Bertrand Tavernier’s Capitaine Conan – Captain Conan (1996)

Have you seen Capitaine Conan? You haven’t? Well then I’d like to know why you are sitting here, reading this blog when what you should really do, is chase a copy of this unique and brilliant movie? This is one of the best war movies I have seen in a while. I’m doing pretty bad with movies these days and have found my attention span is quite short but this movie had me glued to the screen. WWI movies tend to be a bit repetitive, it’s either the atrocity of the trenches, facial wounds, the analysis of the shortcomings of the high command or the incredible amount of dead and lost soldiers. All of it worthy themes but done a few times and quite brilliantly too. That’s why it was such a surprise that there is hardly any of this in Capitaine Conan. 

Capitaine Conan is based on the largely autobiographical novel Captain Conan by Roger Vercel who won the prestigious Prix Goncourt for the book. Vercel based the main character on one of his comrades.

The most interesting aspect is that the movie (and the book) takes place on the Bulgarian border where French and English troops fought a guerrilla like war against Germans and Bulgarians. There are trenches but a lot of the combat is hand-to-hand combat, man against man.

The lieutenant Capt Conan is an insubordinate, extremely wild and brutal soldier. But also someone who cherishes camaraderie. Instead of eating with the fellow officers, he rather sits somewhere with the men. He leads a group of 50 men that he calls his wolves. They are all equally fearless, brutal and, as it seems, addicted to violence but also a tight-knit group, ready to do anything for each other. There is nothing they like more than fighting man against man and mostly with knives. Because Conan is highly efficient and can turn around the course of hopeless battles, his superiors let him do as he pleases but when the war ends, things go wrong. His bloodthirsty men are too easily bored. They start to commit one crime after the other. Pillaging, raping, robbery. Conan who calls himself a warrior, as opposed to a soldier, isn’t any better and let’s his men get away with everything. Conan has long-lost his sense of right and wrong and all that he cares about are his men. War has turned him into a brute.

Among this violent crowd is a more gentle lieutenant, who wants to become a school teacher in peace time. If it wasn’t for him, who is appointed as prosecutor, Conan and his men would be court-martialled. The friendship between these two men grows slowly but once it’s established, it is indestructible.

It’s quite difficult to do this movie justice as it is very complex and quite fast-paced. Conan is a fascinating character and the way Tavernier depicts him we can’t help but admire him. In the world of WWI, in which there are so many officers who never dirty their hands but make the most important decisions without having a clue, someone like Conan, with a sense of honour and dignity, despite the brutality, becomes admirable. He is ruthless but he has a sense of loyalty and justice. The problem is, that men like him cannot go back to a normal life, once the war is over. They have gone too far.

After the war has ended, they are boarding a train and sent around without really knowing where they go. They stop in Sofia for a long time and are finally sent to the Russian border to fight the Bolsheviks. The scene in which the general informs them of the Armistice is one of the greatest scenes in any war movie ever. It’s so absurd. We see the guy talk about victory and glory, while the rain is pouring down, half of the men are running away because of diarrhea and the highly decimated band plays an off-key Marseillaise and looks like a bunch of flea-infested hobos.

I really hope I could give a halfway good impression of this wonderful movie and how rich it is. It’s very witty with super fast dialogue that I hope is well captured in the subtitles. I have a French DVD so I turned them off. It’s one of the huge problems of French cinema in translation. French cinema does live to a large extent from the dialogue which is usually fast and a lot of it isn’t translated. This isn’t a comedy but it has a lot of funny elements because it shows how absurd war is and because it juxtaposes many different levels of French society and different French regions.

As I said, the movie is available with English subtitles but the only trailer I found is a French one with Spanish subtitles. It still gives a good impression of the movie.

Lucie Aubrac (1997) A True Story of the French Resistance

I’m fascinated by Resistance stories and one of my projects is to watch at least all the French resistance movies that I can find. Claude Berri’s Lucie Aubrac is one of them. Like many other resistance movies it is based on a true story.

Lucie Aubrac is a quiet movie and despite some scenes of great violence, including torture, it has a gentle keynote.

At the beginning of the movie Lucie and her husband live in Lyon. He is in one of the resistance groups and, one afternoon, when they meet in the apartment of one of the members, he and his friends are arrested. If it wasn’t for his wife, who invents a cunning plan, he wouldn’t have been released so easily.

