Black and White in Color (1976) – A Guest Post by nem baj

I’m still in a movie watching slump and that’s why I’m really grateful to have another guest post from nem baj for you today. His post is dedicated to a movie I haven’t seen yet. In all honesty, I hadn’t even heard of it although I’m familiar with many of Jean Jacques Annaud’s movies. 

In a nutshell: two French and German outposts in 1914’s central Africa, cut away from their respective metropolitan authorities, mimic the European conflict once they have learned its existence – six months after the hostilities have been declared in Europe. Focusing on the French, the movie is a satire of patriotism and the ‘civilizing mission’ of french colonialism.

Director Jean-Jacques Annaud may be known to younger audiences as the craftsman behind international productions such as The Name of the RoseSeven Years in Tibet or Enemy at the Gates, but he started his career in France by directing two little rebellious films, Hot Head (about local sports celebrity and politics) and Black and White in Color, which is a war movie based on an actual event. It is a comedy, cliché-based from the start, the Germans being organized and professionals, whereas the French spend more time speaking, eating and making love than preparing for a fight. Yet the latter are so vain they launch the first offensive, which ends up being a disaster. Now they’re scared and in a defensive mode – which means time has come for a radical change in leadership.

For the main weakness of the French is the way the small community in their outpost envisions exploitation: the locals are not considered as men, crooked shopkeepers and even more crooked missionaries exploit the populations for immediate profit, and the only French soldier, a sergeant (seconded by a handful of tirailleurs, professional Black soldiers), is only a few months from retirement, and has never fought a battle except maybe against the appeal of booze and local women (those battles he seemingly always looses).

However, a young educated geographer, a pacifist and a socialist, decides to take over after the defeat. He engages the village chief, using the antagonism between villagers and bush tribes, to capture fresh cannon fodder from the countryside. Then he appoints the local White bully as a staff trainer, and takes a Black woman, possibly of high rank, as his mistress. The result is a brand new force of African soldiers, which is used to launch a new offensive on ‘German’ soil, this time with better, though inconclusive, results. They start digging trenches similar to those appearing in French magazines… I won’t spoil the ending.

The whole thing is a cruel satire, the story of a ridiculous war fought by Black proxies on account of racist White trash. Whether you’re a French with self-irony or a fan of French-bashing, it will surely please you. But its strength lies in the fact that is quite witty. The role played by language barriers is both symbolic and hilarious. Also, on one hand the Africans are real people, with their own identities, language and distinct approaches to the colonizers – yet on the other hand the recognition of their social existence by the French geographer gives him more exploitative power than his predecessors ever had… which in turn seems to give new strength to the contestation of colonial power. And finally, the intellectual betrays his own pacifist ideals for the pursuit of glory, sending more men into combat… in the name of humanism.

PS: this review refers to the international version of the film, which gained the Foreign film Academy Award in 1976 in the name of Ivory Coast, where it was shot. On first release, the movie received extremely bad reviews in France, then the international version was re-released in France after the Oscar…

Heaven and Earth (1993) The Third Movie in Oliver Stone’s Vietnam Trilogy

Heaven & Earth is Oliver Stone’s third Vietnam movie. He started his trilogy with the intense infantry combat movie Platoon (1986), followed by the harrowing tale of one soldier’s ordeal Born on the Fourth of July (1989) and then the third part, told from the point of view of a Vietnamese village girl Heaven & Earth (1993). It’s anti-climatic to start a review with a verdict, so let’s just say, Heaven & Earth is the weakest of the three. And the most sentimental.

The movie is based on the true story of Le Ly. It starts in the 1950s, with Le Ly as a little girl of five, living with her family in a beautiful village in Northern Vietnam. In 1953 the village is burnt down by the French. Her father teaches Le Ly that the most important thing is freedom and it’s not surprising that she and her brothers will later actively help the Vietcong. While the younger brother is executed and the older one hidden somewhere, Le Ly is captured and tortured by the Americans first and later raped by the Vietcong.

Le Ly (Hiep Thi Le) leaves her village and tries to make a living in Saigon. She and her mother work for a rich Vietnamese family until Le Ly has an affair with the husband and gets pregnant. They are chased away. Her mother returns to the village, while Le Ly stays in another city, Danang. Most girls from the villages end up as prostitutes but she sells cigarettes and other things, and fights off the advances of the American soldiers.

When her son is about five, she meets an American soldier (Tommy Lee Jones) who falls in love with her. They live together for a while and finally get married. Butler wants to take her back to America and some time later, after their first child is born, they leave for the US. Just in time to escape the chaos that breaks out in Vietnam after the war is over.

