Category Archives: Movie

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A Very Long Engagement – Un long dimanche de fiançailles (2004)

Very Long Engagement

It’s entirely the fault of movies like A Very Long Engagement that this blog lies dormant most of the time. Who wants to write about a film like this?

There are movies that I call “darlings” of the public. Everyone goes “oh” and “ah” and “oh so wonderful” just upon hearing the title. Jean-Pierre Jeunet’s Améelie is one of them, and – not surprisingly starring the same actress, Audrey Taoutou – Un long dimanche de fiançailles is another of those “darlings”. The fact is that most of the time these are precisely the movies I cannot stand. I watched Un long dimanche de fiançailles for the second time, hoping I’d succumb to its charm – but that didn’t happen. On the very contrary. I liked it even less. Why though? I’m not sure. It’s particularly sad because there aren’t all that many WWI movies.

A Very Long Engagament tells the story of two young lovers separated by WWI. Mathilde and Manech fall in love just before the war breaks out. They are still almost children. Both are outsiders. She because she is limping, he because he seems to be a bit simple-minded.

When he doesn’t return from the war, Mathilde swears to find him. It is said that he was court-martialled together with four others. The five men shot themselves in order to be sent home.

Mathilde acts a bit like a PI, interrogating people, following every lead. Although everyone tells her that Manech has been shot, she is convinced that he is still alive. Their connection is strong, she would feel it, if he was dead.

A Very Long Engagement is a typical Jean-Pierre Jeunet movie. His films often look like old sepia-colored photos and have a vintage feel. The trench scenes are not bad and from a purely cinematic point of view it’s a beautiful film but I always have a problem with his characters and find many of them off putting. I would still like to read the book by Japrisot.

Has anyone seen it? Did you like it and if so why?

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Turtles Can Fly aka Lakposhtha parvaz mikonand (2004) Iraqi – Iranian Movie on Children During Wartime

turtles-can-fly-2004-lakposhtha-parvaz-mikonand

Occasionally I’m tempted to stop watching war movies. After all, it’s hardly ever cheerful. But there is a huge difference between “not cheerful” and “utterly depressing”. And while combat movie’s are rarely cheerful, they are often not utterly depressing. On the other hand movies focussing on the way common people, and especially children, are affected by war, are often extremely depressing. Among all these depressing movies on the fate of the civilians the Iraqi-Iranian movie Turtles Can Fly, might be the saddest I’ve ever seen. While it’s an excellent film, it’s almost unbearably bleak.

The film starts with a small girl committing suicide. She jumps from a cliff. The story then rewinds and we get to know why she did it.

Somewhere near the Turkish border, just before the war in Iraq breaks out, a group of people live in some houses close to a refugee camp. The elders of the village hire a young boy to buy and install a satellite dish. They want to know if war is coming. The boy is funny, entrepreneurial, and clearly relishes being the only one who knows something about technology and a few English words. He’s maybe 12 or 14 years old (sorry I’m bad at judging the age of children) and runs many small businesses. One of them consists in having other children collect mines which he then sells on the local markets. The whole area is a huge minefield and collecting them is vital because as long as they are on the fields, the farmers cannot work.

Many of these children who collect mines are missing limbs from the one or the other unlucky encounter. The film maker used only children with real deformities and missing limbs which adds authenticity and makes watching it even more harrowing.

“Satellite”, as they call the young boy, falls in love with one of the refugee girls. A very pretty girl who is there without parents but with her older brother who has lost both arms and a small child who has a problem with his eyes. She is the girl who will commit suicide and to learn her story was almost too much.

While there are some funny scenes dedicated to “Satellite” and his business, I’ve rarely seen such a bleak movie. The poverty of these people is extreme. They live in the cold and the rain, there are hardly any trees or buildings, just some huts and tents and a lot of mud. Their situation has a lot to do with former wars. They are surrounded by danger and helpless. Without a proper system of information they are at the mercy of everyone. They never know what hits them or why.

I wasn’t enjoying watching Turtles Can Fly but I was glad I did. This movie is bleak, depressing and heartbreaking but at the same time, it’s very good. The young actors are astonishing, the message is eloquently anti-war.

Here’s the trailer

And the full movie

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The Veteran (2011)

Veteran

The British movie The Veteran is asking a few interesting questions but the story as such isn’t  very convincing. Too bad. It had potential.

What happens with all those young veterans coming home from wars like Afghanistan or Iraq? Their tours are finished and when they return they have to face the bitter truth that it will be hard for them to find a job and that people really don’t care about them.

