Casablanca (1942)

Cinema doesn’t get much better than this.  Casablanca is one of the truly outstanding movies, a movie to watch and re-watch.

It is not, in the strict sense of the term, a war movie, that’s obvious, it’s a war-time movie or, if you like, a war romance.

It is one of the movies I have seen the most. At least four times. One of the viewings was a mixed bag as it was the Technicolor version. Casablanca is the prototypical black and white movie. The Technicolor version was really outrageous and sacrilegious. So watch out, if you have never seen it, the original Casablanca must be b/w.

Casablanca tells a tragic love story but more than that it’s incredibly atmospherical, it has some of the most famous movie lines, a haunting tune and two great actors, Humphrey Bogart and Ingrid Bergman at their best.

Rick and Ilsa met years ago in Paris, at the beginning of WWII. We see their love story in flashbacks. When Rick decides to leave Paris with Ilsa, she simply doesn’t show up at the train station.

Years later they meet again in unoccupied Morocco. Rick is the hardened and cynical owner of one of the most popular bars in Casablanca. All sorts of people visit or hide in his establishment. Pretty much like all sort of people have come to Morocco for various reasons, most of them however hoping to get a visa for the US. There are also some nasty German characters swarming the premises.

When Ilsa and her husband appear in Rick’s bar, this is a shock for everyone. What happened in Paris, why did she not turn up and what does she want now? Ilsa and her husband try to get to America.
Will Rick help her or not? Will she leave her husband?

It is hard to imagine that anyone hasn’t seen this movie but, just in case, I’m not going to tell anything more.

Rick’s character is one of my favorite movie characters. I like the dialogue in Casablanca a lot. Rick is very cynical but has a point. He also illustrates that while women tend to get depressed, men tend to start drinking when life is too rough. He is one of those great monosyllabic movie characters with a “Don’t-you-dare-to come-too-close” attitude. I think it is precisely Rick’s character and Bogart’s great acting that prevent this movie of an unhappy love triangle to become mushy.

A movie like this would be unthinkable nowadays for many reasons. One can be summed up by the term “esthetic of smoking”. Not that I smoke but smoke rings look good in black and white movies, they add some mystery, just like fog.

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