Battle for Haditha (2007) A Powerful Movie on the War in Iraq

The British movie Battle for Haditha is one of the best war movies on the war in Iraq because it manages to capture the complexity of the situation. It’s an extremely moving film that for once doesn’t glorify anything and achieves to show the ugly truth. It tells the true story of the cruel massacre of 24 civilians amongst which were women and children.

In 2005 a group of US Marines was ambushed by Iraqi insurgents. One of the officers got killed, two others were severely wounded. The remaining ones went on a killing spree that cost the lives of those civilians. For this war crime the commanding office was awarded a bronze medal. The US Army tried to cover up the whole story but four months later eye-witnesses told the truth.

As ugly as this story is Battle for Haditha doesn’t blame anyone but shows in great detail the parties involved in this massacre. Even if the movie doesn’t ultimately blame the US Marines, and in particular Cpl Ramirez whose nerves were on edge, it does point a finger at the US government. And rightly so.

The movie moves back and forth between three different viewpoints and ties three very different stories together. We see those young Marines who often join the Army because they have no chance to do anything else. They are shipped to Iraq but haven’t really got a clue what they are doing there. They face severe hostilities, they frequently come under fire, they are blown up and shot at and stressed out.

While the group around Cpl Ramirez moves toward the city of Haditha, two Iraqi men join the Mujaheddin and are instructed how and where to bury a bomb that they will also detonate with a mobile phone. The street that has been chosen is frequently used by Army convoys or reconnaissance on the way to Haditha. The two men have to hide in an empty building and survey the street until an US Army vehicle shows up and then blow up the bomb.

Close by is a housing complex in which two extended families live who are preparing for a party. One of them sees those men digging and they know what will happen. They are extremely scared. Should they report it, they might be executed by the Mujaheddin, if they don’t they might be arrested by the US Army. It’s a big Iraqi family, many children but also the parents and grandprents live together. They are very close and affectionate.

The two men who bury the bomb are just simple men without any political convictions. They are afraid of the Mujaheddin and they are dirt poor. Helping the Mujaheddin is a way to make some money and they do not foresee the consequences. Besides they are promised glory in heaven.

Broomfiled chose hardly any real actors and especially no stars to give this movie an even more authentic feel. The parts of the movie that show the Iraqi insurgents and the family are spoken in Arabic and subtitled which further enhances authenticity.

As far as anti-war movies go, this is a great movie. I think it also manages to illustrate some of the complex feelings and thoughts of all the parties involved.

The biggest achievement however is that Battle for Haditha manages to show us one or many likable characters in each of the three groups. They are all just humans hoping for a better life. One of the likable characters is the unfortunate Cpl Ramirez who, when he sees that one of his friends was killed, literally loses it. I don’t know what became of him. The worst is that the High Command tried to cover up the whole story and tried to justify the war despite every single incident pointing out its injustice.

No Man’s Land (2001) An Outstanding War Satire

Danis Tanovic’s No Man’s Land is without any doubt one of the best war movies I have ever seen. The actors are outstanding, the story is different and manages perfectly to convey the tragic absurdity of war. It also very funny, unless you have never heard of black humor or satire.

The movie starts with a group of Bosnian soldiers on their way to the front, bickering and teasing each other and lost in the darkness and the fog. They try to find the way for a while but it’s useless. After some more bickering and sharing of cigarettes, they stop and go to sleep. Horror on horror, when they wake up they realize they are in between the front lines and very close to the Serbs. The fun is definitely over now and as soon as they start to run, the Serbs open fire. Ciki is catapulted by an explosion into an empty foxhole, in the middle of No Man’s Land.

He hides in the foxhole until two Serbian soldiers arrive to investigate if there are any enemies around. They find Cera, who has also been catapulted into the foxhole and, thinking he is dead, they booby-trap his body.

After a while they finally discover Ciki who shoots one of the two Serbs. Two enemies are now trapped in between their lines, together with a unconscious man, attached to a mine, whose every move could make the thing explode.

What follows is one of the most comic farces I have ever seen. Trapped in between enemy lines, they start to quarrel and fight, all the while the poor Cera moans because he needs to go to the toilet, is uncomfortable and thirsty, wants a fag… Ciki keeps on asking him if he is OK which is, considering the circumstance, in a grotesque way funny as well.

A lot of the humor stems from the dialogue. Although they find themselves in the most dire circumstances they still argue and quarrel like a family at the Sunday dinner table; petty grievances, teasing, sulking, all included. Considering they might end up being killed it’s tragically comic. On top of that, the three are really endearing characters.

