I was wondering the other day (since I’m in the middle of reading Elsa Morante’s La Storia aka History) if there were any Italian war movies on the Italians on the Eastern front. Purely accidentally I found this movie Italiani Brava Gente aka Attack and Retreat, an Italian-Russian co-production.
Italiani Brava Gente depicts the unsuccessful and tragic Battle of the Don. The Italians role during WWII wasn’t exactly glorious (I’m not talking of the Resistance!) and this movie seems to bear testimony of this.
There are bits and pieces of it on YouTube but, as you will see, in very bad condition. This is deplorable as the movie looks very interesting. If ever a movie needed to be remastered, I think it’s this one. And yes, you see correctly, Peter Falk is in it.
It does happen quite often that I like movies less than most people but not in this case. People either like or hate The Fallen but there seem to be much more who do not like it. I don’t really understand why but I’m not sure I have seen The Fallen. I have watched The Final Sacrifce which can’t even be found on IMDb. An amazon reviewer states that The Final Sacrifice is a remake of The Fallen by the same director with the same actors??? I seem to remember having seen the beginning of the movie a few years back but something stopped me and when I started watching the other day it took quite a while until I got that I was watching The Fallen. Meanwhile I found out that Ari Traub directed and earlier version called Letters from the Dead (2003). Very confusing. Be it as it may, I hope one of my readers knows more. In any case, the movie I have seen, called The Final Sacrifice, was not a bad movie at all. On the very contrary.
It is almost the end of WWII. We are in Northern Italy, in the Alps, in some outpost guarded by Italian and German troops who do not get along well. The movie is trilingual (which might have been a reason for the lack of appreciation) and for once the actors are of the “correct nationality”. No silly American flavored Italian.
The Germans try to defend their line against the attacking Americans. The Italians who should help, are, apart from an aristocratic officer, not that keen on assisting. The people and villages around them are their people, their families. More and more they think it is unjustified that they have been dragged into this war by their government. Many of the farmers around are selling goods on the black market, others join the Resistance.
When the Italian army and Italian Resistance meet, it’s a sad affair. Usually no one shoots and a few soldiers desert but as soon as the Germans turn up, there will be severe punishment for every one.
The Americans seem to be enjoying their stay in Italy. It isn’t as rough as Africa, nor as bloody as France or Belgium. At least not at this point in time. And they know they are winning which helps as well.
The Final Sacrifice of the title is a last desperate attempt of a German officer, who was a real moron all through the movie, to fight off the enemy almost on his own. The orders are to guard the post no matter what. Knowing the order makes no sense and the end is coming, he tries to save at least his men.
Admittedly the American parts were not that perfect, the German point of view was on the sentimental side but, and that’s why this movie gets 3.5 from me, the Italian point of view is extremely well told. It shows how delicate, complicated, desperate their situation was. The movie is also in a clichéd way funny, the difference between the Germans and the Italians leads to one slapstick-like clash after the other.
As I said, I liked it, it isn’t fantastic and will not make a Top 100 but it is a worthy attempt at showing a part of history that hasn’t been explored enough, namely the role of Italy in WWII.
I suggest you watch it and come back and tell me how you liked it.
France, a country that has endured and fought many wars, was at the center of many a battle and armed conflict, a country famous for its outstanding filmmaking has produced a very modest amount of war movies. You will find numerous WWII movies on the Resistance and a fair amount of rather psychological war-time movies but if you are looking for combat movies, you will not be lucky. I know of no French air combat or submarine movie at all.
There may be many reasons and I can only attempt an interpretation, comparing French cinema in general to the cinema of other countries. What becomes apparent soon is that the French are not keen on producing large-scale, epic or very action driven cinema. French movies are psychological and intimate. They focus on the dynamics between a few people, their interaction, the dialogue. Many of the most famous French movies focus on tiny details, small things. It’s easily understood that this doesn’t fit in with infantry combat movies with their huge casts and more action driven story lines.