The US are a culture shock for Le Ly. But also a pleasant surprise. The way she sees it, this is the land of plenty. There is so much food and abundance everywhere. Everything could be great if her husband didn’t show signs of alcoholism and other issues. Le Ly who was a very independent woman in Vietnam, wants to open a business of her own but her husband is opposed to that. They fight more and more, the marriage is doomed.

In the final part we see Le Ly and her children return to Vietnam. She will forever be a part of both worlds, Vietnam and the US, Heaven and Earth.

I have seen a lot of negative reviews of this movie and while I was watching the first hour or so I didn’t understand why. The initial parts are not only beautifully filmed, they tell an intense and interesting story and the choice to focus on a girl from Northern Vietnam, to illustrate some of the complexities, wasn’t a bad choice. Unfortunately from the moment she meets Butler, the story starts to drift in a lot of different directions and from the story of a girl, exemplary for one nation’s suffering, it turns into the story of one woman and her failed marriage. It just didn’t work for me anymore, was too sentimental and lost its strength.

Heaven and Earth is cinematographically compelling and the first part is well above average. Then, unfortunately, it tumbles down and I don’t think it works well as a third part in Stone’s trilogy. It may however work as the story of one woman who may not have been able to free her country but herself.

Another Movie I Couldn’t Finish – Iron Sky (2012)

For various reasons I am not watching a lot of movies these days but finally I had a bit of time this weekend and what do I pick? Iron Sky. I hardly got through the first half hour.

A brief look at the IMDb user reviews tell me that people “laughed all the way through this movie”, “enjoyed it incredibly”, thought it was “the best sci-fi” movie ever. What the heck?

I found the humour heavy-handed, from the Nazi to the Sarah Palin parody. And I couldn’t shake off the feeling that the producers liked the paraphernalia, symbolism and imagery of the Nazis  a bit too much for my taste. Plus Laibach made the music? Hmmmm.

Maybe this is the new Starship Troopers,  another one I found insufferable and couldn’t finish. If so, then this is simply not a movie for me. Or maybe it is really crap. I can’t finish it just to find that out.

Tell me, what did you think of Iron Sky?

A Month of Watching German War Movies

In line with another event I’m planning on watching only German war movies and mini-series during November and to some extent maybe already during October. I’ve seen a lot of the best but haven’t reviewed them all so that should be a good opportunity to catch up.

These are the movies I’m planning on watching and rewatching.

Die Brücke – The Bridge (1959)

Das Boot (1981)

Klemperer  (1999)

Sophie Scholl (2005)

Speer und Er aka Speer and Hitler (2005)

Don’t hesitate to make suggestions. My Top 10 German War Movies can be found here.

Habermann (2010)

The German/Czech/Austrian co production Habermann tells a chapter of German history which is easily forgotten. The movie is based on a true story and tries to exemplify the destiny of the Germans living in Sudetenland. This is one of those movies which touch on a historical fact which is so painfully absurd in its arbitrariness one can hardly believe it.

Habermann is a rich mill owner in Sudetenland. The tragedy of the Sudetenland was that it belonged to Czechoslovakia before the war but almost 90% of the people living there were Germans. When Germany decided to annex the Sudetenland in 1938 this posed a huge problem to people like Habermann who lived peacefully with the Czechs. Habermann’s best friend is a Czech (Karel Roden), many of his mill workers, his accountant and other people in important positions are Czechs. Being so friendly with the Czechs makes him look suspicious to the German authorities who take up residence in the small village in which he lives. When the despotic and sadistic Sturmbannführer Karl Koslowski (Ben Becker) arrives in the village, things go from bad to worse. He wants Habermann to get rid of the Czech workers, spies on him and the Czechs, bullies and controls him.

But the worst isn’t even known to Habermann and his wife yet. Although she grew up as an orphan and was  brought up by Catholic nuns, her father was a Jew. When Koslowski finds out, the tragedy cannot be averted.

Another dramatic story line circles around Habermann’s young brother you joins the Nazi’s.

There were a lot of things I liked about this movie and the story of the Sudeten Germans is a story which needed telling. The real tragedy for most only started after Germany lost the war and the Czechs turned against them. This drama is shown well but what I didn’t find too good is that there is too much emphasis on the character of Koslowski. Ben Becker is one of my favourite actors and I watch every movie he’s in. I think he is simply brilliant but he is also the type of character who just crushes everyone around him. He is often chosen to play a nasty Nazi villain and does that well, only giving him this role, putting so much emphasis on this characters, almost makes you think that the whole tragedy was linked to this one man while this was a collective tragedy and not just related to one sadistic character.

Still overall I think Habermann is well done, not one of the best but a very watchable movie and the actors, Ben Becker, Karl Roden, Mark Waschke as Habermann, Hannah Herzsprung as his wife, are really good.