Tag Archives: WWII

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12 French War Movies You Must See Before You Die

France, a country that has endured and fought many wars, was at the center of many a battle and armed conflict, a country famous for its outstanding filmmaking has produced a very modest amount of war movies. You will find numerous WWII movies on the Resistance and a fair amount of rather psychological war-time movies but if you are looking for combat movies, you will not be lucky. I know of no French air combat or submarine movie at all.

There may be many reasons and I can only attempt an interpretation, comparing French cinema in general to the cinema of other countries. What becomes apparent soon is that the French are not keen on producing large-scale, epic or very action driven cinema. French movies are psychological and intimate. They focus on the dynamics between a few people, their interaction, the dialogue. Many of the most famous French movies focus on tiny details, small things. It’s easily understood that this doesn’t fit in with infantry combat movies with their huge casts and more action driven story lines.

In choosing 12 movies  I tried to pick the few real combat movies I knew and added the ones that I think excellent or that absoultely need to be watched. I also tried to covera wide range. I left out good ones, I’m sure.

For those who want to further explore French cinema the website French War Movies offers a great overview.

I discovered one huge problem for the non-native speaker when I watched La Grande Illusion recently as I bought a movie with English subtitles. Almost 2/3 of the dialogue was missing. I noticed the same when I watched and reviewed the Italian Rome, Open City (here is my review). Since French and Italian movies are dialogue driven, it’s very hard for a non-native speaker to fully appreciate them. I’m sure this is done better in more recent movies, still it is a problem.

With all this said, let’s open the curtain for twelve stunning movies:

La Grande Illusion aka Grand Illusion (1937): WWI. Jean Renoir’s movie is one of the great classics of European cinema starring the late great Jean Gabin. A POW movie that offers a lot. Interesting German characters included. (Here is the review)

Nuit et brouillard aka Night and Fog (1955): WWII. Alain Resnais’ Holocaust classic. Death Camps. Final Solution. Documentary/original footage about the horrors of the concentration camps. Gut-wrenching. Impressive. A must-see. (Here is the review)

Hiroshima Mon Amour (1959): WWII. Another movie by Alain Resnais. A love story between a French woman and a Japanese man from Hiroshima. Interspersed with original footage of Hiroshima. Very special and poetic based on the scenario by Marguerite Duras. A must see for French cinema aficionados. (review upcoming)

L’armée des ombres aka The Army of Shadows (1969): WWII. Jean-Pierre Melville’s Resistance masterpiece. Another classic. Claustrophobic, impressive, sparse. Excellent actors. One of the most depressing movies I’ve ever seen. (Here is my review)

L’honneur d’un capitaine aka A Captain’s Honor (1982): Post war. Algeria. A captain who died on the battle field in Algeria is accused of having been a torturer and a murdered. His widow tries to prove that he wasn’t guilty. (review upcoming)

Dien Bien Phu (1992) : Indochina. Infantry Combat. Schoendoerffer’s movie shows the final defeat of the French in Indochina. Not nice to watch at all. (review upcoming)

Le pianiste aka The Pianist (2002): WWII. Holocaust. Tells the story of a Jewish pianist in the Warsaw ghetto. Harrowing and beautiful. My favourite Holocaust movie. Very moving. (review upcoming)

La chambre des officiers aka The Officer’s Ward (2001): WWI. Everything you never wanted to know about the horrible facial wounds that were so frequent during WWI. Made me quite sick. Painfully well-done  (Here is the review)

Un long dimanche de fiançailles aka A Very Long Engagement (2004): WWI. Based on Sébastien Japrisot’s eponymous novel it tells the harrowing story of young Mathilde who travels to the no man’s land of WWI in search of her lost fiancé.  This is one of the darling movies of international film critics. I did like it but wasn’t awed. Starring the much-loved Audrey Tautou. (review upcoming)

Joyeux Noël aka Merry Christmas (2005): WWI. The story of the little peace during the Great War. During the first Christmas in WWI, German, French and British/Scottish troops cease fire and play football together. Wonderful movie with great actors. One of  my Top 10 all-time favourites and one of the bestanti-war movies that exist. (Here is the review)

L’ennemi intime aka Intimate Enemies (2007): Algeria. One of the very few French Infantry Combat movies. Very good and very critical. About the ugly side of an ugly war that was officially no war. If you want to find out why I found this hard to watch, you’ll have to read the About page. (Here is the review)