In choosing 12 movies I tried to pick the few real combat movies I knew and added the ones that I think excellent or that absoultely need to be watched. I also tried to covera wide range. I left out good ones, I’m sure.
For those who want to further explore French cinema the website French War Movies offers a great overview.
I discovered one huge problem for the non-native speaker when I watched La Grande Illusion recently as I bought a movie with English subtitles. Almost 2/3 of the dialogue was missing. I noticed the same when I watched and reviewed the Italian Rome, Open City (here is my review). Since French and Italian movies are dialogue driven, it’s very hard for a non-native speaker to fully appreciate them. I’m sure this is done better in more recent movies, still it is a problem.
With all this said, let’s open the curtain for twelve stunning movies:
La Grande Illusion aka Grand Illusion (1937): WWI. Jean Renoir’s movie is one of the great classics of European cinema starring the late great Jean Gabin. A POW movie that offers a lot. Interesting German characters included. (Here is the review)
Nuit et brouillard aka Night and Fog (1955): WWII. Alain Resnais’ Holocaust classic. Death Camps. Final Solution. Documentary/original footage about the horrors of the concentration camps. Gut-wrenching. Impressive. A must-see. (Here is the review)
Hiroshima Mon Amour (1959): WWII. Another movie by Alain Resnais. A love story between a French woman and a Japanese man from Hiroshima. Interspersed with original footage of Hiroshima. Very special and poetic based on the scenario by Marguerite Duras. A must see for French cinema aficionados. (review upcoming)
L’armée des ombres aka The Army of Shadows (1969): WWII. Jean-Pierre Melville’s Resistance masterpiece. Another classic. Claustrophobic, impressive, sparse. Excellent actors. One of the most depressing movies I’ve ever seen. (Here is my review)
L’honneur d’un capitaine aka A Captain’s Honor (1982): Post war. Algeria. A captain who died on the battle field in Algeria is accused of having been a torturer and a murdered. His widow tries to prove that he wasn’t guilty. (review upcoming)
Dien Bien Phu (1992) : Indochina. Infantry Combat. Schoendoerffer’s movie shows the final defeat of the French in Indochina. Not nice to watch at all. (review upcoming)
Le pianiste aka The Pianist (2002): WWII. Holocaust. Tells the story of a Jewish pianist in the Warsaw ghetto. Harrowing and beautiful. My favourite Holocaust movie. Very moving. (review upcoming)
Un long dimanche de fiançailles aka A Very Long Engagement (2004): WWI. Based on Sébastien Japrisot’s eponymous novel it tells the harrowing story of young Mathilde who travels to the no man’s land of WWI in search of her lost fiancé. This is one of the darling movies of international film critics. I did like it but wasn’t awed. Starring the much-loved Audrey Tautou. (review upcoming)
Joyeux Noël aka Merry Christmas (2005): WWI. The story of the little peace during the Great War. During the first Christmas in WWI, German, French and British/Scottish troops cease fire and play football together. Wonderful movie with great actors. One of my Top 10 all-time favourites and one of the bestanti-war movies that exist. (Here is the review)
L’ennemi intime aka Intimate Enemies (2007): Algeria. One of the very few French Infantry Combat movies. Very good and very critical. About the ugly side of an ugly war that was officially no war. If you want to find out why I found this hard to watch, you’ll have to read the About page. (Here is the review)
L’armée du crime aka The Army of Crime (2009): WWII. French Resistance. Based on the true story of a group of young people and immigrants who fought a desperate fight against the Nazis. They were led by the poet Manouchian. This is an absolutely stunning and very tragic movie. One to watch and re-watch. It went directly on my Top 10. (Here is the review)
It is debatable when watching a series whether you should review each installment individually. I haven’t done it for The Pacific, nor for Hornblower or Sharpe, so why now do it for ANZACS? Because it is so good? Yes, it really is but so are the others. That’s not the reason then, the reason is that I’m in the mood to do it. Not everything needs to make perfect sense in life, occasionally we can do something just because we enjoy it and I enjoy reviewing ANZACS. There are not all that many good movies and series on WWI, it seems justified to re-emphasize that this one exists.
