Ardennes Forest, December 1944, just after the Battle of the Bulge. A small intelligence unit is sent to an abandoned estate in the forest to do some reconnaissance. The men all have an IQ above 150 and have been chose especially for this unit. While staying at the house they encounter a small group of German soldiers who want to surrender. They have just returned from the Eastern front, happy to have survived and war weary. They don’t see any sense in fighting anymore. During an evening of truce the two parties exchange Christmas gifts and sing their respective Christmas songs. The time before the two parties meet is the best part in the movie. It is quite spooky. The men, surrounded by the ghostly winter forest, start to doubt at some point that there really is someone, they only hear noises and voices that shout “Good night” in German.
The day after the Christmas celebration they are going to fake a skirmish in which the US soldiers will pretend to take the Germans prisoners. It doesn’t quite turn out the way they planned it.
A Midnight Clear is based on a novel by William Wharton (the same author who wrote Birdy). The most striking feature of the movie are powerful images. There is an instance where the group comes upon two frozen soldiers, a German and an American one, who seem to be dancing together. The icy cold winter forest is beautifully filmed. Another really great aspect is a flashback element where we see the young American soldiers getting ready for going to war and spending a night on the town looking for an occasion to lose their virginity.
I have read a lot of positive reviews about this movie. Funny enough, a person on amazon, who gave it high praise, compared it to Castle Keep and called it surreal. I didn’t think it was surreal, I thought it was at moments a bit forced. This was mostly due to the character called “Mother” who annoyed me totally. Sure, he suffered of post-traumatic stress, still.
Since I have been complaining about the use of languages in Silent Night, I might add here that this is flawless in this movie. The German soldiers are played by German actors.
Another interesting element is that we see a few fine actors at the beginning of their career: Ethan Hawke, Kevin Dillon and Gary Sinise.
How would I rate it? All in all I can’t give it more than 3/5. I have a feeling, comparing my impressions with all the positive reviews, that I didn’t get this movie. Or is it too similar to Silent Night?
This is the only trailer I could find. Whoever did it found it appropriate to use Albinoni’s Adagio which we never hear in the movie. It would have been fitting though.
The question you might ask yourself right away is probably: What is an original war movie? Is Stalingrad original or Black Hawk Down? I would argue, no, they are not. They are great, they are absolute must-sees but they are not original. They consist pretty much of linear story telling. Well filmed but nothing out of the ordinary. What about Enemy at the Gates? Admittedly according to my definition this almost made it into the list, as it is originally beautiful, but so are others.
Original is about something more than beautiful cinematography, it is something beyond the well-trodden path. Either a different way of telling an old story, a new look at something we saw before, a different way of filming, a genre-blend, an original story etc. After thinking for a very long time about it, I came up with the following fifteen movies that are far from the ordinary. I guess that all these fifteen films are movies that mostly also appeal to cinema lovers in general.
Three Kings (USA, 1999): Taking place during the first Iraq war it is definitely one of the most original movies I have ever seen. The way certain things are filmed is pretty unusual. When someone gets hit by a bullet we follow the bullet on its way inside the body, see how it affects the system and causes gangrene. Quite astonishing. On top of that it is a crazy, fast-paced story. Like a filmed version of a rock song.
Pan’s Labyrinth aka El laberinto del fauno (Spain, 2006): Set during WWII in Franco’s Spain. A genre blend, half fantasy, half war movie. Uses lots of fantastic elements, striking colors. Absolutely different.
Ovelord (UK, 1975): WWII, UK just before D-Day. A very short movie that alternates original footage and filmed bits. Filmed in black and white, it has a very old-fashioned feel. The story is original as well as it focuses on one individual soldier who will be shipped to France. Uses dream sequences, elements of foreboding. Still straightforward storytelling. (see my post Overlord: An Overlooked War Movies masterpiece)
The Thin Red Line (USA, 1998): WWII, The Pacific. This is the most lyrical of all war movies. Intense pictures, haunting voices in the off meditate about death and dying. It is one of those cases – you love it or you hate it but can’t deny it is original.
War Requiem (UK, 1989): WWI, France. Silent movie. Visual interpretation of Benjamin Britten’s War Requiem based o the life of the poet Siegfried Sassoon. Mixed with original footage that gets more and more gruesome towards the end. The most gruesome original footage that I have every seen. Heavy on symbolism, colors etc. Despite Sean Bean this is definitely not everybody’s cup of tea. (see my post War Requiem; Derek Jarman’s Impressive Interpretation of Benjamin Britten’s Eponymous Requiem)
Life and Death of Colonel Blimp (UK, 1943): Boer war, WWI, WWII. A movie that relies heavily on almost choreography like acting, loads of allusions to British culture. Extremely funny, filmed in brilliant Technicolor. Quite slapsticky at times, reminded me of one or the other Laurel and Hardy at war movies, but undeniably British humor. Two astonishing acting achievements. Deborah Kerr playing three different women and Roger Livesey playing the young, the middle-aged and the old Colonel Blimp. Amazing performances.
The Downfall aka Der Untergang (Germany, 2004). There have been such a lot of movies about Hitler but this concentrates on his very last moment, in the bunker in Berlin. Quite an unusual look. Creepy, spooky, with a fabulous Bruno Ganz in one of his best roles.
