Category Archives: Reflections

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Women in War Movies

War movies are a genre in which women will rarely if ever play major roles.

However there are a few that come to mind immediately.

Nurses

Mothers

Wives

Girl friends

Resistance fighters

Soldiers

Officers

Victims

The nurse is by far the most common role. In many movies they are very prominent. Especially in the sub genre of the war romance they get more than just small roles. (Yes, Pearl Harbor (2001) comes to mind, but…)

Some fine examples of nurses can be found in The Lighthorsemen (1987), In Love and War (1996), The English Patient (1996).

Mothers, wives, fiancées are often found at the very beginning of a movie, when the soldiers leave their homes like in Dark Blue World aka Tmavomodry svet (2001). We often see them again, reading a letter arriving from the field as in The Thin Red Line (1998).  They serve as a sort of counterpoint to make the contrast between those who fight and those who stayed home even bigger. Then, you may find them once more at the very end, when the soldiers return home. One of the most poignant and touching wives is Madeleine Stowe in We Were Soldiers (2002). The story moves back and forth between the battle field and the home front depicting the agony the soldier´s wives went through when the telegrams arrived telling them one of their husbands had been killed.

Nurses become very often soldiers’ girl-friends which makes the two roles blend into each other. But many of the classic girl friends in movies depicting the second WW are the girls the men encounter in the countries they are shipped to. The American soldiers in The Pacific for example have Australian girl friends.

The role of the resistance fighter is quite a noble one. Not very frequent but appealing. Cate Blanchett as Charlotte Gray (2001) comes to mind. Or the women in Uprising (2001). And definitely Sophie Scholl (2005). The latest example of this kind is Carice van Houten as the jewish woman Rachel Stein who joins the Dutch resistance after having survived a massacre in the brilliant Black Book aka Zwartboek (2006).

Female soldiers that are even involved in combat are not very frequent. The most remarkable one I remember is the Vietnamese sniper in Full Metal Jacket (1987). A further female soldier  is played by Demi Moore in G.I. Jane (1997) where she is said to be the first woman  to have  been granted access to the navy SEALS.

Women as officers is by far more common. Again Demi Moore played a role in the excellent legal drama A Few Good Men (1992). And then there is Meg Ryan as medevac chopper pilot Capt. Karen Walden in Courage under Fire (1996).

Unfortunately some of the above mentioned portraits of women in war movies are quite questionable and have been criticised repeatedly (especially G.I. Jane).

I almost forgot the victims. Inexcusable. There are as innumerable female victims in real wars as there are high numbers in movies. One of the saddest are the victims in Vietnam war movies. I think of  Platoon (1986) and Casualties of War (1989). They are not the only ones. Of course not.

My favourite heroines are Cate Blanchett as Charlotte Gray, the wonderful Juliette Binoche as nurse  in The English Patient and, another nurse, Sandra Bullock in In Love and War, and the outstanding Julia Jentsch as Sophie Scholl. The first two are based on novels, the other two on historical facts. Sandra Bullock plays the nurse Ernest Hemingway fell in love with when he fought in Italy during WWI.

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Christ and The War Movie Hero

Don’t get alarmed! I’m not going to be blasphemous here. I have just been wondering about this coincidence/symmetry for quite a while and would like to give you something to ponder.

In 1986 Oliver Stone did Platoon starring Willem Dafoe as one of the main characters whose death has written film history and is also depicted on the movie’s poster. The hero who sacrifices himself.

1988 Willem Dafoe played the role of Christ in Scorsese’s The Last Temptation of the Christ.

1998 one of the main characters in  A Thin Red Line, the most pensive one, is played by James Caviezel.

2004 Mel Gibson, who had  major roles in many a war movie, chose James Caviezel as Christ in The Passion of the Christ.

With regards to The Passion of the Christ one must add that there aren’t many movies out there that are more graphic, gory and bloody. One of the longest agonies in film history.

It’ s about death and dying again.

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The Pacific 4 (2010): Rain on Cape Gloucester or The Weather in War Movies

Since I saw Stalingrad in which soldiers die in the snow or the episode Bastogne in Band of Brothers I consider the weather to be one of the key elements not only in the actual war but also in transmitting a sense of reality to the audience of war movies.

I have only seen five episodes of  The Pacific so far. Episode 4 was the first to really grip me. It’s raining and raining endlessly. The morale of the soldiers gets lower and lower. There is no escaping this torrential downpour. Whoever has been in the tropics knows that this is not the kind of rain we Europeans or Americans are used to. There is the humidity, the violence and the noise. Yes, this kind of rain is as noisy as a constant shower open at full blast and as violent. If you are in a solid house maybe you could ignore it but in a hut or a tent…No way.

Incredible somehow that after all the heavy fighting the soldiers have been through at Guadalcanal it is the rain that finishes some of them off.

