Obnoxious and Unlikable War Movie Characters

I was thinking today, why shouldn´t  I write a post on the war movie characters I hate most? Obviously I am not talking bad acting here. On the very contrary, it is maybe more difficult to play a truly unlikable and obnoxious character. A true bully or a monster like Hitler. Bruno Ganz who stars as Hitler in The Downfall aka Der Untergang apparently refused the role at first whereas I believe I remember having read, Anthony Hopkins found his role in The Bunker to be particularly challenging and he did enjoy such a challenge.

But apart from  extreme  evil historical people like Hitler, there are numerous mean characters populating war movies. The list I made are those that came to my mind easily, those I will never forget, no matter how many years have passed since I last saw the movie. Often those really evil people are paired with good ones like in Platoon, Casualties of War and Cross of Iron.

Here´s my list of war movie impersonations of meanness or just plain unlikable geeks.

Gny. Sgt Hartman (R. Lee Ermey) in Full Metal Jacket. THE Boot Camp Devil.

Herbert M. Sobel (David Schwimmer) in Band of Brothers. Mean and dumb.

Sgt Barnes (Tom Berenger) in Platoon. How evil and sadistic can you possibly be?

Lt. Bruno Stachel (George Peppard) in The Blue Max. Over ambitious with and inferiority complex. An annoyingly obnoxious arriviste.

Cpt Hauptmann Stransky (Maximilian Schell) in Cross of Iron. A conceited, arrogant upper-class Prussian officer.

Sgt. Tony Meserve (Sean Penn) in Casualties of War. An abusive rapist.

Lance Cpl Harold James Trombley (Billy Lush) in Generation Kill. Total lack of feeling, an empty shell.

I am not sure which one I consider to be the worst. I guess either Sgt. Barnes or Hauptmann Stransky.

I am sure the world of war movies contains many more bad people than those I just mentioned. Who is your most hated character?

Company K (2004): Most Probably one of the Worst War Movies Ever

I have watched the reaction of many men to pain, hunger and death, but all I have learned is that no two men react alike, and that no one man comes through the experience unchanged. (William March)

The above quote is taken from William March´s novel Company K on which this movie is based. The book is largely autobiographical and apparently one of the most convincing anti-war statements that has ever been written. That sounds like a great premise and, boy, was I looking forward to watch this. But unfortunately great intentions don´t guarantee a good movie. If they did this would not have turned out to be one of my very worst war movie experiences. Company K is horribly bad.

As I am a sucker for great score the music was one of the first things I noticed while watching Company K. Awful music. Maybe great in a horror movie or to illustrate what it sounds like to go to the dentist. Honestly, this score drove me up every single wall of my apartment.

It is a pity as the intentions behind this sorry effort are good, and the first few minutes when we see Joseph Delaney, aka William March, the main character how he  tries to tell his story, are promising but from then on it gets worse and worse. The acting is as bad as can be and the idea to just let us catch glimpses of the men Delaney served with is exasperating.

Delaney volunteered with the Marine Corps in WWI. Soon after arriving his company is attacked near Verdun. Trench scenes, battle scenes, mustard gas attacks, all quite eloquent if it wasn´t for the acting and this mad jumping from one character to the next.

Company K is one of those movies who gets either 1 or 5 stars. Odd, right? I hated it but if anyone who liked it reads this, tell me why.

For anybody who would like to read more about it here is  Company K´s Homepage.

If you watch it and are bored out of your mind and annoyed by the pesky music… Don´t come here complaining, I warned you!

1 star.

Rescue Dawn (2006) or One Man´s Ordeal in a Vietcong Prison Camp

Dieter Dengler, a young American fighter pilot of German origins, is shot down over Laos, in 1965, just when the Vietnam war is about to start. Naïve and enthusiastic he doesn’t think that much harm could come his way but when he is captured by Vietcong he learns otherwise. Thanks to his astonishing resourcefulness, his unabashed optimism and his sense for camaraderie he survives the worst imaginable circumstances. He endures torture, hunger, pain and humiliations by sadistic guards, petty accusations and nagging by fellow prisoners. He carefully plans their escape and finally succeeds, only to find his ordeal is not over.