After this incident, they know, they have to move. Lyon isn’t safe anymore. They leave their apartment, get new passports and travel with their child to the South of France.

There are many different resistance cells all over France and Lucie’s husband is in the one that is in direct contact with de Gaulle. This is, of course, dangerous and it doesn’t take long and he is arrested again. Arrested and tortured, like his friends.

And that’s when the story takes off. Lucie’s love for her husband is so strong, she will do everything to get him out and save him from the firing squad. Her plan is amazing and to think that it worked amazes me even more.

This isn’t a very fast paced or dramatic movie, as I already said, it’s rather quiet and gentle. The focus is on the two main characters, Lucie (Carole Bouquet) and Raymond (Daniel Auteuil), their love and courage. The role of the nasty German is played by Heino Ferch.

If you are interested in the story of Lucie Aubrac here is the link to her book Outwitting the Gestapo.

The movie is available with English subtitles but I couldn’t find an English trailer.

They Were Expendable (1945)

I read that John Ford’s They Were Expendable was liked by the critics but not by the public when it was released. The public thought it was too patriotic and since people were tired of the war, they didn’t care for the movie all that much.

While I often share the critics’ view, I must say, not in this case. It isn’t a bad movie, it has quite a few scenes that are good but it didn’t work for me as a whole.

At the center of the story are Commander Lt Brickley (Robert Motgomery) and his friend and second in command Lt Ryan Rusty (John Wayne). Brickley is the squadron leader of a crew of PT Boats who are to defend the Philippines just after the Japanese have attacked Pearl Harbor.

Although Brickley is the commanding officer, Rusty is still the main character, he is also the one with a love interest (Donna Reed). For once I didn’t mind John Wayne, I would even say this is one of his better movies. Maybe because he isn’t the commanding officer.

There is a lot of emphasis on duty and honor and “getting the job done” no matter whether you will come back or not. All that is rather on the annoying side of things but what I truly liked is the battle with the speed boats. These are such neat little boats. Although it is said by an Admiral at the beginning of the movie that these boats were not likely to achieve much, their speed and agility makes them a dangerous opponent for the Japanese fleet and they manage to sink a few very big boats.  Their losses are high anyway as they are not only attacked by the Japanese boats but by their planes as well.

They Were Expendable was very important for John Ford who was one of those directors (like Capra, Huston and Wyler) who had served during WWII where he also filmed the documentary on the Battle of Midway (1942). He was chief of the Field Photographic Branch of the US Navy and also present during the Normandy invasion in 44 where he met the man who served as model for Lt. Brickley.

Funny enough what works best in this movie, apart from the speed boats, is the love story as it underlines how much the people fighting in the Pacific are in danger. The scenes with Donna Reed are quite languorous, I particularly liked the many shots with light falling through blinds. That always creates a nice atmosphere.

Something else that I appreciated is the fact that the Japanese are not demonized. They are only present through their planes and boats, we don’t see them.

While this is certainly not one of my favourites, I think it is worth watching for those who are interested in the development of the war movie genre. Despite its flaws, John Ford manages to tell the story in a very unique way with a lot of emphasis on all the individual people involved. Last but not least, I think it is a must-see for John Wayne fans as he is more interesting when he gets to play second in command.

Battle of Britain (1969)

Never in the field of human conflict was so much owed by so many to so few. (Winston Churchill)

Battle of Britain is one of the great war movie classics. It’s the favourite movie of many people and certainly the favourite air combat movie of many more. I have watched it for the second time on the week-end and I’m glad I did so, because now I know better what worked for me and what didn’t. The strength of this movie is – funny enough – also its weakness.

The depiction of this crucial moment in British history is done with great detail and accuracy. The director tried to get everything right, down to the cloud formations. An incredible amount of original planes was gathered from different collectors all over the world to make the battles look authentic. And yes, the battle scenes look very convincing.

The Battle of Britain was Göring’s idea. He had been a fighter pilot in WWI and the whole strategy of gaining the air supremacy over England was his. Only he miscalculated the whole thing and they made crucial mistakes.

