War Romances: A Very Long List

I’m amazed about the length of this list and even more so as I know exactly I have certainly forgotten quite a lot. It seems as if the combination of love and war was extremely well liked. Some of the movies I have included are somewhat more on the war side, like Enemy at the Gates, others are much more romantic. I was also surprised to see that I have seen a lot of them. And also liked quite a a few. Some of my favourites are Admiral, The Man Who Cried, Gloomy SundayKing Arthur, Aimée and Jaguar and The Cranes are Flying. Others like House of Fools sound interesting but I haven’t seen them. What struck me was how often the main theme is about two men falling for the same woman. Amazing. As if war wasn’t complicated enough.

A Farewell to Arms (US 1932) Gary Cooper and Helen Hayes. Affair between an English nurse and American soldier during World War I.

Dark Journey(UK 1937) Conradt Veidt and Vivien Leigh. Spies of from opposing sides fall in love.
Gone with the Wind (US 1939) US Civil War. Clark Gable and Vivien Leigh in the movie based on Margaret Mitchell’s novel.

A Yank in the RAF (US 1941) Tyrone Power and Betty Grable. Americans serving in the British forces meet and rekindle an old flame.

Casablanca (US 1942) WWII, Morocco. Humphrey Bogart and Ingrid Bergman in one of the greatest classics of cinema history. (See my review)

For Whom the Bell Tolls (US 1943) Gary Cooper and Ingrid Bergman in a movie based on Hemingway’s novel of the Spanish Civil War.

Crash Dive (US 1943) Starring Tyrone Power, Anne Baxter and Dana Andrews. A submarine lieutenant and his commander fall in love with the same woman.

The Life and Death of Colonel Blimp (UK 1943) Roger Livesey and Deborak Kerr. British soldier falls in love with various incarnations of the same woman.

To Have and Have Not (US 1944) Lauren Bacall and Humphrey Bogart in a WWII drama about an American expat and a French resistance fighter. Set on Martinique.

I’ll Be Seeing You (US 1944) Ginger Rogers, Jospeh Cotten and Shirley Temple. Soldier falls in love with a girl he meets in a train

I Live in Grosvenor Square (UK 1945) British aristocrat falls in love with American airman

Piccadilly Incident (UK 1946) WWII. War separates husband and wife with tragic consequences.

A Matter of Life and Death (UK 1946) David Niven and Kim Hunter. Pilot falls in love with radio operator.

From Here to Eternity (US 1953) WWII, Pearl Harbor. Love and drama before the Japanese attack of Pearl Harbor. Great actors (Burt Lancaster, Montgomery Clift, Donna Reed, Deborah Kerr, Frank Sinatra), great story.

Battle Cry (US 1955) Love and drama among a group of young Marines.

The End of the Affair (UK 1955) Deborah Kerr, Van Johnson, John Mills in the movie based on Graham Greene’s novel about a novelist who falls in love with a married woman during WWII. There is a later version of the same movie, see below.

A Town Like Alice (UK 1956) Peter Finch and Virginia McKenna starring in a WWII romance set in Asia. A British woman, POW of the Japanese, falls in love with an Australian soldier.

D-Day, The Sixth of June  (US 1956). On their way to the Normandy a US and a British officer remember their love for the same woman.

A Farewell to Arms (US 1957) Rock Hudson and Jennifer Jones in a movie based on Hemingway’s novel. It tells the story of an affair between an English nurse an American soldier on the Italian front during World War I.

Sayonara (US 1957) Marlon Brando as US air force major who falls in love with a Japanese performer. Based on a novel by James Michener

The Cranes are Flying (Russia 1957) WWII. Extremely moving film about a young woman who waits for her lover to return from the war. (See my review)

South Pacific (US 1958) WWII, South Pacific. A young American nurse and a Frenchman who might be an agent fall in love.

A Time to Love and a Time to Die (US 1958) WWII. Russian front. German soldier on leave falls in love.

Ballad of a Soldier (Russia 1959) A Russian masterpiece. A young soldier falls in love with a girl on a train. (See my review)

Hiroshima Mon Amour (France 1959)  WWII, Japan. A love story between a French woman and a Japanese man after the war. The woman lived a romance with a German soldier during the war. (See my review)

Doctor Zhivago (US/Italy 1965) Omar Sharif and Julie Christie starring in a war romance set during the Bolshevik Revolution. Based on the novel by Boris Pasternak.

In Harm’s Way (US 1965) A classic John Wayne movie. WWII, Pacific. A naval officer falls in love with a nurse (Patricia Neal). A story of second chances. (Here is my review).

