We were driving in the car with the radio on when they played Stan Ridgway’s Camouflage. Camouflage is not just a song, it’s a real story. A fascinating story of a young Marine who gets lost in the jungle and is helped by another Marine, a big Marine called Camouflage. It’s really worth listening to the lyrics. While I listened to it, I thought of how often war is a theme in songs. Now, this is a blog on war movies, and so I thought it is fitting to see how many times war isn’t only in the lyrics, like in OMD’s Enola Gay, but how often it’s actually used in the video. How many war-themed music videos are there? One could argue these are mini war movies. I found seven so far, if you know any others, feel free to share. Don’t take it too seriously it’s just a little bit of light Sunday afternoon entertainment.
Which one do you prefer and why? Because of the music or the video?
Some of the links below will redirect you to YouTube.
There are numerous ways to tell a story. Numerous point of views to choose. Sometimes choices are convincing. Often they are not. Attack on Leningrad belongs to the second category. The choices the film director and his team made to tell this story were absolutely not convincing. I am very disappointed. This is very sad as this movie had incredible potential. Told another way this could have been one of the very great. As it is now it’s just an average movie on a shocking theme. How sad this is, became fully clear to me after I watched the interview with film director Aleksandr Buravsky on the DVD. He had the chance to create something great, why didn’t he do it?
The Siege of Leningrad is one of the unspeakable atrocities that the Germans committed during WWII. Hitler had the idea to starve the people of Leningrad within a few weeks, maximum two months in order to gain superiority on the Eastern Front. The siege lasted 872 days. Leningrad was a big city of almost 5 million people at the time. At least 1.5 million died during the siege. I was interested in this topic since I had read Helen Dunmore’s excellent novel The Siege. It’s a daring book from a master storyteller. I had hoped for an equally good movie (the movie is NOT based on Dunmore’s book).
In 1941 a young ambitious British journalist is flown to Leningrad, together with a whole group of foreign correspondents, to cover a story on Leningrad. While the journalists are there, Leningrad is attacked by the Germans and cut off from the rest of the world. She is believed to be dead and left behind while some of the other journalists manage to escape to Moscow. A young female Russian police officer helps her. Those two extremely different women form a bond that becomes a friendship. The two women fight for their life and the lives of a few others, almost until the end of the siege. The circumstances are horrible. It is extremely cold, people are famished and die in the streets, they cut open animals that are still alive, they eat dead humans, lick glue from paper hangings. It’s all very drastic and well shown. Still the movie didn’t work because of the invention of this English journalist. It’s a tacky, pretty unbelievable and unnecessary story. The movie has Russian and English parts and whenever we see Russian parts it is strong and convincing and as soon as it moves to the English parts it is just sadly arbitrary.
Why invent a story like that when there was such a lot of material at hand? Accounts of eye witnesses, for example. In the interview Buravsky mentions the famous Russian composer Shostakovich who was in Leningrad during the siege where he composed his 7th symphony. Wouldn’t that have been a great story? Or what he said about Stalin… Apparently he could have freed Leningrad much earlier but decided against it. He deliberately let them starve as Leningrad, the former St.Petersburg, the home of the Tsars was the center of the intelligentsia and the arts. In doing so he could get rid of people who were undesirable in his regime… A dictator like Stalin was certainly not fond of intellectuals and artists or other people who were used to thinking for themselves. That would have been a great story as well.
Since it is a Russian/UK co-production I suspect the choices had something to do with funding. Too bad.
Still, for people who have never heard or are not very familiar with the siege of Leningrad this movie is a good opportunity to learn something about it. And it is watchable. The Russian cast is very good, the pictures are very nice but all in all it’s a lost opportunity for something that could have been better than average. 3.5/5
Paths of Glory was forbidden in the UK and in Switzerland until the 70s. French troops disturbed the opening in West Berlin. The movie was forbidden in American cinemas for soldiers. It was forbidden in France during the war in Algeria. It was shown in Paris for the first time in 1975. What’s that telling us? That this is a radical anti-war statement that openly criticizes high command. It is powerful and thought-provoking and absolutely unambiguous as to its goal. I felt a bit uneasy that Kubrick chose to criticize French command. Didn’t he have plenty of opportunities to criticize American command? Be it as it may, Paths of Glory, which is based on a true account, is a great achievement.
The movie opens with the Marseillaise and a voice telling the horrors of WWI, the numbers of soldiers that get killed daily to no avail. The incident on which the movie centers took place in 1916 in France. The movie moves back and forth between the trenches and the high command residing in an elegant Château.
An ambitious general asks of the equally ambitious general Mireau to take a hill, held by German troops, the so-called “Ant Hill”. A highly symbolical name if there ever was one as people are treated no better than ants and wiped out with one simple gesture. When general Mireau informs colonel Dax (Kirk Douglas) of the order to attack the ant-hill, he is met with incredulity. Dax tells him that it is impossible and will cost an incredible amount of lives. The answer is a sarcastic calculation. 65% of the men will not survive and the outcome is not even sure. Dax wants to refuse the order but is threatened to be replaced.
