Tag Archives: Children and War

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The Ogre aka Der Unhold (1996) or Nazism, Symbolism and the Erlking

Volker Schlöndorff’s The Ogre aka Der Unhold (France/Germany/UK) is based on Michel Tournier’s novel Le Roi des Aulnes aka The Ogre. The Ogre is a highly symbolical, original and complex  movie that attempts nothing less than to explore Nazi symbolism and ideology, German culture and mythology by telling the incredible story of Abel Tiffauges, a man who loves children and animals and who makes himself believe he is more than just human. The movie is filmed in English, French and German.

Plot

Abel Tiffauge’s story has five very distinct parts. Part I. Childhood. The French boy Abel grows up in a Catholic private school for boys. He is the outsider, the odd one, the one others pick on, the one the priests punish whenever someone has done something. Especially a very fat boy exploits Abel whenever possible. But he is also his only friend. When Abel is wronged again he wishes a catastrophe upon everybody. And it happens. From now on he believes he is invincible and powerful. Part II. Grown-up. Abel is still odd and a loner but he is also an auto mechanic with a flourishing business. Abel is also an amateur photographer and likes to take pictures of kids. There is nothing he loves more than kids. This very innocent fondness is mistaken for child molesting. Instead of being sent to prison, the falsely accused is sent to war. Part III. POW. Abel is captured together with his officers and sent to a German camp, somewhere near the Polish (?) border. During the day when everybody works he sneaks off to an abandoned hut and befriends a moose. One day he meets Goering’s forester. Part IV. Goering. If Goering was anything like the Goering portrayed in this part, then he was one of the most revolting beings to have ever walked this Earth. Abel is to help on his hunting lodge and gets a close look at the way the Nazis and their friends spend their leisure time. Drinking, eating, hunting. Very vulgar. Part V. The Erlking. Abel is sent to Kaltenborn Castle an elite training camp for German boys. He is happy like never before and loves to be able to take care of these boys but he also takes an active part in their training. Soon he starts to collect the boys from the neighbourhood and the people who are afraid of him call him the ogre. He doesn’t realize that he is doing wrong. When the Russians approach and people from concentrations camps are liberated, he starts to understand what he has been part of. He tries to help a Jewish boy and almost gets killed.

Meaning

So much for the content of The Ogre. But that is only one part. The movie shows us in stunning pictures what it must have been like to face Nazi ideology. The power of the imagines they created by using potent symbols is amazing. The visualization of this ideology is fantastic. Just take a look at the trailer and you see some of it. The boys standing in the form of a giant Swastika holding burning torches in the night. But then there is also the undercurrent of German culture, of everything that was good about Germany and was perverted by the Nazis. The love of the forest, love of animals, children, poetry.  Goethe’s famous ballad The Erlking is quoted and put into pictures in a very spooky way. Without knowing this poem a great part of the movie’s meaning stays hidden.

Who’s riding so late through th’ endless wild?
The father ‘t is with his infant child;
He thinks the boy ‘s well off in his arm,
He grasps him tightly, he keeps him warm.

My son, say why are you hiding your face ?
Oh father, the Erlking ‘s coming apace,
The Erlking ‘s here with his train and crown!
My son, the fog moves up and down. –

Be good, my child, come, go with me!
I know nice games, will play them with thee,
And flowers thou ‘It find near by where
I live, pretty dress my mother will give.”

Dear father, oh father, and do you not hear
What th’ Erlking whispers so close to my ear?
Be quiet, do be quiet, my son,
Through leaves the wind is rustling anon.

Do come, my darling, oh come with me!
Good care my daughters will take of thee,
My daughters will dance about thee in a ring,
Will rock thee to sleep and will prettily sing.”

Dear father, oh father, and do you not see
The Erlking’s daughters so near to me?
My son, my son, no one ‘s in our way,
The willows are looking unusually gray.

I love thee, thy beauty I covet and choose,
Be willing, my darling, or force I shall use!
“Dear father, oh father, he seizes my arm!
The Erlking, father, has done me harm.

The father shudders, he darts through the wild;
With agony fill him the groans of his child.
He reached his farm with fear and dread;
The infant son in his arms was dead.

The Cast

John Malkovich as Abel Tiffauges is astonishing. I think it is one of his best roles. He is such a weird-looking actor and that is perfect for this role. I particularly like the three German actors Heino Ferch, Armin Müller-Stahl and Gottfried John. But everybody else, especially those many little boys and girls, are very convincing.

The Director

Volker Schlöndorff can look back on a career with many an important movie. He is not just any director but one of the very great. He has done the war movies The Tin Drum and The Ninth Day and the movies Swann in Love, The Handmaid’s Tale and Ulzhan.

The Score

Michael Nyman is one of my favourite composers. He is foremost famous for the scores he wrote for Peter Greenaway and Jane Campion. This one here is OK but not as outstanding as his other work like Draughtman’s contract, Gattaca and The Piano to name but a few.