Closely Watched Trains (Czechoslovakia 1966) WWII. Set in occupied Czechoslovakia. A young man working for the railway company falls in love for the first time. Based on Bohumil Hrabal’s novel.

Landscape After Battle (Poland 1970) Poland after WWII and the liberation of the concentration camps. A young poet falls in love with a Jewish girl.

Summmer of my German Soldier (US 1978, TV) WWII, US home front. An American girls falls in love with a German POW.

Yanks (US 1979) WWII. British woman falls in love with an American soldier while her husband is at war. Richard Gere, Vanessa Redgrave and others.

Hanover Street (UK 1979) Margaret is a nurse in England during WWII and married to a secret agent. Things get complicated when she falls for David, an American pilot. Starring Harrison Ford, Christopher Plummer and Lesley-Ann Down.

We’ll Meet Again (UK 1982 TV mini-series) WWII, Britain. American bomber pilots in the UK.

Winds of War (US 1983, TV mini-series) Robert Mitchum and Ali McGraw. WWII, America, until the attack of Pearl Harbor.

A Year of the Quiet Sun (Poland/Germany/US 1984) A US soldier in Europe falls in love with a Polish refugee after the war.

An Indecent Obsession (Australia 1985) Nurse falls in love with psychiatric patient.

Top Gun (US 1986) Not set during a real war. Tom Cruise and Kelly McGillis star in this movie about a young fighter pilot who falls in love with a female instructor. Macho bravado and romance.

And a Nightingale Sang (UK 1989, TV) Starring Joan Plowright. One family’s struggle to survive during the Blitz. Funny and touching. (See my review)

The Last of the Mohicans (US 1992) Daniel Day-Lewis and Madeleine Stowe in an epic of the war between British and French colonialists and Indians.

1942: A Love Story (India 1993) Bollywood drama  starring Anil Kapoor. A young Indian couple, both from wealthy backgrounds, find themselves caught up in the 1940’s Indian revolutionary movement against their families who are under the thumb of a sadistic British general.

Braveheart (US 1995) 13th Century Scotland. The fight against the British rule. Some love this epic, some hate it, still it’s impressive for many reasons. Starring Mel Gibson and Sophie Marceau.

The English Patient (US/UK 1996) WWII, North Africa and Italy. Two interwoven love stories. The first is the tragic story of a married woman falling for a Hungarian count. The second tells the love between a nurse and a soldier from a bomb disposal unit. With Kirstin Scott Thomas, Juliette Binoche, Ralph Fiennes, Colin Firth and Willem Dafoe. (See my review)

In Love and War (US 1996) WWI, Italy. the story of the love between Ernest Hemingway and the nurse Agnes von Kurowsky starring Chris O’Donnell and Sandra Bullock.

Aimée and Jaguar (Germany 1999) WWII, Germany. Holocaust. Two women fall in love in Berlin during the war. One of them is Jewish and in the Resistance.

The End of the Affair (UK/US 1999) Julianne Moore and Ralph Fiennes in the movie based on Graham Greene’s novel. A novelist falls in love with a married woman during WWII in London. She leaves him without an explanation. Two years later he has her followed to try to find out why she left him.

Gloomy Sunday (Germany/Hungary 1999) Set in WWII Budapest. Starring Joachim Król and Ben Becker. This is such a beautiful movie. Another love triangle. A young woman loves a Jewish restaurant owner. One day he hires a young pianist. She falls in love with the young man but still loves the older one. They save the life of a German man who also falls in love with the woman. When WWII breaks out the German comes back. He has turned into a Nazi officer who loves to abuse his power. Gloomy Sunday tells  also the story of the famous Hungarian song Gloomy Sunday that is said to have caused more suicides than any other song ever.

The Man Who Cried (UK/France 2000) Starring Johnny Depp, Cate Blanchett, John Turturro, Christina Ricci. A Russian Jew falls in  love with a gypsy during WWII in Paris. She befriends another Russian who helps her find work in a theater. For lovers of sumptuous movies and opera.

Dark Blue World (Czech Republic/UK/Germany/Denmark/Italy 2001) Czeck fighter pilots in England in WWII. Two pilots, a very young one and an older one fall in love with the same woman.

Captain Corelli’s Mandolin ( UK/US/France 2001) WWII, Italian troops in occupied Greece. Based on Luis de Bernières eponymous novel, starring Penélope Cruz and Nicolas Cage. An Italian commander falls in love with a Greek girl whose fiancée is fighting in the war as well.

