Nacht fiel über Gotenhafen aka Darkness Fell on Gotenhafen (1960) One of the Biggest Ship Disasters in History

What a surprisingly good movie. I discovered it purely by chance and didn’t expect much but it was well worth watching. The central theme of Nacht fiel über Gotenhafen aka Darkness Fell on Gotenhafen is the tragic sinking of the huge cruise ship Wilhelm Gutsloff. The Wilhelm Gustloff was named after a famous Nazi leader. In the final days of the war it was used to transport refugees from Eastern Prussia to safer German territory. The disaster of its sinking is called by some “the unknown disaster” and if it weren’t for websites like WM.S. Wilhelm Gustloff-The Unknown Disaster it would probably stay widely unknown outside of Germany. The Gutsloff was torpedoed by a Russian submarine and sank with over 6000 people on board. Most of them died, among them 4000 children. The sinking of the Wilhem Gutsloff is seen today as one of the symbols of the Downfall of the Third Reich.

Before watching I thought the whole movie would focus on the final hours but that wasn’t the case and that’s why it was such a great movie. Apart from a few melodramatic elements in the beginning, it’s surprisingly well done. Another main theme of Darkness Fell on Gotenhafen is the situation on the home front, what the women and children had to endure during the war in the city.

The film tells the story of one woman and starts with a ball on the Wilhelm Gutsloff on her maiden voyage as a cruise ship. Maria is engaged to Kurt but Hans is in love with her as well. Later, during the war, Maria and Kurt are now married and Kurt is fighting with the army, Hans, who is officer on a ship, is visiting the city and meets Maria. He is still in love with her and seduces her. She gets pregnant and afraid of the reaction of her husband and because the city is constantly bombed, she flees to a friend in the country, somewhere in East Prussia. She meets a group of interesting characters, a French POW and the widow of a an Army General.

Maria and her friends believe at first that they are safe in Prussia. They are far from any front and assume the war will soon be won. When tales of the Russian approach are heard, they don’t believe them at first until it becomes certain that Germany is about to lose the war and the Russians approach fast. Hans who wanted to see his son, has been staying with them for a while. He tells them about the Gutsloff that will evacuate a great number of women and children. He can convince them that they have no other chance. Finally  they abandon the house and flee together with many others to the Gutsloff. The Russians have already arrived and kill and shoot people.

The ship waits the whole night until it is allowed to sail. Nobody sees any danger. They think the Russians are still too far away and fought back by the German fleet. When the ship finally sails it is soon torpedoed. The ship sinks fast, too fast for most of the passengers.

One could say, the movie has five parts. Each part focusses on other elements of the war. First the war is only a foreboding, then we see how the civilians in the cities struggle, the fear and loneliness of the women, how many flee to the country and how they still believe the war can be won although its lost already. The moments on the ship are excellent and tell quite a few mini-stories. The end is done very well too, dramatic but not melodramatic.

I was surprised that there were such a lot of strong female characters in a 60s movie. Brigitte Horney, one of the great German actors, is outstanding in her role as widow of a General.

The movie has an English title but I have no idea whether it has been subtitled or not. And there was no trailer to be found. If you understand German, you can watch it on YouTube.

Bat*21 (1988)

Bat 21 Movie Poster

Sometimes you get a movie. Sometimes you don’t. I must admit I didn’t get Bat*21. I found it lame and somewhat uninspired despite the fact that it is based on a true story. Gene Hackman is a decent actor and so is Danny Glover but still… I had to look it up in my book on Vietnam movies to understand what the director had wanted with this movie. Apparently Bat*21 was meant as an answer to Platoon, Full Metal Jacket and other Vietnam infantry combat movies who focus on young soldiers and officers. The two main characters in Bat*21 are in their fifties. The movie wants to show that older soldiers are less gung-ho and that it might have been better if they had had their say instead of the young ones. In the movie, Hackman’s and Glover’s characters stand for maturity and taking calculated risks. They are aware of the fact that this war is senseless and should be ended.

Lt Col. Hambleton (Gene Hackman), a weapons countermeasures expert, is shot down over enemy territory. His knowledge is vital to some of the missions and the Air Force wants to do everything to get him back. As a first measure they send out reconnaissance pilot Cpt “Bird-Dog” Clark (Danny Glover) who has flown  far more missions than anyone can count. Without seeing each other they develop a relationship and Bird-Dog is seriously concerned for “Ham”. The territory he is in is hot. Enemies are swarming the place and the area should be carpet-bombed in a couple of days. If he can’t get out in time Ham will be killed one way or the other.