L’armée du crime aka The Army of Crime (2009): WWII. French Resistance. Based on the true story of a group of young people and immigrants who fought a desperate fight against the Nazis. They were led by the poet Manouchian. This is an absolutely stunning and very tragic movie. One to watch and re-watch. It went directly on my Top 10. (Here is the review)

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The Cranes are Flying – Letyat Zhuravli (1957)

It’s nice to watch a movie that is almost flawless like Mikhail Kalatozov’s The Cranes are Flying, a masterpiece of Russian cinema. It’s touching and beautiful and for once free of any traces of propaganda as it was filmed after Stalin’s death.

I haven’t seen many movies depicting the Russian home front during WWII, so that was interesting as well.

The Cranes are Flying tells the love story of Boris (Aleksey Batalov)  and Veronica (Tatyana Samojlova), two young people who are very much in love and whose love is deeply affected by the outbreak of the war.

The only thing Veronica hopes when she hears about the war is that Boris will not be drafted, only he has other plans. He has already volunteered and his hasty departure doesn’t even permit to say good-bye.

Scenes like the one in which Veronica runs to the train station and hopes to see Boris one last time and say good-bye but is held back by the masses is quite tragic. She can see him but he doesn’t see her and no matter how much she fights to get his attention, it is utterly futile. We see many scenes like this in the movie, in which the camera stays for a long time on Veronica’s expressive face, which mirrors her tumultuous feelings and despair, and in which she seems to fight forces that are beyond her.

After Boris departure Veronica faces utter loneliness. Day in and out she waits for a letter from him but nothing arrives.  When she looses her parents in an air raid, she is completely alone. Fortunately Boris father is a kind man and asks her to live with them.

Boris cousin who was always very interested in Veronica tries to seduce her once Boris is gone and when she doesn’t give in, he finally rapes her. Desperate and lonely Veronica accepts to get married to him.

The family lives together in very quarters. The father and his eldest daughter are both doctors and constantly needed at the hospital. Even though she is now married, Veronica still waits for a letter from the front.

In the second half of the movie scenes from the front and the home front are interwoven.

The story is moving and sad but what is really compelling about this movie is the cinematography. The black and white shots are haunting. The way Veronica’s face is filmed is wonderful. Tatyana Samojlova really has a captivating and expressive face.

I was surprised about the characters as well. The father is one of the most positive father figures cinema has to offer. He is kind, gentle and understanding but at the same time determined and strong. He isn’t very patriotic and doesn’t think it is admirable to volunteer.

This is one of those movies that should not be missed and that will probably be even better when you watch it a second time.

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Nuit et Brouillard aka Night and Fog (1955)

I don’t think there are many movies as hard to watch as Alain Resnais’ famous testimony Night and Fog. It’s a testimony to one of the darkest chapters in human history. The film is only 30 minutes long and combines actual footage with a documentary part on the concentration camps in 1955.

I have to admit that this movie made me physically sick. I could literally not stomach it.

The camera takes us to a concentration camp in 1955. This is pretty much what they still look like today. I think most of them have been preserved the way they were and can be visited. The camera approaches the camp and a monotonous voice that almost sounds as if reading a poem tells us what we see and meditates about the fact that this all looks so normal, that all the names like Dachau, Buchenwald, Auschwitz, Treblinka were once just names and spots on a map.

From those initial pictures the movie switches to actual footage and we see first the trains, then the arrival in the camps, the conditions of the barracks, the hospitals where they performed horrible vivisections, the showers, the furnace, the piles of bodies.

The combination of the voice, the back and forth between the images of today and the actual footage showing those emaciated faces, the grimaces of those who died in pain, the huge mountains of hair and shoes and skin… It’s hard to bear.

I think this is one of the most important films on the extermination camps there is.

Most of it can be watched on YouTube but it would be better to watch it in one go to get the full impact.

I had to watch all of it. I think those masses who endured all this deserved it. Who am I to complain about an upset stomach? After turning it off I was back in my own cozy life, while they had really been there…

Most important of all, a movie like this, that bears testimony to an atrocity, helps us to not forget and to never ever let it happen again.

Please also have a look at this great resource The H.E.A.R.T Holocaust Research Project.