Enigma (UK/US/Germany/Netherlands 2001) Dougray Scott, Kate Winslett and Jeremy Northam starring in this WWII drama about a young heartbroken man trying to break the Enigma code.

Pearl Harbor (US 2001) Real blockbuster cinema.  WWII. Pearl Harbor. Two young bomber pilots are in love with the same young woman, a nurse. Slick, good-looking movie with equally good-looking actors (Kate Beckinsale, Josh Hartnett, Ben Affleck).

Enemy at the Gates (US/UK/Germany/Ireland 2001) Showdown of two snipers in Stalingrad. The Russian sniper is a local war hero and in love with a Jewish woman who is in the resistance. Jude Law, Joseph Fiennes, Rachel Weisz and Ed Harris in a beautifully shot war drama. (See my review)

House of Fools (Russia/France 2002) A war movie that is no war movie. Set in a mental institution during the Chechen war.

Charlotte Gray (UK/Australia/Germany 2002) Cate Blanchett in a movie based on Sebastian Faulk’s novel. She plays a Scottish nurse who joins the French Resistance looking for her boyfriend, a RAF pilot who got lost in France.

Yossi and Jagger (Israel 2002) Love between two Israeli soldiers stationed on the Lebanese border.

Resistance (US/Netherlands 2003) Starring Bill Paxton and Julia Ormond. WWII, occupied Belgium. A reconnaissance plane crashes. The pilot, Ted, is brought to Claire and Henry Daussois who are in the Maquis Resistance. Ted and Claire fall in love.

Cold Mountain (US 2003), Renée Zellweger, Jude Law and Nicole Kidman in a story of the American Civil War.

Head in the Clouds (UK/Canada 2004) Starring Charlize Theron, Penélope Cruz, Stuart Townsend,Thomas Kretschmann. A romantic drama set in 1930’s England, Paris, and Spain. Three people share an apartment in Paris, one lives a hedonistic life, the others want to join the fight against fascism.

Island at War (UK 2004, TV mini-series) WWII. The channel islands during German occupation. After the island is invaded by German forces, life changes drastically. The series focuses on three families.

A Very Long Engagement (France/US 2004) Audrey Tautou in a movie about a woman whose husband doesn’t return from the battlefields of WWI and sets out to look for him.

King Arthur (US/UK/Ireland 2004) An epic adventure of war and romance starring Clive Owen, Keira Knigthley, Mads Mikkelsen, Ray Winstone and Ioan Gruffud. The re-telling of the story of King Arthur and his Knights.

The Christmas Card (US 2006, TV) A US soldier visits a town from where a Christmas card has been sent to him during his tour in Afghanistan.

The Poet (Canada 2007) A Rabbi’s daughter and a German soldier fall in love in Poland in WWII. Starring Nina Dobrev and Daryl Hannah. (See my review)

Closing the Ring (UK/Canada/US 2007) Christopher Plummer, Shirley MacLaine and Mischa Barton in a love story that plays then – during WWII – and now. A woman between two men. One is a pilot and gets lost after crash landing in Ireland during WWII. In today’s Ireland a young man finds the wedding ring and brings it to the woman living in the US. Set in Ireland and the US.

Admiral (Russia 2008) Russian revolution. A real heartbreaker. The true story of Admiral Kolchak and his lover. (Here is my review)

Dear John (US 2010) Channing Tatum and Amanda Seyfried in a weepy romance about a young Marine who falls in love prior to 9/11. When he leaves for Iraq their love is tested.

What about you, have you seen many of these movies? Did you like them? Have I forgotten one you would like to recommend?

The Thin Red Line (1998) Part III Nature and Evil

This great evil. Where does it come from? How’d it steal into the world? What seed, what root did it grow from? Who’s doin’ this? Who’s killin’ us? Robbing us of life and light. Mockin’ us with the sight of what we might’ve known. Does our ruin benefit the earth? Does it help the grass to grow, the sun to shine? Is this darkness in you, too? Have you passed through this night? (Private Witt)

What’s this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two? (Private Train)

Is there evil in nature? Is man part of nature? If man is part of nature and man is evil, then nature is evil? Are nature and man one? Or is there a distinct dichotomy between man and nature?

Besides offering a profound meditation on Death and Dying The Thin Red Line also explores the topics nature and evil in different ways. Two positions are explored. Position one  assumes that man is part of nature and since he is capable of evil, nature is not all good. This idea is supported by Lt.Coll Tall when he speaks to Cpt Staros who wants to save his men. Tall shows him the lianas that suffocate the trees. This is evil, according to Tall, as it will kill the tree. Nature is not all good. He tries to make Staros accept evil because he thinks it is inevitable and part of nature.