“Ham” is quite apt at hiding, he spends the night in the jungle and more than once an enemy patrol doesn’t see him because he is so well camouflaged. Thanks to a “code” referring to golf holes he can transmit his position to Bird-Dog who monitors him from above.

It’s not an awful movie and for those who love choppers and fighter planes, there is quite a lot to see. It did remind me of a lame version of Flight of the Intruder without the corny end. If you like stories based on true accounts you might still enjoy it. It was quite tricky to get out of that mess alive. Despite a lot of good intentions I can’t rate it any higher than 2.5/5. It certainly achieved to be the antithesis of Platoon, Hamburger Hill and Full Metal Jacket.

If you are looking for really great Vietnam movies see my post 10 Vietnam War Movies You Must See.

Peter Weir’s The Way Back (2010)

I wasn’t aware of this movie despite the fact that Peter Weir is one of my favourite film directors. I’m glad that The War Movie Buff told me about it.

Even though I like some of Weir’s older movies and also Master & Commander a lot, I didn’t expect anything before watching The Way Back. I’m glad I didn’t, I think I would have been very disappointed if I had.  I’m afraid it is Peter Weir’s weakest film ever. The story, based on true events, had a lot of potential, the actors were mostly well-chosen, the cinematography is stunning, the score is convincing and still…. There is something missing. I couldn’t help comparing it to another POW movie, also starring Colin Farrell, namely Hart’s War. While Hart’s War focuses on how the prisoners escape from the camp, The Way Back shows their long journey from the Siberian gulag to India.

The movie starts in Poland in 1941. Janusz has been captured. His wife denounced him under torture. He is a spy and sentenced to spend the next 20 years in a Siberian gulag. He’s a strong young man, optimistic, kind and resourceful. He makes friends in the camp, some tell him that it is possible to escape. He chooses a few who will follow him, they prepare their escape and one night they do it.

It’s a small group of seven people, headed by the spirited Janusz (Jim Sturgess). An American (Ed Harris), a Russian criminal (Colin Farrell), a Polish priest and others. One dies in the early days. The hardships of their journey are unimaginable. First they walk for weeks from the camp to Lake Baikal, then to Mongolia, the Chinese wall, across Tibet and into India. They cross the mountains and deserts, almost die from cold, hunger and thirst. After a few weeks, they are followed by a young girl who finally joins them. Some make it, some don’t.

On their way, each time they cross the border of a country, they see how far Communism has advanced. Since they escaped a gulag, they have to get to a country that is free of communism. The moment they enter Mongolia and then China, they know, they have to make it to India.

I’ve seen my share of POW movies. The Way Back is one of the weakest, it’s more a survival story that is told in a boring way. The fact that Colin Farrell was in Hart’s War (which I think was a bad movie here is my review) and in this one, made matters worse. One cannot help comparing those two movies and also see parallels between the choice of Ed Harris in this one and Bruce Willis in the other.

I guess you gathered that this movie left me pretty unfazed. It’s not bad it’s just lacking something.

If you want to watch a truly good newer POW movie watch Werner Herzog’s Rescue Dawn (here is my review). Of the older ones I like The Colditz Story best.

http://www.youtube.com/watch?v=87kezJTpyMI

Max Schmeling – Fist of the Reich aka Max Schmeling – Eine deutsche Legende (2010) Biopic of the German Heavy Weight Legend

Yes, I did it, I watched a Uwe Boll movie. I have never watched any of his other movies before, it seems they are a bit on the trashy side and I’m not tempted to watch the controversial sounding Auschwitz. Now that this has been clarified, I will concentrate solely on Max Schmeling – Fist of the Reich aka Max Schmeling – Eine deutsche Legende. The reception of this movie is a bit surprising. It got 4.1 on IMDB, the only person who reviewed it gave it 3/10. The reviewer is German. On amazon.de the reviews are mostly 1/5 and 2/5 stars. When you hop over to amazon.co.uk you are in for a surprise. The reviewers rate it  mostly 5/5. I’m pretty sure, I can tell you why this is the case. (Personally I would rate it 3/5 or 6/10).