Werner Herzog is known for movies that often have lush jungle vegetation as a backdrop. No difference here. The same cinematographic language that I knew from movies like Aguirre, Fitzcarraldo, Cobra Verde and Grizzly Man that have made Herzog famous. The beauty of the forest, the plants and giant insects are captured here as well, but  then the comparison to other movies stops. Rescue Dawn was one of the most revolting films I have ever seen. Probably it is shockingly true to the events that Dieter Dengler had to endure, nevertheless I found it hard to watch. Seeing people eat handfuls of larvae and maggots was not my cup of tea. Sure it is well done and all but yuk, yuk, yuk.

Apart from being disgusted I am also awed. It´s incredible what some people can endure and how they manage to survive the worst.

Christian Bale is very good although  he acts quite badly at the beginning. Steve Zahn and Jeremy Davis are outstanding.

Required viewing for Werner Herzog fans, POW movie fans and every one like me mad enough to think they have to see every decent war movie no matter what´s at stake for the stomach nerves.

Sergei Eisenstein’s Battleship Potemkin aka Bronenosets Potyomkin (1925): A Painful Movie Experience

Eisenstein’s Battleship Potemkin is one of the great cinema classics and the first time a movie was dedicated to a Revolutionary act. It tells the story of a mutiny that took place in 1905 and was followed by a street massacre. The crew of the Battleship rebelled against their officers.

Some of the scenes, like the one posted below, dubbed “Odessa Steps”, have written film history.

Be it as it may, I suffered all through the viewing of this film. I found it agonizingly boring. Maybe I am just not a silent movie person although I seem to remember I have seen a few that I liked.

Still, I quite like the Odessa steps scene but the parts on the ship with the long takes on machines and guns are excruciating.

We have to bear in mind that this movie is also an eloquent piece of propaganda.

The Guns of Navarone (1961): A Great War Adventure Movie

Some movies age well. Others don´t. The Guns of Navarone,  a splendid UK/US co-production, is one of the first kind. Almost 50 years old but still fresh like on the day it came out. This is thanks to a  lot of things. A gripping story, a great cast (Gregory Peck, David Niven, Anthony Quinn, Irene Papas, Stanley Baker, Anthony Quayle), wonderful cinematography, a nice score. What more do you want from a good war adventure yarn? I hadn’t  seen it before (yes, yes, shame on me) and was really surprised how good it is. And very esthetic. It is one of the most esthetic movies I have ever seen.

The year is 1943. Greece is occupied by Germany.  The Germans who feel they are losing on the Eastern Front try to force Turkey to join them. The Guns of Navarone tells us how a group of men tries to secretly enter a Greek island, meet with the Greek resistance and with their help sneak into a fortress to destroy two powerful German guns that threaten British soldiers who are marooned on another island. The mission is extremely dangerous and no one actually thinks they might accomplish it.

The story, from the beginning to the end, is one gripping sequence after the other. Each one of them could almost stand alone like some sort of short story. First they fight the elements on a boat during a storm. Then they have to climb an impossibly steep rock. Every place they find themselves in is swarming with Germans so they have to hide often.  In one episode one of them gets wounded and they need to decide if they take him along or shoot him. One of them betrays them and they need to decide whether or not to shoot the person. They get captured by the Germans but escape. Many things go wrong and not all of them make it. The best scenes for me are in the fortress. We hear a German song in the background and see this bunker with its typical Nazi esthetics.

It is also a funny movie at times as the German´s really get their asses kicked. In one scene the group is hiding and a German guard hears them. To distract  him they throw something and he runs off like a dog.

There is also some humorous dialogue mostly coming from the stiff-upperlipped British major played by David Niven.

The characters are well drawn, interesting and complex. Major Mallory (Peck) is a mountaineer whose expertise is needed for the mission. Miller (Niven) is an expert in explosives. Stanley Barker plays a trained killer who has problems with his conscience. I was quite surprised to see Irene Papas, the Greek singer, in one of the roles. I didn’t even know she acted. She plays a Greek resistance fighter. Quite a fierce character. Gia Scala´s role Anna is interesting and what happened to her illustrates once more the idea of the absurdity of war.

This movie made me quite nostalgic. You don’t find many movies like this anymore. And no actors like these either.