Other scenes support this. In the beginning of the movie we see a little bird, probably he fell out of the nest and seems to be struggling for his life. We see him, his fight and we know he will die. Nobody did this to him, it just happened. It’s the way of nature.

One of the powerful symbols is the crocodile. In the beginning of the movie we see him swim freely, dive, in the end he has been bound by the men. He cannot harm anymore but he is subjugated.

The second line of thinking says that nature cannot be bad. Only man can be bad. We know the term of natural death. As I said in Part II death is part of nature but the death on a battle field isn’t natural, it’s man-made. This line of thinking supports that man has left the realm of nature, is not part of nature anymore.

Even if there are bad things in nature, nothing as bad as war can happen without man’s doing.

The Thin Red Line is set in the Pacific, on the Solomon Islands, a place to which hardly any Americans or Europeans had gone before the war. An island with a lush vegetation and a population not knowing anything of Western civilisation. The movie begins with idyllic scenes among the natives. They live in harmony with nature and its rhythms.

When the soldiers later disembark on Guadalcanal, an old native man passes them by but doesn’t even acknowledge them despite the heavy gear they are carrying and the clothes they are wearing. They are only foreigners. The natives and their land do not know yet what they bring.

War has come into this tropical paradise and not only does war kill men, it destroys nature. The men are surrounded by tall grass, hiding in it, but the bombs and grenades destroy this lush paradise and transform it into arid land.

The end of the movie seems to want to say that no matter how much man tries to destroy nature, nature will survive and the film ends on a last picture of a sprouting  coconut.

These reflections on nature and man’s nature are very old. Philosophers like Rousseau have dedicated whole books on this. Rousseau thought that man was born good but society, or culture, made him bad. In his Discourse on Inequality you can find the following passage.

The first man who, having fenced in a piece of land, said “This is mine,” and found people naïve enough to believe him, that man was the true founder of civil society. From how many crimes, wars, and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows: Beware of listening to this impostor; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody. (Rousseau 1754)

Here are

Part I The Review

Part II On Death and Dying

Part IV The Actors and the Characters and Part V The Thin Red Line vs Saving Private Ryan are upcoming.

Fortress of War aka Brestskaya krepost (2010) or The Best War Movie in 20 Years?

People who have seen this movie have called it “The best war movie ever” or “The best European war movie in 20 years” or simply “Superior”, “A masterpiece, “Brilliant”. Needless to say that I couldn’t wait to watch Fortress of War aka Brestskaya krepost. What did I think? It is an absolutely stunning movie. Beautifully filmed and acted. A really great achievement on more than one level. It’s complex, dense and intense and calls for a second watching as you can hardly absorb it all in a first viewing. Is it the best? It sure is one of them.

The story of Fortress of War reminded me of the Nanjing massacre in which Japanese forces butchered Chinese civilians. In this case German soldiers butcher Russian soldiers and civilians. The Brest Fortress, located near the city of Brest, housed soldiers and their families. The narrator of the movie is a little boy. We hear his voice in the off at first, it’s the voice of an old man who remembers the most horrible days of his life. Life at the Fortress is deceivingly peaceful. It’s 1941 and there are rumours of war but nobody believes them. The superior officers even go as far as punishing those who spread these rumours.

How lucky for the Germans. Their surprise attack is succesful and shatters in a few minutes all the false hopes and pre-conceived ideas of war. After the initial 10-15 minutes of quiet storytelling, the next two hours are combat intense like I haven’t seen it often. The effects and battles are extremely convincing and well-done. There are only very few CGI moments (aviation-related) that aren’t 100% convincing, all the other effects are very authentic looking. The fights and battles are fought on three sides and the story moves between these groups of soldiers and their commanders. The little  boy of the beginning moves between the parties and links the stories. He carries water and messages from one group to the other. While they are fighting off the Germans and try to break out of the fortress, the Germans also attack them by air and drop bombs. The devastation and casualties are huge.

The fights last a few days in which water is scarce and the morale gets lower and lower. A Russian bomber pilot manages to land in the fortress and brings the most demoralizing news. The Germans have not only taken Brest but are marching towards Minsk. There will be no reinforcements who will help them defend the fortress. As the families were also in the fortress there are a number of side stories told. As it becomes more and more obvious that they will not escape this trap, soldiers and officers start to kill themselves and their loved ones. A few send them out of the fortress hoping that they will survive as prisoners of the Germans. They will all have different fates as the movie tells us. Some will be shot, a few survive.