The way the story is told is somewhat plump. It’s linear storytelling apart from the very first moment where we see Max Schmeling in uniform traipsing around Corfu. These are painful moments for German-speaking people as we hear the “actor” Henry Maske talk. Imagine Schwarzenegger talking through a half-swallowed potato… You can hardly understand what the guy is saying, it’s obvious he is no actor. Every time he opens his mouth during the movie, native German speakers will either laugh or cringe. I’m quite sure this (plus Boll’s reputation) were the main reasons why it got such bad German ratings.

Once you have passed this initial bad scene you will start to understand that Henry Maske was a perfect choice. Even Schmeling himself was wishing for Maske to play the role one day.

Schmeling was a gutsy boxer, one with courage, who loved to prove himself. At the same time he was very fair with his opponents. When the Nazi’s started to rise he was on the rise as well. They liked to win over athletes as they corresponded to the Nazi ideal of strength, health and invincibility. Schmeling who held the heavy-weight champion title for quite a while was especially liked by Hitler. But when Schmeling announced that he, his trainer (Heino Ferch who is excellent as always) and his Jewish agent were flying over to New York to fight against Joe Lewis, the Nazi leaders were strictly opposed. Joe Lewis had the reputation of being invincible. He knocked out all of his opponents in a few minutes. And he was African-American which seemed hardly the right choice for someone belonging to the master race, as the Nazis called themselves. It took guts to disregard the orders and fly to New York anyway.

What happened in New York is boxing history. Max Schmeling knocked out Joe Louis and after this he was definitely  the Nazis’ favourite pet athlete. Still, when he announced he would go back to New York and face Joe Luis again, they didn’t approve. They were right this time.

He returned beaten and was sent off to war immediately. No other athlete had to go to war, but someone who lost against an African-American and ridiculed the master race had to be punished.

All these are things, I didn’t know. I didn’t know either that Schmeling and his wife were one of the most famous couples in German history. She was an actress and they got married before he flew to New York for the first time. They stayed happy together until her death in the 80s. Schmeling lived until 2005. After the war he had a hard time making a living and wasn’t denazified at first.

For all those who moan about Henry Maske’s acting I’d like to say, that it is not fair. This is a boxing film. 60% of the movie centers on the fights, training and boxing. If you like boxing, you will like this movie as Maske is an excellent boxer. He was the world title holder for many years – not in heavyweight but in light heavyweight – and used to be one of the best-liked German sports people. He is originally from the former German Democratic Republic which explains the mumbling to a certain extent as their accent is a bit on the rough side.

I’m fond of Maske, he is a likable person, I also like boxing and found the fights gripping. Certainly not a great film but entertaining and interesting.

I only found a German trailer but the movie has been subtitled.

http://www.youtube.com/watch?v=tGv1X2JewBU

Ken Loach’s Route Irish (2010)

I’ve read a few reviews of Route Irish and while I agree this may not be Ken Loach‘s best movie, I thought it was far better than I expected. There are a few awkward moments but overall it’s well done, well acted, interesting and suspenseful.

Fergus and Frankie are best friends since childhood days. They are inseparable. They join the army together and leave it together. While Fergus starts working as a contractor for Tyree (an organisation like Blackwater), Frankie does the odd job in their hometown Liverpool. The problem is that odd jobs don’t bring money and he is not with Fergus. That’s why he joins up with Tyree as well and they go to different “hot places” together. 10000 £ per month seem enough money to justify what they are doing and to accept the risks they are taking.

Organisations like Blackwater are the face of modern warfare. Although the men are called “security personnel” by their employers, what they really are is mercenaries. Iraq is a particularly ugly place to be. It’s messy and chaotic. They are constantly shot at and shoot back.

While Fergus is in Liverpool, Frankie is on his last mission, escorting a reporter.  He is killed on Route Irish, the most dangerous street in the world, the road that leads from Baghdad to the Green Zone.

Fergus is guilt ridden because he wasn’t there for his friend. Just before his death, Frankie tried to call Fergus several times as clearly something was wrong in Baghdad. A mobile phone that Frankie has sent to Fergus shows that he was involved in the shooting of civilians and that one of the other mercenaries wanted to cover this up. Fergus is convinced that Frankie wasn’t just in the wrong place at the wrong time but that he was murdered. He swears to track down the killers and take revenge.

Ken Loach could have chosen different ways of showing us the corruption and lawlessness of modern-day warfare and organisations like Blackwater but I thought a thriller wasn’t a bad choice. I liked Route Irish and think it is worth seeing. Not only for fans of Ken Loach.