Tag Archives: WWII

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Frozen Silence – Silencio en la nieve (2012) Spanish WWII Thriller

Frozen Silence

Set on the Russian front in 1943, this thriller shows a lesser known aspect of WWII, namely Spain’s participation on the Russian front. I may not be the history buff I should be to write a blog like this, so, in all honesty, I have to admit, I had no clue the Spanish were fighting on the Russian front alongside the Germans. The Blue Division or División Azul  (also called División Española de voluntarios, meaning Division of volunteers) was a division of Spanish volunteers, the 250th Division of the German army. Franco had allowed these volunteers to join up. Most of these men were right-wing, falangists, only a very few were communists.

I knew this was a thriller, therefore I didn’t expect to see all that much about the war as such. The 250th Division must have seen some heavy fighting, but we only get a taste of it. Nevertheless I liked this film a great deal. It works as a gripping thriller, but it also conveys a feeling for what it must have been like for the Spanish to fight with the Germans. There was a lot of hostility, and the Germans made them feel their superiority constantly.

The story starts with a chilling image. A frozen lake full of dead horses. When the soldiers of the Spanish division approach they find a dead man among these horses. His throat has been cut and an inscription has been carved into his skin “God Sees Everything”. The Spanish commander appoints a former police officer, Andrade, to investigate the case.

Arturo Andrade goes about this investigation with great care. At first it looks las if the victim was a pro-Soviet agent, later when there are further murders a possible lead points towards freemasons.

There is a longer sequence towards the end of the movie which is reminiscent of the Deer Hunter Russian Roulette scene, only this one here is even more chilling. I wonder if this is truth or fiction. Did they really play Russian Roulette to the extent it’s shown here?

I liked the mood and the atmosphere of this beautifully filmed movie. It has a lot of great scenes. I enjoyed the characters and the story as well and I’m glad it made me aware of the Spanish participation in WWII. I think this is fascinating material and well-worth a “proper” war movie. I’m afraid though that not many Spanish film makers would want to portray the División Azul. After all they were falangists and, as it seems, quite heroic. Depicting their heroism could be interpreted as pro-Franco, I guess.

The movie is based on a novely by Ignacio del Valle.

I found the Spanish trailer but none with subtitles and another trailer below in which nobody talks.

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Colditz (2005) British TV Miniseries

Colditz

Often when you expect nothing you’re in for a pleasant surprise. I’d read a few reviews that were critical of the 2005 miniseries Colditz and I expected it to be quite bad but must honestly say, I enjoyed it. Although, truth be told, for the wrong reasons. While the title may give the impression this is a POW series, that’s not the case, the POW part is only one story line. The other is clearly a romance. While the POW part didn’t work all that well, I liked the romance, or rather the tragedy.

At the beginning of the series we are introduced to the four main characters: Nicholas McGrade (Damian Lewis), Jack (Tom Hardy), his girlfriend Lizzie (Sophia Myles) and his friend Willis (Laurence Fox). Jack, Nicholas and Willis escape from a POW camp together. Willis and Jack are captured but Nicholas can make it to Switzerland. Before they are recaptured, Jack tells Nicholas to go and find Lizzie in London and tell her that he is alive. Jack is obsessed with Lizzie and the only thing he regrets is that he was too shy to ask her to marry him before he went to war.

While Nicholas is sent back to England, Jack and Willis are sent to Colditz castle which is said to be escape proof. Prisoners who frequently escaped from other prisons are brought to Colditz. In Colditz the two men meet the Canadian pilot Rhett Barker (Jason Priestley) who trades with different of the German guards. He will help them to escape, buying the silence of some of the guards.

Meanwhile Nicholas who has arrived in London has found Lizzie who is working as a nurse. He knew from Jack’s descriptions that she was a looker but he didn’t expect to fall for her. But he does.

The movie switches back and forth between the two settings. The prisoners make one attempt at escaping after the other and Nicholas tries to win Lizzie’s heart, only she loves Jack and wants to wait for him.

But then Nicholas has a shrewd plan how to win Lizzie despite her love for Jack. I can’t reveal more or it would be pointless to watch the movie.

I like Damian Lewis a lot and I think that’s to a large extent why I liked this series. But I also thought that Nicholas was a great, tragic character. He did a really bad thing and he paid for it but in a way, I think, most people can understand what he did and why he did it. I found it very touching.

The Colditz parts, as I said before, are much weaker. There are many reasons for that but one is certainly Jason Priestley. He’s just not a good actor. This is too bad because Tom Hardy and Laurence Fox are quite convincing.

Watch it if you’d like to see a tragic war romance, stay away if you want to see a movie focussing on Colditz only. Still, there is plenty of action and drama in the Colditz sequences too and interesting war related bits in the London parts. Overall it’s very watchable. Not everyone may like it as much as I did but I’m sure many will appreciate it. It is quite entertaining.

https://www.youtube.com/watch?v=6KtVt_ciuH4

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Lore (2012)

Lore

What a pleasant change, I’ve actually watched a movie and really, really  liked it. I’d say it was certainly the best wartime movie I’ve seen in a long while. Lore is a German/Australian/UK co-production. Spoken in German, with German actors and subtitled in English. It’s based on Ruth Seiffert’s highly acclaimed novel The Dark Room. Or, to be more precise, on one of the three interlinked stories in the book.