Rain on Cape Gloucester

With all the natural disasters and extreme weather conditions that have always been taking their toll  it is amazing we humans are not more humble. Or is this one of our well-kept secrets that fighting each other and subduing one another helps us fool ourselves into believing we are stronger than we are.

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On Death and Dying or Why War Movies Teach us a Buddhist Lesson

Without any doubt there will be death and dying in a war movie. As a cultural anthropologist it often struck me how different other cultures handle death. In a society like ours,  in which death is a taboo (there seems to be an even greater taboo when it comes to dying) the war movie is one of the rare places where it is shown with such frequency. When it comes to movies in general  there is only the action and thriller/crime genre where you can count on death with the same certainty only not in such abundance.  Else you are left with rare films about illness, very rarely you’d see an old person dying or, more likely, already dead. A few deal with accidents or rather their consequences  like Atom Egoyan does in The Sweet Hereafter.

I did often wonder where my interest in war movies came from, besides from the urge to understand what happened, why it happened and how it felt for those involved. I think that they teach us a lesson in non-attachment. You see characters that you get to know and like and you know that for sure some of them are going to die. And death seems, for our human eye,  not to choose very carefully in whom he spares and whom not. In the war movie we see death and dying in a magnified overdrawn way. There is everything you could see in daily life: quick death, painful death, slow and agonising dying. Nothing is left out. If you go one step further it makes you contemplate your own perishability. A further lesson in non-attachment.

In the Tibetan Book of Living and Dying Sogyal Rinpoche teaches that it is a good exercise to picture ones own death on a daily basis. It is maybe the most fundamental aim in life to have a good death.

I think it is not arbitrary that the late great American journalist Studs Terkel did as well a book on The Good War: An Oral History of World War II as on Death, Will the Circle be Unbroken: Reflections on Death, Rebirth and Hunger for  a Faith.

For anyone who would like to pursue his/her own reflections on this topic a few more or less random reading suggestions:

The Tibetan Book of Living and Dying Sogyal Rinpoche, 1992

The Pagan Book of Living and Dying Starhawk, 1997

On Death and Dying Elisabeth Kuebler Ross, 1997

R.I.P. – The complete book of death and dying Constance Jones, 1997

Dancing on the Grave: Encounters with Death Nigel Barley, 1995

Tuesdays with Morrie: An Old Man, a Young Man, and Life’s Greatest Lesson Mitch Albom, 1997

Will the Circle be Unbroken: Reflections on Death, Rebirth and Hunger for a Faith Studs Terkel, 2001

Swimming in a Sea of Death: A Son’s Memoir David Rieff, 2008

Staring at the Sun: Overcoming the Terror of Death Irvin D. Yalom, 2008

The Year of Magical Thinking Joan Didion, 2005

Noch eine Runde auf dem Karussel: Vom Leben und Sterben Tiziano Terzani, 2007

Das Ende ist mein Anfang: Ein Vater, ein Sohn und die grosse Reise des Lebens Tiziano Terzani, 2006

Der Tod meiner Mutter Georg Diez, 2009

Das westliche Totenbuch Irene Dalichow, 2001

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Hooked

Which war movie was it that did it? Which was the first to catch my interest to such an extent that it would become a passion? Is it the same that I would call my all time favourite war movie or has it meanwhile become one amongst many?

Which one is it for you? Or is it more than just one, maybe a whole category? Was it the day you discovered that there is actually more than just one Vietnam movie but a whole bunch of them?  Or do you go for combat movies in general and the actual war isn’t even that important to you?  It could also be about the camaraderie. Or the weapons. Or machines. You could love sniper movies or those with subs in them. Maybe you are obsessed with panzers.

See? A lot of things could get you hooked.

In my case it was a very specific movie. The war: Second world war. Location: The Pacific. Genre: Infantry combat. You know which one? Take a guess.

Yes, the other one, the one that didn’t get all the credit it deserved cause Saving Private Ryan was out there at the same time.  Yeah, I’m talking the Thin Red Line here.

That was the first one that moved me so much it got me thinking. And looking back. There had been others before and there would be many more afterwards but this one  was the first that got me hooked. Followed closely by Stalingrad, Black Hawk Down and Band of Brothers. Ok, I admit, it is not a very old passion but notwithstanding it is a profound one. These  movies convinced me that there was more about war movies than the general public would ever see,it showed me a huge terrain full of astonishingly original, moving, interesting and fascinating movies.    A world full of variety. There are so many war movies out there and so many different genres and subgenres that probably no one, and I mean it, absolutely no one would not name the one or the other among some of their all time favourites (it just depends on how inclusive the borders of the category are to you.  Combat movies are just a genre among many and even though, admittedly, it might be what I prefer, they are not to everybody’s liking. But think: Last of the Mohicans, Enigma, The Pianist…..  There’s quite a wide range.)