Part three is a s good as the first two parts and leads us even deeper into some of the catastrophic and notorious battles of WWI. Who hasn’t heard of Ypres or Passchendaele, who hasn’t heard how many soldiers died in these two offensives alone?
In this part we see that the British Prime Minister, Lloyd George and General Haig are really not on the same page. Haig is gung-ho, his strategy seems to demand too many losses and Lloyd George doesn’t think it’s justified at all.
Once more we also see how the British and the Australian culture clash when it comes to subordination. Another aspect that is covered in this part is the role of the respective churches. While the Church of England was fully supportive of the war, there were some voices in Australia saying that it might be high time to underline that Australia was independent by now and that the Australian church should adopt another attitude towards the war.
The man on the photo, Jon Blake is one of the main actors in ANZACS. He was also in in The Lighthorsemen. While finishing The Lighthorsemen he had a car accident and sustained severe brain injuries that left him in a near vegetative state. He died on May 29 2011. It’s a very sad story. He was a very promising young actor and many say he would have gone far. We will never know.
It’s interesting how often people mention Enemy at the Gates as one of their favourite war movies, yet I do not see it included very often in more official Best of Lists. I wonder why and can only guess. Maybe because it is too esthetic? Hardly ever have ruins looked this good. Or is it because of the love story? I must admit, I had a problem with it. I don’t mind a love story, although it is mostly a bit tacky in a war movie, but I would have liked this one to be left out. I thought it spoilt an otherwise perfect movie. And I think another cast would have been better as well, apart from an excellent Ed Harris, I didn’t care for the actors. Despite all these reservations, I think it is an excellent movie. The central story is suspenseful and it is one of the most beautifully filmed war movies ever and certainly one of those I will re-watch. And don’t you just love movies about snipers?
Stalingrad 1942. The city is under siege. The German army hopes to win the war and to secure the oil fields near the Caspian Sea. The Russians are well aware if they lose Stalingrad, it is over. The losses are high, morale is low and a little bit of propaganda might do every one a lot of good. That’s why Khrushchev (Bob Hoskins) thinks its high time to fabricate a hero and charges Danilov, an important oficer of the Communist Party, with this mission.
Enemy at the Gates is loosely based on the story of the famous Russian sniper Vassili Zaitsev (Jude Law). Vassili has learned to shoot at an early age, and now, in his early twenties he is the best sniper in the Russian army. Danilov (Joseph Fiennes) decides to pick him, and turn him into the hero Khrushchev is looking for. Vassili gets newspaper coverage and publicity and soon his fame is known far beyond the Russian borders and especially the Germans are well aware what a dangerous enemy he is.
Amidst the rubble and the ruins we see two parallel stories unfold. The first story line, follows a love triangle. Through Danilov Vassili meets the Jewish woman Tania (Rachel Weisz). Both men are in love with her but as it seems Tania has only eyes for Vassili. This love triangle is frankly annoying and disrupts the movie. It isn’t even very plausible.
The second story line revolves around the competition between Major König (Ed Harris), a famous German sniper, and Vassili. König is sent to Stalingrad to take out Vassili. All the parts of this second story line are quite gripping. We see the men hunt each other, we see how they get to know each other, how they try to find out how the other will react, how and from where he will shoot, how they try to ambush each other.
Snipers are endlessly patient. They don’t just shoot wildly, they aim carefully, take their time, observe and shoot only when they are fairly sure of hitting their target. Enemy at the Gates perfectly captures this cat-like hunter quality of the sniper and that’s what makes this film so watchable despite its flaws.
The director Jean-Jacques Annaud is famous for his cinematography. He has made one of the visually most compelling movies The Bear or L’ours . Enemy at the Gates is equally stunning from a cinematographic perspective.
All About War Movies 