Rob is just a guy like that. When he returns from Afghanistan all he finds is an ugly apartment in one of the areas of London were the less privileged live. Drug wars and gang feuds are common. Unemployment is high.

One of his comrades approaches him and tells him his brother offers them a job. The job they are offered is pretty typical for veterans. Surveillance. They are told they have to follow potential terrorists and find out if one of the informants they are using is really trustworthy.

Rob gets beaten up pretty bad during some of his missions and after a while it dawns on him that something is dodgy. Too late.

I’m not going to reveal more of the plot as it’s pretty thin. The movie is still watchable as it depicts a lot of the problems the UK are facing. Not only regarding their veterans but also regarding the many young and  unemployed people.

It’s an interesting companion movie to Harry Brown and also to the US series Homeland. The acting is pretty good but the story a bit too thin. And the message? I have no clue. That’s probably what bothered me the most.

Before I end this post I just want to let know that I will not be online during the next two weeks. I’m travelling.

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We Are Looking for a Holocaust Movie

au-revoir-les-enfants-goodbye-children

It’s been a while since the last We Are Looking For a Movie post. I had some requests via e-mail and was lucky to be able to say which movie it was but in this case I draw a blank.

Can anyone help?

Years ago I watched a movie about a young Jewish boy whose mother (who had married a Jew against her father’s will) brought him to live with his grandfather to save him. She did not stay, herself.  The grandfather was either Italian or French. I think it was a foreign film with subtitles.
 
The emerging relationship was so touching. One significant scene I hope will help in identifying the movie is when the grandfather admonished the boy never to let anyone see him naked because of his circumcision.
 
I would love to view this movie again, but I don’t know the title. It has to be fairly old. Can anyone there help me to identify this movie?

The picture above is taken from Au revoir les enfants. While that is an excellent film, it is not the film we are looking for.

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El Alamein – The Line of Fire aka El Alamein – La linea del fuoco (2002) An Italian War Movie

El Alamein

Italian movies on WWII are rare, so when I saw El Alamein – The Line of Fire aka  El Alamein La linea del fuoco in a DVD shop I had to buy it right away. Thankfully it was well worth buying as I will certainly watch it again. Sure, the year is still young but I think it’s safe to say that this one will be on my Best of 2013 List. I liked it a great deal.

El Alamein is told from the point of view of philosophy student Serra. Serra has volunteered in 1942 after hearing that the Italian troops were in urgent need of reinforcements. Following the point of view of a young, naive and inexperienced private is common in war movies but in this case it works particularly well as Serra is the philosophical, introspective type. Seeing through his eyes gives the movie a lyrical feel that is underlined through a beautiful score.

Serra expects to see action right away but the Pavia Division, located on the southern line in Egypt, is more like an outpost. Boredom, inertia, heat, hunger, thirst and endless days of waiting for an enemy they cannot see but who bombards them frequently is the daily fare. This allows the men, to get to know each other, to experience the desert fully; its harsh beauty and the dangers it brings.

When they go on reconnaissance they have to fear for their lives as the terrain around the outpost is covered in mines and walking about is dangerous.

The situation is also very absurd. What are they doing there? What are they guarding? Nothing much is happening. I felt reminded of Dino Buzzati’s excellent novel The Tartar Steppe (Il deserto dei tartari).

When the British finally attack, the Italians do not stand a chance. There are twice as many British troops, they are better equipped, better fed, their morale is much higher. The Italians are demoralized for many reasons. The Germans don’t take their ally seriously, they let them do the dirty work. As it was so often the case, the high command of the Italain’s proves to be clueless. In one scene it is shown that while there is no food or water, truckloads of shoe creme are sent through the desert for a parade.

After the attack during which almost the whole of the Pavia and other Divisions died, the troops flee in confusion, not knowing where to go and what will happen next. Serra, Sgt Rizzo and Lt Fiori end up on their own and try to get through the desert with hardly any food or water.

While the first half of this movie is very quiet and takes a lot of time to give us a feel for the situation the Italians faced and to introduce the characters, the second half is action driven.

The funny thing is that while watching this, you soon forget that the Italians were fighting on the wrong side. The characters are so likable and they seem such helpless victims of their government that you can only feel pity.

I liked the many intimate moments, the discussions between the soldiers, the mood, the atmosphere. At times the movie felt like a combination of All Quite on the Western Front and Ice Cold in Alex.

I highly recommend this wonderful movie to anyone interested in war movies and WWII.

I couldn’t find a trailer, let alone with English subtitles, but here’s the full movie – in Italian.