The futility of the attack becomes obvious right away. Dax fights in the front line with his men who die one after the other. He and many others retreat after seeing that they can’t make it. Many stayed in the trenches, knowing damn well they would be killed and nothing could be won. Seeing the men’s reluctance to run into certain death, general Mireau orders to open fire on them but the officer who receives the order refuses.
The frustrated general then orders a court-martial. Three men are chosen in lieu of all the others and accused of cowardice. Colonel Dax, a lawyer in civilian life, takes up their defence. Like the court-martial in Breaker Morant, this is a pure sham.
Kubrick’s movie has a lot of interesting elements. Colonel Dax is one of the great war movie characters. A officer of high moral standards, free of carrerism and ambition, a just and human being. Kirk Douglas was very well-chosen for this role. He is very believable and gives a great performance.
The contrasts between the high command who is far from the action and thinks they can mock simple soldiers who are afraid, slap those who show signs of shell-shock and judge others that refuse to run into certain death, is fantastic. Paths of Glory is one of those movies that has scenes that will stay with you forever because they are emotionally true and powerful. The utter cynicism of the high command, the way they calculate losses without giving further thought to the fact that each number equals a human being, will make you cringe.
Apparently there is a more recent French TV film Le Pantalon (1996) that quotes Paths of Glory in its major parts.
As much good as I may have said, I had my reservations. I did not understand the use of black and white. The movie doesn’t work so well from a cinematographic point of view. There are not so many contrasts and shadows as there normally are in black and white movies. Even Pork Chop Hill (far less good as a whole) looks much better. Kubrick is famous for the use of colours in his movies… I don’t see it as entirely logical that he didn’t shoot this in color. But that is the only flaw I could find. It still deserves a solid 4.5/5.
Pete Postlethwaite died of cancer on Sunday 2 January in a hospital in Shropshire, UK.
I have no clue why the news of Postlethwaite’s death saddens me so much but it does. Many actors or celebrities die regularly and I couldn’t care less.
I am still watching the Sharpe series and Postlethwaite has a particularly nasty role in it but still, there is something about this guy. An odd-looking fellow, a gear actor and now sadly passed at age 64.
Apparently Spielberg once called him the best actor of the world. I might not go as far as that but he was very special.
In the hand of another filmmaker than Stanley Kubrick this wouldn’t have become the breathtakingly awesome movie this is. Full Metal Jacket is a visceral experience if there ever was one, a movie whose images will burn themselves into your memory forever. Not an unworthy beginning to a new year of blogging. But also a very controversial one.
As probably most of you know, Full Metal Jacket is like two movies in one. The first part, is the boot camp part, the second the combat part.
During the boot camp part the new recruits are transformed into killers, men who belong to a brotherhood. The drill instructor Gunnery Sgt Hartmann (R. Lee Ermey) is by far one of the most obnoxious war movie characters. But what a performance. Try saying one of the numerous bits he utters without stammering. This part also introduces us to Private Joker (Matthew Modine), an aspiring, cynical journalist. Private Joker symbolizes the controversies around this war. We will see him later, in combat, wearing a peace button and simultaneously a “Born to Kill” slogan on his helmet. Another of this movies memorable characters has his major part in this sequence, Gomer Pyle (Vincent d’Onofrio), a fat and clumsy recruit who winds everybody up because they are punished for his failures that are endless. His final scenes bear all the traces of other Kubrick movies like A Clockwork Orange and The Shining.
Once in the combat zone in Vietnam, we meet other colorful characters, one of them Animal Mother (Adam Baldwin), a pure killing machine. At the beginning of his stay Joker is bored like hell. He is a journalist with Stars and Stripes. The guys basically hang around and wait for something to happen and instructions on what they have to report. The Vietnamese they see are either hookers or Vietcong. Any others don’t seem to pass their radar.
The last part is an intense combat part in the cit of Hue. They come under fire and some of them are killed by a sniper hiding in one of the bombed out buildings. As there may still be many people who have never seen Full Metal Jacket I will stop here. It should suffice to say that the last part is intense and not easy to watch.
What struck me most in this movie are the pictures and the colours. Smoke and fire, burning red heaven, bombed out buildings and palm trees. Apparently the parts in the buildings were filmed in the docklands of London. I don’t know about the rest of the movie. The music is interesting as well. There is a mix between songs of the era and original score that would do any horror movie justice.
I have left out many important, visually powerful and interesting moments. I just wanted to give a short introduction to one of the most extreme and most important war movies that has ever been made. If you haven’t seen it yet, you should watch it.
Full Metal Jacket is also one of those movies that is focussing on the themes War and Journalism and Women in War Movies. Believe me, if you haven’t seen it, we got some interesting elements on both in this movie. If you have seen it, you know what I mean.
I don’t think it is the best Vietnam movie. At least not for me. Of the combat Vietnam movies I consider Platoon, Hamburger Hill, and maybe even We Were Soldiers to be superior. Why? I think, it is fantastic from a cinematographic point of view, but as an anti-war statement I always found it a tad ambiguous. Pretty much like Apocalypse Now.
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