The movie also criticizes once more the inefficiency and cynicism of high command and the ultimate uselessness of the UNPROFOR troops who, as usual, aren’t allowed to do anything. On top of that a group of sensation-seeking journalists appears and makes matters worse.

Both camps send people into the foxhole which becomes a sort of neutral zone. Journalists are there, de-mining experts, UN troops and what not. Everybody wants to give their opinion, no one is capable of helping.

If you want to know whether poor Cera will be saved, you will have to watch the movie.

No Man’s Land is outstanding and manages like not many to make a very profound anti-war statement.

One word of caution: Should you just have stopped smoking you shouldn’t watch this movie. I have hardly every seen such a lot of smoking going on in any movie. Even a lifelong non-smoker like myself started to feel a certain urge after a while.

I almost forgot to mention that No Man’s Land is a Bosnia & Herzegovina/FR/IT/Slov/UK/BE co-production.

Warriors aka Peacekeepers (1999) UNPROFOR Peace Units in Bosnia

Warriors is an almost three hour long TV  production starring Ioan Gruffud (Hornblower, King Arthur), Matthew Macfadyen (Robin Hood, Pride and Prejudice) and Damian Lewis (Band of Brothers). Unlike some other great TV productions it isn’t capable to get rid of the TV feel. At every moment we are aware of it having been made for TV. I don’t know how this was aired, probably on two consecutive evenings, watching it like I did in one go wasn’t the best idea. If there hadn’t been some famous actors I would have thought it is a documentary.

You may have gathered already that I didn’t like it that much but it still is an important movie. Many movies depict the absurd mandate that most UN troops have to follow. Unless directly attacked they are not allowed to fight. They are not allowed to take sides. Mostly, like in this case, they aren’t even allowed to evacuate people unless they are seriously injured. This means they have to watch innocent civilians getting killed.

The movie starts in England where we see the soldiers and officers on leave and get to know the main characters. From there we follow them to Bosnia where they are instructed about their mandate which doesn’t really pose any problems for them at the beginning.

Our three main characters will stay in the region for six months. Starting as mostly joyful men who want to make a difference they undergo some serious changes and at the end none of them is remotely comparable to the man he was before he was sent to the region at war.

It is one thing to be told to not interfere when there are soldiers involved but a totally other matter when you see how civilians are raped, butchered and tortured. All these young UN soldiers ask for, is to be able to evacuate those who might get killed. Their superiors stay firm, there is no helping that couldn’t be misunderstood. Soon enough they get proof of this. In a few instances, when no superior officer is around, the one or the other soldier attempts to help and each and every single time the consequences are fatal.

In one instance Lt. Feeley (Ioan Gruffud) assists an elderly Muslim couple whose dog is shot and whose house is plundered. He intervenes and chases off the aggressors only to find the couple executed, when he returns a few days later. Instances like these are numerous and the movie shows more and more atrocities towards the end.

The final part shows the three main protagonists back in England. None of them can cope. Having helplessly witnesses gratuitous acts of violence against children, women and old people has left them shattered. Two have a severe anger management problem and the third attempts to commit suicide.

If you are interested in the peace work of the UN troops and want to see in great detail how they operate, this is a good movie in this respect. There are others who show this very well too but not in so much detail. If you want to watch really good movies on the war in Bosnia I suggest you rather stick to Welcome to Sarajevo (see my review), Savior (see my review) and No Man’s Land (review upcoming).

I couldn’t find a trailer so I attached part 4 of the film.

The Diary of Anne Frank (2009) The BBC mini-series

The Diary of Anne Frank is a BBC mini-series in 5 parts, each of which is half an hour long. There are far over 20 movies or TV series that depict the life of this famous thirteen year old girl. Anne Frank spent two years in hiding, in an annex and the attic of an old house in Amsterdam during the last years of the second world war. Because they were Jewish, her father decided to hide in order to avoid being deported to a concentration camp. They hid there together with family friends, all in all 8 people and a cat, in very close quarters. Anne, a precocious and highly intelligent teenager, kept a diary of this time, the famous Diary of Anne Frank, on which this and any other movie is based.

The incredible tragedy of Anne Frank’s story is the well-known fact, that after hiding for two years successfully, they were still found and deported to various camps where they all died, in some cases just a few months before the end of the war.

The father was the only survivor. And what “survived” as well, was Anne’s diary that she had to leave behind when they were discovered. The lovely Miep, who hid them, and brought them food every day, kept it.

There are different ways to tell Anne’s story I remember one movie also showing her in the concentration camp. That was a very good but very bleak movie. This mini-series is completely different.

