This is an outstanding movie. Truly outstanding from every possible point of view. Narrative style, cinematography, actors, story, technical aspects. Absolutely great.

The Polish movie Katyn is about the massacre of some 22000 Polish officers by the Russian army and the subsequent  disposal of their bodies in the Katyn forest in 1940. Once the mass grave is found in 1943 the so-called Katyn list is established.  After having waited anxiously for the return of their fathers, husbands, sons and brothers the families are now informed if or if not their loved ones have been among the victims. However not all the victims are on the list. Many more a still missing and may or may not have been murdered. Many wives still wait for their husbands in 1945.

The movie focuses on two families. One is the family of a Polish General, the other the family of a Polish officer. The story is told in two sequences. The first half tells the story until the massacre, the second tells the story of the lie and ends again with the massacre but this time shown much more explicitly (The way these murders were executed…How can people do this to people?). After the first half we think the story should be over but in reality it only just begins. Seeing it first from the point of view of the victims, we are then guided towards the point of view of the families who wait for them. Their ordeal is a different but very cruel one. Even though everybody knows who killed those officers, officially it is said to have been a massacre committed by the Germans. To say otherwise would be very dangerous. The political climate of the time that made it impossible to even mention a critical view of this incident until 1989 is palpable in all its atrocity.

On my DVD of this movie is an interview with the Polish filmmaker Andrzej Wajda. He tells the interviewer how difficult it was to make this movie. He didn´t know how to tell the story. Should he tell his father´s story, who had been among those officers, or his mother´s who was one of those who did not give up hope until 1945. He decided eventually to tell both stories, juxtapose them, have one mirror the other. This is very skillfully done. Wajda belongs to the so-called Polish Film School and has made many movies, two of his better known earlier ones also deal with WWII:  A Generation aka Pokolenie (1955) and Kanal (1957) about the Uprising in the Warsaw Ghetto.

This film is truly the work of a master, of someone who does not just deliver a story but who weaves it carefully, adding symbolism and criticism alike. And  still it is highly watchable.