The directors have been accused of propaganda. It is true that the Germans are shown as treacherous and evil. I didn’t mind this. This movie tries to give an insider’s perspective, the view of someone who was there that day. Do you honestly think that anyone present there seeing the mass of dead bodies, humans and horses, the constant shelling and bombing, rape and violence would have for one second thought about the fact that not all Germans are evil? Those who call this movie propaganda should think about the fact, that they are watching it now, 70 years after the massacre took place, sitting either in a comfortable cinema chair or on the couch or sofa at home.

How do you like your war movies? Combat intense? – You will love this one. Not too much CGI? – You will adore this movie. Convincing effects? – You will be very pleased. Historically accurate? – You will be satisfied. With beautiful pictures? You will be thrilled. Complex characters? – Yeah well, that’s  a little flaw but it stems from the fact that there are so many independent groups fighting in parallel.  The characters  are still interesting and endearing. Watch this beautiful and intense movie as soon as you can!

Fortress of War does belong on the Children in War Movies: A List.

The whole movie can be watched on YouTube. This is just a little teaser.

The Thin Red Line (1998) Part II On Death and Dying

Sergeant Storm: It makes no difference who you are, no matter how much training you got and the tougher guy you might be. When you’re at the wrong spot at the wrong time, you gonna get it.

You are going to die. I am going to die. We are all going to die. It is inevitable. The difference lies just in whether we want and allow to be reminded of the fact or not. Whether it makes us feel uncomfortable or not and to what degree.

The way death and dying are shown in The Thin Red Line will trigger three different ways of reacting:

  • We see it and allow to be reminded of our own death which will make us feel uneasy and sad to different degrees
  • We see it and look away or feel nothing
  • We see it and make fun of it

These three ways to react to someone’s dying can also be found as reactions in the movie.

I would argue that there is not one war movie out there that thematizes death, dying and killing like it is done in The Thin Red Line. I would also say that I think that this may be one of the reasons some people have a problem with it as the death scenes are very intimate, very intense. We have people who die screaming, people who die swearing, some pray, some mumble, some are quiet. This is quite usual in war movies but we have also an emphasis on those who watch them which is unusual. The importance of looks in The Thin Red Line would be worth a chapter on it’s own but I will only focus on the looks related to death and dying.

We have those who look away when someone is dying, no matter how close they are to the person. And we have those who acknowledge the others dying. Some are moved by it, some are not. Watching someone die is a very intimate act, if you think of it. Being with someone during his final moments is a privilege. Private Witt gives each and every single suffering man his full attention, looks at him unflinchingly but also unobtrusively and with compassion.

There are also the looks directed at the dying enemy. They are very different. They are indecent almost. Some make fun of them, stare, strip them off their dignity. Witt also looks at the enemy with the same intent attention and compassion.

In the movie there is equally a meditation about death’s randomness as expressed in the quote by Sgt Storm at the beginning of this post. Why does one man die while the other who is maybe a far lesser soldier survives unharmed? This is something that has been on my father’s mind a lot. When he was drafted he was heartbroken and hoping to get killed on the battlefield. While his friends and comrades died, he didn’t get one scratch. My father has not one tiny little scar, yet he eagerly awaited death. This is mysterious and the movie shows this exceptionally well.

Death is part of nature (which I will try to analyze in part III) but the dying on a battle field isn’t natural, it’s man-made.

Killing is also a theme. Although it is legally acceptable to kill someone on a battlefield, in a war, soldiers didn’t kill lightly. I use the past tense deliberately because movies – or series in this case – like Generation Kill – and also already some of the Vietnam movies – show that there are more and more soldiers who have no empathy for those they kill. Those who play war games may see a running person at a distance not like a human being but just like another target. And they certainly don’t feel guilty.

The soldiers in The Thin Red Line do not kill lightly. They do feel guilt and the term “enemy” doesn’t mean much anymore once they have shot him down with their own gun.

One of my earliest posts on this blog focused on the topics Death and Dying. You can find it here:  On Death and Dying or Why War Movies Teach Us a Buddhist Lesson. Nothing has changed in my perception since then. I still think that the way death and dying are treated in our society is very problematic. We have to accept the fact that they are part of life. All war movies deal with death and dying but not all involve the viewer as much as the The Thin Red Line. Like hardly any other movie it manages in a very subtle way to raise the awareness for our own mortality.

The following parts are upcoming:

Part III. Nature and Evil

Part IV. The Actors and the Characters

Part V. Saving Private Ryan versus The Thin Red Line

http://www.youtube.com/watch?v=ARKRz-vbwwI