Lore is the eldest daughter of a prominent Nazi functionary. Indoctrinated with the ideology, she blindly loves her father and the Führer, follows every order without questioning and takes everything she’s ever been taught to be the absolute truth. The movie begins at the end of the war. Her parents are in distress, something has happened but they won’t tell their children. The family flees to a holiday home in the country where people treat them aggressively. Lore has no clue what is going on. She knows her parents are hiding something. The father leaves them, and shortly afterwards the mother leaves too. She is giving herself up and goes to prison unsolicited. Before she leaves she tells Lore that the Führer is dead. Everything is lost. Lore has to take her four siblings, one of them is just a baby, and walk in direction of Hamburg where her mother lives.

The movie follows the children on their difficult journey towards Hamburg. It shows how difficult and dangerous it is for them. They risk starvation, rape, being killed or captured. They have to cross three different sectors, the US, the Russian and the UK sector. Even though they are only children, they are suspected and interrogated. At one point a young man starts to follow them. He carries papers and pretends being their older  brother. This makes all of their lives easier.

Lore is more than a road movie, it delicately portrays the total disenchantment of a young girl. On their journey they are not only confronted with severe deprivations but they learn the truth about their beloved father and the Führer. Everything Lore believed in was built on a lie.

I’ve never seen a movie, which focussed on the children of high Nazi officers. I never wondered what became of them after the war. The movie shows what a long and painful process it was to learn the truth.

The story as such is quite gripping and the way it was told was masterful. I haven’t seen any  of Cate Shortland‘s other movies but she’s a film director I’ll keep in mind. Lore was beautifully filmed and the score, written by Max Richter, enhanced the gloomy atmosphere of the film. The atmosphere and the mood was probably what I liked best: lyrical, melancholic and gloomy.

I’m not surprised Lore has won so many prizes and been nominated for many awards. I’d say it’s the first 5/5 movie I’ve seen this year. Don’t miss it.

Has anyone seen the film?

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We Are Looking for a Holocaust Movie

au-revoir-les-enfants-goodbye-children

It’s been a while since the last We Are Looking For a Movie post. I had some requests via e-mail and was lucky to be able to say which movie it was but in this case I draw a blank.

Can anyone help?

Years ago I watched a movie about a young Jewish boy whose mother (who had married a Jew against her father’s will) brought him to live with his grandfather to save him. She did not stay, herself.  The grandfather was either Italian or French. I think it was a foreign film with subtitles.
 
The emerging relationship was so touching. One significant scene I hope will help in identifying the movie is when the grandfather admonished the boy never to let anyone see him naked because of his circumcision.
 
I would love to view this movie again, but I don’t know the title. It has to be fairly old. Can anyone there help me to identify this movie?

The picture above is taken from Au revoir les enfants. While that is an excellent film, it is not the film we are looking for.

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El Alamein – The Line of Fire aka El Alamein – La linea del fuoco (2002) An Italian War Movie

El Alamein

Italian movies on WWII are rare, so when I saw El Alamein – The Line of Fire aka  El Alamein La linea del fuoco in a DVD shop I had to buy it right away. Thankfully it was well worth buying as I will certainly watch it again. Sure, the year is still young but I think it’s safe to say that this one will be on my Best of 2013 List. I liked it a great deal.

El Alamein is told from the point of view of philosophy student Serra. Serra has volunteered in 1942 after hearing that the Italian troops were in urgent need of reinforcements. Following the point of view of a young, naive and inexperienced private is common in war movies but in this case it works particularly well as Serra is the philosophical, introspective type. Seeing through his eyes gives the movie a lyrical feel that is underlined through a beautiful score.

Serra expects to see action right away but the Pavia Division, located on the southern line in Egypt, is more like an outpost. Boredom, inertia, heat, hunger, thirst and endless days of waiting for an enemy they cannot see but who bombards them frequently is the daily fare. This allows the men, to get to know each other, to experience the desert fully; its harsh beauty and the dangers it brings.

When they go on reconnaissance they have to fear for their lives as the terrain around the outpost is covered in mines and walking about is dangerous.

The situation is also very absurd. What are they doing there? What are they guarding? Nothing much is happening. I felt reminded of Dino Buzzati’s excellent novel The Tartar Steppe (Il deserto dei tartari).

When the British finally attack, the Italians do not stand a chance. There are twice as many British troops, they are better equipped, better fed, their morale is much higher. The Italians are demoralized for many reasons. The Germans don’t take their ally seriously, they let them do the dirty work. As it was so often the case, the high command of the Italain’s proves to be clueless. In one scene it is shown that while there is no food or water, truckloads of shoe creme are sent through the desert for a parade.

After the attack during which almost the whole of the Pavia and other Divisions died, the troops flee in confusion, not knowing where to go and what will happen next. Serra, Sgt Rizzo and Lt Fiori end up on their own and try to get through the desert with hardly any food or water.

While the first half of this movie is very quiet and takes a lot of time to give us a feel for the situation the Italians faced and to introduce the characters, the second half is action driven.

The funny thing is that while watching this, you soon forget that the Italians were fighting on the wrong side. The characters are so likable and they seem such helpless victims of their government that you can only feel pity.

I liked the many intimate moments, the discussions between the soldiers, the mood, the atmosphere. At times the movie felt like a combination of All Quite on the Western Front and Ice Cold in Alex.

I highly recommend this wonderful movie to anyone interested in war movies and WWII.

I couldn’t find a trailer, let alone with English subtitles, but here’s the full movie – in Italian.

http://www.youtube.com/watch?v=iTprjxwjz8M