300 (USA, 2006): The last fight of the Spartans is original because of the heavy use of CGI, outstanding camera work and graphics. (see my post 300: This is Sparta! )
The Hurt Locker (USA, 2008). Iraq movie. Academy Award Winner. Different in the sense that it focuses on one special task, bomb disposal and one special man who is doing it his way. He goes about his business as if he was a player in some video game. Death-defying. Plus the movie has a thriller feel which is quite unusual for a war movie. At times it feels like Speed goes to Iraq. (see my post A War Movie Gone Thriller: The Hurt Locker)
The Boy in the Striped Pyjamas (USA, 2008). WWII, Holocaust. Haven’t we all seen a lot of Holocaust movies? This is one that will stay with you. The cinematography is brilliant and the story is haunting. Nobody would expect that ending. The Holocaust seen through the eyes of a child that has no clue what is going on, only sees the signs and interprets them his way, is creepy. (see my post The Boy in the Striped Pyjamas: An Unusual Look at the Holocaust)
Waltz with Bashir (Israel, 2008): Israel. Another animated movie but of an altogether very different kind. This looks more like a woodcut. Interesting take at the Lebanon war.
Apocalypse Now (USA, 1979). Considered by many to be one of the best war movies there is, it is also very original as it doesn’t show the Vietnam war as it was, instead more like a hallucinatory re-telling of The Heart of Darkness set during the Vietnam war. Using Wagner’s Valkyrie and The End by the Doors further underlines it’s aiming at being something different. Whether you like it or not, it is very original.
Full Metal Jacket (USA, 1987). This is a highly original movie as it creates images that will burn themselves into your memory. Visually one of the most powerful movies. Plus it tells two stories. Boot camp and street fight. This last element is also quite original as Vietnam movies mostly portay combat in the jungle. Plus the Vietnamese sniper…
Have I forgotten any and if so, why should they be included?
Starting just before the Battle of Britain The Way to the Stars tells the story of two friends and the people that surround them on a British airbase. Flight Lt. David Archdale (Michael Redgrave) and Pilot Officer Peter Penrose become friends when Penrose (John Mills) arrives at the base where Archdale is squadron leader in 1940. The years go by. Penrose who was a total rookie at the beginning of the movie becomes a good pilot. Archdale gets married to the hotel manageress Toddy and they have a baby. Penrose falls in love with Iris who lives at the hotel with her very stern aunt.
In 1942, just before the Americans join the base, Archdale doesn’t return from a mission. Shortly before this he withdrew Penrose from flying duty as he had done far too many missions. He was now a controller which he hated. When his friend dies he becomes very bitter and breaks up with Iris.
The arrival of the Americans in 1942 changes the tone of the movie. We could say that we become witnesses of a real culture clash. I think this is very well done and the movie manages to do both countries great justice. I enjoyed this a lot as it is so insightful and does poke fun at both.
One of the American pilots, the eponymous Johnny (Douglass Montgomery), plays an important role in the second half of the movie. He is married but he likes Toddy a great deal, probably falls in love with her. This is not a clichéd story of an adultery but a nuanced tale of two people who meet each other, feel very close and realize that under other circumstances they would have become lovers.
For the aviation buffs out there I have to say that we see no combat scenes but we benefit greatly from the time during which this movie was shot as you will hardly see so many original planes and different types of planes in any other movie (certainly not in anything modern). We get a particularly good feel for the American Flying Fortress. An important part of the movie takes place in Toddy’s hotel which allows for some great character portraits. It is quite a motley crew that one would have encountered in a hotel during the war. Another interesting aspect.
In many ways this is a unique movie. Touching and quite accurate in the depiction of life on an airbase at the time. 4/5
As most of you will be aware, Mark Kermode and Simon Mayo are the hosts of the finest film show that the UK has to offer. The former is a film critic who’s words have graced the pages of numerous newspapers and magazines, is a regular presence on the nation’s TV screens and has even been lampooned by Vizcomic and had his huge, flappy hands mocked on The Thick Of It. Simon Mayo is perhaps one of Britain’s most recognisable and popular radio presenters. Many of us spent our youth listening to him on BBC Radio 1 only to follow him to his afternoon slot on BBC Radio 5 Live and then to BBC Radio 2 where he currently presents the popular Drivetime show. Mayo has also been slightly maligned on The Thick of It. The two doctors present Kermode and Mayo’s Film Review; two hours of film discussion, interviews, reviews and the home of the occasional ‘Kermodian rant’ – wittertainment at its finest.
Over the past few weeks they have been inviting listeners to help them compile a code of conduct for watching films in the cinema, a list of rules that many of film bloggers would agree with, and have even had the decency to provide a poster…
The rules for the meme are simple
On 1 Dec 2010: post the ‘code of conduct’ poster on your blog under the title ‘Cinema Code of Conduct’ and, underneath that, post your own 11th rule. Also include a link to the Kermode and Mayo’s Filmsite. (where you can find and download the poster).
Here goes rule No 11
No Emergencies
Please have your heart attacks, cardiac arrests, seizures, fits, panic attacks and cold turkeys elsewhere. We are too nice to let you die on your own and running to your immediate assistance would greatly disturb our movie enjoyment. You’re not fit for cinema? Stay home!
Here goes rule No. 12
No Themed Outfits
Do not abuse the topic of the movies you attend as some sort of dress guide. We don’t want to see you disguised as a vampires, aliens, member of a bomb squad or the like. You are not at a fancy-dress party. Not even when watching The Rocky Horror Picture Show.
Talking with a friend about Black Hawk Down the other day, he said he thought it was too much, the combat was too intense, too relentless. Since Black Hawk Down is my absolute favourite I did never think of it in terms of being too intense. For me it is absolutely perfect the way it is but I can see how one could feel the way he did. How about you? Any opinion on the combat intensity of Black Hawk Down?
All About War Movies 