For me this is a 5/5 star movie. It has incredible pictures, is dense and complex and invites you to rethink Nazi ideology and symbolism like not many others. It is better than the Boy in the Striped Pyjamas that is for sure. But not as good as Pan’s Labyrinth.

Other war movies with children as main characters can be found on my list  Children in War Movies.

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Winter in Wartime aka Oorlogswinter (2008) Resistance in Occupied Holland

Winter in Wartime is a Dutch-Belgian co-production filmed in three languages, German, Dutch and English. The same producers who did the outstanding movie Zwart Boek aka Black Book did also this one. There are some resemblances picture wise but apart from that the two movies are very different. Winter in Wartime is to be classified among the long list of Children in War Movies (please see my post Children in War Movies).

Michiel, a young boy of 14 years, gets drawn into the Dutch Resistance after one of his older friends, an active member of the Resistance, gets shot. Michiel takes it upon himself to help a young RAF pilot who has been shot down in the woods near his village. As young as he is Michiel has a strong sense of right and wrong and despises his father whom he accuses of collaborating with the Germans. He idealizes his uncle Ben who thinks his brother is a coward.

Occupied Holland is swarming with Germans. It is extremely dangerous for Michiel to help the young injured British soldier and he has to let his sister who is a nurse in on his secret. After a German soldier is found shot in the woods the Germans arrest Michiel’s father. Although his uncle says he can help him, the father is shot.

Michiel’s only mission from then on is to save his the young pilot. The ywill attempt to flee several times. Michiel will learn a few important lessons and come out wizened of this experience.

The movie is very beautiful as we see long takes on the snow-covered Dutch countryside. Snow flakes fall softly in many a scene, the whiteness of the woods builds a stark contrast to the dark uniforms of the Germans. Michiel is a wonderful character. Such a young boy with such an incredible idealism and courage. The young actor, Martijn Lakemeier, did a great job. So did  Jamie Campbell Bower as the pilot Jack. I also liked the relationship between the boy and his father or rather how the opinion the boy is change through the events. Apart from that I’m not too sure about this movie. You could watch it with very young people or children to teach them something about the war and values but I think it is too much of a purely invented story and does lack realism. If you watch it you will understand what I mean. There are a few things that just seem extremely farfetched.

Don’t get me wrong, it is watchable. Just not great. If you have never seen a movie on Dutch Resistance, go for Black Book. If you’d like to watch something on Nordic Resistance, try Max Manus or Flame & Citron. All three are great. This one is probably a 3.5-4.

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The Boy in the Striped Pyjamas (2008) or An unusual look at the Holocaust

The movie The Boy in the Striped Pyjamas is based on a novel by John Boyne.

The movie tells the story of Bruno, an eight year old boy, whose father is a high ranking Nazi officer newly appointed to be in charge of a concentration camp.

The family leaves Berlin (shot in Budapest, by the way) for a place somewhere in the country, near a concentration camp. The story is purely seen through the eyes of the little boy which creates some very uneasy moments.

I believe that the major theme of this movie is knowing and knowledge. We do know what happened during the third Reich. We know what Endlösung – The Final Solution – means. We know about concentration camps and extermination camps. Watching this movie with all this background information makes for a lot of discomforting moments. All the signs, the chimneys and the smoke, the people in the striped pyjamas… We know what to make of them. Bruno does not. And neither does his mother as it would seem.

The crucial moment is when Bruno meets the boy behind the barbed wire, the boy in the striped pyjamas, Shmuel. An impossible friendship begins. Bruno understands after a while that this boy is a Jew; at the same time he is taught by a fanatic private tutor that Jews are vermin.

Boyne says in an interview that he wanted to tell a different story, add something new to a topic that has been taken up so many times. He is very successful. One thing is for sure, no one who watches The Boy in the Striped Pyjamas is going to forget it easily. The whole way it is told plus the more than atrocious end is by far too unusual to be forgotten.

I am sure it is one of the best movies to teach children the Holocaust.

To be honest, I am still a bit speechless. The whole film and especially the ending are like being kicked in the gut. I am quite awed by the little actors. Asa Butterfield, who plays Bruno, is amazing. This little kid has a way of talking with his eyes that is rarely found in grown up actors. To cut a long story short: Watch it!

See also Children in War Movies: A List

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Children in War Movies: A List

In this post I would like to focus on war  movies in which children have leading roles and are not just supporting actors like in The Hurt Locker to name but one example.

There are many movies whose sole focus are children. They come from different countries, show different conflicts and times but they have one thing in common: they are all good, very good or outstanding. This is quite remarkable. It is as if those film directors who aim for entertainment only would shy away from showing children in war movies. All the movies listed below are very different in tone. Some are light and almost playful, like Hope and Glory, some are depressing and raw like Come and See, others have the quality of a fairytale like Pan´s Labyrinth.

