions in the movie are all based on real missions. There is one element that really astonished me. One act of amazingly unselfish heroism. If that is true as well…

As I said, Act of Valor has a lot in common with the French movie Special Forces. I am strongly in favour of one of the two movies and I do have my reasons for that. If you are interested to find out which one and why, make sure to read my next post.  It’s due in a day or two.

Courage Under Fire (1996)

I have seen at least six of Edward Zwick’s movies (Glory, Legends of the Fall, Last SamuraiBlood Diamond and Defiance) and was only disappointed once when I watched Defiance. Courage Under Fire may not be the best but I still liked watching and re-watching it. For one it’s one of the very rare war movies with a female main character but it also tells a suspenseful and quite complex story. It may not be anti-war as such but manages to make us understand a few things. Last but not least I tend to watch every movie with Denzel Washington. Zwick has worked with him before, notably in Glory which is one of the most outstanding war movies you can watch.

Colonel Sterling (Denzel Washington) is asked to investigate whether chopper pilot K. Walden (Meg Ryan) who was killed in action was worthy of a medal of honour. The assignment is Sterling’s second chance, an opportunity to rehabilitate himself. Ever since he came back from Iraq where he took part in Desert Storm, he has changed. He is drinking, withdrawn and slowly unraveling. He cannot forgive himself that due to his order a friendly tank was blown up. Far less can he accept that the event is not called what it was and that he had to lie to the parents of one of the crew and tell them their son died as a hero under enemy fire.

As a first step in the investigation of officer Walden’s worthiness he questions the crew her chopper came to rescue before it was shot down. The men tell what they heard, they didn’t see a lot. Walden’s huey and her crew went down between those they came to rescue and the enemy. They took all of the fire during the night and in the early morning.  The men remember having heard a M16 until just before both parties were rescued by another chopper.

At this point in time, Sterling doesn’t know that Walden is not only a heroic soldier but that Walden is a woman and would be the first woman to ever receive a medal of honour. After having questioned the rescued crew he has to interrogate Walden’s crew members one by one. Her co-pilot is in a wheel chair, he was seriously wounded and cannot remember what happened on the ground. Ilario the medic (Matt Damon), parises Karen and her decision making but Monfriez (Lou Diamond Phillips), an angry, aggressive soldier, tells him that Walden was a coward.

The whole story is revealed layer by layer and in flash backs. We see what happened from different points of view and after a while it is clear someone is lying. It will be Sterling’s duty to find out whether she was a coward as some say or a hero deserving of the highest decoration.

The movie interweaves two stories, the investigation of Karen Walden and Sterling’s fight to come to terms with what happened in Iraq.

I liked the way the movie showed how different points of view change a story, how there may be more than one truth. Despite the fact that some of her crew lied, they still all saw different aspects of how it happened. It’s not a court-room drama but it has elements of it and is quite suspenseful.

One of the main topics however is women in the military. When Sterling hears that the medal of honour is destined for a woman we see that he has a problem. The idea is so new and strange to him that he has a hard time to absorb it at first. On the other hand, because the medal is destined for a woman, his superiors hope this is an opportunity to get as much positive media coverage as possible and would give it to her whether she deserved it or not.

The actors are good but that is to a large extent due to the characters. They are all interesting, very well-developed characters. What I liked a lot is the way the movie is structured. The changing between action- and dialogue sequences and more introspective moments. It’s a very balanced movie. The message is another story. It’s not an anti-war film. It is about people who love being in the military, who find the life as a soldier or pilot the most fascinating there is. People who put duty and honor before their family but still struggle to find a balance.

I think it’s very well done, entertaining and certainly a must for all the Denzel Washington, Meg Ryan and Matt Damon fans and those who appreciate the solid work of Edward Zwick.

Here are some of my reviews of other movies by Edward Zwick

Glory

Last Samurai

Defiance

Incendies (2010)

Incendies is a Canadian French movie which has garnered a lot of prizes and nominations. It’s based on a play by Wajdi Mouawad. I found it difficult to watch. It’s disturbing and depressing.