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First Light (2010 TV) A TV Movie Based on the Memoir of a Spitfire Pilot

Geoffrey Wellum was only 18 when he joined the 92 squadron of the RAF in May 1940. He was one of the youngest pilots. He flew over 50 missions during 18 months, all through the Battle of Britain and beyond. After a forced break of several months he flew again but finally had a nervous breakdown and stopped for good. A while back he published his memoirs First Light on which this TV movie is based.

First Light is a treat for everyone interested in Spitfires, their pilots and the Battle of Britain. In between scenes we see and hear Wellum talk about his experiences. I think that hardly any pilot flew over such a long period and this many missions as he did. The strain and  stress of being a Spitfire pilot is really palpable.

When he arrived at the base no one thought he would make it as far more experienced pilots were shot down. The other pilots were a bit reluctant at first to accept him as he was so young. The RAF was in desperate need of pilots and couldn’t really be too choosy. Soon the other pilots realized that he was a good pilot and a fine man and they accepted him. During the day they flew their missions, sometimes even in the pouring rain, in the evenings they came together to sing, drink and dance with girls.

There are many moments typical for air combat movies. The moment when they fly back to the base and everyone is anxious to see if anyone is missing. The love stories, the drinking, the friendships. The older men who feel protective of the younger ones. The sadness when one of their friends dies.

Maybe First Light wouldn’t be so special as a movie if we didn’t know that it ‘s a true story. But the fact that it is a true story and the presence of Wellum himself make this worth watching.

Instead of a trailer I attached a mini-documentary. Hope you will like it.

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Enemy at the Gates (2001) or The Duel of Two Snipers

It’s interesting how often people mention Enemy at the Gates as one of their favourite war movies, yet I do not see it included very often in more official Best of Lists. I wonder why and can only guess. Maybe because it is too esthetic? Hardly ever have ruins looked this good. Or is it because of the love story? I must admit, I had a problem with it. I don’t mind a love story, although it is mostly a bit tacky in a war movie, but I would have liked this one to be left out. I thought it spoilt an otherwise perfect movie. And I think another cast would have been better as well, apart from an excellent Ed Harris, I didn’t care for the actors. Despite all these reservations, I think it is an excellent movie. The central story is suspenseful and it is one of the most beautifully filmed war movies ever and certainly one of those I will re-watch. And don’t you just love movies about snipers?

Stalingrad 1942. The city is under siege. The German army hopes to win the war and to secure the oil fields near the Caspian Sea. The Russians are well aware if they lose Stalingrad, it is over. The losses are high, morale is low and a little bit of propaganda might do every one a lot of good. That’s why Khrushchev (Bob Hoskins) thinks its high time to fabricate a hero and charges Danilov, an important oficer of the Communist Party, with this mission.

Enemy at the Gates is loosely based on the story of the famous Russian sniper Vassili Zaitsev (Jude Law). Vassili has learned to shoot at an early age, and now, in his early twenties he is the best sniper in the Russian army. Danilov (Joseph Fiennes) decides to pick him, and turn him into the hero Khrushchev is looking for. Vassili gets newspaper coverage and publicity and soon his fame is known far beyond the Russian borders and especially the Germans are well aware what a dangerous enemy he is.

Amidst the rubble and the ruins we see two parallel stories unfold. The first story line, follows a love triangle. Through Danilov Vassili meets the Jewish woman Tania (Rachel Weisz). Both men are in love with her but as it seems Tania has only eyes for Vassili. This love triangle is frankly annoying and disrupts the movie. It isn’t even very plausible.

The second story line revolves around the competition between Major König (Ed Harris), a famous German sniper, and Vassili. König is sent to Stalingrad to take out Vassili. All the parts of this second story line are quite gripping. We see the men hunt each other, we see how they get to know each other, how they try to find out how the other will react, how and from where he will shoot, how they try to ambush each other.

Snipers are endlessly patient. They don’t just shoot wildly, they aim carefully, take their time, observe and shoot only when they are fairly sure of hitting their target. Enemy at the Gates perfectly captures this cat-like hunter quality of the sniper and that’s what makes this film so watchable despite its flaws.

The director Jean-Jacques Annaud is famous for his cinematography. He has made one of the visually most compelling movies The Bear or L’ours . Enemy at the Gates is equally stunning from a cinematographic perspective.