I am sure my list is not exhaustive. If you know of any others, let me know. I will try and review most of them in later posts,  like I already did with Hope and Glory (see post), Welcome to Sarajevo (link to post), The Children of Huang Shi (see post) and Savior (see post). I am stating the name and the year and country in brackets. The conflict and where the war takes place follow behind. I did include a few movies with teenagers in it like The Bridge or Napola, but most of the others focus on much smaller children. I did also  include Savior as the newborn is central to the story.

I am sure you will discover many you did not know yet as I did.

The Drum (GB, 1938): India

Mrs Miniver (US 1942): WWII, British Homefront

Since You Went Away (US, 1944): WWII, American Homefront (here is my review)

Roma, Città Aperta aka Rome, Open City (Italy, 1945): WWII, Italy

Kim (US, 1950): India

Forbidden Games aka Jeux interdits (1952, France): WWII, France

The Bridge aka Die Brücke (1959, Germany): WWII, Germany

Two Women aka La ciociara (1960, Italy/France): WWII, Italy

Ivan’s Childhood aka Ivanovo detstvo (1962, Soviet Union): WWII, Russia

Hornet´s Nest (1970, USA): WWII, Italy

Lacombe Lucien (1974, France): WWII, France

The Tin Drum aka Die Blechtrommel (Germany, 1979): WWII, Germany

Hope and Glory (1987, UK): WWII, Blitz  (Here is my review)

Empire of the Sun (1987, USA) : Chinese-Japanese War WWII

Au-revoir les enfants aka Goodbye, Children (1987, France/Germany): WWII, Holocaust,France

Grave of the Fireflies aka Hotaru no haka (1988, Japan): WWII, Japan. Anime. (See my post)

Europa, Europa aka Hitlerjunge Salomon (1990 Germany/France/Poland): WWII, Germany (See my review)

Come and See aka Idi i smotri(1985, Soviet Union): WWII, Byelorussia

The Ogre aka Der Unhold (1996, France/Germany/UK): WWII, Nazi Germany

Welcome to Sarajevo (1997, USA) : Bosnia

Life is beautiful aka La vita è bella (1997, Italy): WWII, Holocaust (see post on La vita è bella)

Savior (1998, USA ): Bosnia

Silent Night (2002, USA): WWII, Germany (see my post on Silent Night)

Innocent Voices aka Voces inocentes (2004, Mexico/USA/Puerto Rico): El Salvador (see my post on Innocent Voices)

Turtles can fly aka Lakposhtha parvaz mikonand (2004, Iran/France/Iraq): Iraq

Before the Fall aka Napola (2004, Germany): WWII, Germany (see my review of NaPola)

Pan´s Labyrinth aka El laberinto del fauno (2006, Spain): WWII Franco´s Spain

Under the Bombs aka Sous les Bombes (2007, France/Lebanon): 2006, Lebanon (see my review of Under the Bombs)

Miracle at St. Anna (2008, US): WWII, Italy (here is my review)

The Boy in the Striped Pyjamas (2008, UK/USA): WWII, Holocaust (see my review)

Escape from Huang Shi aka The Children of Huang Shi (2008, Australia, China, Germany, USA): Japanese occupation of China

Winter in Wartime aka Oorlogswinter (2008, Netherlans, Belgium): WWII, occupied Hollad in Winter, 1945 (here is the link to my post)

The Fortress of War aka Brestskaya krepost (2010, Russia): WWII, Russia 1941. Germans attack the Brest Fortress (here is the link to my post).

The Round-Up – La Rafle (2010, FR/GE/HU): WWII, Paris, the round-up of 13000 Jews in the Vel d’Hiv (here is my review)

This list is being updated regularly.

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Hope and Glory (1987): Seeing War with the Eyes of a Child

Hope and Glory is such a lyrical and beautiful movie. A rare gift of total enchantment. Like a perfect summer day.

Bill is only 9-year-old at the beginning of WWII. He is the only boy in a house full of women as his father has joined the forces. For him and his little sister the war is a great adventure. They don´t really understand the dangers. Bill collects shrapnel and plays with other boys in the ruins of the houses in his street in a suburb of London. At night they run for cover from the constant bombing. When their house burns down, his mother takes them to the country where her parents own a splendid stately home on a lake. The children enjoy idyllic  summer holidays. They  go fishing with their grumpy grandfather or play cricket. Their mother´s sisters join them, as do other family members. At the end of summer the war holds a special surprise for them. Their school has been bombed. It is easy to understand what joy this bears.

Hope and Glory is also a look back at a lost world where families were much closer, where life, despite the hardships and the war seemed somehow better than today. And of course it does remind us of our own childhood that often with hindsight seems like a lost paradise with little daily worries. Still the depiction of the war is very realistic. For us with our grown-up´s eyes there is no mistaking it for a joyride.