The idea was to bomb all the air fields, hangars, docks and the like. Starting on November 14 1940 they dropped huge loads of bombs and also destroyed, among other things, the city of Coventry on November 15. Unfortunately they also bombed London which led to the bombing of Berlin and was ultimately the beginning of the Blitz.

The movie shows all these elements and changes constantly from the British HQ to the German side, from there to the air fields and the pilots. Unlike most other movies of the time they did cast Germans for the German roles and French actors for the French which adds another layer of authenticity.

What looks at first like a desperate and hopeless case, later becomes one of those incredible tales of heroism and courage.

Not only did the Germans make the capital mistake to bomb London, they also underestimated their enemy. The British pilots, later helped by Free French, Polish, Czech and others, were the far superior pilots and their fighter planes were superior as well.

When Göring asked one of his commanders what they needed in order to win the answer was “Spitfires”.

The tactics, the battles, the details, all this is incredibly well done but,  due to the epic nature of the movie, there are a lot of characters in this movie and one doesn’t really warm to any of them. Sure Michael Caine is great as Squadron Leader and there is a mini love story at the heart of which is Christopher Plummer but the characters are not very well developed. This was clearly not the focus. Battle of Britain is much more a documentary style movie and, as I already said, this is its strength and its weakness and that is why I will always prefer The Dam Busters. I like my movies to be a bit more emotionally engaging than Battle of Britain.

Still, despite all the criticism, this is one of the great epic war movies and an absolute must-see that one cannot rate less than 5/5. I would say it’s  a great companion to the US Pearl Harbor movie Tora!Tora!Tora!, another great and very authentic air combat movie.

Sorry for this lousy looking trailer but it was the only one I could find.

Uprising (2001) TV Movie on the Rebellion in the Warsaw Ghetto in 1943

Uprising is a made for TV movie based on the true account of the rebellion in the Warsaw Ghetto in 1943. A group of young and very determined Jewish people managed to do what some of the biggest armies weren’t capable of doing, namely fighting back the Nazi’s for a few weeks. It’s not a flawless production, some of the dialogue is  a bit “What-the-Heck”, including the fact that all the actors talk with a heavy accent, but apart from that I found it very interesting. The actors are mostly good and it focuses on a few historical facts I hadn’t known too much about and that I found very interesting. I can only hope it’s accurate. At least it felt so.

The movie begins with the Germans entering Poland and Warsaw and forcing all the Jews to live in the ghetto. They endure famine, illness, daily abuse. The conditions in the ghetto are harrowing. The most controversial role is played by Donald Sutherland as Adam Czerniakow, head of the Jewish council. He thought that by collaborating with the Germans he could save the Jews from being deported. When he realized his error and the daily transports to Treblinka started, he committed suicide.

The rebellion is led by Mordeachai Anielewicz (Hank Azaria), Yitzhak Zuckerman (David Schwimmer),  Kazik Rotem (Stephen Moyer) Tosia Altman (Leelee Sobieski) and Mira Fruchner (Radha Mitchell). The danger to smuggle out information from the ghetto to the Polish side and weapons back in, is shown in great detail. Those people were incredibly courageous. Still they had to fight at lot of internal opposition. The Jewish Council didn’t want to support them as nobody wanted to believe that the camps were extermination camps. When they finally coudln’t doubt this anymore and Czerniakow had committed suicide, more and more people joined them. At first they planned little terror attacks until the Nazi’s seent tanks to erase them.  The Nazi leader Stroop is played by Jon Voight, accompanied by filmmaker Dr.Hippler (Cary Elwes), who was responsible for propaganda. In Goebbel’s name he films The Eternal Jew – Der Ewige Jude, a horrible piece of shit that should help make Germans hate the Jews, as – according to Goebbels  – they were not sufficiently anti-Semitic.

The movie can’t be compared to The Pianist, that’s for sure, but it’s well worth watching and quite informative too. David Schwimmer is surprisingly good in this and so are most of the other actors. Many, I’m sure,  will be delighted to see Stephen Moyer in his pre True Blood days.

It’s often been said that it was hard to understand that the Jews didn’t fight back. This movie shows why they didn’t or couldn’t and what happened when they did and how incredibly difficult it was to organize a rebellion. Most of these young people didn’t make it but some did. Their story is a testimony of how courageous people can be.