I found especially the first parts to be very educational. This could and should be shown in schools and can also be watched with younger children. I found out later that the BBC aimed at this public. In so far it is very well done. The girl Anne and her daily life, her struggles, conflict with the grown-us – in particular the mother – first love and many other things are shown nicely. We also see how stressful it must have been to hide like that and be around the same people day in and day out. They had no privacy, no independence, no freedom.

This cozy feel is a bit of a problem for grown-ups, I would say, it’s a bit too cute. On the other hand, the end is extremely powerful, much more powerful even than the end of the one in the concentration camp. But you really have to watch the whole series to experience this ending. We see nothing graphic, nothing brutal, just the people being led out and the name of the concentration camp and the date of their death. Very moving. All the quarrels, and petty grievances they went through, all the weaknesses we saw, they all of a sudden get another dimension. In retrospect even the most annoying of the characters becomes endearing. It seems so ironic that they were caught so late, after so many years of deprivations, just when they started to rejoice after having listened to the BBC and heard about D-Day…

Waterloo (1970) “Next to a battle lost, the saddest thing is a battle won”

Waterloo was more than just a movie for me. Watching it meant jumping head first into childhood memories.

“Waterloo, Waterloo, morne plaine…” No, this isn’t the French version of the AbbA song. I am afraid the words are not bound to tell you much. I can still hear my father’s voice drone this part of  Victor Hugo’s famous poem L’Expiation (an endless poem by the way) on Sunday mornings. I said it in my last post, I went through a bit of an obsession with Napoléon as a child and guess I deserved a little punishment and therefore frequently had to listen to the long and never-ending recitation of that poem. Sorry for this little digression… Back to my review.

I haven’t seen this movie before and I must say it was high time. It is a worthy candidate for a place among my Top 20. I loved every minute of it (with the exception of the animal stunts. Being reminded that this a Russian production and the well-being of horses might not have been high on the agenda did NOT help. It is funny how all of a sudden one likes the idea of CGI. I never thought I would ever write such a sacrilegious thing.)

As the title indicates, this is not a Napoléon biopic. It doesn’t show the great man’s life, only a fatal and tragic part of it, the battle of Waterloo. Maybe the best known of all the French battles (apart from Austerlitz) in France.

The movie starts with what has become in French the synonym for something long, endless and wearisome, namely “Les adieux de Fontainebleau” or “The Goodbyes at Fontainebleau” in which Napoléon, before being exiled to Elba,  says goodbye to his troops. He states in the movie that he deplores that he can not say goodby to each and every one of them still it is said that it took hours. After having been defeated on the battlefield he was forced to abdicate and go into exile to the island of Elba.

Rod Steiger manages masterfully to show how emotional Napoléon was. This man was driven by strong emotions and passions. And it seems that the troops loved him for this display of feelings.

He stayed at Elba some ten moths and then returned to Paris where Louis XVIII (Orson Welles) had taken back the throne. The moment when he meets the troops is another highlight in this movie. He wins them back easily and becomes emperor once more.

After this episode he heads the troops and marches towards Belgium to engage the troops of Wellington.

Before the movie takes us to the battlefield it briefly stops in a ballroom in Belgium where Wellington (Christopher Plummer) and his men are introduced.

Two thirds of this movie are dedicated to the battle of Waterloo. I think it is incredibly well done. I liked those costumes and the way we could see the battle formations. There was such a huge difference whether cavalry charged against cavalry or against infantry. The moment when the French cavalry attacks the British infantry is horrible. The horses are shot down one by one. The square battle formations of the infantry made it impossible to win for the attacking cavalry. Like this the horses could be shot down from every angle.

At moments, while I watched this and saw the tactics the two men applied, how they overlooked the battlefield, sent troops from here to there, removed them from somewhere else, I was reminded of chess.

The two great men, Napoléon and Wellington are shown as complete opposites. Naploéon goes through every possible emotional change while Wellington stays poised and self-possessed. While one is of very humble origins, the other is an aristocrat through and through.

We all know the outcome of the battle and when it is over, not even Wellington is unmoved and he says the famous words:

Next to a battle lost, the saddest thing is a battle won.

I really enjoyed Waterloo. I liked the costumes, the uniforms, the battle formations, Wellington’s poise, Napoléon’s sadness, the composition of the British regiment, the Irish troops with their rosaries and the Scottish with the bagpipes.

I would recommend this movie to every one who is interested in French and British history and the Napoleonic Wars, who likes costumes and has an interest in miltary tactics of the time.