It starts with a scene in which we see young boys being shaved. It’s somewhere in the Middle East and those boys have very obviously been recruited for a war. It’s a scene that sets the tone and makes you feel uncomfortable right away. From there the movie will constantly switch between the story of the twins Jeanne and Simon, whose mother Narwal has just died, and the story of their mother.

After Narwal has died the lawyer gives her children two letters. One is for their father, the other one for their brother. This information explodes like a bomb in the young people’s lives. They didn’t know their father was still alive or that they even had a brother. They have been living in Canada with their mother and the only thing they know is that she was born in the Middle East, somewhere where the frontiers are insecure and people fight for religious reasons.

Jeanne decides to travel to the Middle East and look for the father. It will take a long time until her brother finally follows her and starts helping her. One of the first things we learn is that Narwal was pregnant at 20, the father of the child was shot, the baby taken away and she was bannend from the village. When Jeanne arrives in the village so many years later, she is not wlecome as she is the daughter of a woman who has disgraced her familiy. What is shocking is that despite this brutal beginning, this is nothing in comparison to what Jeanne will find out about her mother’s life later.

The movie is constructed like a thriller. The two young people, with the help of the lawyer, uncover the truth very slowly. At the same time the movie tells a lot of the mother’s history in flashbacks. We know often more than the twins and they discover what we have seen, somewhat later. This may sound confusing but it’s not, it’s very well constructed and captivating.

Incendies tries to exemplify that hate can only give birth to hate and that the cycle of violence and aggression is hard to break. Some of the highly symbolical images make profound statements about war, violence and fanaticism.

This isn’t a joyful movie but a very powerful one. The truth the twins uncover is highly disturbing. The only problem I had is that it doesn’t choose a real conflict or country but sets the movie in an unspecified region in the Middle East.

Triage (2009)

“It’s complicated to be a survivor. Sometimes you have to place your faith in magic.”

Triage is a movie by Danis Tanovic, the director of No Man’s Land, another really great war movie. It is based on the eponymous novel by Scott Anderson.

What happened to Mark (Colin Farrell) in Kurdistan? He and his best friend David, both war photojournalist who have covered many wars, have flown to Kurdistan together in 1988. They want to cover an offensive that will take place in a few weeks. While they are there, they stay at a forlorn mountain clinic and watch how the doctor (Branko Djuric), at the end of his wits, with nothing else to do for the badly wounded, shoots them one by one. This affects Mark deeply. Later when he is back home he will still see the pictures of the tiny colored slips the doctors puts on the men. The color indicates how far gone they are and if he will have to shoot them or not. It’s part of the triage.

David’s wife is pregnant. The baby is due any day and he would like to go back. But Mark never wants to stop. There is always something more to cover, other shots to take. They quarrel and David finally decides to leave Mark and return on his own.

This is told in flash backs and it isn’t how the movie begins, the movie begins with a badly wounded Mark slowly regaining consciousness. He is at the mountain clinic. They found him near a river. He has no clue what happened to him. After he has recovered he returns home and finds out that David has still not arrived.

Mark’s wife Elena (Paz Vega) is quite shocked to see him in such bad shape and covered in wounds. Plus he is limping and the limp gets worse until he collapses one day. He is brought to a hospital and they find a piece of shrapnel in his head. Only that has nothing to do with the limp. Elena begs her grandfather, a Spanish psychologist, to come and help David. Together, they will reveal, bit by bit, what has happened to Mark and why David isn’t home yet.

I liked this movie a lot. I found the cast very interesting. Colin Farrell is astonishingly good in the role of a traumatized man who is afraid to find out the truth. Paz Vega in the role of his Spanish wife is very well chosen too but the most astonishing part is played by Christopher Lee as Elena’s grandfather. A really great role.

The movie has a lot to say about photojournalists who cover wars. The way, they always maintain a certain distance with the help of the camera. That’s a reason, the movie argues, why so many get shot. They simply forget that there really is a war going on around them.

The movie also shows nicely how a trauma can bring on amnesia and trigger symptoms like paralysis. It was very suspenseful and fascinating to see how the truth was uncovered.

Among the many good movies on war and journalism, this is one of the best, one of the most thought-provoking. Fans of Colin Farrell will watch it because of him, those who doubt he is a good actor, may end up being convinced of the contrary.